In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
'Social Suicide' is an investigative thriller examining what it really takes to get noticed on the Internet today. Loosely based on Romeo and Juliet, the police investigate what happened to... See full summary »
Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
Shakespeare's classic tale of romance and tragedy. Two families of Verona, the Montagues and the Capulets, have been feuding with each other for years. Young Romeo Montague goes out with his friends to make trouble at a party the Capulets are hosting, but while there he spies the Capulet's daughter Juliet, and falls hopelessly in love with her. She returns his affections, but they both know that their families will never allow them to follow their hearts. Written by
Jean-Marc Rocher <email@example.com>
The last Shakespeare film (to date) to have its American television premiere on commercial network television rather than cable. Peter Brook's King Lear (1971) was never shown on commercial TV networks, and by the time Kenneth Branagh released his version of Henry V (1989), virtually every film was shown on cable TV before it went to the commercial networks. See more »
In the opening fight between the Capulets and the Montagues, Tybalt gives Benvolio a very nasty stab to the eye (area) with his sword. Then, in the next scene, when Benvolio meets Romeo, he shows absolutely no sign of any injury or distress. See more »
Two households, both alike in dignity / In fair Verona, where we lay our scene / From ancient grudge break to new mutiny / Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes / A pair of star-cross'd lovers take their life / Whose misadventured piteous overthrows / Do with their death bury their parents' strife.
See more »
A scandal that the Academy did not give this best film
I saw Romeo and Juliet at the Odeon Leicester Square, the day after the Royal Premier and from that day I was hooked on this film. I went back three times with different sets of friends just to watch it again and each time I enjoyed it more. Now owning it on DVD when I want to just feel good about films I watch it!
So much has already been written about the youth of the two young unknown stars and the chemistry that they had on screen that I don't need to repeat it now. However the key to this film's great success was that it was visually stunning, Zefferelli is the master of using colour, setting and costume to great effect. He was so clever in his casting, not just with the very handsome young Leonard Whiting who at the time when I was only 18 myself I thought was gorgeous but also the innocence of an immature Hussey was perfect. A master stroke was Milo O'Shea as Friar Lawrence, never ever has there been a better role for this talented by rarely seen Irish actor.
It's pointless complaining that the text is cut, by leaving out Romeo killing Paris and also the apothecary selling Romeo the poison in no way detracts from the overall imagery and beauty of Shakespeare's text. To have made the film using the whole text would have been too difficult and perhaps Zefferelli did want to portray Romeo as a little nicer than he actually was. In truth he was a fickle young man as all teenage boys can be and also prone to an amount of passionate violence so prevalent in adolescence. But this was Italy in Tudor times when life was cheap and the willingness to reach for the sword was as it should be.Shakespeare understood human nature better than anyone and that's why all his plays show so much insight into the human spirit.
Zefferelli balanced the film perfectly, nothing was overdone. He combined the tragedy with the humour as well as the love story by casting the right actor for each role and even if some of them faded into oblivium later, for this film they were all perfect. I never want to see another version. Baz Luhrmann's pales in comparison and thats not a bad film.
Come the Oscars I waited with baited breath having convinced myself that it would get best film - I was so disappointed!. It did collect Best Costume and I think Best Cinematography, but what a travesty, especially when the film that did win that year was not even in the same league and is hardly ever remembered. It's always very difficult to succeed with Shakespeare on the big screen but this version of Romeo and Juliet had it all. Only Kenneth Brannagh's mammoth production of the uncut version of Hamlet comes anywhere near this wonderful film.
How Nino Roto's soundtrack also missed out on an Oscar I will never understand. Footnote: Luciano Pavarotti has recorded the main love theme and it's called Ai giochi addio - it is so beautiful it will make you cry as you remember the film.
74 of 78 people found this review helpful.
Was this review helpful to you?