In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
'Social Suicide' is an investigative thriller examining what it really takes to get noticed on the Internet today. Loosely based on Romeo and Juliet, the police investigate what happened to... See full summary »
Shakespeare's classic tale of romance and tragedy. Two families of Verona, the Montagues and the Capulets, have been feuding with each other for years. Young Romeo Montague goes out with his friends to make trouble at a party the Capulets are hosting, but while there he spies the Capulet's daughter Juliet, and falls hopelessly in love with her. She returns his affections, but they both know that their families will never allow them to follow their hearts. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
According to Olivia Hussey, the camera used for filming, Arriflex, was very loud. As a result, the dialog had to be looped, and recorded separately later. See more »
When Romeo and Benvolio arrive at the Capulet's ball, Benvolios's love interest is seen standing in one place. In the next shot she's seen walking around and in the next shot she is seen standing in the same place she was before she began walking around. See more »
I beg for justice, which thou prince must give! Romeo slew Tybalt... Romeo must not live!
Romeo slew him... He slew Mercutio. Who now the price of his dear blood doth owe?
Not Romeo, Prince! He was Mercutio's friend. His fault concludes but what the law should end-the life of Tybalt!
And for that offense, immediately we do exile him hence! Let Romeo hence in haste... Else, when he is found... that hour is his last.
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This was the first time we actually saw the teenage love Shakespeare intended. Years and years before Leonardo Di Caprio and Clare Danes, Leonard Whiting and Olivia Houssey gave life to the tragic story told in this ancestral tale, revamping it without betraying it, making it accessible to a 60s audience without updating it. Leonard and Olivia were so beautiful that Shakespeare became trendy again and I don't mean any disrespect by it, I'm simply stating a fact. The real, stunning, dusty locations, the costumes, the faces, the music made the whole thing a totally new Shakespearen experience. Remember than the biggest screen adaptation of this play had been with the forty something Leslie Howard and Norma Shearer in those roles. Here everything reeked of youth underlining the tragedy in the most cinematic way. Another important point is to confirm that in 2007 the film still feels young and fresh. Recommended
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