Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others -- risking his sanity all the while.
George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At ... See full summary »
A young actor suddenly wakes up in the middle of the shooting of a movie he doesn't understand. After shooting a few scenes, the main character accidentally shoots and kills the technical ... See full summary »
As film spectators watch, a killer car tire comes to life in a desert dump site. Flexing its... rubber... and ready to roll, it soon discovers its telekinetic ability to make small animals and people's heads explode. Lt. Chad hopes to end this movie by fatally poisoning every last spectators, but failing that, the show must go on, and the tire goes on a three-day rampage. With few left alive, a lure is constructed to draw the tire from its motel room, where hopes are to end it and this movie once and for all. Written by
The director, writer, cinematographer, editor and composer, Quentin Dupieux, is also known as Mr. Oizo. See more »
When the tire is watching Nascar on the TV, the sound we hear is from a different series of motor-racing; possibly Formula 1. See more »
In the Steven Spielberg movie "E.T.," why is the alien brown? No reason. In "Love Story," why do the two characters fall madly in love with each other? No reason. In Oliver Stone's "JFK," why is the President suddenly assassinated by some stranger? No reason. In the excellent "Chain Saw Massacre" by Tobe Hooper, why don't we ever see the characters go to the bathroom or wash their hands like people do in real life? Absolutely no reason. Worse, in "The Pianist" by Polanski, how come...
[...] See more »
During the closing credits, the opening monologue by Lt. Chad is shown from a different angle that shows the speech is for the "in-film" audience, and not the "theater" film audience. See more »
This struck me as a film people were pained to sit through, but say they enjoyed to make themselves look cool. Outside of some nice camera-work and a good soundtrack, this was an hour and a half of pointless,cynical faffing around that would have done better as a short film.
The premise of Rubber is interesting, but does not carry the whole film. There are only so many times I can watch a tire roll around from different angles and explode heads, after which point it becomes excessive, gory and just plain boring. Films of course should convey a message, but they are at their heart entertainment. If you can't engage your audience (why are we watching a film based on no reason?) and we have no characters to become invested in, the film isn't good.
If we take Rubber as a discussion of Hollywood movies and mass media in general, how they are mindless, violent for no reason and feed on their audiences, continuing as long someone is watching (reality TV/blockbusters) and as time goes on becomes destructive and inane, that is an incredibly interesting topic to deal with and thats the worst part. Rubber could have been an incredibly interesting film, but instead it relied on poor acting, poor dialogue and constantly shoving metaphor and absurdity in our face. There is no subtlety at all. We are constantly told the film is pointless, not real etc etc. So why are we watching? The film hates movies, hates its audience which it poisons for being interested. Its so cynical you are left wondering, if cinema is so bad, instead of complaining about it, why don't they just make a good film?
13 of 22 people found this review helpful.
Was this review helpful to you?