A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
Christa-Maria and Georg's apartment is in Wedekind street in Friedrichshain, as confirmed in the DVD commentary. The buildings in the entire quarter surrounding Wedekindstr were part of a massive rebuilding project in the GDR, and were completed in the early 1950s. All of the balconies that can be seen while Georg is playing football with the children on the street, along with the ceramic work illustrate the particular Soviet style really clearly. However, the interior of the apartment and most of what we see of the building interior is what would be called 'alt bau', effectively 'old style' - the apartment has high ceilings, the stairwells have carved wooden balustrades and doors which clearly predate the 50s. When the Stasi men come through the front doors for the first time, you can see the interior of these buildings as they really look, in the next shot the style has gone back at least 40 years. See more »
Stand still. Eyes to the floor.
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A German Expat Feels his first pang of forlorn German patriotism
This film utterly blew me away. Full disclosure: I'm a German born (Munich born) German-American who left Germany in 1986, before the wall came down. I cannot describe the feeling I felt as the last few words were spoken on the screen. I could not look at the subtitles ( a habit of speaking two languages ) because my eyes were so full of tears. I cannot tell you how I was so sorry I did not experience the wall coming down. This film healed a wound that may have been left by the nightmare years of 1938-1945, my own great uncle being a Nazi war criminal, convicted in Nuremberg in 1946. Yes, we are mensch too. We have the potential for greatness (of character) in spite of our history. Thank you Florian Henckel von Donnersmarck, for giving me back half of my lost soul in this single "es ist für mich". I am reminded again that the difference between ourselves and beasts is that we have a choice.
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