A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Robert De Niro,
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
Director Donnersmarck spent a month translating the screenplay into French and sending it to Gabriel Yared to entice his participation as composer for the film. For the scene in which Dreyman plays the Sonata For A Good Man on piano, Donnersmarck asked Yared to write a composition that in two minutes would turn Lenin away from all the atrocities he later committed. This pivotal scene was the germinal idea around which the original screenplay was conceived and constructed. See more »
When Dreyman finds Wiesler in the end, the cars in the background are current, not from 1991. See more »
Stand still. Eyes to the floor.
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This was my favorite film at Telluride. Everyone with whom I talked had the same feeling. It generated the most "buzz." I hope it has a wide audience in the US. The acting by those who experienced the Stasi was moving and believable. Ulrich Muhe as the Stasi Officer was brilliant. Most of us cried during the final scene. Florian Henckel-Donnersmarck's direction with its twists and turns kept the audience glued to the screen. Because of the film's popularity, it was scheduled again for another showing at the festival. Both Muhe and Henckel-Donnersmarck were present and were stopped where ever they went during the festival. I recommend this film and gave it a 10.
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