A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
The cover of the prop Der Spiegel magazine featuring the Dreyman article was designed by the publication specifically for the film. See more »
When Oberstleutnant Anton Grubitz meets with Hauptmann Gerd Wiesler in his office, he is wearing a ribbon bar for medals on his uniform. One of the ribbons is for the "Ehrenmedaille 30 Jahre Nationale Volksarmee" (30th Anniversary of National People's Army). The scene is set in 1984 but this medal wasn't issued until 1986. See more »
Stand still. Eyes to the floor.
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having had the joy - while not living in the old gdr itself - to have some "accidental" run ins with the good old stasi then, i found it awkward that a German director from the "west" would have the guts to take on the subject of this "ministry of greyness".
writer/director florian henkell von donnersmarck (nice name for a teutonic director, me thinks, very fancy - makes you bang your heels) not only survived this bout of pretension which could have let him drowned in a swamp of reproaches and allegations about executing the "justice of the winners", but he transformed the tale into a story that can and will be understood anywhere in the world: a tale about power, treason and the almost anarchistic potency of emotions.
while at the same time not falling into the trap of moralizing with a waving finger but showing us "the system" as an bureaucratic nightmare powered by - eventually - once even good intentioned human robots of socialist self-righteousness who actually destroy all real positive socialist impulses in the ones they plague, this film is - even if one disagrees with it's premises - probably the most important political drama coming out of Germany for years.
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