A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
In the first scene in the theater, a program clearly states the birthdate of Georg as 1939, but just a few scenes later he says he is preparing for his 40th birthday. As the action is said to take place in 1984, there is a five-year discrepancy. [Possibility: Georg says that he is 40 in an attempt to shake off the impression that he might be 50. Hence, he could very well be 45. That age would also be the same as that of the actor who plays him] See more »
Stand still. Eyes to the floor.
See more »
having had the joy - while not living in the old gdr itself - to have some "accidental" run ins with the good old stasi then, i found it awkward that a German director from the "west" would have the guts to take on the subject of this "ministry of greyness".
writer/director florian henkell von donnersmarck (nice name for a teutonic director, me thinks, very fancy - makes you bang your heels) not only survived this bout of pretension which could have let him drowned in a swamp of reproaches and allegations about executing the "justice of the winners", but he transformed the tale into a story that can and will be understood anywhere in the world: a tale about power, treason and the almost anarchistic potency of emotions.
while at the same time not falling into the trap of moralizing with a waving finger but showing us "the system" as an bureaucratic nightmare powered by - eventually - once even good intentioned human robots of socialist self-righteousness who actually destroy all real positive socialist impulses in the ones they plague, this film is - even if one disagrees with it's premises - probably the most important political drama coming out of Germany for years.
168 of 230 people found this review helpful.
Was this review helpful to you?