A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
The punchline of the joke that Grubitz tells in the cafeteria, about there being no difference between Honecker and a telephone, is a play on the words 'aufhängen' and 'neuwählen'. In terms of a telephone it means hang up and redial, respectively. In terms of politics it means hang somebody and elect someone new. See more »
Dreyman puts on his tie and flips his collar down, but when Christa Maria enters the room the collar is still up. See more »
Stand still. Eyes to the floor.
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I wonder why there has been so little written and publicized about this movie. This should be seen in every country and its merits trumpeted from the skies.
It starts off slowly and the locale is the former East Germany, inhabited by 16 million people who are being spied upon relentlessly by their secret police. In this very real world of the Berlin Wall, there are many Stasi, 90,000, overseeing the populace, aided and abetted by hundreds of thousands of informants. Many of these snitches were blackmailed or other pressures exerted (threats to children and loved ones) and a few obliged voluntarily.
What is truly amazing is that this is Florian Henckel von Donnersmarck's directorial debut, and he maintains a masterful hand throughout and keeps the story and the tension rolling from the first scene of interrogation which is filmed back and forth between a tape educating new Stasi as to interview techniques and to the actual cell itself where it was recorded.
The movie circles around three main characters and there is a wider circle of the powerful who pull the puppet strings for a variety of reasons which become clear as the movie unfolds.
First is Georg Dreyman, a playwright on the verge of celebrating his 40th birthday. Sebastian Koch, a tall,handsome actor dressed in writerly rumple, shares an apartment with his actress girlfriend, Christa-Maria Sieland (Martina Gedeck), and exists within the strictures of the state-sponsored theatre. He is a decent man, and tries to win support for his blacklisted friends.
For reasons that become quite clear, Dreyman falls under suspicion and the whole sophisticated Stasi spying system comes into play in the era of 1984. His whole apartment is bugged and every sound is monitored.
The man in charge of all this is Captain Gerd Wiesler,(Ulrich Mühe). Ulrich's performance is nothing short of stunning. He starts as an almost robotic presence, dressed in gray, he almost disappears into every scene he's in. But one detects a clear intelligence in his bright eyes, the only part of him that's alive. Captain Wiesler lives in a non-descript arborited apartment, much like himself. He squeezes his food onto a plate from a tube.
But the captain starts to awaken slowly as he listens surreptitiously on the state of the art equipment secreted in the attic of Dreyman's building. He starts to fall in love with the couple and then pressure from above is brought to bear on him to dig for the dirt in Dreyman's life.
And he is in a dilemma now, as he is drawn further and further into the life of Dreman and his girlfriend.
I won't throw spoilers down. Suffice to say is that the story is enthralling right down to the very last frame. The acting is superb, the direction impeccable and the world of East Germany meticulously drawn with the viewer respected enough to find his or her own emotional path through the plot.
The ending is truly one of a kind. So right and true that I was left nodding, it was the only one possible.
A must see, I will sing the praises of this film to all I know. 10 out of 10 from me. Right up there in my top 50 of all time. I find it so disappointing that these movies don't get wider release AND compete for an Oscar in the best picture of the year and not just for best foreign film. Now there's a heretical thought!
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