A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
Wiesler's car - a Wartburg - is in fact a model which wasn't produced until the end of the '80s (the rear lights revealed it). Meanwhile the soundtrack contains sound of the old - two-stroke - engine, and -somewhat confusingly- at the exhaust you can clearly see the typical two stroke smoke. The same(?), later production type (with 1.3L four stroke VW engine) can be seen in light blue, standing on the right in one of the first shots of Georg's street. See more »
Stand still. Eyes to the floor.
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This was my favorite film at Telluride. Everyone with whom I talked had the same feeling. It generated the most "buzz." I hope it has a wide audience in the US. The acting by those who experienced the Stasi was moving and believable. Ulrich Muhe as the Stasi Officer was brilliant. Most of us cried during the final scene. Florian Henckel-Donnersmarck's direction with its twists and turns kept the audience glued to the screen. Because of the film's popularity, it was scheduled again for another showing at the festival. Both Muhe and Henckel-Donnersmarck were present and were stopped where ever they went during the festival. I recommend this film and gave it a 10.
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