A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
The cover of the prop Der Spiegel magazine featuring the Dreyman article was designed by the publication specifically for the film. See more »
When Grubitz is talking to Wiesler in his office, he takes a fresh cigar out of a Humidor. After the next cut, only three seconds later, he is smoking and the cigar looks like it has been smoked for a longer time. See more »
Stand still. Eyes to the floor.
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Memories of the 70's and 80's visits in the German Democratic Republic (GDR) flood my mind while watching this film. Some are revolting, some comical and others are frightening. As a student of German, I visited the GDR several times to see pen pal friends. I remember one friend looking around and whispering to me in the S-Bahn - just in case one of the many "IM's" (unofficial workers of the Stasi) was listening in.
I visited a representative of a magazine for western countries about the GDR and spent one memorable weekend sightseeing with her. Near the end of my visit, she asked me if I would work for them regularly by writing my opinion of "GDR Review" and its suitability for readers in the West. I would be paid in GDR money to use during further visits. After politely refusing this "offer" ("The police at home might not like it!"), I always had a sneaking suspicion that that was an attempt by the Stasi to recruit me.
Years later I applied to see my "Stasi File". I will never forget the feeling deep inside me when I read in it: ". .is not suitable for our use due to his apparent connection to the police in his homeland." The beautiful, friendly lady in Dresden had been a Stasi informer all the time! All of my visits to the GDR and the people I visited were listed in that file. For me "The Lives of Others" is an authentic representation of that totalitarian state. I am glad that those times have ended.
Congratulations on a well deserved Oscar!
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