A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more. Written by
Director Donnersmarck spent a month translating the screenplay into French and sending it to Gabriel Yared to entice his participation as composer for the film. For the scene in which Dreyman plays the Sonata For A Good Man on piano, Donnersmarck asked Yared to write a composition that in two minutes would turn Lenin away from all the atrocities he later committed. This pivotal scene was the germinal idea around which the original screenplay was conceived and constructed. See more »
The font generated by Wiesler's typewriter is sans-serifed, whereas the font on the 'same' reports read by Dreyman towards the end of the movie is quite different, this time serifed. See more »
Stand still. Eyes to the floor.
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East Berlin, November 1984. Five years before its downfall the GDR seeks to maintain its power with the help of a merciless system of control and observation. When Oberstleutnant Anton Grubitz puts loyal Stasi-Hauptmann Gerd Wiesler on to the famous writer Georg Dreymann and his girlfriend Christa Maria Sieland who is a famous actress herself, he expects career advancement for himself. For most important politicians are responsible for this "operative act".
What Wiesler did not expect: the intimate view on the world of the ones he's observing changes the snitch as well. Looking at "the life of the others" makes him aware of the beggarliness in his own life and enables access to a so far unknown world of love, free thinking and speaking he is hardly able to elude. But the system can't be stopped anymore and a dangerous game, which destroys the love of Christa Maria Sieland and Georg Dreymann and Wieslers present existence begins.
Until the fall of the wall each of them has paid a big price. After that a whole new world begins.
My personal opinion - though it doesn't count that much - is that this one a an absolute Must See. I can hardly remember such an intelligent and moving German movie especially not including the whole topic of GDR history and the dealing with it. I think this is the first German movie which shows this system as it used to be (which has been confirmed by several contemporary witnesses) and not turns it and its people into comedy though there have been several good ones, of course.
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