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Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Geneviève, 17, lives with her widowed mother, who owns an umbrella shop in Cherbourg. She and Guy, a twenty-year-old auto mechanic, are secretly in love and want to marry, but when she reveals this to her mother, her mother objects on the grounds that Geneviève is too young and Guy is not mature or well-established enough, particularly since he has not yet done his required military service. Shortly after this, Guy is drafted to serve in the war in Algeria. Before he leaves, he and Geneviève consummate their love for each other, which results in her becoming pregnant. While Guy is away they drift apart, and Geneviève, strongly encouraged by her mother, accepts a marriage proposal from a well-to-do gem dealer named Roland Cassard, who has fallen in love with her at first sight and has promised to bring up her child as his own. (The character of Cassard is continued from Demy's earlier film Lola (1961).) Guy is wounded and is discharged before his two-year term is up, but when he ... Written by
M. Paul Shore
An offbeat but beautifully stylised and colourful piece of cinema
This must be amongst the most distinctive, idiosyncratic and exquisite films I have seen in a long while. There is nothing particularly new about the plot, which is a straightforward and uncomplicated love story divided into three acts, but the beauty of this film is in the telling of it.
All the dialogue in this film is sung, which at first is a little unsettling, but it actually takes very little time to adjust to. The verse/chorus format of popular music and the musical genre is eschewed for an approach more resembling a modern opera, as the characters croon their lines to each other over a continuous score. This gives the most banal of lines a rhythm and cadence of their own. Because of this I found the French a lot easier to understand than with more naturalistic films, which was fairly handy for me as the print I was watching was with Dutch subtitles! I must confess, I did find that the music (written by Michel Legrand) began to grate towards the end of the 87 minute running time but even so there is still much to admire here. Visually it's stunning, with a bold and vibrant colour palette of almost hallucinogenic intensity and sumptuous costume and set design (that wallpaper!). The opening credit sequence sets the mood perfectly: a birds eye view of the inhabitants of Cherbourg in the rain beneath their umbrellas as they walk across the frame is reduced to a colourful abstraction. Catherine Deneuve is predictably gorgeous and the first act of the young couples courtship is one of the most beautifully pure pieces of cinema I can think of. It reminded me a bit of 'Jacques Brel is Alive and Well and Living in Paris', a film which I saw in television a long time ago and would do absolutely anything to get hold of a copy. 'Les Parapluies de Cherbourg' is a wonderful, sincere and uplifting film that everyone should go and see at least once, and preferably on a big screen. Once seen, never forgotten.
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