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The Count of Monte Cristo (2002)

A young man, falsely imprisoned by his jealous "friend," escapes and uses a hidden treasure to exact his revenge.

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Writers:

(novel) (as Alexandre Dumas père), (screenplay)
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1,308 ( 159)

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Cast

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Guy Carleton ...
Mansion Owner
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Barry Cassin ...
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Holga (as Zhara) (credit only)
Brendan Costello ...
Viscount
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Storyline

'The Count of Monte Cristo' is a remake of the Alexander Dumas tale by the same name. Dantes, a sailor who is falsely accused of treason by his best friend Fernand, who wants Dantes' girlfriend Mercedes for himself. Dantes is imprisoned on the island prison of Chateau d'If for 13 years, where he plots revenge against those who betrayed him. With the help of another prisoner, he escapes the island and proceeds to transform himself into the wealthy Count of Monte Cristo as part of his plan to exact revenge. Written by Anna <annachan@amazon.com>

Plot Summary | Plot Synopsis

Plot Keywords:

revenge | count | island | escape | sailor | See All (158) »

Taglines:

Prepare for adventure. Count on revenge.


Motion Picture Rating (MPAA)

Rated PG-13 for adventure violence/swordplay and some sensuality | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

25 January 2002 (USA)  »

Also Known As:

Alexandre Dumas' The Count of Monte Cristo  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$11,376,150 (USA) (25 January 2002)

Gross:

$54,228,104 (USA) (14 June 2002)
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Company Credits

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Technical Specs

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Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The beige dress with paisley bodice worn by an extra on the Marseilles wharf early in the film is the same costume Sabina Franklyn (Jane Bennet) wears at Longbourn in Pride and Prejudice (1980), Rachel Fielding (Mrs. Benson) wears in Princess Caraboo (1994), Julie Cox (Annabella Milbanke) wears to read Byron's poetry book in Byron (2003), and Freema Agyeman (Tattycoram) wears on the Marseilles wharf in Little Dorrit (2008). The same costume is also worn by a guest at Fanny's wedding in Miss Austen Regrets (2008). See more »

Goofs

Mondego continues talking to Dantes about them drinking Napoléon Bonaparte's wine while his mouth is full, his cheeks bulging with liquid. See more »

Quotes

Abbe Faria: 2,500 cubic centimeters of rock and dust a day for 365 days.
Edmond: Equals three-and-a-half meters a year, 12 feet, a foot a month.
[grunts]
Edmond: Three inches a week.
Abbe Faria: In Italian.
[whip cracking]
Edmond: Ancora tre metri e un mezzo.
See more »

Connections

Referenced in The Tudors (2007) See more »

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User Reviews

 
Satisfying revenge story from a famous book.
29 March 2004 | by (Todmorden, England) – See all my reviews

One of the most famous revenge stories, The Count of Monte Cristo is here turned into a dashing, old-fashioned swashbuckler. The plot is riddled with unconvincing coincidences and occurences (as indeed was the book), but other than that this is a well-made, enjoyable film, with some literate dialogue and believable action sequences. It is the fact that the action is believable that makes the film memorable, because in too many 2002 releases the action was so overblown and unrealistic (not to mention physically impossible) that the credibility of such films was destroyed.

Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's gorgeous fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".

Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.


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