Badlands (1973)

Based on the Starkweather-Fugate killing spree of the 1958, in which a fifteen-year-old girl and her twenty-five-year-old boyfriend slaughtered her entire family and several others in the Dakota badlands.

Director:

Terrence Malick

Writer:

Terrence Malick

Stars:

Martin Sheen, Sissy Spacek, Warren Oates

Nominated for 1 BAFTA Film Award. Another 3 wins.

Cast

Complete credited cast:
Martin Sheen	...	Kit
Sissy Spacek	...	Holly
Warren Oates	...	Father
Ramon Bieri	...	Cato
Alan Vint	...	Deputy
Gary Littlejohn	...	Sheriff
John Carter	...	Rich Man
Bryan Montgomery	...	Boy
Gail Threlkeld	...	Girl
Charles Fitzpatrick	...	Clerk
Howard Ragsdale	...	Boss
John Womack Jr.	...	Trooper
Dona Baldwin	...	Maid
Ben Bravo	...	Gas Attendant

Storyline

Kit Carruthers, a young garbage collector and his girlfriend Holly Sargis from Fort Dupree, South Dakota, are on the run after killing Holly's father who disagreed with their relationship. On their way towards the Badlands of Montana they leave a trail of dispassionate and seemingly random murders. A very intriguing narrative without judgements, and lacking the usually sensational approach of this genre. Very good acting and directing, and beautiful photography. The script was based upon the true story of the Charles Starkweather and Caril-Ann Fugate murders in 1958.

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Plot Keywords:

murder | killing spree | south dakota | badlands | on the run | 

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Taglines:

In 1959 a lot of people were killing time. Kit and Holly were killing people.

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Genres:

Crime | Drama

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Certificate:

PG

Details

Country:

USA

Language:

English Spanish

Release Date:

7 April 1975 (Sweden)

Also Known As:

La balade sauvage

Filming Locations:

Bloom Mansion - 312 E Main Street, Trinidad, Colorado, USA

Box Office

Budget:

$450,000 (estimated)

Company Credits

Production Co:

Warner Bros, Pressman-Williams, Jill Jakes Production

Technical Specs

Runtime:

94 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The 'Bandlands' plot and lead characters of Kit and Holly are based on Charles Starkweather and Caril Fugate, who in 1958 embarked on a murder spree that horrified the country.

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Goofs

At one point Mr Sargis is painting a sign while talking to Kit. As the scene progresses the area he's working on becomes painted .. then unpainted .. then painted again.

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Quotes

[first lines]
Holly Sargis: [voice over narration] My Mother dies of pneumonia when I was just a kid. My Father kept their wedding cake int he freezer for ten whole years. After the funeral he gave it to the yard man. He tried to act cheerful but he could never be consoled by the little stranger he found in his house. Then one day hoping to begin a new life away from the scene of all these memories he moved us from Texas to Port Dupree, South Dakota.

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Connections

Referenced in The Dating Scene (2004)

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Soundtracks

Theme "Migration"
by James Taylor

User Reviews

cool, disinterested study of amoral pair

BADLANDS is an intelligent little film. We're given characters and situations and left to make our own conclusions. Based on an actual young couple who went on a killing spree across the southwest in the late 1950s, the story has two young people doing their own thing with precious little in the way of ethics to guide them. It's interesting to note that both these kids substitute their own fantasies for any sense of order or responsibility that society may have to offer. The turning point comes when Kit and Holly decide to shuck their semblances of normal life for whatever their fantasies provide which, unfortunately, can't sustain them. Sheen's Kit is full of swagger and bravado; it's almost easy for someone to see him committing robberies and serial murders. Spacek's Holly is more intriguing: a soft, vanilla, invisible girl from a respectable, emotionally detached home, she seemingly possesses little in the way of what one would associate with a violent criminal. Yet, she accompanies Kit, with nothing in the way of reservations or regret. The chance to fulfill her vapid, movie magazine fantasies, if only by hiding out in the woods and applying makeup, seem infinitely more palatable than her dull existence twirling batons in her yard(it's interesting to note that one of the few things she takes away from her home is a highly romanticized, Maxfield Parrish print). These misguided illusions, along with her adolescent love for Kit, keep her going to the end. A worthwhile exploration of the bland, vacant American sensibility that values appearances or passive, benign behavior over real ethics and personal morality. And definitely more relevant as the years have passed.