Tilman and Lanton Mills, two cowboys who set off on horseback to rob a bank. On the way, they stop to see their boss, the "Old Man", only to discover he has been murdered by another cowboy,... See full summary »
Harry Dean Stanton,
Kit Carruthers, a young garbage collector and his girlfriend Holly Sargis from Fort Dupree, South Dakota, are on the run after killing Holly's father who disagreed with their relationship. On their way towards the Badlands of Montana they leave a trail of dispassionate and seemingly random murders. A very intriguing narrative without judgements, and lacking the usually sensational approach of this genre. Very good acting and directing, and beautiful photography. The script was based upon the true story of the Charles Starkweather and Caril-Ann Fugate murders in 1958. Written by
Theo de Grood <email@example.com>
Car tires screech during the car chase at the end, even though they're on dust roads and sand. See more »
[voice over narration]
My Mother dies of pneumonia when I was just a kid. My Father kept their wedding cake in the freezer for ten whole years. After the funeral he gave it to the yard man. He tried to act cheerful but he could never be consoled by the little stranger he found in his house. Then one day hoping to begin a new life away from the scene of all these memories he moved us from Texas to Port Dupree, South Dakota.
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Meditative view of life, love, and death by Terrence Malick
Badlands, based on the relationship between Charles Starkweather and Caril Fugate (and later an inspiration for Tarantino's True Romance and NBK), never has a moment where something un-realistic curries. Writer/producer/director Terence Malick leads his film along with a true emphasis on both the psychological nature of Kit (Martin Sheen) and Holly (Sissy Spacek), and with the un-canny knack for a relaxing style in his camera. At best, Badlands is one of the successful homages to European cinema of the 1970's, something that will last a long time due to its pairing of absorbing art-house and (perhaps) mainstream sensibilities. At worst, a viewer could feel bored with Malick's intent on running with his poetic ideas as a director. If there was any pretentiousness at all, it went over my head; this is a film that draws you into its tragic nature.
Sheen and Spacek are totally believable as a couple on the run, as Kit continually has a trigger-happy attitude to people after he shoots Holly's father. While Spacek holds the heart of the picture steady, I'd have to say that Sheen's Kit is one of his best performances. He comes off in the perfect sense- you wouldn't think for a second that Kit could be a killer, that is until he pulls out his pistol. It works just as well that Holly is the narrator, so that the viewer can understand where Kit's coming from, and where he's going. If there is any distance between his character and the audience, there's still a strong, emotional connection through Spacek, and their bond as a loving, if dangerous, couple.
Overall, Badlands is extraordinary in a way that doesn't cram its atmospheric from start to finish on the audience, and it looks at young people in love, however in such twisted circumstances, in an honest way in how escalatory events create a disillusioned feeling in youth. That it's made on such a low budget gives it more merit. Kudos should go to the musical score by James Taylor, Gunild Keetman and George Tipton, too; it's one of the best debuts of the 70's. A+
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