Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld. The only job he can find is to be a driver for ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Kit Carruthers, a young garbage collector and his girlfriend Holly Sargis from Fort Dupree, South Dakota, are on the run after killing Holly's father who disagreed with their relationship. On their way towards the Badlands of Montana they leave a trail of dispassionate and seemingly random murders. A very intriguing narrative without judgements, and lacking the usually sensational approach of this genre. Very good acting and directing, and beautiful photography. The script was based upon the true story of the Charles Starkweather and Caril-Ann Fugate murders in 1958. Written by
Theo de Grood <email@example.com>
He was 25 years old. He combed his hair like James Dean. She was 15. She took music lessons and could twirl a baton. For a while they lived together in a tree house. In 1959, she watched while he killed a lot of people. See more »
For the last two lines in the discussion about the fudgecicle, the actors lips do not move. See more »
[voice over narration]
My Mother dies of pneumonia when I was just a kid. My Father kept their wedding cake in the freezer for ten whole years. After the funeral he gave it to the yard man. He tried to act cheerful but he could never be consoled by the little stranger he found in his house. Then one day hoping to begin a new life away from the scene of all these memories he moved us from Texas to Port Dupree, South Dakota.
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Kit is a garbage man, Holly just a teenager living with her father. Kit and Holly get together and Holly's father disapproves. Kit kills Holly's father and together they go on the lam and a few others get killed in the proceedings.
This 1973 landmark film was the directorial debut of one Terrence Malick. It's been described by many as one of the most mature debuts in film history. The numbness of Sheen's and Spacek's characters is haunting and makes a very strong point and it's very hard to swallow. Spacek's voice-over, which tells how she experiences life with Kit, is disturbing and yet, poetically beautiful. The sheer innocence of her character, her bright-eyed view of the world, her acceptance of Kit's explanations make a stronger point in the examination of two completely alienated individuals than any other movie I can think of.
Martin Sheen has never been better than here. His Kit, obsessed with James Dean apparently, is one of cinema's coldest villains. His utter detachment in all the proceedings is a wonder to behold. He's completely numb and that's more haunting than any outburst of rage. He's a flawed product of society. He doesn't feel evil, he just doesn't feel anything. Sissy Spacek is also wonderful in her role, giving a very memorable performance as Holly.
Terence Malick's direction is superb. The cinematography by Tak Fujimoto is beautiful, every frame simply looks stunning and he captures the era wonderfully. It's hard to believe this film is over 30 years old. The music is also very good, with a catchy melody which seems to go well the innocence portrayed in Spacek's character. This almost feels like a children's tune.
This film is considered to be loosely based on the real life killing spree committed by Charlie Starkweather and Caril Ann Fugate in 1958. Starkweather was executed and up until his last day alive, he said that Caril was just an observer but finally said she was as guilty of the killings as he, even initiating some herself.
Badlands however says in the end credits that the story is fictional.
One of the best films of the 1970's.
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