Based on the Starkweather-Fugate killing spree of the 1958, in which a fifteen-year-old girl and her twenty-five-year-old boyfriend slaughtered her entire family and several others in the Dakota badlands.
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld. The only job he can find is to be a driver for ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Kit Carruthers, a young garbage collector and his girlfriend Holly Sargis from Fort Dupree, South Dakota, are on the run after killing Holly's father who disagreed with their relationship. On their way towards the Badlands of Montana they leave a trail of dispassionate and seemingly random murders. A very intriguing narrative without judgements, and lacking the usually sensational approach of this genre. Very good acting and directing, and beautiful photography. The script was based upon the true story of the Charles Starkweather and Caril-Ann Fugate murders in 1958. Written by
Theo de Grood <firstname.lastname@example.org>
The film's tag line ("In 1959 a lot of people were killing time. Kit and Holly were killing people") inspired the Zodiac Killer (who'd been lying low for some years) to write a letter to the newspaper denouncing their flippant attitude to violence in society by running such an ad. See more »
For the last two lines in the discussion about the fudgecicle, the actors lips do not move. See more »
[voice over narration]
My Mother dies of pneumonia when I was just a kid. My Father kept their wedding cake int he freezer for ten whole years. After the funeral he gave it to the yard man. He tried to act cheerful but he could never be consoled by the little stranger he found in his house. Then one day hoping to begin a new life away from the scene of all these memories he moved us from Texas to Port Dupree, South Dakota.
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I hesitated before writing this review, because *everyone* seems to think this movie is the greatest thing since sliced bread.
Personally, I thought it was deadly dull, and the characters unmotivated cardboard cutouts who have nothing in common with real human beings.
I also object to Malick's fundamental dishonesty. In his desperate desire to say something Real And Meaningful (in other words, arrogant and sophomoric) about the horrible 1950s, he uses Charles Starkweather and Caril Ann Fugate as an emblem of alienation in Ike's Amerika, while minimizing the actual crimes they committed. (Among other things, Starkweather murdered Fugate's two-year-old sister by ramming a rifle muzzle down her throat until she choked to death. He also sexually assaulted a 16-year-old girl before he and Fugate murdered and mutilated her. Neither of these crimes is so much as alluded to in the film, because The Message is too important to be sullied by mere truth.)
So am I so out of touch?
No. It's everyone else who is wrong.
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