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The boys are back in town. Sony and Columbia’s “Bad Boys: Ride or Die” got off to a solid start at the box office with $21.6 million from 3,885 locations across Friday and preview screenings. The movie also gets a revenue boost from Imax and other premium large format auditoriums.
The action sequel, directed by Adil El Arbi and Bilall Fallah, is now looking at an opening of $53 million through the three-day frame in North America. Sony had initially projected a debut of $30 million heading into the weekend, going way below industry estimates of $45 million to $50 million. The studio seems to have made a cautious lowball, considering “The Fall Guy” and “Furiosa: A Mad Max Saga” have given the summer box office a run of high-profile titles debuting below expectations.
“Ride or Die” will likely come in short of the $62.5 million domestic debut earned by Will Smith and Martin Lawrence’s series predecessor,...
The action sequel, directed by Adil El Arbi and Bilall Fallah, is now looking at an opening of $53 million through the three-day frame in North America. Sony had initially projected a debut of $30 million heading into the weekend, going way below industry estimates of $45 million to $50 million. The studio seems to have made a cautious lowball, considering “The Fall Guy” and “Furiosa: A Mad Max Saga” have given the summer box office a run of high-profile titles debuting below expectations.
“Ride or Die” will likely come in short of the $62.5 million domestic debut earned by Will Smith and Martin Lawrence’s series predecessor,...
- 6/8/2024
- by J. Kim Murphy
- Variety - Film News
It might take some “Bad Boys” to save this summer’s bad box office start.
Will Smith and Martin Lawrence’s “Bad Boys: Ride or Die” has made $5.875 million in Thursday previews at the box office so far.
Sony and Columbia’s fourth “Bad Boys” movie, and the follow-up to 2020’s surprise hit “Bad Boys for Life,” is expected to open between $45 million and $50 million this weekend. However, Sony has a smaller estimate at $30 million. The more conservative projection could be overly cautious due to the growing number of summer films, such as “Furiosa: A Mad Max Saga” and “The Fall Guy,” that have failed to connect with theatergoers.
With the summer box office far behind previous years’ grosses, theater owners are hoping for some relief sooner rather than later — and hopefully “Bad Boys: Ride or Die” is their answer. It also marks Smith’s first major film since he...
Will Smith and Martin Lawrence’s “Bad Boys: Ride or Die” has made $5.875 million in Thursday previews at the box office so far.
Sony and Columbia’s fourth “Bad Boys” movie, and the follow-up to 2020’s surprise hit “Bad Boys for Life,” is expected to open between $45 million and $50 million this weekend. However, Sony has a smaller estimate at $30 million. The more conservative projection could be overly cautious due to the growing number of summer films, such as “Furiosa: A Mad Max Saga” and “The Fall Guy,” that have failed to connect with theatergoers.
With the summer box office far behind previous years’ grosses, theater owners are hoping for some relief sooner rather than later — and hopefully “Bad Boys: Ride or Die” is their answer. It also marks Smith’s first major film since he...
- 6/7/2024
- by Jordan Moreau
- Variety - Film News
“The Acolyte,” Disney+’s newest Star Wars series, reached 4.8 million views in its first day of availability. This marks the streamer’s biggest series premiere of 2024, according to Disney.
An exact first-day viewership total isn’t available for “Ahsoka,” the most recent Star Wars series, though Disney did report that it took five days to reach 14 million views. That comes out to an average of 2.8 million viewers per day — 2 million below the launch of “The Acolyte.” (Note: a “view” is calculated by dividing the number of hours each title is watched by its runtime.)
Variety critic Alison Herman likens “The Acolyte...
An exact first-day viewership total isn’t available for “Ahsoka,” the most recent Star Wars series, though Disney did report that it took five days to reach 14 million views. That comes out to an average of 2.8 million viewers per day — 2 million below the launch of “The Acolyte.” (Note: a “view” is calculated by dividing the number of hours each title is watched by its runtime.)
Variety critic Alison Herman likens “The Acolyte...
- 6/6/2024
- by Selome Hailu
- Variety - TV News
As the Internet is now learning, Glen Powell had a tiny role in 2012’s ‘The Dark Knight Rises,’ playing a trader at the Gotham Stock exchange who ends up a victim of Bane’s (Tom Hardy) wrath. What fans of the film might not know is that Hardy actually slammed Powell’s head into the keyboard on the final take.
Speaking with IMDb, Powell recalled how things went sideways. “He’s supposed to give me a little bit of a tap on the back of the head. So, we did it a few times. We all nail it. It was great. And then this last time … he just slammed my head on the keyboard. And I remember just, like, getting kind of dazed.”
But Powell chalked it up to both actors being immersed in their roles. “I think we all just got kind of caught up in it,” he said.
According to Powell, cinematographer Wally Pfister then joked that he forgot to roll camera, prompting director Christopher Nolan to ask, “You think you can do it again just like that?”
Powell’s response? “Absolutely!”
Nolan then let him off the hook, admitting, “We’re kidding. Go see a medic.”
To celebrate the premiere of Netfix’s ‘Hit Man,’ Powell sat down with IMDb to throw the Ultimate Watch Party by choosing snacks and essentials for screening the film at home.
Watch the interview here
In addition to his Bane encounter, he talked how he and Sydney Sweeney brought realism to their romantic comedy ‘Anyone But You,’ and shared what it’s like collaborating with frequent collaborator director Richard Linklater.
Learn more about Glen Powell on IMDb, including his first credit in 'Spy Kids 3,' his "CSI: Miami" connection, and his upcoming remake of 'The Running Man.'...
Speaking with IMDb, Powell recalled how things went sideways. “He’s supposed to give me a little bit of a tap on the back of the head. So, we did it a few times. We all nail it. It was great. And then this last time … he just slammed my head on the keyboard. And I remember just, like, getting kind of dazed.”
But Powell chalked it up to both actors being immersed in their roles. “I think we all just got kind of caught up in it,” he said.
According to Powell, cinematographer Wally Pfister then joked that he forgot to roll camera, prompting director Christopher Nolan to ask, “You think you can do it again just like that?”
Powell’s response? “Absolutely!”
Nolan then let him off the hook, admitting, “We’re kidding. Go see a medic.”
To celebrate the premiere of Netfix’s ‘Hit Man,’ Powell sat down with IMDb to throw the Ultimate Watch Party by choosing snacks and essentials for screening the film at home.
Watch the interview here
In addition to his Bane encounter, he talked how he and Sydney Sweeney brought realism to their romantic comedy ‘Anyone But You,’ and shared what it’s like collaborating with frequent collaborator director Richard Linklater.
Learn more about Glen Powell on IMDb, including his first credit in 'Spy Kids 3,' his "CSI: Miami" connection, and his upcoming remake of 'The Running Man.'...
- 6/6/2024
- by IMDb Editors
- IMDb News
The National Academy of Television Arts & Sciences (NATAS) announced the first of two batches of this year’s Daytime Emmy Awards on Friday, with Dick Van Dyke making history.
The 98-year-old actor became the oldest-ever winner of a Daytime Emmy for a his guest performance in Days of our Lives.
General Hospital took home the most awards of the night, with four trophies for best directing, best writing, best supporting performance (Robert Gossett) and best drama series.
Entertainment Tonight hosts Kevin Frazier and Nischelle Turner returned to host this year’s ceremony, after emceeing the evening in 2022 and 2023. The program also won two awards, for best entertainment news series and best daytime personalities.
Michelle Stafford won best lead performance for her role in The Young and the Restless, and Thorsten Kaye won best actor for playing Ridge Forrester in The Bold and the Beautiful. Both shows were tied for most...
The 98-year-old actor became the oldest-ever winner of a Daytime Emmy for a his guest performance in Days of our Lives.
General Hospital took home the most awards of the night, with four trophies for best directing, best writing, best supporting performance (Robert Gossett) and best drama series.
Entertainment Tonight hosts Kevin Frazier and Nischelle Turner returned to host this year’s ceremony, after emceeing the evening in 2022 and 2023. The program also won two awards, for best entertainment news series and best daytime personalities.
Michelle Stafford won best lead performance for her role in The Young and the Restless, and Thorsten Kaye won best actor for playing Ridge Forrester in The Bold and the Beautiful. Both shows were tied for most...
- 6/8/2024
- by Zoe G. Phillips
- The Hollywood Reporter - Movie News
Betty Anne Rees, who portrayed tough women who weren’t very nice in The Unholy Rollers and Sugar Hill, two 1970s offerings from the B-movie factory American International Pictures, has died. She was 81.
Rees died Monday at her home in Hemet, California, after a series of falls and a possible stroke, her niece, Kathleen Loucks, told The Hollywood Reporter. She also was diagnosed with multiple sclerosis in the early 1990s.
The Ohio native played Janet Ingram, the secretary for Fred MacMurray’s Steve Douglas, on the last of My Three Sons’ 12 seasons in 1971-72. (Abby Dalton was Janet on an episode three years earlier.)
In The Unholy Rollers (1972), directed by Vernon Zimmerman, Rees portrayed Mickey Martinez, a star of the Los Angeles Avengers roller derby team who does not get along with popular new player Karen Walker (1970 Playboy Playmate of the Year Claudia Jennings).
The film, executive produced by Roger Corman...
Rees died Monday at her home in Hemet, California, after a series of falls and a possible stroke, her niece, Kathleen Loucks, told The Hollywood Reporter. She also was diagnosed with multiple sclerosis in the early 1990s.
The Ohio native played Janet Ingram, the secretary for Fred MacMurray’s Steve Douglas, on the last of My Three Sons’ 12 seasons in 1971-72. (Abby Dalton was Janet on an episode three years earlier.)
In The Unholy Rollers (1972), directed by Vernon Zimmerman, Rees portrayed Mickey Martinez, a star of the Los Angeles Avengers roller derby team who does not get along with popular new player Karen Walker (1970 Playboy Playmate of the Year Claudia Jennings).
The film, executive produced by Roger Corman...
- 6/8/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
British-Canadian actor Alan Scarfe, who is best known for his work in Seven Days and Double Impact, has died. The performer was 77 years old. News of Scarfe’s death has become public months after he died on April 28, 2024. In an announcement from Scarfe’s family, it was revealed that the actor died from colon cancer at his home in Longueuil, Quebec. As mentioned, above, he was best known for his role as Dr. Bradley Talmadge on Upn’s former sci-fi series Seven Days which ran for three seasons between 1998 and 2001. The Bay Boy (Credit: Orion Pictures/courtesy Everett Collection) Originally born in England, Scarfe was raised in Vancouver. Scarfe leaves behind several family members, including his actor son, Jonathan Scarfe who is known for shows like Van Helsing and The 100. In addition to his role on Seven Days, Scarfe’s television credits were numerous as he featured in titles...
- 6/7/2024
- TV Insider
The Acolyte is off to a promising start on Disney+.
The new Star Wars series launched on June 4 with two episodes, generating 4.8M views in its first day on the streamer. That makes it the biggest series premiere on Disney+ this year.
Disney+ doesn’t generally release viewership data for series after just one day of streaming. In August, the streamer said that Ahsoka drew 14M views in its first 5 days. As of now, The Acolyte is on track to zoom right past that benchmark, but it’ll need to sustain similar viewership over the weekend in order to do so.
The streamer can be a bit inconsistent with its viewership data, generally. When Percy Jackson and the Olympians debuted in December, Disney+ announced that series’ six-day viewership tally. However, releasing the viewership for one single day of viewing does indicate that Disney+ feels quite confident in The Acolyte‘s ability to keep performing well.
The new Star Wars series launched on June 4 with two episodes, generating 4.8M views in its first day on the streamer. That makes it the biggest series premiere on Disney+ this year.
Disney+ doesn’t generally release viewership data for series after just one day of streaming. In August, the streamer said that Ahsoka drew 14M views in its first 5 days. As of now, The Acolyte is on track to zoom right past that benchmark, but it’ll need to sustain similar viewership over the weekend in order to do so.
The streamer can be a bit inconsistent with its viewership data, generally. When Percy Jackson and the Olympians debuted in December, Disney+ announced that series’ six-day viewership tally. However, releasing the viewership for one single day of viewing does indicate that Disney+ feels quite confident in The Acolyte‘s ability to keep performing well.
- 6/6/2024
- by Katie Campione
- Deadline Film + TV
Apple TV+ is booking a return trip to circa-1969 Palm Beach.
The tech giant’s streaming service has renewed Palm Royale for a second season. The pickup for the Kristen Wiig-led comedy comes about a month after the 10-episode first season concluded.
Palm Royale comes from Apple Studios and creator Abe Sylvia (Dead to Me, Nurse Jackie). Wiig stars as Maxine Simmons, a woman determined to join Palm Beach’s high society set in 1969, going to great lengths (and costs) to acheive her goal. The show’s cast also includes Allison Janney, Laura Dern (who also executive produces), Ricky Martin, Josh Lucas, Leslie Bibb, Amber Chardae Robinson, Mindy Cohn, Julia Duffy and Kaia Gerber. Bruce Dern and Carol Burnett have recurring roles.
“Palm Royale has delighted global audiences and we are thrilled that viewers will have the opportunity to spend more time with this highly entertaining, iconic cast, from...
The tech giant’s streaming service has renewed Palm Royale for a second season. The pickup for the Kristen Wiig-led comedy comes about a month after the 10-episode first season concluded.
Palm Royale comes from Apple Studios and creator Abe Sylvia (Dead to Me, Nurse Jackie). Wiig stars as Maxine Simmons, a woman determined to join Palm Beach’s high society set in 1969, going to great lengths (and costs) to acheive her goal. The show’s cast also includes Allison Janney, Laura Dern (who also executive produces), Ricky Martin, Josh Lucas, Leslie Bibb, Amber Chardae Robinson, Mindy Cohn, Julia Duffy and Kaia Gerber. Bruce Dern and Carol Burnett have recurring roles.
“Palm Royale has delighted global audiences and we are thrilled that viewers will have the opportunity to spend more time with this highly entertaining, iconic cast, from...
- 6/6/2024
- by Rick Porter
- The Hollywood Reporter - Movie News
Feathers McGraw is back!
The dastardly penguin supervillain is following in the stop-motion footsteps of fellow animation antagonist Mrs. Tweedy and making a grand return to screens, this time in the latest “Wallace and Gromit” feature. Whereas Tweedy, arch-nemesis in Aardman’s 2000 hit “Chicken Run” came back for last year’s sequel “Chicken Run: Dawn of the Nugget,” McGraw is returning almost 40 years after he was seen in 1993’s Oscar-winning short “Wallace & Gromit: The Wrong Trouser” for “Wallace & Gromit: Vengeance Most Fowl.”
Details of the new Aardman film — which was first announced in 2022 — have now been revealed, as has a teaser showing McGraw in all his evil glory.
“Wallace & Gromit: Vengeance Most Fowl” will premiere this Christmas on BBC One and BBC iPlayer. Outside of the U.K., the film will be available globally on Netflix.
Landing 16 years after the last Wallace and Gromit movie, “A Matter of Loaf and Death,...
The dastardly penguin supervillain is following in the stop-motion footsteps of fellow animation antagonist Mrs. Tweedy and making a grand return to screens, this time in the latest “Wallace and Gromit” feature. Whereas Tweedy, arch-nemesis in Aardman’s 2000 hit “Chicken Run” came back for last year’s sequel “Chicken Run: Dawn of the Nugget,” McGraw is returning almost 40 years after he was seen in 1993’s Oscar-winning short “Wallace & Gromit: The Wrong Trouser” for “Wallace & Gromit: Vengeance Most Fowl.”
Details of the new Aardman film — which was first announced in 2022 — have now been revealed, as has a teaser showing McGraw in all his evil glory.
“Wallace & Gromit: Vengeance Most Fowl” will premiere this Christmas on BBC One and BBC iPlayer. Outside of the U.K., the film will be available globally on Netflix.
Landing 16 years after the last Wallace and Gromit movie, “A Matter of Loaf and Death,...
- 6/6/2024
- by Alex Ritman
- Variety - Film News
Woo Films, one of Mexico’s most successful indie companies behind such hit titles as Manolo Caro’s Netflix series “The House of Flowers” and lauded dramas “The Good Girls” (“Las Niñas Bien”) and “Los Adioses,” has teamed up with film collective Colectivo Colmena, to develop and produce three pics. Two of them are based on original ideas from Colmena and the third an adaptation of a Mexican novel.
Woo Films is taking “The Ballad of the Phoenix” (“La balada del fénix”), the first stop-motion animation feature by Cinema Fantasma (“Frankelda’s Book of Spooks”), to participate in the Guadalajara Film Festival’s co-production forum.
Woo Films is taking “The Ballad of the Phoenix” (“La balada del fénix”), the first stop-motion animation feature by Cinema Fantasma (“Frankelda’s Book of Spooks”), to participate in the Guadalajara Film Festival’s co-production forum.
- 6/8/2024
- by Anna Marie de la Fuente
- Variety - TV News
Woo Films, one of Mexico’s most successful indie companies behind such hit titles as Manolo Caro’s Netflix series “The House of Flowers” and lauded dramas “The Good Girls” (“Las Niñas Bien”) and “Los Adioses,” has teamed up with film collective Colectivo Colmena, to develop and produce three pics. Two of them are based on original ideas from Colmena and the third an adaptation of a Mexican novel.
Woo Films is taking “The Ballad of the Phoenix” (“La balada del fénix”), the first stop-motion animation feature by Cinema Fantasma (“Frankelda’s Book of Spooks”), to participate in the Guadalajara Film Festival’s co-production forum. This is one of three stop motion animation projects from Cinema Fantasma that Woo Films boarded last year.
“It is essential to support the growth of new voices in Mexican cinema to boost their visibility at a time when resources for independent film production and exhibition opportunities are scarce,...
Woo Films is taking “The Ballad of the Phoenix” (“La balada del fénix”), the first stop-motion animation feature by Cinema Fantasma (“Frankelda’s Book of Spooks”), to participate in the Guadalajara Film Festival’s co-production forum. This is one of three stop motion animation projects from Cinema Fantasma that Woo Films boarded last year.
“It is essential to support the growth of new voices in Mexican cinema to boost their visibility at a time when resources for independent film production and exhibition opportunities are scarce,...
- 6/8/2024
- by Anna Marie de la Fuente
- Variety - Film News
Tokyo Vice’s days on Max have come to a conclusion.
During a panel at the Produced By conference Saturday in Los Angeles, producers confirmed that the recently concluded second season will be the show’s last on the Warner Bros. Discovery-backed platform.
Originally pitched as a two-season show with the events of the series having ended with its April 4 finale, fittingly titled “Endgame,” star Ansel Elgort also only signed on for two seasons of the series.
“Over the last five years, Max has made sure we got to tell our story. They have supported us through thick and thin. Not only did they give us these two seasons, they said yes when we asked to end season one with a series of cliffhangers, and they said yes when we asked for two extra episodes so we could land the plane in the way [creator] J.T. [Rogers] had always envisioned,...
During a panel at the Produced By conference Saturday in Los Angeles, producers confirmed that the recently concluded second season will be the show’s last on the Warner Bros. Discovery-backed platform.
Originally pitched as a two-season show with the events of the series having ended with its April 4 finale, fittingly titled “Endgame,” star Ansel Elgort also only signed on for two seasons of the series.
“Over the last five years, Max has made sure we got to tell our story. They have supported us through thick and thin. Not only did they give us these two seasons, they said yes when we asked to end season one with a series of cliffhangers, and they said yes when we asked for two extra episodes so we could land the plane in the way [creator] J.T. [Rogers] had always envisioned,...
- 6/8/2024
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
“Tokyo Vice” — the crime drama that has run on Max for two seasons — has come to an end, at least for now.
The cancelation was confirmed Saturday at the PGA’s Produced By conference in Los Angeles during a panel discussion about the Ansel Elgort series and the Emmy-winning Max comedy “Hacks.” Max original programming chief Sarah Aubrey, along with “Tokyo Vice” creator and executive producer J.T. Rogers and director and executive producer Alan Poul, detailed the development of the series that was an elaborate production, much of it on the streets of Tokyo.
Aubrey characterized the decision to end...
The cancelation was confirmed Saturday at the PGA’s Produced By conference in Los Angeles during a panel discussion about the Ansel Elgort series and the Emmy-winning Max comedy “Hacks.” Max original programming chief Sarah Aubrey, along with “Tokyo Vice” creator and executive producer J.T. Rogers and director and executive producer Alan Poul, detailed the development of the series that was an elaborate production, much of it on the streets of Tokyo.
Aubrey characterized the decision to end...
- 6/8/2024
- by Kate Aurthur
- Variety - TV News
Parlez-vous Olympics? For the 2024 Summer Games, NBC Sports has lined up a host of celebrities to bring star power to the 17-day event.
During the opening ceremony on July 26, Kelly Clarkson, Peyton Manning, Today hosts Savannah Guthrie and Hoda Kotb and sports commentator Mike Tirico will be on the scene as thousands of athletes make their way down the River Seine on an unprecedented 4-mile-long flotilla made up of more than 90 boats.
Among the names who’ll provide coverage through the Games are NBA All-star Dwyane Wade (basketball), comedian Leslie Jones (who’s been named “chief super fan commentator”), long-time commentator Mary Carillo, NBC talent including Willie Geist and Steve Kornacki, and Snoop Dogg, who recently said, “I will be bringing that Snoop style to the mix.”
Alex Cooper, host and executive producer of the popular podcast Call Her Daddy, is also participating in the network’s coverage. She’ll host Watch With Alex Cooper,...
During the opening ceremony on July 26, Kelly Clarkson, Peyton Manning, Today hosts Savannah Guthrie and Hoda Kotb and sports commentator Mike Tirico will be on the scene as thousands of athletes make their way down the River Seine on an unprecedented 4-mile-long flotilla made up of more than 90 boats.
Among the names who’ll provide coverage through the Games are NBA All-star Dwyane Wade (basketball), comedian Leslie Jones (who’s been named “chief super fan commentator”), long-time commentator Mary Carillo, NBC talent including Willie Geist and Steve Kornacki, and Snoop Dogg, who recently said, “I will be bringing that Snoop style to the mix.”
Alex Cooper, host and executive producer of the popular podcast Call Her Daddy, is also participating in the network’s coverage. She’ll host Watch With Alex Cooper,...
- 6/8/2024
- by Nicole Fell and Degen Pener
- The Hollywood Reporter - Movie News
Gold medals are one thing, but for many wealthy Americans heading to Paris for the Olympics, running July 26 to Aug. 11, there’s more to their must-dos than seeing Simone Biles, Sha’Carri Richardson and LeBron James compete — or spotting NBC Sports’ “chief superfan commentator” Leslie Jones taking in the action.
“The top request is an Hermès appointment,” says Jason Squatriglia of travel agency Embark Beyond. “It has to be a guaranteed leather goods [meeting], not just to get in the store and skip the line. They want to know they’ll be shown, perhaps, a mini Kelly or an exotic.” It’s a hint of the caliber of clients he’s sending to the Games. “These are not your traditional sports fans — these are your F1, Art Basel, Frieze clients, who want to do the best of the best and turn it into an exclusive shopping experience, like shutting Boucheron down on Place Vendôme.
“The top request is an Hermès appointment,” says Jason Squatriglia of travel agency Embark Beyond. “It has to be a guaranteed leather goods [meeting], not just to get in the store and skip the line. They want to know they’ll be shown, perhaps, a mini Kelly or an exotic.” It’s a hint of the caliber of clients he’s sending to the Games. “These are not your traditional sports fans — these are your F1, Art Basel, Frieze clients, who want to do the best of the best and turn it into an exclusive shopping experience, like shutting Boucheron down on Place Vendôme.
- 6/8/2024
- by Mark Ellwood
- The Hollywood Reporter - Movie News
Kerry Washington no longer plays the fictional Olivia Pope on “Scandal,” but she still suits up like a gladiator when it comes to expressing her opinions about Washington, D.C. and Hollywood.
The actress, producer, and director told Variety on the red carpet at the annual Through Her Lens: The Tribeca Chanel Women’s Filmmaker Program luncheon that she is “sometimes reluctant” to tell people who they should support in politics, but she does believe in ‘”voting up and down the ballot for candidates that really support humanity and inclusivity.”
“I am voting for Biden, but part of the reason why I am is because it’s so important for us to hold our elected officials accountable,” she revealed during the event. “And I’m voting for the person who I think I can do that with – the person who I can engage with, have conversations with; the person who...
The actress, producer, and director told Variety on the red carpet at the annual Through Her Lens: The Tribeca Chanel Women’s Filmmaker Program luncheon that she is “sometimes reluctant” to tell people who they should support in politics, but she does believe in ‘”voting up and down the ballot for candidates that really support humanity and inclusivity.”
“I am voting for Biden, but part of the reason why I am is because it’s so important for us to hold our elected officials accountable,” she revealed during the event. “And I’m voting for the person who I think I can do that with – the person who I can engage with, have conversations with; the person who...
- 6/8/2024
- by Elizabeth Taylor
- Variety - Film News
Julia Louis-Dreyfus’ career has been defined by Hall of Fame sitcom roles in “Seinfeld” and “Veep” (not to mention her Emmy-winning turn in “The New Adventures of Old Christine”). But in her years since dominating the small screen, she’s gravitated toward a diverse array of film projects.
She played an oblivious Brentwood mom in Kenya Barris’ race relations comedy “You People,” a writer betrayed by her husband in Nicole Holofcener’s Sundance dramedy “You Hurt My Feelings” and the conniving CIA director in a handful of Marvel projects, including the upcoming “Thunderbolts.”
But perhaps her boldest project to date is A24’s “Tuesday,” the debut film from writer-director Daina O. Pusić in which Louis-Dreyfus stars as a mother forced to confront the fact that her terminally ill teenage daughter is dying. Death is a character, too, in the form of a talking parrot who delivers fate and, in one scene,...
She played an oblivious Brentwood mom in Kenya Barris’ race relations comedy “You People,” a writer betrayed by her husband in Nicole Holofcener’s Sundance dramedy “You Hurt My Feelings” and the conniving CIA director in a handful of Marvel projects, including the upcoming “Thunderbolts.”
But perhaps her boldest project to date is A24’s “Tuesday,” the debut film from writer-director Daina O. Pusić in which Louis-Dreyfus stars as a mother forced to confront the fact that her terminally ill teenage daughter is dying. Death is a character, too, in the form of a talking parrot who delivers fate and, in one scene,...
- 6/8/2024
- by Ethan Shanfeld
- Variety - Film News
Julia Louis-Dreyfus’ career has been defined by Hall of Fame sitcom roles in “Seinfeld” and “Veep” (not to mention her Emmy-winning turn in “The New Adventures of Old Christine”). But in her years since dominating the small screen, she’s gravitated toward a diverse array of film projects.
She played an oblivious Brentwood mom in Kenya Barris’ race relations comedy “You People,” a writer betrayed by her husband in Nicole Holofcener’s Sundance dramedy “You Hurt My Feelings” and the conniving CIA director in a handful of Marvel projects, including the upcoming “Thunderbolts.”
But perhaps her boldest project to date is A24’s “Tuesday,...
She played an oblivious Brentwood mom in Kenya Barris’ race relations comedy “You People,” a writer betrayed by her husband in Nicole Holofcener’s Sundance dramedy “You Hurt My Feelings” and the conniving CIA director in a handful of Marvel projects, including the upcoming “Thunderbolts.”
But perhaps her boldest project to date is A24’s “Tuesday,...
- 6/8/2024
- by Ethan Shanfeld
- Variety - TV News
Tyler James Williams is shifting through poses in front of a photographer when Anthony Mackie appears on set, voice booming, to poke some fun. He asks Williams to coach him on pursing his lips like he’s Trey Songz. During their conversation, Williams outlines his path from “Everybody Hates Chris,” where he played the 13-year-old title character, to starring as first-grade teacher Gregory Eddie on ABC’s hit sitcom “Abbott Elementary.” In exchange, Mackie explains how he played an amnesiac named John Doe in Peacock’s video game adaptation “Twisted Metal,” and what it was like to take his Marvel character,...
- 6/8/2024
- by Selome Hailu
- Variety - TV News
If early weekend estimates are correct, Sony’s buddy action comedy Bad Boys: Ride or Die could help jolt the battered summer office back to life with a domestic box opening of $53 million. Moreover, it could help put Smith on the road to a career comeback after the infamous Oscars slap, which was seemingly addressed in the film.
Bad Boys 4, reuniting Smith with Martin Lawrence in the fourth outing of Sony’s long-running franchise, earned generally positive reviews and, perhaps more importantly, an A- CinemaScore. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Friday’s haul of $21.6 million included $5.9 million in Thursday night previews. Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening to $48 million to $50 million. It’s also the second biggest behind Kingdom of the Planet of the Apes.
Ride or Die...
Bad Boys 4, reuniting Smith with Martin Lawrence in the fourth outing of Sony’s long-running franchise, earned generally positive reviews and, perhaps more importantly, an A- CinemaScore. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Friday’s haul of $21.6 million included $5.9 million in Thursday night previews. Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening to $48 million to $50 million. It’s also the second biggest behind Kingdom of the Planet of the Apes.
Ride or Die...
- 6/8/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
When Michael Angarano was trying to get “Sacramento,” his indie buddy comedy about two friends who go on a road trip to a certain state capital off the ground, the question he’d get was always the same. Does it really need to be set in Sacramento?
“At one point we were ready to shoot the movie in Atlanta — we had the financing and everything,” remembers Angarano, who directed the film, as well as co-wrote it. “And this was for a movie called ‘Sacramento.’ But it’s like why try to cheat it? Maybe, we should we just call it ‘Athens’ or ‘Savannah’?”
And even though Angarano and his co-writer Chris Smith weren’t that familiar with the city that inspired their film, its appearance on a highway sign, informing them of the California city’s distance from Los Angeles, was foundational. For them, Sacramento wasn’t just a destination,...
“At one point we were ready to shoot the movie in Atlanta — we had the financing and everything,” remembers Angarano, who directed the film, as well as co-wrote it. “And this was for a movie called ‘Sacramento.’ But it’s like why try to cheat it? Maybe, we should we just call it ‘Athens’ or ‘Savannah’?”
And even though Angarano and his co-writer Chris Smith weren’t that familiar with the city that inspired their film, its appearance on a highway sign, informing them of the California city’s distance from Los Angeles, was foundational. For them, Sacramento wasn’t just a destination,...
- 6/8/2024
- by Brent Lang
- Variety - Film News
Sufjan Stevens’ Illinois had been a formative album for director and choreographer Justin Peck, and so when it came to reinterpreting it for the stage, Peck felt a responsibility to do right by the other longtime fans.
After initially toying around with the format of the piece, Peck, who is resident choreographer of the New York City Ballet, turned to a dance-based show, without any dialogue. Instead, the narrative plays out through movement and songs from the album, performed by three vocalists and a band. The idea was to give fans something new to explore, via a new storyline, while tapping into their own experience with the album.
“It’s expressed in this way that almost feels like you’re watching a silent film, and it allows the viewer their own personal experience and even a little bit of room for them to meet it halfway with their own point...
After initially toying around with the format of the piece, Peck, who is resident choreographer of the New York City Ballet, turned to a dance-based show, without any dialogue. Instead, the narrative plays out through movement and songs from the album, performed by three vocalists and a band. The idea was to give fans something new to explore, via a new storyline, while tapping into their own experience with the album.
“It’s expressed in this way that almost feels like you’re watching a silent film, and it allows the viewer their own personal experience and even a little bit of room for them to meet it halfway with their own point...
- 6/8/2024
- by Caitlin Huston
- The Hollywood Reporter - Movie News
Pat Sajak bid farewell to “Wheel of Fortune” on Friday night, but before he left, he had a parting gift for his final contestants on the show: $5,000 extra.
Before the first round of the night properly began, Sajak noted that, as everyone already knew, it was his final show. He added that he had some words he wanted to say before he left, meaning the game would cut one round of play to ensure there was enough time.
However, Sajak noted that “kind of robs you people,” so, to make up for it, he decided to spin the wheel himself and vowed to add an extra $1,000 to whatever he landed on for each contestant. He then proceeded to land on the $1,000 tile, meaning all three would get $2,000.
“You know what? It’s not my money,” Sajak teased. “Let’s give ’em all $5,000 right now. Little Jimmy’s surgery can wait!
Before the first round of the night properly began, Sajak noted that, as everyone already knew, it was his final show. He added that he had some words he wanted to say before he left, meaning the game would cut one round of play to ensure there was enough time.
However, Sajak noted that “kind of robs you people,” so, to make up for it, he decided to spin the wheel himself and vowed to add an extra $1,000 to whatever he landed on for each contestant. He then proceeded to land on the $1,000 tile, meaning all three would get $2,000.
“You know what? It’s not my money,” Sajak teased. “Let’s give ’em all $5,000 right now. Little Jimmy’s surgery can wait!
- 6/8/2024
- by Andi Ortiz
- The Wrap
Pat Sajak signed off of “Wheel of Fortune” on Friday evening after more than 40 years as host, telling viewers with a slight catch in his voice that he was grateful for the “incredible privilege to be invited into millions of homes night after night.”
The half-hour episode, recorded on April 5, was largely a regular telecast of the syndicated show with a few extra touches including Sajak’s four-minute farewell, or what he described as “a few parting thoughts.” But it opened with a clip of Sajak’s first appearance as host back in 1981, when the show aired on NBC’s...
The half-hour episode, recorded on April 5, was largely a regular telecast of the syndicated show with a few extra touches including Sajak’s four-minute farewell, or what he described as “a few parting thoughts.” But it opened with a clip of Sajak’s first appearance as host back in 1981, when the show aired on NBC’s...
- 6/8/2024
- by Cynthia Littleton
- Variety - TV News
An effectively conventional documentary that would probably work better as a 90-minute pilot for an ongoing docuseries than as a standalone film, Jess Jacklin’s Quad Gods does one unconventional thing extremely well.
Premiering on HBO after a Tribeca premiere, Quad Gods blends two genres that each tend to favor a single narrative path. Sports films progress toward unity and triumph — the solitary athlete realizes he needs coaching/love/whatever, the mismatched teammates come together, etc. Disability stories progress toward an accepted version of recovery — primarily an ableist version of “normal.”
Quad Gods is a disability story and a sports story, but it pushes back, and pushes back hard, against the traditional arcs of its respective genres. It’s a sports film without a championship game and a film about disabilities that rejects a one-size-fits-all restorative journey. It’s an anti-arc that occasionally makes Quad Gods a little unsatisfying in...
Premiering on HBO after a Tribeca premiere, Quad Gods blends two genres that each tend to favor a single narrative path. Sports films progress toward unity and triumph — the solitary athlete realizes he needs coaching/love/whatever, the mismatched teammates come together, etc. Disability stories progress toward an accepted version of recovery — primarily an ableist version of “normal.”
Quad Gods is a disability story and a sports story, but it pushes back, and pushes back hard, against the traditional arcs of its respective genres. It’s a sports film without a championship game and a film about disabilities that rejects a one-size-fits-all restorative journey. It’s an anti-arc that occasionally makes Quad Gods a little unsatisfying in...
- 6/8/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
“Diane von Furstenberg: Woman in Charge” makes the case for artistic simplicity, for better or worse. The story of an iconic 20th-century fashionista, it takes the form of a traditional talking-head documentary while exploring its eponymous subject: the Belgian designer and princess best known for bringing the wrap dress to prominence in the early 1970s. However, the distinction between von Furstenberg’s sleek, form-fitting design and the movie’s run-of-the-mill aesthetic is that while both approaches are in wider conversation with their respective art forms, von Fustenberg’s (re)invention went against society’s grain in its reclamation of femininity, while the visual approach from directors Sharmeen Obaid-Chinoy and Trish Dalton remains shackled to age-old ideas of what a documentary ought to be.
The film is often informative, but makes for a passively entertaining watch despite the sheer of breadth of life von Furstenberg has lived. She speaks, softly but with conviction,...
The film is often informative, but makes for a passively entertaining watch despite the sheer of breadth of life von Furstenberg has lived. She speaks, softly but with conviction,...
- 6/8/2024
- by Siddhant Adlakha
- Variety - Film News
Indian cinema acting legend Amitabh Bachchan has shot a cameo in upcoming sequel “Fakt Purusho Maate.”
The Gujarati-language film is a sequel to 2022 hit “Fakt Mahilao Maate,” where he had a leading role. In that film, a young man finds himself able to read the thoughts of all women and he decides to use this power to help others with their relationship problems.
The sequel is a family drama that focuses on gender equality and conflicts between two generations. Bachchan, who is revered in the Indian film industry, will play God in the film. This is not the first time Bachchan has played God – he previously played the role in “God Tussi Great Ho” (2008).
“Fakt Purusho Maate” is produced by Anand Pandit and Vaishal Shah and is written and directed by Jay Bodas and Parth Trivedi. The cast also includes Yash Soni, Mitra Gadhvi, Esha Kansara and Darshan Jariwala.
Pandit...
The Gujarati-language film is a sequel to 2022 hit “Fakt Mahilao Maate,” where he had a leading role. In that film, a young man finds himself able to read the thoughts of all women and he decides to use this power to help others with their relationship problems.
The sequel is a family drama that focuses on gender equality and conflicts between two generations. Bachchan, who is revered in the Indian film industry, will play God in the film. This is not the first time Bachchan has played God – he previously played the role in “God Tussi Great Ho” (2008).
“Fakt Purusho Maate” is produced by Anand Pandit and Vaishal Shah and is written and directed by Jay Bodas and Parth Trivedi. The cast also includes Yash Soni, Mitra Gadhvi, Esha Kansara and Darshan Jariwala.
Pandit...
- 6/8/2024
- by Naman Ramachandran
- Variety - Film News
Several members of The Daily Show – Jon Stewart, Ronny Chieng, Jordan Klepper, Michael Kosta and Desi Lydic – gathered at The Paramount Theater for the Comedy Central show’s Emmy FYC event Friday night.
Throughout a nearly hour-long conversation, Stewart spent time poking fun at Donald Trump and explaining his decision to return to the show. Most notably, when asked if he’d consider staying past his expected November departure, the late night host didn’t seem to rule the idea out.
Much of the night’s conversation centered around Stewart’s surprising once-a-week to return to the show after exiting as host in 2015. Stewart began the conversation by joking that he was “arrested for 32… 34” felonies and that his return to the show was “part of the community service to avoid jail time.”
Stewart spoke briefly about him prematurely exiting his Apple TV+ show, The Problem, following creative differences between the...
Throughout a nearly hour-long conversation, Stewart spent time poking fun at Donald Trump and explaining his decision to return to the show. Most notably, when asked if he’d consider staying past his expected November departure, the late night host didn’t seem to rule the idea out.
Much of the night’s conversation centered around Stewart’s surprising once-a-week to return to the show after exiting as host in 2015. Stewart began the conversation by joking that he was “arrested for 32… 34” felonies and that his return to the show was “part of the community service to avoid jail time.”
Stewart spoke briefly about him prematurely exiting his Apple TV+ show, The Problem, following creative differences between the...
- 6/8/2024
- by Nicole Fell
- The Hollywood Reporter - Movie News
After his emotional farewell to audiences at the end of Friday’s “Wheel of Fortune,” Pat Sajak closed his final time hosting the show by paying tribute to the shows contestants, his family, and the staff and crew.
But he saved the biggest tribute for his costar of 40 years, Vanna White, who Sajak called his “professional other half,” and “a very special woman.”
“Every time we taped a show, I met three new people from all parts of this wonderful country, and the world, who were kind and considerate, who rooted for each other, who took great pride in talking about their family, their hometown, their friends, their schools, their jobs, even their pets,” Sajak said. “In the end, they were the real stars of the show. I genuinely like these people, and I’ll miss the chance to meet more of them.
Sajak then turned attention to staff and crew,...
But he saved the biggest tribute for his costar of 40 years, Vanna White, who Sajak called his “professional other half,” and “a very special woman.”
“Every time we taped a show, I met three new people from all parts of this wonderful country, and the world, who were kind and considerate, who rooted for each other, who took great pride in talking about their family, their hometown, their friends, their schools, their jobs, even their pets,” Sajak said. “In the end, they were the real stars of the show. I genuinely like these people, and I’ll miss the chance to meet more of them.
Sajak then turned attention to staff and crew,...
- 6/8/2024
- by Ross A. Lincoln, Andi Ortiz
- The Wrap
“Eric” and “Dancing for the Devil: The 7M TikTok Cult” were the two most-watched original series in the U.S. during the week of May 31-June 6.
“Eric,” Netflix’s Benedict Cumberbatch-led limited series, had the highest number of minutes watched in its first full week of availability, clocking in at 1.1 billion, while the TikTok docuseries followed at 714.6 million minutes watched. While both demonstrated strong viewership, “Eric” took first place thanks to the benefit of its five-plus-hour runtime; in views, “Dancing for the Devil” hit an estimated 4.4 million people, while “Eric” came in second with 3.3 million.
In terms of minutes watched and views,...
“Eric,” Netflix’s Benedict Cumberbatch-led limited series, had the highest number of minutes watched in its first full week of availability, clocking in at 1.1 billion, while the TikTok docuseries followed at 714.6 million minutes watched. While both demonstrated strong viewership, “Eric” took first place thanks to the benefit of its five-plus-hour runtime; in views, “Dancing for the Devil” hit an estimated 4.4 million people, while “Eric” came in second with 3.3 million.
In terms of minutes watched and views,...
- 6/8/2024
- by Selome Hailu
- Variety - TV News
What are we to make of the fact that Andrew McCarthy’s first effort as a documentary filmmaker is a bitter excoriation of the Brat Pack tag that defined him — and is also ostentatiously named after it?
It would be just ducky to be able to report that “Brats” is the inside deep-dive we might wish it to be. But really, it’s a lightly-indulgent passion project that leaves us wanting so much more.
McCarthy begins by noting frankly that “we were who you wanted to hang with, who you envied, who you wanted to party with.” The “we,” of course, also refers to Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheedy, Demi Moore and Rob Lowe, as well as Pack-adjacent stars like James Spader, Lea Thompson and Jon Cryer. The cool kids of ’80s movies like “The Breakfast Club,” “Pretty in Pink” and “St. Elmo’s Fire,” they were...
It would be just ducky to be able to report that “Brats” is the inside deep-dive we might wish it to be. But really, it’s a lightly-indulgent passion project that leaves us wanting so much more.
McCarthy begins by noting frankly that “we were who you wanted to hang with, who you envied, who you wanted to party with.” The “we,” of course, also refers to Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheedy, Demi Moore and Rob Lowe, as well as Pack-adjacent stars like James Spader, Lea Thompson and Jon Cryer. The cool kids of ’80s movies like “The Breakfast Club,” “Pretty in Pink” and “St. Elmo’s Fire,” they were...
- 6/8/2024
- by Elizabeth Weitzman
- The Wrap
The Oscar-nominated short film Red, White and Blue, which tackles abortion issues in the U.S., will be getting an impact campaign thanks to Level Forward.
The film, directed by Nazrin Choudhury, follows a young mother living paycheck to paycheck who is forced to travel across state lines in search of an abortion.
The campaign will benefit gender justice organizations and abortion access funds, with partners that include Supermajority Ed Fund, Ignite, Vote Mama, Pregnancy Justice, She the People, One Fair Wage, and New York Abortion Access Fund.
The first stakeholder viewing will be held in New York City, at the Metrograph Theater on June 14 followed by a conversation with Choudhury and special guests including Taylor Salditch, executive director of Supermajority Ed Fund, and Chelsea Williams-Diggs, executive director of New York Abortion Access Fund. Host committee members include Abigail E. Disney, Jane Fonda and Mark Ruffalo, among others.
Said Choudhury,...
The film, directed by Nazrin Choudhury, follows a young mother living paycheck to paycheck who is forced to travel across state lines in search of an abortion.
The campaign will benefit gender justice organizations and abortion access funds, with partners that include Supermajority Ed Fund, Ignite, Vote Mama, Pregnancy Justice, She the People, One Fair Wage, and New York Abortion Access Fund.
The first stakeholder viewing will be held in New York City, at the Metrograph Theater on June 14 followed by a conversation with Choudhury and special guests including Taylor Salditch, executive director of Supermajority Ed Fund, and Chelsea Williams-Diggs, executive director of New York Abortion Access Fund. Host committee members include Abigail E. Disney, Jane Fonda and Mark Ruffalo, among others.
Said Choudhury,...
- 6/8/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Idris Elba said this week that inhabiting “completely socially unacceptable” characters feels like therapy, but that great villains are perhaps more indebted to their writer than the actor who brought them to life.
“These people get to say things that we only think in the deepest, darkest recesses of our brains,” Elba told the Wall Street Journal of “bad guy” roles. “They say horrible things and scream horrible things and get to be completely socially unacceptable. As an actor, that’s sometimes a gift, sometimes a bit of therapy.”
Elba has played several notoriously terrible characters over the years, including the villains in Beasts of No Nation (2015), Hobbs & Shaw (2019) and The Harder They Fall (2021).
Of course, part of the effectiveness of a characters’ most villainous qualities, Elba said, is that they “tend to be well-written.”
“When you see a really interesting bad guy, you’re going to think about the actor,...
“These people get to say things that we only think in the deepest, darkest recesses of our brains,” Elba told the Wall Street Journal of “bad guy” roles. “They say horrible things and scream horrible things and get to be completely socially unacceptable. As an actor, that’s sometimes a gift, sometimes a bit of therapy.”
Elba has played several notoriously terrible characters over the years, including the villains in Beasts of No Nation (2015), Hobbs & Shaw (2019) and The Harder They Fall (2021).
Of course, part of the effectiveness of a characters’ most villainous qualities, Elba said, is that they “tend to be well-written.”
“When you see a really interesting bad guy, you’re going to think about the actor,...
- 6/8/2024
- by Zoe G. Phillips
- The Hollywood Reporter - Movie News
Julien’s Auctions, the Beverly Hills-based company that specializes in movie memorabilia, drew sharp criticism on Friday for listing a fragment for sale from the plane crash that killed actress Carole Lombard in 1942.
The item is offered as part of the “Danger, Disaster and Disco” lot, which runs from June 12-14 and is cosponsored by Turner Classic Movies. The starting bid is $250, with the piece of wreckage valued at between $1,000 and $2,000.
Film historian Olympia Kiriakou tweeted, “It’s quite despicable that @JuliensAuctions is selling a piece of mangled plane debris from the crash that killed Carole Lombard.”
Her tweet was shared by X user Frank Wells, who wrote, “I’m trying to figure what kind of ghoul would want this in their home, certainly not an actual Carole Lombard fan. And do what with it? Display? Trot it out at parties? ‘Hey, check this out….'”
One X user called the auction “horrible and macabre,...
The item is offered as part of the “Danger, Disaster and Disco” lot, which runs from June 12-14 and is cosponsored by Turner Classic Movies. The starting bid is $250, with the piece of wreckage valued at between $1,000 and $2,000.
Film historian Olympia Kiriakou tweeted, “It’s quite despicable that @JuliensAuctions is selling a piece of mangled plane debris from the crash that killed Carole Lombard.”
Her tweet was shared by X user Frank Wells, who wrote, “I’m trying to figure what kind of ghoul would want this in their home, certainly not an actual Carole Lombard fan. And do what with it? Display? Trot it out at parties? ‘Hey, check this out….'”
One X user called the auction “horrible and macabre,...
- 6/8/2024
- by Sharon Knolle
- The Wrap
Julia Butters, known for her work in Once Upon a Time in Hollywood and The Fabelmans, is in talks to join the Freaky Friday sequel at Disney, The Hollywood Reporter has confirmed.
The studio first confirmed plans for the long-hoped-for film last year, and in March announced Nisha Ganatra of Welcome to Chippendales had been tapped to direct.
Jamie Lee Curtis and Lindsay Lohan, who starred in the original, were also in talks to return, though the studio has not officially confirmed any of its cast, including Curtis and Lohan. Disney had no comment on Butters’ casting.
Andrew Gunn, who produced the 2003 movie, will produce alongside former Disney exec Kristin Burr.
Curtis and Lohan have spoken openly of their aspirations for a Freaky Friday sequel for years. “We would only make something that people would absolutely adore,” Lohan told the New York Times in 2023.
The pair celebrated the news of...
The studio first confirmed plans for the long-hoped-for film last year, and in March announced Nisha Ganatra of Welcome to Chippendales had been tapped to direct.
Jamie Lee Curtis and Lindsay Lohan, who starred in the original, were also in talks to return, though the studio has not officially confirmed any of its cast, including Curtis and Lohan. Disney had no comment on Butters’ casting.
Andrew Gunn, who produced the 2003 movie, will produce alongside former Disney exec Kristin Burr.
Curtis and Lohan have spoken openly of their aspirations for a Freaky Friday sequel for years. “We would only make something that people would absolutely adore,” Lohan told the New York Times in 2023.
The pair celebrated the news of...
- 6/8/2024
- by Zoe G. Phillips
- The Hollywood Reporter - Movie News
Things are about to get freaky for Julia Butters.
The “Once Upon a Time in Hollywood” standout has joined the cast of Disney’s “Freaky Friday” sequel, sources tell Variety. The project was officially confirmed in March, with Nisha Ganatra tapped to direct.
Ganatra most recently directed episodes of Hulu’s “Welcome to Chippendales.” Her other credits include the 2020 film “The High Note” with Dakota Johnson and Tracee Ellis Ross, along with 2019’s “Late Night,” starring Mindy Kaling and Emma Thompson.
Original stars Jamie Lee Curtis and Lindsay Lohan are in talks to reprise their roles from the 2003 film.
For years, Curtis and Lohan have been vocal about their desire to reunite for a follow-up to their body-swapping comedy. In March, Curtis shared a photo with Lohan to Instagram, tagging Disney and captioning the snap, “Duh! Ffdeux!”
“Freaky Friday” followed Curtis as straight-laced mom Tess and Lohan as rebellious daughter Anna.
The “Once Upon a Time in Hollywood” standout has joined the cast of Disney’s “Freaky Friday” sequel, sources tell Variety. The project was officially confirmed in March, with Nisha Ganatra tapped to direct.
Ganatra most recently directed episodes of Hulu’s “Welcome to Chippendales.” Her other credits include the 2020 film “The High Note” with Dakota Johnson and Tracee Ellis Ross, along with 2019’s “Late Night,” starring Mindy Kaling and Emma Thompson.
Original stars Jamie Lee Curtis and Lindsay Lohan are in talks to reprise their roles from the 2003 film.
For years, Curtis and Lohan have been vocal about their desire to reunite for a follow-up to their body-swapping comedy. In March, Curtis shared a photo with Lohan to Instagram, tagging Disney and captioning the snap, “Duh! Ffdeux!”
“Freaky Friday” followed Curtis as straight-laced mom Tess and Lohan as rebellious daughter Anna.
- 6/8/2024
- by Katcy Stephan
- Variety - Film News
Legendary actor and comedian Dick Van Dyke has made history, winning the 2024 Daytime Emmy award for guest performer in a daytime drama series — via his spot on Peacock’s “Days of Our Lives.” At 98, that makes Van Dyke the oldest actor to receive a Daytime Emmy win.
Van Dyke came into Friday’s 51st Daytime Emmy Awards already making a mark as the oldest Daytime Emmys nominee ever. Night one of the 51st annual Daytime Emmy Awards took place live on CBS on Friday, June 7, from the Westin Bonaventure hotel in Downtown Los Angeles.
“I feel like a spy from nighttime television,...
Van Dyke came into Friday’s 51st Daytime Emmy Awards already making a mark as the oldest Daytime Emmys nominee ever. Night one of the 51st annual Daytime Emmy Awards took place live on CBS on Friday, June 7, from the Westin Bonaventure hotel in Downtown Los Angeles.
“I feel like a spy from nighttime television,...
- 6/8/2024
- by Michael Schneider
- Variety - TV News
Looking at the bright colors, elaborate costumes and lush sets of “Fantasmas,” you would be forgiven for thinking the inspiration for Julio Torres‘ latest HBO comedy is more joyful than it actually is.
“Thinking about the world and thinking about the kinds of people I wanted to have in the show, this common thread of feeling alienated and feeling a little lonely kept coming up,” Torres told TheWrap. “I wrote down all of the stories I wanted to tell, saw the common denominator and allowed that to inform the through-line of the story and the overarching world of it.”
Torres originally sold his latest comedy in 2020. However, thanks to the “bottleneck of the pandemic” and the creator’s work on other projects such as his film “Problemista” — which he wrote and directed — the series was delayed.
“I feel like doing work in this industry feels like a burst,” Torres said.
“Thinking about the world and thinking about the kinds of people I wanted to have in the show, this common thread of feeling alienated and feeling a little lonely kept coming up,” Torres told TheWrap. “I wrote down all of the stories I wanted to tell, saw the common denominator and allowed that to inform the through-line of the story and the overarching world of it.”
Torres originally sold his latest comedy in 2020. However, thanks to the “bottleneck of the pandemic” and the creator’s work on other projects such as his film “Problemista” — which he wrote and directed — the series was delayed.
“I feel like doing work in this industry feels like a burst,” Torres said.
- 6/8/2024
- by Kayla Cobb
- The Wrap
“General Hospital” led night one of the 51st annual Daytime Emmy Awards, winning four prizes — including the outstanding daytime drama Emmy. “General Hospital” won the top daytime drama award for the fourth year in a row.
“Gh” took an early lead as proceedings got underway, including writing, directing and supporting actor performance in a daytime drama series (Robert Gossett as Marshall Ashford). While accepting the honor for daytime drama directing, the show’s team paid tribute to Johnny Wactor, the former “Gh” performer who was recently killed.
Besides Gossett from “Gh,” daytime acting awards were spread out among several shows,...
“Gh” took an early lead as proceedings got underway, including writing, directing and supporting actor performance in a daytime drama series (Robert Gossett as Marshall Ashford). While accepting the honor for daytime drama directing, the show’s team paid tribute to Johnny Wactor, the former “Gh” performer who was recently killed.
Besides Gossett from “Gh,” daytime acting awards were spread out among several shows,...
- 6/7/2024
- by Michael Schneider
- Variety - TV News
“Run Lola Run” star Franka Potente felt “invincible” while filming Tom Tykwer’s playful, propulsive 1999 hit, which had her running full-tilt through Berlin three times in a row to save her boyfriend, with a different outcome each time.
“I remember feeling invigorated all the time because you feel like you’re part of the process,” Potente raved to TheWrap about working with the director on the breakout film, which is back in theaters for its 25th anniversary.
“Tom immediately invited me into his way of thinking and made me a part of it. I wish more directors were aware of this, because you get more out of the experience with your actors,” Potente added. She and Tykwer started dating after “Lola” and then re-teamed for “The Princess and the Warrior” in 2000.
Franka Potente and Moritz Bleibtreu in “Run Lola Run” (Credit: Sony Pictures Classics)
“It’s really hard to dissect in hindsight and be like,...
“I remember feeling invigorated all the time because you feel like you’re part of the process,” Potente raved to TheWrap about working with the director on the breakout film, which is back in theaters for its 25th anniversary.
“Tom immediately invited me into his way of thinking and made me a part of it. I wish more directors were aware of this, because you get more out of the experience with your actors,” Potente added. She and Tykwer started dating after “Lola” and then re-teamed for “The Princess and the Warrior” in 2000.
Franka Potente and Moritz Bleibtreu in “Run Lola Run” (Credit: Sony Pictures Classics)
“It’s really hard to dissect in hindsight and be like,...
- 6/7/2024
- by Sharon Knolle
- The Wrap
Logan “Stan” Garner, a train coordinator for movie and TV productions who often played a train conductor on film, died May 20 in Arizona. He was 83.
Born in Pasadena, he lived in Southern California until moving to Arizona in 2007. Garner was a founding partner with Short Line Enterprises, where he restored and operated 19th century steam locomotives and passenger cars for museums and excursion trains.
After film and TV producers began requesting trains, the company created a movie railroad backlot, which was used for productions until the late 1980s. As owner of the Train Source, he became a sought-out train coordinator, assembling locomotives, providing passenger and freight cars, creating sets for train crossings, tracks and stations and providing personnel for TV productions.
He became a SAG member and was often cast as a train conductor or railroad worker in productions.
Garner worked on over 300 feature films, TV episodes, movies of the week and music videos.
Born in Pasadena, he lived in Southern California until moving to Arizona in 2007. Garner was a founding partner with Short Line Enterprises, where he restored and operated 19th century steam locomotives and passenger cars for museums and excursion trains.
After film and TV producers began requesting trains, the company created a movie railroad backlot, which was used for productions until the late 1980s. As owner of the Train Source, he became a sought-out train coordinator, assembling locomotives, providing passenger and freight cars, creating sets for train crossings, tracks and stations and providing personnel for TV productions.
He became a SAG member and was often cast as a train conductor or railroad worker in productions.
Garner worked on over 300 feature films, TV episodes, movies of the week and music videos.
- 6/7/2024
- by Pat Saperstein
- Variety - Film News
Logan “Stan” Garner, a train coordinator for movie and TV productions who often played a train conductor on film, died May 20 in Arizona. He was 83.
Born in Pasadena, he lived in Southern California until moving to Arizona in 2007. Garner was a founding partner with Short Line Enterprises, where he restored and operated 19th century steam locomotives and passenger cars for museums and excursion trains.
After film and TV producers began requesting trains, the company created a movie railroad backlot, which was used for productions until the late 1980s. As owner of the Train Source, he became a sought-out train coordinator,...
Born in Pasadena, he lived in Southern California until moving to Arizona in 2007. Garner was a founding partner with Short Line Enterprises, where he restored and operated 19th century steam locomotives and passenger cars for museums and excursion trains.
After film and TV producers began requesting trains, the company created a movie railroad backlot, which was used for productions until the late 1980s. As owner of the Train Source, he became a sought-out train coordinator,...
- 6/7/2024
- by Pat Saperstein
- Variety - TV News
With just hours to go before the Daytime Emmys, the international Alliance of Theatrical Stage Employees has reached a deal with the National Academy of Television Arts & Sciences to extend union benefits to the non-union workers hired for the ceremony.
“The IATSE has reached a deal to cover the workers on the Daytime Emmy Awards. Those workers will now receive the benefits of a union contract including their health and pension benefits,” the guild said in a statement Friday.
Prior to the deal, IATSE was considering pickets outside the ceremony to protest NATAS’ use of non-union labor. This could have become a ballooning crisis for the Television Academy, as the Writers’ Guild of America advised members on Friday not to attend the ceremony if it meant crossing picket lines, according to Deadline.
The deal is a demonstration of strength by IATSE and by extension Hollywood’s unions amid the industry...
“The IATSE has reached a deal to cover the workers on the Daytime Emmy Awards. Those workers will now receive the benefits of a union contract including their health and pension benefits,” the guild said in a statement Friday.
Prior to the deal, IATSE was considering pickets outside the ceremony to protest NATAS’ use of non-union labor. This could have become a ballooning crisis for the Television Academy, as the Writers’ Guild of America advised members on Friday not to attend the ceremony if it meant crossing picket lines, according to Deadline.
The deal is a demonstration of strength by IATSE and by extension Hollywood’s unions amid the industry...
- 6/7/2024
- by Ross A. Lincoln
- The Wrap
Howard University announced Friday the school would revoke Sean “Diddy” Combs’ honorary degree, originally conferred in 2014 to the now-disgraced rapper and music mogul.
The university reported its board of trustees had voted unanimously to return to Combs’ degree following the release of a 2016 video that showed him attacking his ex-girlfriend, Cassie Ventura.
“Mr. Combs’ behavior as captured in a recently released video is so fundamentally incompatible with Howard University’s core values and beliefs that he is deemed no longer worthy to hold the institution’s highest honor,” the board’s statement read. “The University is unwavering in its opposition to all acts of interpersonal violence.”
The video, released last month, showed Combs running out of a hotel room in a towel and chasing Ventura toward the elevator. He grabbed her by the back of the neck and threw her on the floor, kicked her, shoved her and dragged her by her sweatshirt.
The university reported its board of trustees had voted unanimously to return to Combs’ degree following the release of a 2016 video that showed him attacking his ex-girlfriend, Cassie Ventura.
“Mr. Combs’ behavior as captured in a recently released video is so fundamentally incompatible with Howard University’s core values and beliefs that he is deemed no longer worthy to hold the institution’s highest honor,” the board’s statement read. “The University is unwavering in its opposition to all acts of interpersonal violence.”
The video, released last month, showed Combs running out of a hotel room in a towel and chasing Ventura toward the elevator. He grabbed her by the back of the neck and threw her on the floor, kicked her, shoved her and dragged her by her sweatshirt.
- 6/7/2024
- by Zoe G. Phillips
- The Hollywood Reporter - Movie News
With a premise about young love, two charismatic leads and a title like Winter Spring Summer or Fall, Tiffany Paulsen’s feature is likely to draw vague comparisons to Richard Linklater’s Before Sunrise (and sequels). But while it’s highly unlikely to attain that canonical status, this film edges into distinctive enough territory thanks to Wednesday stars Jenna Ortega and Percy Hynes White. Their genuine chemistry and grounded performances give the feathery story a needed touch of weight.
Premiering at the Tribeca Film Festival, Winter Spring Summer or Fall aims to gift Gen Z the kind of rooting-for-them romance on offer for every generation: the unlikely match-up at the center of A Walk to Remember; the music-driven pairing of Nick & Norah’s Infinite Playlist; and, as mentioned, the more emotionally risky and formally adventurous Before movies.
The film follows Remi (Ortega) and Barnes (White), two New Jersey teens who...
Premiering at the Tribeca Film Festival, Winter Spring Summer or Fall aims to gift Gen Z the kind of rooting-for-them romance on offer for every generation: the unlikely match-up at the center of A Walk to Remember; the music-driven pairing of Nick & Norah’s Infinite Playlist; and, as mentioned, the more emotionally risky and formally adventurous Before movies.
The film follows Remi (Ortega) and Barnes (White), two New Jersey teens who...
- 6/7/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
The Daytime Emmys are here. The 51st annual awards show is due to kick off after a couple of setbacks in prior years – first Covid, then the double strikes. But they’re back in full force to honor the best in daytime television, with a star-studded lineup of presenters on tap.
Here’s where and how to watch the Daytime Emmys live.
When are the Daytime Emmys?
The 2024 Daytime Emmys are on Friday, June 7 at 8 p.m. Et/Pt.
Are the Daytime Emmys on TV or streaming?
Both! The show will air live on CBS starting at 8 p.m. Et/Pt, but you can also watch the Daytime Emmys live on Paramount+.
You’ll need a Paramount+ with Showtime subscription to stream the show live. If you only have a Paramount+ Essential plan, you won’t be able to watch the Daytime Emmys until the next day on demand.
Who’s hosting the show?...
Here’s where and how to watch the Daytime Emmys live.
When are the Daytime Emmys?
The 2024 Daytime Emmys are on Friday, June 7 at 8 p.m. Et/Pt.
Are the Daytime Emmys on TV or streaming?
Both! The show will air live on CBS starting at 8 p.m. Et/Pt, but you can also watch the Daytime Emmys live on Paramount+.
You’ll need a Paramount+ with Showtime subscription to stream the show live. If you only have a Paramount+ Essential plan, you won’t be able to watch the Daytime Emmys until the next day on demand.
Who’s hosting the show?...
- 6/7/2024
- by Adam Chitwood
- The Wrap
As the wisdom The Hollywood Reporter just shared in late May goes, anyone who wants their career or name to go viral, must speak with former NFL player Shannon Sharpe on his podcast, Club Shay Shay. Well, it is happening again, this time with singer and one-time sex tape star Ray J, who took time to ponder the ripple effects of his sex tape with Kim Kardashian and waxed philosophical about humanity.
Ray J, who besides starring in the early-to-the-sex-tape-game encounter with Kardashian filmed in 2003 and released in 2007 is a musician who is now touting a new single, “Throwing Stacks.” But the former topic got the 43-year-old father of two thinking about the impact of the famous sex tape, dubbed Kim Kardashian, Superstar, which ultimately made the Kardashian family a household name.
“How different would we all be?” Ray J asked, having been asked himself about life with no sex tape.
Ray J, who besides starring in the early-to-the-sex-tape-game encounter with Kardashian filmed in 2003 and released in 2007 is a musician who is now touting a new single, “Throwing Stacks.” But the former topic got the 43-year-old father of two thinking about the impact of the famous sex tape, dubbed Kim Kardashian, Superstar, which ultimately made the Kardashian family a household name.
“How different would we all be?” Ray J asked, having been asked himself about life with no sex tape.
- 6/7/2024
- by Kevin Dolak
- The Hollywood Reporter - Movie News
Variety’s 2024 TV FYC Fest was packed with back-to-back talent and the best storytellers in the biz. Hollywood insiders gathered at the 1 Hotel in Los Angeles to partake in several discussions with creators, executives and stars about the best of television this year. The curated list of the industry’s premiere talent included Dakota Fanning, Ricky Martin, Phaedra Parks, Kristen Wiig (who was honored with the Inaugural Mary Tyler Moore Visionary Award), and many more.
A few exciting panels included a conversation with CBS Chief George Cheeks on Paramount Global uncertainty and the future of Broadcast TV, a deep dive...
A few exciting panels included a conversation with CBS Chief George Cheeks on Paramount Global uncertainty and the future of Broadcast TV, a deep dive...
- 6/7/2024
- by Meredith Woerner, William Earl, Jack Dunn, Selena Kuznikov and Michael Schneider
- Variety - TV News
‘Made in England: The Films of Powell and Pressburger’ Review: Martin Scorsese-Led Doc Gets Personal
Martin Scorsese’s voiceover narration and on-camera presence foregrounds the personal nature of “Made in England: The Films of Powell and Pressburger,” an irresistible documentary survey about the formative movies of mid-century British writer/director Michael Powell and his co-writer Emeric Pressburger.
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
- 6/7/2024
- by Simon Abrams
- The Wrap
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