The Life and Death of Colonel Blimp (1943)

From the Boer War through World War II, a soldier rises through the ranks in the British military.

Directors:

Michael Powell, Emeric Pressburger

Writers:

Michael Powell, Emeric Pressburger

Stars:

Roger Livesey, Deborah Kerr, Anton Walbrook

1 win & 2 nominations.

Cast

Cast overview, first billed only:
James McKechnie	...	Spud Wilson
Neville Mapp	...	Stuffy Graves
Vincent Holman	...	Club Porter (1942)
Roger Livesey	...	Clive Candy
David Hutcheson	...	Hoppy
Spencer Trevor	...	Period Blimp
Roland Culver	...	Colonel Betteridge
James Knight	...	Club Porter (1902)
Deborah Kerr	...	Edith Hunter / Barbara Wynne / Johnny Cannon
Dennis Arundell	...	Café Orchestra Leader
David Ward	...	Kaunitz
Jan Van Loewen	...	Indignant Citizen
Valentine Dyall	...	von Schönborn
Carl Jaffe	...	von Reumann (as Carl Jaffé)
Albert Lieven	...	von Ritter

Storyline

Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war."

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Plot Keywords:

friendship | army | british | regiment | soldier | 

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Taglines:

The Lusty Lifetime Of A Gentleman Who Was Sometimes Quite A Rogue!

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Genres:

Drama | Romance | War

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Certificate:

Not Rated

Details

Country:

UK

Language:

English French German

Release Date:

4 May 1945 (USA)

Also Known As:

The Life and Death of Colonel Blimp

Filming Locations:

139 Park Lane, Mayfair, London, England, UK

Box Office

Budget:

£200,000 (estimated)

Company Credits

Production Co:

The Archers, Independent Producers

Technical Specs

Runtime:

163 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

According to the directors, the idea for the film did not come from the comic strip by David Low, but from a scene cut from their previous film, One of Our Aircraft Is Missing (1942), in which an elderly member of the crew tells a younger one, "You don't know what it's like to be old."

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Goofs

The position of the two decks of cards on the card table changes from one position at the time the nurse picks up the table to move it to another when she sets it down.

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Quotes

Theo Kretschmar-Schuldorff: You know that, after the war, we had very bad years in Germany. We got poorer and poorer. Every day retired officers or schoolteachers were caught shoplifting. Money lost its value, the price of everything rose except of human beings. We read in the newspapers that the after-war years were bad everywhere, that crime was increasing and that honest citizens were having a hard job to put the gangsters in jail. Well in Germany, the gangsters finally succeeded in putting the honest citizens in jail.

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Crazy Credits

Deborah Kerr's characters are listed separately, in order of appearance. So Deborah Kerr's name appears three times in the movie credits.

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Alternate Versions

The original version (the one restored to Criterion Collection DVD and laserdisc) runs 163 minutes. When Winston Churchill expressed his vehement dislike for the film, the British distributor, Rank Films, cut it to 140 minutes. The film was chopped to pieces when it was imported to the United States in 1945, running around 120 minutes (in which the film's vital flashback structure is eliminated and the story is told from beginning to end). The film was further cut to 90 minutes and ran on public television often in the 1970's (in the Criterion commentary, Martin Scorsese comments that this is the version he saw late night when working on New York, New York (1977)). For years, it was thought that the only existing version was this 90-minute version. In 1983, with the cooperation of the Archers, the epic film was restored to the full 163-minute length, much to the delight of Emeric Pressburger (whose favorite film this was). The film was reconstructed to the original flashback structure and many scenes taking place during World War I were restored, including the much-discussed black soldier.

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Connections

Referenced in Ripping Yarns: Whinfrey's Last Case (1979)

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Soundtracks

Je suis Titania
(uncredited)
from "Mignon"
Music by Ambroise Thomas

User Reviews

A wonderful, deeply moving film.

The Life and Death of Colonel Blimp is one of the most deeply moving films I've ever seen. It's amazing how independent producers (the Archers--Powell & Pressburger) managed to put together a lavish Technicolor epic without government assistance in wartime England--but they did it. it contains one of the most subtle "why we fight" themes--to preserve the English (and, hopefully, American) sense of fair play exemplified by the title character. The emotional kicker is a scene which takes place in 1939 in a British police station, where the German (played by Anton Walbrook--a German refugee actor) calmly and drily narrates how and why he came to settle in England. Just the thought of the scene moves me to tears. It's a marvelous piece of acting. The narrative technique--the story contained in one, long flashback--was in vogue on both sides of the Atlantic in the early 1940s--one can think of Sam Wood's Saratoga Trunk (Warner Brothers, 1943) as a good example--but the shift from 1942 to 1902 is accomplished by a very deft piece of editing. Colonel Blimp enters the pool of the Royal Automobile Club an old man, and emerges 40 years earlier! Colonel Blimp's true subtext is how civilization, friendship, and love survive times of chaos and barbarism (not to mention war) and, indeed, triumph by their survival. It is especially timely at the time of this writing (late March 2003).