Two hip detectives protect a witness to a murder while investigating a case of stolen heroin from the evidence storage room from their police precinct.
A loyal and dedicated Hong Kong Inspector teams up with a reckless and loudmouthed L.A.P.D. detective to rescue the Chinese Consul's kidnapped daughter, while trying to arrest a dangerous crime lord along the way.
A lawyer becomes a target by a corrupt politician and his N.S.A. goons when he accidentally receives key evidence to a serious politically motivated crime.
A mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.
After an attempted assassination on Ambassador Han, Lee and Carter head to Paris to protect a French woman with knowledge of the Triads' secret leaders.
In order to foil a terrorist plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
While helping his latest client woo the woman of his dreams, a professional "date doctor" finds that his game doesn't quite work on the gossip columnist with whom he's smitten.
A Chinese man travels to the Wild West to rescue a kidnapped Princess. After teaming up with a train robber, the unlikely duo takes on a Chinese traitor and his corrupt boss.
Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies' man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.Written by
James Hastie <jdh1000@cus.cam.ac.uk>
The second time Mike and Marcus go talk to Jojo, Mike pushes Jojo over some tires and puts a gun to his head and cocks the hammer. He then draws on Marcus and cocks the hammer on his back-up weapon. He then pulls Jojo up, points both weapons at him and cocks a third hammer. See more »
Quotes
Mike Lowrey:
You know you drive almost slow enough to drive Miss Daisy.
See more »
Alternate Versions
German sell-through video is cut for violence to get a "Not under 16" rating. See more »
Call the Police
Written and Performed by Ini Kamoze
Produced by Sly & Robbie
Additional Production and Remix by Handel Tucker
Courtesy of Island Records See more »
The 'buddy comedy' genre is fairly well-known, there have been plenty of them, all of them primarily based on the basic idea of having two main characters who are, well, buddies; they act like friends to each other, they get in fights, they help each other out, they compliment each other. It's a fairly easy genre to master, and an easy way to make a good movie. This is one of the best examples, since Smith and Lawrence really do compliment each other so well; Smith's the sleek, cool one who is popular with the ladies, while Lawrence is often nervous, and pretty much a direct opposite of Smith. They have pretty good on-screen chemistry, too; you believe that these are good friends and partners. My only real problem with the film is the way the comedy almost all is generated by stereotypes, and, worse, the age-old complications that arise from certain situations. I think that's a little unoriginal, but, hey, that's the only complaint about it, and the film does have some very entertaining comedy parts. The plot is pretty good, it keeps the film going and supplies every single scene with comedy, action, or both. It takes off immediately, and keeps a good pace throughout the 2 hour duration. The acting is all pretty good. The characters are well-written, well, for stereotypes at least(because, lets face it; they are). The comedy is well-done and often made me laugh out loud, and, believe me, I am not, in any way, shape or form, a Will Smith fan. The action was well-done too, intense and exciting. The film, all in all, was pretty good, very entertaining. For a buddy comedy, it's good. For an action comedy, it's good too. I recommend it to all fans of action comedies, and buddy comedies. 7/10
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The 'buddy comedy' genre is fairly well-known, there have been plenty of them, all of them primarily based on the basic idea of having two main characters who are, well, buddies; they act like friends to each other, they get in fights, they help each other out, they compliment each other. It's a fairly easy genre to master, and an easy way to make a good movie. This is one of the best examples, since Smith and Lawrence really do compliment each other so well; Smith's the sleek, cool one who is popular with the ladies, while Lawrence is often nervous, and pretty much a direct opposite of Smith. They have pretty good on-screen chemistry, too; you believe that these are good friends and partners. My only real problem with the film is the way the comedy almost all is generated by stereotypes, and, worse, the age-old complications that arise from certain situations. I think that's a little unoriginal, but, hey, that's the only complaint about it, and the film does have some very entertaining comedy parts. The plot is pretty good, it keeps the film going and supplies every single scene with comedy, action, or both. It takes off immediately, and keeps a good pace throughout the 2 hour duration. The acting is all pretty good. The characters are well-written, well, for stereotypes at least(because, lets face it; they are). The comedy is well-done and often made me laugh out loud, and, believe me, I am not, in any way, shape or form, a Will Smith fan. The action was well-done too, intense and exciting. The film, all in all, was pretty good, very entertaining. For a buddy comedy, it's good. For an action comedy, it's good too. I recommend it to all fans of action comedies, and buddy comedies. 7/10