After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart.Written by
Paul Penna <firstname.lastname@example.org>
Upon completion of the film, J. Arthur Rank did not immediately release nor distribute it. The master film reels, instead, were stored for nearly a year on the Rank Studio transportation delivery-loading docks, exposed to the elements of the weather. Saddled with the film, Rank decided to release it to small art house theaters in London. The public enthusiastically endorsed the film, establishing its popularity. Universal Pictures, in 1951, acquired the North American distribution rights to the film, primarily placing it in art house movie theaters. The San Francisco Fine Arts theater screened the film four times daily for two years to sold-out houses. See more »
The length of Julian's cigarette changes dramatically (gets longer and then gets much shorter than he could smoke it down to in the short time between shots) whilst he's playing the piano for Vicky in Lermontov's office. See more »
[holding doors closed]
They're going mad, sir. It's the students.
Down with tyrants!
Manager, Covent Garden:
All right, let them in.
See more »
The end of the film finishes with 'Finis' instead of 'The End'. See more »
`Why do you want to dance?' Anton Walbrook asks of Moira Shearer part way through Powell and Pressburger's inventive ballet film. `Why do you want to live?' is her cool response. Suggested by the Hans Christian Andersen story and a project long in development by P&P, this sumptuous colour production allows Shearer to display her excellent ballet skills alongside Robert Helpmann and Leonide Massine, and all three are excellent.
In fact, the `Red Shoes Ballet' alone is enough to recommend this movie in the strongest terms. Also in the cast is P&P regular Marius Goring, as the composer pushed aside for the lure of the stage. Walbrook, as the emotionless impresario who is only alive within the confines of his art, is superb, and perhaps only his role as Theo in `Colonel Blimp' served him better.
32 of 38 people found this review helpful.
Was this review helpful to you?
| Report this