The Red Shoes (1948)

A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Directors:

Michael Powell, Emeric Pressburger

Writers:

Hans Christian Andersen (fairy tale), Emeric Pressburger (original screenplay)

Stars:

Anton Walbrook, Marius Goring, Moira Shearer

Won 2 Oscars. Another 3 wins & 5 nominations.

Cast

Cast overview, first billed only:
Marius Goring	...	Julian Craster
Jean Short	...	Terry
Gordon Littmann	...	Ike
Julia Lang	...	A Balletomane
Bill Shine	...	Her Mate
Léonide Massine	...	Ljubov (as Leonide Massine)
Anton Walbrook	...	Boris Lermontov
Austin Trevor	...	Professor Palmer
Esmond Knight	...	Livy
Eric Berry	...	Dimitri
Irene Browne	...	Lady Neston
Moira Shearer	...	Victoria Page
Ludmilla Tchérina	...	Irina Boronskaja (as Ludmilla Tcherina)
Jerry Verno	...	Stage-Door Keeper
Robert Helpmann	...	Ivan Boleslawsky

Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart.

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Plot Keywords:

ballet | ballerina | dancer | dance | composer | 

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Taglines:

A Dancing, Singing, Swinging Love Tale

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Genres:

Drama | Music | Romance

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Certificate:

Not Rated

Details

Country:

UK

Language:

English French Russian

Release Date:

6 September 1948 (UK)

Also Known As:

Las zapatillas rojas

Filming Locations:

D&P Studios, Denham Studios, Denham, Buckinghamshire, England, UK

Box Office

Budget:

£500,000 (estimated)

Opening Weekend:

£13,336 (United Kingdom), 13 December 2009, Limited Release

Gross USA:

$10,900,000

Company Credits

Production Co:

The Archers, Independent Producers

Technical Specs

Runtime:

134 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (as Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The 15-minute (approximately) "Ballet of the Red Shoes" used a corps de ballet of 53 dancers.

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Goofs

Near the end, when Vicky is getting ready to go on stage for "The Red Shoes" once again, she's wearing the red dancing shoes as she hesitates, but that play starts with the white dancing shoes; only during the play does her character find the red shoes and put them on.

However, this is not an accidental goof. This is essential to the plot and the director wants us to overlook this detail so that all the symbolism of Vicky wearing those red shoes while "unable to stop dancing" can be fully explored.

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Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.

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Crazy Credits

The end of the film finishes with 'Finis' instead of 'The End'.

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Connections

Referenced in Big Eddie: One of Our Red Shoes Is Missing (1975)

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Soundtracks

Les Sylphides
(uncredited)
Music by Franz Liszt
Arranged by Gordon Jacob
Played by uncredited symphony orchestra

User Reviews

Powell and Pressburger's ballet fairytale

`Why do you want to dance?' Anton Walbrook asks of Moira Shearer part way through Powell and Pressburger's inventive ballet film. `Why do you want to live?' is her cool response. Suggested by the Hans Christian Andersen story and a project long in development by P&P, this sumptuous colour production allows Shearer to display her excellent ballet skills alongside Robert Helpmann and Leonide Massine, and all three are excellent.

In fact, the `Red Shoes Ballet' alone is enough to recommend this movie in the strongest terms. Also in the cast is P&P regular Marius Goring, as the composer pushed aside for the lure of the stage. Walbrook, as the emotionless impresario who is only alive within the confines of his art, is superb, and perhaps only his role as Theo in `Colonel Blimp' served him better.