After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
American tourist Jesse and French student Celine meet by chance on the train from Budapest to Vienna. Sensing that they are developing a connection, Jesse asks Celine to spend the day with him in Vienna, and she agrees. So they pass the time before his scheduled flight the next morning together. How do two perfect strangers connect so intimately over the course of a single day? What is that special thing that bonds two people so strongly? As their bond turns to love, what will happen to them the next morning when Jesse flies away?Written by
Originally, in the screenplay, who the two people were and the city they spend time in was vague. See more »
Jesse and Celine walk towards the back of the train heading for the dining car. As they enter the dining car, the train is now traveling in the opposite direction, backwards. See more »
Yeah. So, uh, were we having our first fight back there?
Yeah, I think so, I think we were.
Well, even if we were a little bit, y'know. Why does everyone think conflict is so bad. There's a lot of good things coming out of conflict.
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Dido And Aeneas
Composed by Henry Purcell
Performed by Academy of the Begynhof, Amsterdam
Courtesy of Globe-Klass Posthuma Productions
By Arrangement with Qualiton Imports and Source/Q See more »
One of those few movies that actually - ACTUALLY - feel like real life
This movie is intelligent. That is, more than most other movies, it transcends the least common denominator - stupid people will probably not appreciate it. The story also relies heavily on dialogue. It has some parallels to Lost in Translation, although Before Sunrise is much brighter, somehow less abstract, and simply a lot better.
The script, the characters and even the slightly surreal atmosphere feel totally realistic. The actors play absolutely brilliantly. Rarely have I seen a movie where the script and the acting has melted this perfectly together.
The dialogue moves into very personal issues, with the risk of becoming a little over the top. It does, however, stay on the right side almost all the time, although I found a few moments a little awkward and embarrassing. Balancing on this fine line demands outrageously talented actors. Sometimes, it yields great results, and overall this movie is simply stupendous! Only very, very rarely is "love" in films depicted in a way that I find trustworthy and realistic. Every time that is achieved, the result is fantastic. I think the stunning and apparently timeless beauty of the female lead actress helped quite a bit in this respect. She still looks stunning in this film, 12 years after.
This is simply a gem of a movie that you can't miss. One of the best movies I have seen from the 1990s!
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