Teenager Andie is one of the not-so-popular girls in high school. She usually hangs out with her friends Iona or Duckie. Duckie has always had a crush on her, but now she has met a new guy at school, Blane. He's one of the rich and popular guys but can the two worlds meet?Written by
When James Spader auditioned for Howard Deutch and John Hughes, he completely immersed himself in the jerky character of Steff. He smoked a cigarette in the room, and crushed the cig on his way out. Hughes and Deutch almost didn't cast him until they realized just how much he embodied the role. After Spader got the part, Jon Cryer complimented Spader's prior works. "I figure I got a lock on this teenage a**hole thing," Spader told Cryer. See more »
When Blane puts Andie in his car, the painted brick wall with the newspaper boxes is in the background, without Duckie. In the next shot, he is sitting on the newspaper box. See more »
Does he have... strong lips?
How can you tell?
Did you feel it in your knees?
I felt it everywhere.
I know I'm old enough to be his mother, but when the Duck laid that kiss on me last night, I swear my thighs just went up in flames! He must practice on melons or something.
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80s teen classic illustrates some impressive talent.
PRETTY IN PINK and Molly Ringwald were to the 80s, as CLUELESS and Alicia Silverstone is to the 90s. An excellent cast and some fine acting were guaranteed enough to have branded this a teenage classic from the 80s. They don't make good movies like this anymore! The clever talent from John Hughes doesn't just mean it's a far-out comedy, but he expresses the problems of young love from central character Ringwald that sound dramatic and satirizing. In other words, a girl-meets-boy story that offers a wide spectrum of situations that are confronted in the real world. Like I already said, the cast is exceptional, including the sensational Jon Cryer doing a lip-synching of that familiar tune from THE COMMITMENTS. Annie Potts is a pure delight at changing one wig after the next (what a nice impersonation of Audrey Hepburn!). The movie wouldn't have been anywhere near complete without the memorable hit tune "If You Leave" (Orchestral Manoevers In The Dark). While the end has a hard time getting things straight, there is a valuable moment that caresses deeply. From start to finish, this one still holds up against the recent string of teen pictures that aren't as cool or refreshing (CLUELESS and REALITY BITES are the exceptions). A movie like this is great when it's not so raunchy.
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