Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes...
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Beautiful blonde translator Rebecca lives with her boyfriend, ski instructor Marco, in a small mountain villa owned by her friend, nurse Laura. Rene, a cinema projectionist, steals Marco's ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
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Anna, 17 years old, is happy to throw her first big birthday party without her parents, but some of her guests are so stoned that they leave a big chaos and, even worse, destroy the ... See full summary »
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Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident that results in her lying under a truck, unable to breathe. While he provides life-saving first aid, mesmerized Sissi begins to wonder whether he may be the man of her dreams. But when she tracks him down weeks later her affection is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future.Written by
Armin Ortmann <email@example.com>
The truck Bodo jumps on heads down the Kaiserstrasse in Wuppertal and seconds later hits Sissi coming from the opposite direction. The Kaiserstrasse is to small for a truck this size, to do a U-Turn so fast. See more »
A scene from the German version is missing in the U.S. one: Towards the end, instead of just leaving the "old Bodo" behind, we see him encountering a bus driven by Walter and then the two driving off together. See more »
Tykwer's "make-or-break" is a "make", but an uneasy one.
Only a fool would expect this to be a second Run Lola Run. But unfortunately, there will be a lot of fools out there: This won't be the hit that Tykwer's former film was. And, just to say that: Run Lola Run still plays in a higher league.
But that's, of course, not to say that The Princess And The Warrior is a bad movie. Quite the contrary: there should be more films like this one. It's slow at times, yes, but to the ones with keen eyes it's meditative. It's metaphysical, in the end even surreal, it's down-to-earth, but at the same time very outlandish, it's a love story, but without the usual assets: there's no kissing, let alone sex; yes, even holding hands just occurs for a second. It's about a spiritual love, something epic, as the title suggests.
Many people won't like it; far too few people will love it. And I'm somewhere in between: It's a bold movie to make, especially in the dull (to be polite) movie scene of Germany, and a good one, too. Something refreshingly different (and wonderfully written, directed, shot and acted, I might add...). But somehow, you can't help feeling just a little disappointed after the milestone of modern film making that Tom Tykwer released two years ago.
8 out of 10.
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