Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes...
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Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident that results in her lying under a truck, unable to breathe. While he provides life-saving first aid, mesmerized Sissi begins to wonder whether he may be the man of her dreams. But when she tracks him down weeks later her affection is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future.Written by
Armin Ortmann <email@example.com>
When Bodo shoves Sissi into the mud during the rain storm, she gets up and turns slightly and the back of her raincoat and the back of her arms are covered in mud. A few seconds later she stands and walks away and there's almost no mud. It is raining but not hard enough to wash the mud away that quickly. If you compare the amount of mud on Bodo's face and shirt in the same amount of time, there's almost no difference. See more »
A scene from the German version is missing in the U.S. one: Towards the end, instead of just leaving the "old Bodo" behind, we see him encountering a bus driven by Walter and then the two driving off together. See more »
Tykwer's "make-or-break" is a "make", but an uneasy one.
Only a fool would expect this to be a second Run Lola Run. But unfortunately, there will be a lot of fools out there: This won't be the hit that Tykwer's former film was. And, just to say that: Run Lola Run still plays in a higher league.
But that's, of course, not to say that The Princess And The Warrior is a bad movie. Quite the contrary: there should be more films like this one. It's slow at times, yes, but to the ones with keen eyes it's meditative. It's metaphysical, in the end even surreal, it's down-to-earth, but at the same time very outlandish, it's a love story, but without the usual assets: there's no kissing, let alone sex; yes, even holding hands just occurs for a second. It's about a spiritual love, something epic, as the title suggests.
Many people won't like it; far too few people will love it. And I'm somewhere in between: It's a bold movie to make, especially in the dull (to be polite) movie scene of Germany, and a good one, too. Something refreshingly different (and wonderfully written, directed, shot and acted, I might add...). But somehow, you can't help feeling just a little disappointed after the milestone of modern film making that Tom Tykwer released two years ago.
8 out of 10.
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