Movie News
The Easterseals Disability Film Challenge awarded prizes in several categories at a Thursday event on the Sony Pictures Studios lot in Culver City.
The Disability Film Challenge is celebrating 11 years of advocating for diversity, equity and inclusion in the entertainment industry.
Presenters and attendees included “Ricky Stanicky” writer, producer and director Peter Farrelly, comedian Nate Bargatze, “Coda” director Siân Heder, Caterina Scorsone of “Grey’s Anatomy,” Sheaun McKinney of “The Neighborhood,” Rick Glassman of “Not Dead Yet,” Jillian Mercado of “The L Word: Generation Q” and Heather Morris of “Glee.”
The winners were selected from 135 submitted from around the world. They include:
Best Film – “Audio Description” – Lee Pugsley;
Best Director – “The Case of the Obsidian Muskrat”- Chase Chambers
Best Actor – “Emergency Contact” – Kiersten Kelly
Best Writer – “Call the A.D.A.” – David Radcliff
Best Editor – “The Case of the Obsidian Muskrat” – Chase Chambers
Best Awareness Campaign – “Out of Reach” – Sawsan Zakaria...
The Disability Film Challenge is celebrating 11 years of advocating for diversity, equity and inclusion in the entertainment industry.
Presenters and attendees included “Ricky Stanicky” writer, producer and director Peter Farrelly, comedian Nate Bargatze, “Coda” director Siân Heder, Caterina Scorsone of “Grey’s Anatomy,” Sheaun McKinney of “The Neighborhood,” Rick Glassman of “Not Dead Yet,” Jillian Mercado of “The L Word: Generation Q” and Heather Morris of “Glee.”
The winners were selected from 135 submitted from around the world. They include:
Best Film – “Audio Description” – Lee Pugsley;
Best Director – “The Case of the Obsidian Muskrat”- Chase Chambers
Best Actor – “Emergency Contact” – Kiersten Kelly
Best Writer – “Call the A.D.A.” – David Radcliff
Best Editor – “The Case of the Obsidian Muskrat” – Chase Chambers
Best Awareness Campaign – “Out of Reach” – Sawsan Zakaria...
- 5/10/2024
- by Pat Saperstein
- Variety - Film News
It’s all monkey business at the box office.
“Kingdom of the Planet of the Apes,” the latest film in 20th Century Studios’ primate franchise, will rule over the box office this weekend. It’s already made $6.6 million in previews so far.
The new “Apes” movie is the fourth in the modern reboot franchise and the first since 2017’s “War for the Planet of the Apes.” “Kingdom” is projected to make between $50 million and $55 million in its opening weekend, which is roughly in line with the three previous entries.
The series’ second movie, 2014’s “Dawn of the Planet of the Apes,” holds the opening-weekend record with $72 million ($4.1 million in previews); followed by “War for the Planet of the Apes” with its $56.2 million opening ($5 million in previews); and finally the initial 2011 reboot “Rise of the Planet of the Apes” with a $54.8 million opening ($1.3 million in previews).
Director Wes Ball (“The Maze Runner...
“Kingdom of the Planet of the Apes,” the latest film in 20th Century Studios’ primate franchise, will rule over the box office this weekend. It’s already made $6.6 million in previews so far.
The new “Apes” movie is the fourth in the modern reboot franchise and the first since 2017’s “War for the Planet of the Apes.” “Kingdom” is projected to make between $50 million and $55 million in its opening weekend, which is roughly in line with the three previous entries.
The series’ second movie, 2014’s “Dawn of the Planet of the Apes,” holds the opening-weekend record with $72 million ($4.1 million in previews); followed by “War for the Planet of the Apes” with its $56.2 million opening ($5 million in previews); and finally the initial 2011 reboot “Rise of the Planet of the Apes” with a $54.8 million opening ($1.3 million in previews).
Director Wes Ball (“The Maze Runner...
- 5/10/2024
- by Jordan Moreau
- Variety - Film News
History? They just made some.
A long anticipated sequel to the hit 2023 romantic comedy “Red, White & Royal Blue” is officially in development at Amazon MGM Studios, with stars Nicholas Galitzine and Taylor Zakhar Perez set to return. Matthew López, who co-wrote and directed the first film, is returning to write the screenplay with Casey McQuiston, who wrote the best selling novel of the same name. The cast and filmmakers made the announcement on Thursday following a special screening of the movie in Culver City, Calif.
The original film chronicles the how the First Son of the United States, Alex Claremont-Diaz (Perez), and Prince Henry (Galitzine), third in line to the British throne, navigate the classic trajectory of transforming from bitter enemies into passionate lovers, while having to keep their relationship from going public and becoming international media sensations. (Spoiler alert: It does.)
As with McQuiston’s novel, which became...
A long anticipated sequel to the hit 2023 romantic comedy “Red, White & Royal Blue” is officially in development at Amazon MGM Studios, with stars Nicholas Galitzine and Taylor Zakhar Perez set to return. Matthew López, who co-wrote and directed the first film, is returning to write the screenplay with Casey McQuiston, who wrote the best selling novel of the same name. The cast and filmmakers made the announcement on Thursday following a special screening of the movie in Culver City, Calif.
The original film chronicles the how the First Son of the United States, Alex Claremont-Diaz (Perez), and Prince Henry (Galitzine), third in line to the British throne, navigate the classic trajectory of transforming from bitter enemies into passionate lovers, while having to keep their relationship from going public and becoming international media sensations. (Spoiler alert: It does.)
As with McQuiston’s novel, which became...
- 5/10/2024
- by Adam B. Vary
- Variety - Film News
Galactus is coming.
British actor Ralph Ineson is the latest addition to the cast of Marvel’s “The Fantastic Four,” as the world-devouring cosmic villain Galactus.
The superhero quartet known as Marvel’s First Family will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). The film will also feature Oscar nominee John Malkovich and Emmy winner Paul Walter Hauser, both in undisclosed roles, as well as Emmy winner Julia Garner as Shalla-Bal, a version of the Silver Surfer.
First introduced in a “Fantastic Four” issue from 1966, Galactus is a god-like entity who survives only by feeding on entire planets — and every living soul who inhabits it. He was designed by Stan Lee and Jack Kirby to stand apart from the standard,...
British actor Ralph Ineson is the latest addition to the cast of Marvel’s “The Fantastic Four,” as the world-devouring cosmic villain Galactus.
The superhero quartet known as Marvel’s First Family will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). The film will also feature Oscar nominee John Malkovich and Emmy winner Paul Walter Hauser, both in undisclosed roles, as well as Emmy winner Julia Garner as Shalla-Bal, a version of the Silver Surfer.
First introduced in a “Fantastic Four” issue from 1966, Galactus is a god-like entity who survives only by feeding on entire planets — and every living soul who inhabits it. He was designed by Stan Lee and Jack Kirby to stand apart from the standard,...
- 5/9/2024
- by Katcy Stephan, Angelique Jackson and Adam B. Vary
- Variety - Film News
Olivia Wilde (Don’t Worry Darling) has signed on to star in I Want Your Sex, a new thriller from director Gregg Araki (Mysterious Skin) and Black Bear.
Blithely exploring desire, domination and fantasy, the film asks the question, how far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Written by Karley Sciortino & Araki, the film will be produced by Seth Caplan, as well as Black Bear’s Teddy Schwarzman and Michael Heimler. Exec producers include John Friedberg and Courtney L. Cunniff. Black Bear will also fully finance the picture...
Blithely exploring desire, domination and fantasy, the film asks the question, how far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Written by Karley Sciortino & Araki, the film will be produced by Seth Caplan, as well as Black Bear’s Teddy Schwarzman and Michael Heimler. Exec producers include John Friedberg and Courtney L. Cunniff. Black Bear will also fully finance the picture...
- 5/9/2024
- by Matt Grobar
- Deadline Film + TV
[Editor’s Note: The following piece contains spoilers for the film “The Fall Guy”]
Master yarn-spinner and twist-lover Drew Pearce is setting the story straight on his film, “The Fall Guy”. The big screen adaptation of the ‘80 TV series was directed by former stuntman David Leitchb and stars the mega-watt talents of Ryan Gosling and Emily Blunt. Pearce wrote the screenplay and despite a huge marketing push, the film didn’t land its box office punch opening weekend. However, in a recent interview with The Hollywood Reporter, Pearce expressed his belief that the film will fight on and that — looking past the grand scale — it holds up as an accurate depiction of Hollywood messiness.
“I’m from England — well, Scotland, actually,” said Pearce. “But I never knew anyone in the business. So when I came here, everyone was like, ‘Oh no, that’s an apocryphal story. That stuff doesn’t happen.’ But my experience is that literally anything that is supposedly apocryphal is absolutely commonplace.
Master yarn-spinner and twist-lover Drew Pearce is setting the story straight on his film, “The Fall Guy”. The big screen adaptation of the ‘80 TV series was directed by former stuntman David Leitchb and stars the mega-watt talents of Ryan Gosling and Emily Blunt. Pearce wrote the screenplay and despite a huge marketing push, the film didn’t land its box office punch opening weekend. However, in a recent interview with The Hollywood Reporter, Pearce expressed his belief that the film will fight on and that — looking past the grand scale — it holds up as an accurate depiction of Hollywood messiness.
“I’m from England — well, Scotland, actually,” said Pearce. “But I never knew anyone in the business. So when I came here, everyone was like, ‘Oh no, that’s an apocryphal story. That stuff doesn’t happen.’ But my experience is that literally anything that is supposedly apocryphal is absolutely commonplace.
- 5/11/2024
- by Harrison Richlin
- Indiewire
Stylist Law Roach revealed on “The Cutting Room Floor” podcast that Zendaya still hasn’t worn looks from five fashion houses after they refused to dress her early in her career.
“I would write the big five. I would write Saint Laurent, Chanel, Gucci, Valentino, Dior, and they would all say, ‘No, try again next year. She’s too green. She’s not on our calendar,’” Roach said during the interview.
“I still have the receipts,” he continued. “By the time she got to [the cover of] American Vogue [in 2017], she still had never worn any of those designers. She still hasn’t.”
Roach, who has styled the “Challengers” and “Dune” star since she was 14, clarified that Zendaya has worn designs by the “big five” in editorial shoots, but never in public or during red carpet appearances.
“She still has never worn Dior on a carpet. She still has never worn Chanel on a carpet.
“I would write the big five. I would write Saint Laurent, Chanel, Gucci, Valentino, Dior, and they would all say, ‘No, try again next year. She’s too green. She’s not on our calendar,’” Roach said during the interview.
“I still have the receipts,” he continued. “By the time she got to [the cover of] American Vogue [in 2017], she still had never worn any of those designers. She still hasn’t.”
Roach, who has styled the “Challengers” and “Dune” star since she was 14, clarified that Zendaya has worn designs by the “big five” in editorial shoots, but never in public or during red carpet appearances.
“She still has never worn Dior on a carpet. She still has never worn Chanel on a carpet.
- 5/11/2024
- by Selena Kuznikov
- Variety - Film News
(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)
"'The Mummy' isn't really trying to scare you – it's trying to entertain you." This is what /Film's Chris Evangelista lovingly wrote of 1999's "The Mummy" in 2021. Directed by Stephen Sommers and starring Brendan Fraser as the swashbuckling Rick O'Connell, the film became a somewhat unexpected hit, so much so that it ended up being one of the highest-grossing films of 1999 overall. Critics were a bit mixed on it in its day. It was an action/adventure film, the likes of which Hollywood had released many times before. Be that as it may, a film designed purely to entertain (rather than to scare) resonated with audiences in a big way. It was pulpy lightning in a bottle.
Universal had, for years,...
"'The Mummy' isn't really trying to scare you – it's trying to entertain you." This is what /Film's Chris Evangelista lovingly wrote of 1999's "The Mummy" in 2021. Directed by Stephen Sommers and starring Brendan Fraser as the swashbuckling Rick O'Connell, the film became a somewhat unexpected hit, so much so that it ended up being one of the highest-grossing films of 1999 overall. Critics were a bit mixed on it in its day. It was an action/adventure film, the likes of which Hollywood had released many times before. Be that as it may, a film designed purely to entertain (rather than to scare) resonated with audiences in a big way. It was pulpy lightning in a bottle.
Universal had, for years,...
- 5/11/2024
- by Ryan Scott
- Slash Film
Frank Herbert's "Dune" was long thought to be an unadaptable book. Despite its huge influence on the sci-fi genre, the novel's massive scope, many characters, use of internal dialogue, and rather complex web of political machinations and themes made it hard to distill into a single feature film — let alone one with four-quadrant appeal.
Still, there have been many attempts at making a "Dune" movie — some good, some even great, and some that never made it to the screen. But the absolute best adaptation has been Denis Villeneuve's two-part "Dune" film. Villeneuve makes a lot of changes, but for the most part, they are in service of distilling the epic novel's core message and focusing on its cautionary tale about messianic figures.
One of the changes is that the opening quotes of both movies -- "Dreams are messages from the deep" ("Dune)" and "Power over spice is power...
Still, there have been many attempts at making a "Dune" movie — some good, some even great, and some that never made it to the screen. But the absolute best adaptation has been Denis Villeneuve's two-part "Dune" film. Villeneuve makes a lot of changes, but for the most part, they are in service of distilling the epic novel's core message and focusing on its cautionary tale about messianic figures.
One of the changes is that the opening quotes of both movies -- "Dreams are messages from the deep" ("Dune)" and "Power over spice is power...
- 5/11/2024
- by Rafael Motamayor
- Slash Film
French producer Sylvie Pialat will replace Spanish director Rogrigo Sorogoyen as Cannes Critics’ Week president.
“Due to personal circumstances, and much to our regret, Rodrigo Sorogoyen has had to step down as president of the jury for the 63rd Semaine de la Critique,” Critics’ Week said on Saturday (May 11).
The 11th-hour changeover will also see French filmmaker Iris Kaltenback join the jury alongside previously announced members Rwandan actress Eliane Umuhire, Belgian director of photography Virginie Surdej, and Canadian journalist and film critic Ben Croll.
Pialat was originally on the jury, and will now act as the group’s president.
Pialat...
“Due to personal circumstances, and much to our regret, Rodrigo Sorogoyen has had to step down as president of the jury for the 63rd Semaine de la Critique,” Critics’ Week said on Saturday (May 11).
The 11th-hour changeover will also see French filmmaker Iris Kaltenback join the jury alongside previously announced members Rwandan actress Eliane Umuhire, Belgian director of photography Virginie Surdej, and Canadian journalist and film critic Ben Croll.
Pialat was originally on the jury, and will now act as the group’s president.
Pialat...
- 5/11/2024
- ScreenDaily
Spoilers for "Kingdom of the Planet of the Apes" follow.
Koba (Toby Kebbell) from "Dawn of the Planet of the Apes" is the best blockbuster villain of the 2010s. One of Caesar's (Andy Serkis) sapient apes, first introduced in "Rise of the Planet of the Apes," Koba was a lab animal in a previous life. The brutal treatment left him scarred (both skin-deep and deeper) and hateful towards humans. In "Dawn," finally in a position to strike back, he attempts to assassinate Caesar so he can lead his misanthropic war.
Koba is much like Magneto, perennial foe of the X-Men, and another figure who believes peace with humanity is impossible because of his past trauma. It's not a one-to-one comparison, though, because Magneto is more noble than Koba. Magneto has done evil, but his goal is the prosperity of mutantkind. For Koba, the violence is the point; he wants humans to suffer,...
Koba (Toby Kebbell) from "Dawn of the Planet of the Apes" is the best blockbuster villain of the 2010s. One of Caesar's (Andy Serkis) sapient apes, first introduced in "Rise of the Planet of the Apes," Koba was a lab animal in a previous life. The brutal treatment left him scarred (both skin-deep and deeper) and hateful towards humans. In "Dawn," finally in a position to strike back, he attempts to assassinate Caesar so he can lead his misanthropic war.
Koba is much like Magneto, perennial foe of the X-Men, and another figure who believes peace with humanity is impossible because of his past trauma. It's not a one-to-one comparison, though, because Magneto is more noble than Koba. Magneto has done evil, but his goal is the prosperity of mutantkind. For Koba, the violence is the point; he wants humans to suffer,...
- 5/11/2024
- by Devin Meenan
- Slash Film
Jonny Greenwood is laughing at your luxury vacation TikToks. In a recent profile in The Guardian, the Radiohead guitarist and film score composer dug into some of his current influences, his most important collaborations, and why setting images of beautiful resorts and moments of wistfulness against his “Phantom Thread” score feels kind of funny.
“That’s hilarious!” said Greenwood when told by The Guardian about a recent trend featuring his glorious “House of Woodcock” piece being used for TikTok videos and Instagram memes. “It was written without guile. It’s not supposed to be a pastiche – those soaring strings are unashamedly beautiful, and one can’t help but find the music very affecting. Although even saying this makes me feel terribly pink and stiff and English.”
That traditional perception of English stiffness is something Greenwood has worked a great deal to avoid in his work despite having incredibly formal musical training.
“That’s hilarious!” said Greenwood when told by The Guardian about a recent trend featuring his glorious “House of Woodcock” piece being used for TikTok videos and Instagram memes. “It was written without guile. It’s not supposed to be a pastiche – those soaring strings are unashamedly beautiful, and one can’t help but find the music very affecting. Although even saying this makes me feel terribly pink and stiff and English.”
That traditional perception of English stiffness is something Greenwood has worked a great deal to avoid in his work despite having incredibly formal musical training.
- 5/11/2024
- by Harrison Richlin
- Indiewire
After years of portraying fantastical creatures, I'm glad Doug Jones finally felt comfortable enough to appear as his regular self in "The Shape of Water." While his acting career began in the late 1980s, it wasn't until the '90s that the tall, lanky maestro of disguise found his niche performing in prosthetics. His minor role as "Thin Clown" in "Batman Returns" aside, though, it was Jones' turn as William "Billy" Butcherson in director Kenny Ortega's cult 1993 fantasy comedy "Hocus Pocus" that put the actor -- who recently played the Kelpien Starfleet officer Saru on "Star Trek: Discovery" -- squarely on the map.
Billy, as we come to learn, is a ponytailed gentleman from the 17th century who was poisoned by the witch Winifred Sanderson (Bette Midler). She also proceeded to stitch his shut mouth to keep him quiet, even in death. Why so harsh? "Hocus Pocus" implies that...
Billy, as we come to learn, is a ponytailed gentleman from the 17th century who was poisoned by the witch Winifred Sanderson (Bette Midler). She also proceeded to stitch his shut mouth to keep him quiet, even in death. Why so harsh? "Hocus Pocus" implies that...
- 5/11/2024
- by Sandy Schaefer
- Slash Film
“Twisters” executive producer Steven Spielberg didn’t want Anthony Ramos to use a Southern accent for his role, according to the actor.
Ramos, who plays storm chaser Javi in “Twisters,” said in an Entertainment Weekly interview that he thought his character would have a Southern accent.
“Then I heard Steven [Spielberg] was like, ‘No, I want him to do it in his dialect,'” Ramos recalled. “It was a little surprising to me, but it was really cool, to me, because I’ve never heard someone who speaks in my vernacular — especially this New York, Northeast, Latino dialect that I have — in a movie of this size, in a place like Oklahoma. It makes me feel it’s possible for a kid from the hood to go to a school like Ou, study meteorology, be this brilliant meteorologist and storm chaser. This is something that a kid like me could do.
Ramos, who plays storm chaser Javi in “Twisters,” said in an Entertainment Weekly interview that he thought his character would have a Southern accent.
“Then I heard Steven [Spielberg] was like, ‘No, I want him to do it in his dialect,'” Ramos recalled. “It was a little surprising to me, but it was really cool, to me, because I’ve never heard someone who speaks in my vernacular — especially this New York, Northeast, Latino dialect that I have — in a movie of this size, in a place like Oklahoma. It makes me feel it’s possible for a kid from the hood to go to a school like Ou, study meteorology, be this brilliant meteorologist and storm chaser. This is something that a kid like me could do.
- 5/11/2024
- by Selena Kuznikov
- Variety - Film News
Word of a remake of John Carpenter's 1986 bonkers action flick "Big Trouble in Little China" came out as early as 2015. The remake was set to star Dwayne Johnson, presumably playing Jack Burton, the character previously played by Kurt Russell. Johnson reportedly wanted John Carpenter to be involved in the remake, but the director was never officially invited to anything. "I only know what I read in the papers," he said. Carpenter has been famously indifferent to other filmmakers remaking his movies, once saying that he loves it when it happens, as he gets paid for not having to do anything. Three years later, in 2018, it was announced that the new "Big Trouble" would be a sequel and not a remake, but such definitions have become hazy in a nostalgia-driven marketplace. The film's producer, Hiram Garcia, referred to the new film as a "continuation," rather than a sequel. Po-tay-to, po-tah-to.
- 5/11/2024
- by Witney Seibold
- Slash Film
Every Kingdom Of The Planet Of The Apes Character, Ranked By How Much You Want To Hang Out With Them
Apes not kill apes ... and humans not spoil humans. Be warned: This article contains comprehensive spoilers for "Kingdom of the Planet of the Apes."
If I were living on a planet of the apes after a man-made virus wiped out the majority of humankind and left our simian overlords in charge, I would simply try to get along with everybody. Seriously, I'd like to know why nobody has ever thought of that before in the entirety of the "Planet of the Apes" franchise. The sociopathic Koba is itching to duel-wield machine guns from horseback? Just give the poor ape a Snickers! Woody Harrelson's up to no good as the military leader of a cult-like group of soldiers, clinging to the last vestiges of power they have left? Honestly, Caesar, maybe consider the possibility that even Colonel Kurtz had his good days and bad days before going full "Moses leading...
If I were living on a planet of the apes after a man-made virus wiped out the majority of humankind and left our simian overlords in charge, I would simply try to get along with everybody. Seriously, I'd like to know why nobody has ever thought of that before in the entirety of the "Planet of the Apes" franchise. The sociopathic Koba is itching to duel-wield machine guns from horseback? Just give the poor ape a Snickers! Woody Harrelson's up to no good as the military leader of a cult-like group of soldiers, clinging to the last vestiges of power they have left? Honestly, Caesar, maybe consider the possibility that even Colonel Kurtz had his good days and bad days before going full "Moses leading...
- 5/11/2024
- by Jeremy Mathai
- Slash Film
The hit Max series “Hacks” is back for its third season after an extended hiatus, once again mining the struggles of an aging comedienne and a young, developing writer for chuckles and heart. Winning multiple awards for its previous seasons, the show can claim a strong degree of authority on what is and isn’t funny and that extends to the series’ two leads, Jean Smart and Hannah Einbinder. With the state of comedy and what is permissible remaining an evergreen conversation, Einbinder reiterated her previously stated opinion in a recirculated red carpet interview with Refinery29.
“You can say anything,” Einbinder said, then added, “you just have to be a good joke writer. And you have to be smart. You can’t just be a bigot and racist and homophobic and transphobic. Or actually, you can and you’ll have a wonderful career. ‘Cause a lot of people will come out and support that.
“You can say anything,” Einbinder said, then added, “you just have to be a good joke writer. And you have to be smart. You can’t just be a bigot and racist and homophobic and transphobic. Or actually, you can and you’ll have a wonderful career. ‘Cause a lot of people will come out and support that.
- 5/11/2024
- by Harrison Richlin
- Indiewire
Crisis management team reported to be in place as Meryl Streep heads roster of female stars and directors collecting accolades
For good and bad reasons, on and off the red carpet, the spotlight is trained on women in the run-up to the Cannes film festival this week. As the cream of female film talent, including Hollywood’s Meryl Streep and Britain’s Andrea Arnold, prepare to receive significant career awards, a dark cloud is threatening. It is expected that new allegations of the abuse of women in the European entertainment industry will be made public, which may overshadow the sparkle of a feminist Croisette.
Streep’s screen achievements will be celebrated with an honorary Palme d’Or at the opening ceremony, while a day later Arnold, the acclaimed British film director, will receive the prestigious Carosse d’Or from the French director’s guild. And on Sunday another influential British...
For good and bad reasons, on and off the red carpet, the spotlight is trained on women in the run-up to the Cannes film festival this week. As the cream of female film talent, including Hollywood’s Meryl Streep and Britain’s Andrea Arnold, prepare to receive significant career awards, a dark cloud is threatening. It is expected that new allegations of the abuse of women in the European entertainment industry will be made public, which may overshadow the sparkle of a feminist Croisette.
Streep’s screen achievements will be celebrated with an honorary Palme d’Or at the opening ceremony, while a day later Arnold, the acclaimed British film director, will receive the prestigious Carosse d’Or from the French director’s guild. And on Sunday another influential British...
- 5/11/2024
- by Vanessa Thorpe
- The Guardian - Film News
“Kingdom of the Planet of the Apes” isn’t monkeying around.
The latest “Apes” entry from 20th Century Studios earned $22.2 million from 4,075 theaters on its opening day, a figure that includes $6.6 million in previews. “Kingdom of the Planet of the Apes” is estimated to make between $52 million and $56 million in its debut, which about the same as the last three installments.
The series’ second movie, 2014’s “Dawn of the Planet of the Apes,” holds the opening-weekend record with $72 million; followed by “War for the Planet of the Apes” with its $56.2 million opening; and then “Rise of the Planet of the Apes” with a $54.8 million opening.
“Kingdom” has gotten mixed reactions from critics and audiences, earning an 80% on Rotten Tomatoes and “B” grade on CinemaScore.
Director Wes Ball (“The Maze Runner” trilogy) helms “Kingdom of the Planet of the Apes,” which is tipped to kick off a new trilogy of films.
The latest “Apes” entry from 20th Century Studios earned $22.2 million from 4,075 theaters on its opening day, a figure that includes $6.6 million in previews. “Kingdom of the Planet of the Apes” is estimated to make between $52 million and $56 million in its debut, which about the same as the last three installments.
The series’ second movie, 2014’s “Dawn of the Planet of the Apes,” holds the opening-weekend record with $72 million; followed by “War for the Planet of the Apes” with its $56.2 million opening; and then “Rise of the Planet of the Apes” with a $54.8 million opening.
“Kingdom” has gotten mixed reactions from critics and audiences, earning an 80% on Rotten Tomatoes and “B” grade on CinemaScore.
Director Wes Ball (“The Maze Runner” trilogy) helms “Kingdom of the Planet of the Apes,” which is tipped to kick off a new trilogy of films.
- 5/11/2024
- by Jordan Moreau and Michaela Zee
- Variety - Film News
Wolverine is the only superhero to have a movie titled after his real name, 2017's "Logan," which we at /Film named the best "X-Men" movie. Somehow, I don't expect we'll ever be getting a Superman movie called "Clark" or a Batman film titled "Bruce." Wolverine's past is shrouded in mystery though; even he doesn't remember most of it. Is "Logan" even his real name? Yes — but it's complicated.
Wolverine was introduced without much context in 1974's "Incredible Hulk" #180 (by Len Wein and Herb Trimpe) when the Hulk makes his way to Canada and tangles with the local hero. Nothing was said about Wolverine's life outside his yellow costume, or if he even had one. When Wein was tasked with rebooting the X-Men in 1975, he reused Wolverine as part of the new line-up; since his introduction was so vague, it was easy to rewrite Wolverine into a mutant. Still, Wolverine remained mysterious,...
Wolverine was introduced without much context in 1974's "Incredible Hulk" #180 (by Len Wein and Herb Trimpe) when the Hulk makes his way to Canada and tangles with the local hero. Nothing was said about Wolverine's life outside his yellow costume, or if he even had one. When Wein was tasked with rebooting the X-Men in 1975, he reused Wolverine as part of the new line-up; since his introduction was so vague, it was easy to rewrite Wolverine into a mutant. Still, Wolverine remained mysterious,...
- 5/11/2024
- by Devin Meenan
- Slash Film
Has another sci-fi series ever explored the folly of intelligent thought as thoroughly, devastatingly, and colorfully as “The Planet of the Apes”? We here at IndieWire think not. With a now whopping 10 installments within the franchise and countless derivative work adding to the lore, “Planet of the Apes” stands in a league all its own and prides itself on an ability to constantly evolve (see what we did there?).
The concept for the series was first conceived in 1963 in French author Pierre Boulle’s novel “La Planète des singes,” which translates to “Planet of the Apes” or “Monkey Planet.” Sadly, American producer Arthur P. Jacobs chose to go with the former translation when making his film adaptation. Despite this, the 1968 Charlton Heston- starring original “Planet of the Apes” was a huge success, launching multiple sequels that deftly dive into moral and ethical conversations surrounding modern day issues of the...
The concept for the series was first conceived in 1963 in French author Pierre Boulle’s novel “La Planète des singes,” which translates to “Planet of the Apes” or “Monkey Planet.” Sadly, American producer Arthur P. Jacobs chose to go with the former translation when making his film adaptation. Despite this, the 1968 Charlton Heston- starring original “Planet of the Apes” was a huge success, launching multiple sequels that deftly dive into moral and ethical conversations surrounding modern day issues of the...
- 5/11/2024
- by Wilson Chapman and Harrison Richlin
- Indiewire
Spoiler Alert: This interview contains light spoilers for stunt sequences from “The Fall Guy,” in theaters now.
Leaping from a high-flying helicopter, being engulfed in flames, and rolling a car over eight and a half times—while these heart-stopping moments may be the stuff of nightmares for most, they’re just another day on the job for the daredevil stunt performers at the heart of David Leitch’s “The Fall Guy.”
Ryan Gosling’s Colt Seavers is repeatedly put through the wringer in Universal’s action comedy based on the 1980s TV series of the same name. Lucky for the Oscar-nominated actor, a team of pros was there to do the heavy lifting.
Logan Holladay, who performed driving stunts (and set a Guinness world record), Ben Jenkin, who willingly got lit on fire and hit by a car, and Troy Brown, who plummeted 150 feet for an epic fall, sat down...
Leaping from a high-flying helicopter, being engulfed in flames, and rolling a car over eight and a half times—while these heart-stopping moments may be the stuff of nightmares for most, they’re just another day on the job for the daredevil stunt performers at the heart of David Leitch’s “The Fall Guy.”
Ryan Gosling’s Colt Seavers is repeatedly put through the wringer in Universal’s action comedy based on the 1980s TV series of the same name. Lucky for the Oscar-nominated actor, a team of pros was there to do the heavy lifting.
Logan Holladay, who performed driving stunts (and set a Guinness world record), Ben Jenkin, who willingly got lit on fire and hit by a car, and Troy Brown, who plummeted 150 feet for an epic fall, sat down...
- 5/11/2024
- by Katcy Stephan
- Variety - Film News
In the post-apocalyptic future where mankind has been reduced to mute, feral packs of humans and all of our skyscrapers have grown over with greenery, there isn't much use for money. But until that future inevitably comes, studios need cash to make movies like "Kingdom of the Planet of the Apes," and they need those movies to generate even more money so that the whole hairy cycle can continue.
Fortunately, "Kingdom" is so far living up to the standards of its ancestors with an estimated opening weekend of $52-55 million, after grossing $22.2 million from Thursday previews and Friday ticket sales (per Deadline). That's roughly in line with early box office projections, and also on par with "Rise of the Planet of the Apes" ($54.8 million) and "War for the Planet of the Apes" ($56.2 million). However, it falls short of two other entries in the franchise: "Dawn of the Planet of the Apes,...
Fortunately, "Kingdom" is so far living up to the standards of its ancestors with an estimated opening weekend of $52-55 million, after grossing $22.2 million from Thursday previews and Friday ticket sales (per Deadline). That's roughly in line with early box office projections, and also on par with "Rise of the Planet of the Apes" ($54.8 million) and "War for the Planet of the Apes" ($56.2 million). However, it falls short of two other entries in the franchise: "Dawn of the Planet of the Apes,...
- 5/11/2024
- by Hannah Shaw-Williams
- Slash Film
When “Star Wars: Episode I — The Phantom Menace” debuted on May 19, 1999, few movies before (or since) were greeted with more fevered anticipation. Not only was the movie the first new “Star Wars” movie in a generation, but it was touted as the first of a prequel trilogy charting the tragedy of Anakin Skywalker, the Jedi Knight fated to turn to the dark side as Darth Vader.
Despite the breathless build up, by the end of that summer, the near-universal consensus was that “The Phantom Menace” was, at best, a colossal disappointment and, at worst, a calamitous embarrassment. Some blamed the decision by George Lucas — directing for the first time since 1977’s “A New Hope” — to start the story with a precocious 9-year-old Anakin (Jake Lloyd). Others railed against the slapstick antics and pidgin English of Jar Jar Binks (Ahmed Best), hyped as the first-ever CG main character in a live-action movie.
Despite the breathless build up, by the end of that summer, the near-universal consensus was that “The Phantom Menace” was, at best, a colossal disappointment and, at worst, a calamitous embarrassment. Some blamed the decision by George Lucas — directing for the first time since 1977’s “A New Hope” — to start the story with a precocious 9-year-old Anakin (Jake Lloyd). Others railed against the slapstick antics and pidgin English of Jar Jar Binks (Ahmed Best), hyped as the first-ever CG main character in a live-action movie.
- 5/11/2024
- by Adam B. Vary, Angelique Jackson and Katcy Stephan
- Variety - Film News
Oscar-nominated filmmaker Luca Guadagnino knows how to make a goddamn movie. That was clear to fans of his earlier works, like the sumptuous "I Am Love," more than a decade ago. It was clear to most other people about five years ago when the bold one-two punch of "Call Me By Your Name" and "Suspiria" made moviegoers sit up and pay attention. And it's more clear than ever now, with the release of the director's latest (and reportedly biggest-budgeted) effort, the endlessly thrilling Zendaya-led sports drama "Challengers." Film after film, Guadagnino manages to tap into some hidden corners of our hearts by telling stories that are evocative and colorful, musical and sensual, messy and true.
Though Guadagnino has gained more attention in recent years, the filmmaker has actually been working since the '90s and has by now made eight narrative (or meta-narrative) features, a TV show, and several documentaries and shorts.
Though Guadagnino has gained more attention in recent years, the filmmaker has actually been working since the '90s and has by now made eight narrative (or meta-narrative) features, a TV show, and several documentaries and shorts.
- 5/11/2024
- by Valerie Ettenhofer
- Slash Film
[Editor’s note: Spoilers for “Kingdom of the Planet of the Apes” below.]
Wes Ball had two things going for him in directing “Kingdom of the Planet of the Apes”: His love of the original franchise, which he first watched on TV as a kid in the ’80s, and his admiration for “Avatar,” whose virtual production and performance capture prowess he leveraged with the help of Wētā FX.
“Something I’ve always wanted to do is go play in that ‘Avatar’ style and do it here, where there is no camera, there’s no lights, there’s no set really,” Ball told IndieWire. “And you have to create that in the computer with really talented artists. And I had a great time doing it.”
Ball got a taste of the tech working with Wētā on the shuttered “Mouse Guard” adaptation of David Petersen’s graphic novel (a casualty of the Disney/Fox merger). “That...
Wes Ball had two things going for him in directing “Kingdom of the Planet of the Apes”: His love of the original franchise, which he first watched on TV as a kid in the ’80s, and his admiration for “Avatar,” whose virtual production and performance capture prowess he leveraged with the help of Wētā FX.
“Something I’ve always wanted to do is go play in that ‘Avatar’ style and do it here, where there is no camera, there’s no lights, there’s no set really,” Ball told IndieWire. “And you have to create that in the computer with really talented artists. And I had a great time doing it.”
Ball got a taste of the tech working with Wētā on the shuttered “Mouse Guard” adaptation of David Petersen’s graphic novel (a casualty of the Disney/Fox merger). “That...
- 5/11/2024
- by Bill Desowitz
- Indiewire
Spoiler Warning: This story contains spoilers for the ending of “Kingdom of the Planet of the Apes,” now playing in theaters.
A new decade means a new “Planet of the Apes” trilogy.
The “Kingdom of the Planet of the Apes” ending teases much more story to come, and director Wes Ball has already confirmed there are plans for two more sequels. At that rate, the reboot series, comprised of two trilogies, will surpass the five-movie original series, which ran from 1968 to 1973.
The chimpanzee Noa (Owen Teague) and young human Mae (Freya Allan) seem ready for some more monkey business at the end of “Kingdom” — but maybe not on the same side. By the end of “Kingdom,” Noa and Mae have opposing views on whether apes or humans should be the dominant species on Earth. There’s also a secret clan of civilized humans who make contact with another group somewhere else in the world,...
A new decade means a new “Planet of the Apes” trilogy.
The “Kingdom of the Planet of the Apes” ending teases much more story to come, and director Wes Ball has already confirmed there are plans for two more sequels. At that rate, the reboot series, comprised of two trilogies, will surpass the five-movie original series, which ran from 1968 to 1973.
The chimpanzee Noa (Owen Teague) and young human Mae (Freya Allan) seem ready for some more monkey business at the end of “Kingdom” — but maybe not on the same side. By the end of “Kingdom,” Noa and Mae have opposing views on whether apes or humans should be the dominant species on Earth. There’s also a secret clan of civilized humans who make contact with another group somewhere else in the world,...
- 5/11/2024
- by Jordan Moreau
- Variety - Film News
This post contains spoilers for the latest episodes of "Doctor Who."
There's a moment in the latest episode of "Doctor Who," a campy, big-hearted, Beatles-featuring riff on the importance of music, in which the Doctor opens up a bit more than fans might expect. It's been clear since last year's introductory episode that Ncuti Gatwa's era of the long-running sci-fi series (which is also former showrunner Russell T. Davies' second era) will be different from the "Doctor Who" we've seen before. As the Fifteenth Doctor, Gatwa infuses the show with a sense of modernity. He's openly queer, Black, and a Millennial, and he performs the lead role with a precise and deeply endearing sense of emotional openness. Die-hard fans of the series can quickly count the amount of times the Doctor has cried in the past, but Gatwa's Fifteen has already had tears welling behind his eyes a few...
There's a moment in the latest episode of "Doctor Who," a campy, big-hearted, Beatles-featuring riff on the importance of music, in which the Doctor opens up a bit more than fans might expect. It's been clear since last year's introductory episode that Ncuti Gatwa's era of the long-running sci-fi series (which is also former showrunner Russell T. Davies' second era) will be different from the "Doctor Who" we've seen before. As the Fifteenth Doctor, Gatwa infuses the show with a sense of modernity. He's openly queer, Black, and a Millennial, and he performs the lead role with a precise and deeply endearing sense of emotional openness. Die-hard fans of the series can quickly count the amount of times the Doctor has cried in the past, but Gatwa's Fifteen has already had tears welling behind his eyes a few...
- 5/11/2024
- by Valerie Ettenhofer
- Slash Film
"Alien" star Sigourney Weaver is headed back to space, but this time, instead of fighting off aliens, she could be befriending them. The Hollywood Reporter broke the news that Weaver is in talks to take on a role in "The Mandalorian & Grogu," the upcoming "Star Wars" film that will be directed by Jon Favreau.
While "Star Wars" has been pretty prolific on the small screen in recent years, the saga created by George Lucas hasn't actually released a new feature film since 2019's "The Rise of Skywalker." "The Mandalorian & Grogu" was officially announced in January of this year, after years of media focus spent on other potential Lucasfilm works-in-progress, including projects from Taika Waititi and Patty Jenkins. Most of those projects seem to still be in the works according to recent reports, but "The Mandalorian & Grogu" is set to head into production first with a summer shoot scheduled,...
While "Star Wars" has been pretty prolific on the small screen in recent years, the saga created by George Lucas hasn't actually released a new feature film since 2019's "The Rise of Skywalker." "The Mandalorian & Grogu" was officially announced in January of this year, after years of media focus spent on other potential Lucasfilm works-in-progress, including projects from Taika Waititi and Patty Jenkins. Most of those projects seem to still be in the works according to recent reports, but "The Mandalorian & Grogu" is set to head into production first with a summer shoot scheduled,...
- 5/11/2024
- by Valerie Ettenhofer
- Slash Film
What's in a roar? Well, if it belongs to a ginormous prehistoric reptilian monster like Godzilla, it matters as much as what the creature represents or makes us feel. Godzilla's roar has evolved over the years — the original sound resembled a shrill "Skreeeonk!" as described in Dark Horse's "Godzilla" comics, and went on to alternate between deep, guttural sounds and high-pitched screeches that feel otherworldly. Akira Ifukube, who created the score for Ishirō Honda's "Godzilla", was the one who crafted the monster's distinctive disyllabic roar. This was not an easy task to accomplish, especially in 1954, when most creature sounds were created organically with minimal reliance on technological tweaks. How did Ifukube and Honda decide on a sound that would go on to constitute the heart and soul of such a beloved character?
For starters, Ifukube did not believe that Godzilla should roar at all, as the creature's reptilian...
For starters, Ifukube did not believe that Godzilla should roar at all, as the creature's reptilian...
- 5/11/2024
- by Debopriyaa Dutta
- Slash Film
Chris Pine hopes he just found Luca Guadagnino’s next project: Disney’s “Princess Diaries 3.”
The actor and “Poolman” director proposed collaborating with the “Challengers” director for the third franchise installment during Entertainment Weekly’s Role Call Youtube series.
“‘Princess Diaries 3,’ where is it?’ Have you been reading my diary?” Pine quipped when revisiting his past roles. “I don’t know. I haven’t heard anything about it.”
However, Pine did have his own pitch for the film.
“You know, like, what it would be? It would be like a Luca Guadagnino film,” Pine said. “[If he] directs ‘Princess Diaries 3,’ now that is fucking fire.”
Of course, “Princess Diaries 3” would have to come after Guadagnino’s “Separate Rooms” with Lea Séydoux and Josh O’Connor. Guadagnino is also debuting “Queer” at Cannes 2024.
Pine hasn’t been publicly linked to the next “Princess Diaries” film, but his role in the 2004 sequel proved to be...
The actor and “Poolman” director proposed collaborating with the “Challengers” director for the third franchise installment during Entertainment Weekly’s Role Call Youtube series.
“‘Princess Diaries 3,’ where is it?’ Have you been reading my diary?” Pine quipped when revisiting his past roles. “I don’t know. I haven’t heard anything about it.”
However, Pine did have his own pitch for the film.
“You know, like, what it would be? It would be like a Luca Guadagnino film,” Pine said. “[If he] directs ‘Princess Diaries 3,’ now that is fucking fire.”
Of course, “Princess Diaries 3” would have to come after Guadagnino’s “Separate Rooms” with Lea Séydoux and Josh O’Connor. Guadagnino is also debuting “Queer” at Cannes 2024.
Pine hasn’t been publicly linked to the next “Princess Diaries” film, but his role in the 2004 sequel proved to be...
- 5/11/2024
- by Samantha Bergeson
- Indiewire
This post contains spoilers for the latest episodes of "Doctor Who."
It turns out love really is all you need. Well, love and a Time Lord willing to fight off the spirit of music through a delightfully campy song battle that sees literal musical notes fill the air. The showdown between the Fifteenth Doctor (Ncuti Gatwa), Ruby (Millie Gibson), and the chaotic being known as Maestro (Jinkx Monsoon) in the new season's second episode might be one of the goofiest things that's happened on "Doctor Who" recently -- and it's not even the most over-the-top part of the episode. "The Devil's Chord" takes some deliciously weird risks, the biggest of which is centering its drama on "characters" who aren't exactly historical figures yet: The Beatles.
Of course, the long-running BBC sci-fi series (which recently made the move to Disney+) is known for crafting plotlines that see its central heroes mucking...
It turns out love really is all you need. Well, love and a Time Lord willing to fight off the spirit of music through a delightfully campy song battle that sees literal musical notes fill the air. The showdown between the Fifteenth Doctor (Ncuti Gatwa), Ruby (Millie Gibson), and the chaotic being known as Maestro (Jinkx Monsoon) in the new season's second episode might be one of the goofiest things that's happened on "Doctor Who" recently -- and it's not even the most over-the-top part of the episode. "The Devil's Chord" takes some deliciously weird risks, the biggest of which is centering its drama on "characters" who aren't exactly historical figures yet: The Beatles.
Of course, the long-running BBC sci-fi series (which recently made the move to Disney+) is known for crafting plotlines that see its central heroes mucking...
- 5/11/2024
- by Valerie Ettenhofer
- Slash Film
This post contains spoilers for "Midsommar."
The arrival at Hårga village in Ari Aster's "Midsommar" seems harmonious at first — perhaps, a bit too harmonious, with everyone donning stark white and plastered smiles till the illusion of sanctity shatters. This happens halfway through the film after the first feast ends, where the oldest members of the commune wilfully jump off a cliff, completing the Ättestupa ritual in excessively violent ways. When the male elder is still alive after his jump, his legs bent and cracked due to the impact, the villagers mock his pain and smash his head in over and over with a massive mallet. The visceral shock of the scene is intensified by the anxiety of what might happen after, as it is clear that the Ättestupa is just the beginning of a fever dream designed to torment and disorient.
How was this visually shocking scene accomplished? The...
The arrival at Hårga village in Ari Aster's "Midsommar" seems harmonious at first — perhaps, a bit too harmonious, with everyone donning stark white and plastered smiles till the illusion of sanctity shatters. This happens halfway through the film after the first feast ends, where the oldest members of the commune wilfully jump off a cliff, completing the Ättestupa ritual in excessively violent ways. When the male elder is still alive after his jump, his legs bent and cracked due to the impact, the villagers mock his pain and smash his head in over and over with a massive mallet. The visceral shock of the scene is intensified by the anxiety of what might happen after, as it is clear that the Ättestupa is just the beginning of a fever dream designed to torment and disorient.
How was this visually shocking scene accomplished? The...
- 5/11/2024
- by Debopriyaa Dutta
- Slash Film
In the pilot episode of "Star Trek: Voyager" -- called "Caretaker" -- the chief medical officer on board the U.S.S. Voyager was killed in an alien-inflicted cataclysm that swept the clear across the galaxy in a matter of moments. With the ship damaged and the medical staff wiped out, the Voyager crew had to rely on a temporary Emergency Medical Hologram to serve as the ship's main doctor.
For the first few seasons, the Emh (Robert Picardo) was snippy and impatient, having been programmed to respond only to emergencies. Using the Emh so frequently, however, caused it to develop a consciousness and a personality. Before long, the unnamed Doctor was seen as an official member of the crew.
Because he was a hologram, the Doctor was typically confined to the sickbay, where his holographic emitters were equipped. He could also be transferred directly to the ship's holodeck occasionally,...
For the first few seasons, the Emh (Robert Picardo) was snippy and impatient, having been programmed to respond only to emergencies. Using the Emh so frequently, however, caused it to develop a consciousness and a personality. Before long, the unnamed Doctor was seen as an official member of the crew.
Because he was a hologram, the Doctor was typically confined to the sickbay, where his holographic emitters were equipped. He could also be transferred directly to the ship's holodeck occasionally,...
- 5/11/2024
- by Witney Seibold
- Slash Film
After two months at the bargaining table, IATSE and the major studios have begun talking about one of the key hurdles to getting a new contract: artificial intelligence.
The union is seeking to ensure that the adoption of AI will not displace jobs. In an update to members on Friday evening, the union advised that the two sides are “constructively engaging” on the issue, as well as on wages and other working conditions.
Talks on the Basic Agreement, which covers 45,000-50,000 crew workers, began last week and are scheduled to run through next Thursday. At that point, it may become clearer whether a deal can be reached without resort to a strike authorization.
“The goal of these negotiations is to ensure that our contracts keep pace with the rapid evolution of the entertainment industry,” Matt Loeb, IATSE’s international president, said in the update. “In many cases, the language in...
The union is seeking to ensure that the adoption of AI will not displace jobs. In an update to members on Friday evening, the union advised that the two sides are “constructively engaging” on the issue, as well as on wages and other working conditions.
Talks on the Basic Agreement, which covers 45,000-50,000 crew workers, began last week and are scheduled to run through next Thursday. At that point, it may become clearer whether a deal can be reached without resort to a strike authorization.
“The goal of these negotiations is to ensure that our contracts keep pace with the rapid evolution of the entertainment industry,” Matt Loeb, IATSE’s international president, said in the update. “In many cases, the language in...
- 5/11/2024
- by Gene Maddaus
- Variety - Film News
This article contains spoilers for "Kingdom of the Planet of the Apes."
At the end of the "Kingdom of the Planet of the Apes," Mae (Freya Allan) returns to the Eagle-raising ape clan to say farewell to Noa (Owen Teague), telling him that humans should be allowed to return to their position as the dominant species. Noa tells her that doing so would stifle the freedom the apes are currently experiencing. The metaphorical genie can't be put back in the bottle, so to speak. But then the audience sees that she's holding a gun behind her back. It's a chilling moment reinforcing the tyrannical Proximus Caesar's belief that Mae is looking out for humans and no one else. It's a shock to the system considering everything the two have been through, and it also leaves the ending up to interpretation. Was she there to kill him? Was the gun a...
At the end of the "Kingdom of the Planet of the Apes," Mae (Freya Allan) returns to the Eagle-raising ape clan to say farewell to Noa (Owen Teague), telling him that humans should be allowed to return to their position as the dominant species. Noa tells her that doing so would stifle the freedom the apes are currently experiencing. The metaphorical genie can't be put back in the bottle, so to speak. But then the audience sees that she's holding a gun behind her back. It's a chilling moment reinforcing the tyrannical Proximus Caesar's belief that Mae is looking out for humans and no one else. It's a shock to the system considering everything the two have been through, and it also leaves the ending up to interpretation. Was she there to kill him? Was the gun a...
- 5/11/2024
- by BJ Colangelo
- Slash Film
Not every TV show can hit a home run right out of the gate. Often, they need time to settle into a routine or win over audiences, especially when they are more character-driven. Normally, things start to shake out after the pilot episode, which is where we usually see the growing pains of a show trying to figure out exactly what it is. But every once in a while, there's a show -- sometimes even one that will go on to become legitimately great -- that needs a little more hand-holding.
Maybe the characters aren't gelling the right way, the showrunners are attempting to retool the series in real time, or they were simply experimenting stylistically. Whatever the reason, it's not impossible for a show that requires some extra time to cook to become beloved by audience. Here are some of our favorite shows that, despite eventually aspiring to greatness,...
Maybe the characters aren't gelling the right way, the showrunners are attempting to retool the series in real time, or they were simply experimenting stylistically. Whatever the reason, it's not impossible for a show that requires some extra time to cook to become beloved by audience. Here are some of our favorite shows that, despite eventually aspiring to greatness,...
- 5/11/2024
- by Audrey Fox
- Slash Film
Prior to 1964 -- the year "Gilligan's Island" debuted, comedian and actor Jerry Van Dyke already had an expanding showbiz career. In 1963 alone, he appeared in the films "The Courtship of Eddie's Father," "Palm Springs Weekend," and "McClintock!" He also had a few guest appearances on his brother's sitcom "The Dick Van Dyke Show," and regularly turned up on talk shows to perform and converse.
It was in 1964 that Van Dyke was offered the title role in Sherwood Schwartz's "Gilligan's Island," still in development at the time. Van Dyke couldn't have predicted that "Gilligan's Island" would last for 98 episodes and become one of the most widely recognized sitcoms in TV history, so turning it down didn't seem like much of an event. As the public now knows, the title role in "Gilligan's Island" went to comedian Bob Denver, star of "The Many Loves of Dobie Gillis."
Van Dyke would subsequently...
It was in 1964 that Van Dyke was offered the title role in Sherwood Schwartz's "Gilligan's Island," still in development at the time. Van Dyke couldn't have predicted that "Gilligan's Island" would last for 98 episodes and become one of the most widely recognized sitcoms in TV history, so turning it down didn't seem like much of an event. As the public now knows, the title role in "Gilligan's Island" went to comedian Bob Denver, star of "The Many Loves of Dobie Gillis."
Van Dyke would subsequently...
- 5/11/2024
- by Witney Seibold
- Slash Film
This article contains spoilers for "Baby Reindeer."
The Netflix series "Baby Reindeer" is based on the award-winning one-man show written and performed by comedian Richard Gadd, who wrote the piece based on his own experiences with having been stalked. Since the show's debut on April 11, 2024, "Baby Reindeer" has stayed on the Netflix most-watched charts, becoming the obsession of viewers across the globe. Gadd stars as Donny Dunn, a fictionalized version of himself, meaning he is re-enacting his trauma for the world to see in every episode. Donny is stalked by a woman named Martha Scott, brought to life in a phenomenal, star-making performance by Jessica Gunning. Gadd's story is very real, but in the interest of protecting Martha's identity, as well as the identities of everyone else featured in the series inspired by real people, names and events were altered with Gadd's creative licensing.
But that hasn't stopped folks from...
The Netflix series "Baby Reindeer" is based on the award-winning one-man show written and performed by comedian Richard Gadd, who wrote the piece based on his own experiences with having been stalked. Since the show's debut on April 11, 2024, "Baby Reindeer" has stayed on the Netflix most-watched charts, becoming the obsession of viewers across the globe. Gadd stars as Donny Dunn, a fictionalized version of himself, meaning he is re-enacting his trauma for the world to see in every episode. Donny is stalked by a woman named Martha Scott, brought to life in a phenomenal, star-making performance by Jessica Gunning. Gadd's story is very real, but in the interest of protecting Martha's identity, as well as the identities of everyone else featured in the series inspired by real people, names and events were altered with Gadd's creative licensing.
But that hasn't stopped folks from...
- 5/11/2024
- by BJ Colangelo
- Slash Film
From 2010 to 2023, when "Doctor Who" fans claimed they missed former showrunner Russell T Davies, they usually meant they missed his great character work. The original Davies' run, from season 1 through 4 of the revival series, is notable in how it clearly presents its companions not just as relatable, working-class women, but how it puts them at the center of the narrative. It's not necessarily a better approach than Davies' successor Steven Moffat (who would generally make the Doctor the point-of-view character), but it's a totally reasonable approach to be nostalgic for.
What those fans probably weren't referring to is Davies' questionable taste in monsters. Although he occasionally gives us some classic villains, like whatever that thing was in "Midnight," his original aliens tend to be on the sillier, juvenile side of things. Davies is the guy who gave us not one, not two, but three different episodes focused on the Slitheen,...
What those fans probably weren't referring to is Davies' questionable taste in monsters. Although he occasionally gives us some classic villains, like whatever that thing was in "Midnight," his original aliens tend to be on the sillier, juvenile side of things. Davies is the guy who gave us not one, not two, but three different episodes focused on the Slitheen,...
- 5/11/2024
- by Michael Boyle
- Slash Film
French sales agent Pyramide International has dropped a dark and subtle trailer for “Việt and Nam” a gay drama about two young miners who must complete a mission before fate pulls them apart.
Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22.
Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past.”
The film is the third feature by Trương Minh Quý, who previously made a splash by taking part in the 2012 edition...
Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22.
Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past.”
The film is the third feature by Trương Minh Quý, who previously made a splash by taking part in the 2012 edition...
- 5/11/2024
- by Patrick Frater
- Variety - Film News
The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity
For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.
“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”
Continue reading.
For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.
“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”
Continue reading.
- 5/11/2024
- by Veronica Esposito
- The Guardian - Film News
The Irish author on the follow-up to his bestselling novel, being blanked at the Oscars and the joys of giving up drinking
Colm Tóibín does not approve of sequels. “It would have been a disaster if Pride and Prejudice had a sequel. It would have been a disaster if Ulysses had a sequel. Imagine!” the Irish novelist exclaims from his study in Columbia University, New York, where he teaches. “It ends with Molly Bloom asleep, then you’d suddenly realise, ‘Oh, my God, it’s starting another day.’”
Yet fans of Tóibín’s novel Brooklyn will be delighted to know that after a gap of nearly 15 years he has overcome these misgivings to write a follow-up, Long Island. Set in the 1950s, Brooklyn takes the fairytale of New York – an Irish girl who emigrates to America – and turns it into a heartbreaking story of homesickness and regret. Adapted by Nick Hornby...
Colm Tóibín does not approve of sequels. “It would have been a disaster if Pride and Prejudice had a sequel. It would have been a disaster if Ulysses had a sequel. Imagine!” the Irish novelist exclaims from his study in Columbia University, New York, where he teaches. “It ends with Molly Bloom asleep, then you’d suddenly realise, ‘Oh, my God, it’s starting another day.’”
Yet fans of Tóibín’s novel Brooklyn will be delighted to know that after a gap of nearly 15 years he has overcome these misgivings to write a follow-up, Long Island. Set in the 1950s, Brooklyn takes the fairytale of New York – an Irish girl who emigrates to America – and turns it into a heartbreaking story of homesickness and regret. Adapted by Nick Hornby...
- 5/11/2024
- by Lisa Allardice
- The Guardian - Film News
Dev Patel’s seething directorial debut joins a thriving genre, from the bloody violence of Tarantino and John Wick to the comic rage of The First Wives Club
In real life, most of us don’t get that many opportunities to exact revenge on someone. A passive-aggressive comeback maybe, but that’s not quite the same. In the movies, however, as in Greek mythology, vengeance is one of the driving forces of storytelling: revenge films, both aggressively bloody and more benign, provide cathartic wish-fulfilment for our own petty grievances and unsettled scores. In Dev Patel’s seething directorial debut Monkey Man, the quest is familiar – as his streetwise hero seeks retribution for his mother’s murder – but the sheer gusto of his vengeance is invigorating, down to driving a dagger into a villain’s throat with his teeth.
The modern revenge movie is largely characterised by such kinetic action and extreme violence,...
In real life, most of us don’t get that many opportunities to exact revenge on someone. A passive-aggressive comeback maybe, but that’s not quite the same. In the movies, however, as in Greek mythology, vengeance is one of the driving forces of storytelling: revenge films, both aggressively bloody and more benign, provide cathartic wish-fulfilment for our own petty grievances and unsettled scores. In Dev Patel’s seething directorial debut Monkey Man, the quest is familiar – as his streetwise hero seeks retribution for his mother’s murder – but the sheer gusto of his vengeance is invigorating, down to driving a dagger into a villain’s throat with his teeth.
The modern revenge movie is largely characterised by such kinetic action and extreme violence,...
- 5/11/2024
- by Guy Lodge
- The Guardian - Film News
Group will protest against government’s treatment of freelance workers at festivals across France
The Cannes film festival is facing strike action as it opens next week and could see protests by projectionists, floor managers and press agents who are demanding changes to the French government’s treatment of seasonal film festival staff.
The festival on France’s Côte d’Azur has faced major strike action only once before, during the student protests and workers’ strikes that began in May 1968.
The Cannes film festival is facing strike action as it opens next week and could see protests by projectionists, floor managers and press agents who are demanding changes to the French government’s treatment of seasonal film festival staff.
The festival on France’s Côte d’Azur has faced major strike action only once before, during the student protests and workers’ strikes that began in May 1968.
- 5/11/2024
- by Angelique Chrisafis in Paris
- The Guardian - Film News
‘Dare’ (2009): Emmy Rossum, Zach Gilford, and Ashley Springer Star in ‘Challengers’ for Theater Kids
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Discovering the Power of a Dick… Ahead of Its Time
Non-monogamy became a common topic of conversation this spring as Luca Guadagnino’s “Challengers” made any mention of pro tennis the conversational equivalent of a three-way sex invite.
On dating apps, searches for “open relationships” continued to rise in popularity just as reality television embraced multi-partnered dynamics through shows like Peacock’s “Couple to Throuple.” Even in 2024, polyamory isn’t outright “mainstream” by any stretch of the imagination(s). But as far as contemporary relationships are concerned, the “three’s...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Discovering the Power of a Dick… Ahead of Its Time
Non-monogamy became a common topic of conversation this spring as Luca Guadagnino’s “Challengers” made any mention of pro tennis the conversational equivalent of a three-way sex invite.
On dating apps, searches for “open relationships” continued to rise in popularity just as reality television embraced multi-partnered dynamics through shows like Peacock’s “Couple to Throuple.” Even in 2024, polyamory isn’t outright “mainstream” by any stretch of the imagination(s). But as far as contemporary relationships are concerned, the “three’s...
- 5/11/2024
- by Alison Foreman and Wilson Chapman
- Indiewire
The reigning Queen of Comic-Con and the ultimate science fiction superstar, Sigourney Weaver, might be gearing up to conquer yet another interstellar franchise.
Weaver is in talks to join the cast of the Star Wars film, “The Mandalorian & Grogu,” Variety has confirmed.
Earlier this year, Lucasfilm announced the standalone spinoff featuring Pedro Pascal as the stoic bounty hunter known as “The Mandalorian” (or Djarin to fans deep in the franchise) and his disarmingly charming puppet counterpart Grogru. Created by Jon Favreau for Disney+, the series followed the odd couple as they traipse across the galaxy far, far away avoiding the Empire and safeguarding the adorable green creature whilst forging a relationship for the ages. It’s part Western, part monster-of-the-week with delightful cameos from Star Wars universe legacy characters sprinkled in now and again.
Favreau is slated to direct the feature. Lucasfilm president Kathleen Kennedy and chief creative officer...
Weaver is in talks to join the cast of the Star Wars film, “The Mandalorian & Grogu,” Variety has confirmed.
Earlier this year, Lucasfilm announced the standalone spinoff featuring Pedro Pascal as the stoic bounty hunter known as “The Mandalorian” (or Djarin to fans deep in the franchise) and his disarmingly charming puppet counterpart Grogru. Created by Jon Favreau for Disney+, the series followed the odd couple as they traipse across the galaxy far, far away avoiding the Empire and safeguarding the adorable green creature whilst forging a relationship for the ages. It’s part Western, part monster-of-the-week with delightful cameos from Star Wars universe legacy characters sprinkled in now and again.
Favreau is slated to direct the feature. Lucasfilm president Kathleen Kennedy and chief creative officer...
- 5/11/2024
- by Meredith Woerner
- Variety - Film News
Danny Boyle’s “28 Years Later” is hitting the big screen next summer. Sony Pictures has slated the long-awaited project for June 20, 2025.
Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes are set to star in the sequel to “28 Days Later” and “28 Weeks Later.”
Plot details are still being kept under wraps for the new screenplay, written by Alex Garland. It will be part of an upcoming trilogy, for which Nia DaCosta is in talks to direct the second film.
Boyle and Garland are producing, as is original producer Andrew Macdonald and Peter Rice. Bernie Bellew is also producing. Cillian Murphy is also returning as an executive producer, but is not currently attached to star.
“28 Days Later” was released in 2002 and starred a largely unknown Murphy as a bike courier who discovers the release of contagious virus upon awaking from a coma. Boyle directed the feature, while Garland wrote.
Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes are set to star in the sequel to “28 Days Later” and “28 Weeks Later.”
Plot details are still being kept under wraps for the new screenplay, written by Alex Garland. It will be part of an upcoming trilogy, for which Nia DaCosta is in talks to direct the second film.
Boyle and Garland are producing, as is original producer Andrew Macdonald and Peter Rice. Bernie Bellew is also producing. Cillian Murphy is also returning as an executive producer, but is not currently attached to star.
“28 Days Later” was released in 2002 and starred a largely unknown Murphy as a bike courier who discovers the release of contagious virus upon awaking from a coma. Boyle directed the feature, while Garland wrote.
- 5/11/2024
- by Katcy Stephan
- Variety - Film News
Nicholas Galitzine is quickly turning into one of Hollywood’s rising stars with steamy roles in last year’s British rom-com “Red, White, and Royal Blue” (now with a sequel on approach) and this year’s age-gap romance “The Idea of You.” However, in an interview with British GQ recently, Galitzine admitted that having the opportunity to take on quality roles is a relatively new phenomenon for him.
“I’ve had to cut my teeth on a lot of projects, which, I find the result of them, admittedly, maybe not great,” Galitzine said. “But for me, it was always, ‘Ok, this job won’t take me from point A to Z, but it is at least pushing me in the right direction?’”
Galitzine’s early roles include his performance as a moody violinist in the film “High Strung,” as well as playing Prince Robert in the critically panned jukebox musical...
“I’ve had to cut my teeth on a lot of projects, which, I find the result of them, admittedly, maybe not great,” Galitzine said. “But for me, it was always, ‘Ok, this job won’t take me from point A to Z, but it is at least pushing me in the right direction?’”
Galitzine’s early roles include his performance as a moody violinist in the film “High Strung,” as well as playing Prince Robert in the critically panned jukebox musical...
- 5/11/2024
- by Harrison Richlin
- Indiewire
Technologists Todd Terrazas, Max Einhorn, Mike Gioia and Ian Eck have posed a challenge to nine up-and-coming filmmakers: create short films using generative AI in only 48 hours. The Cinema Synthetica filmmaking competition is the first of its kind, founded in hopes of demonstrating the potential of AI tools to influence the future of filmmaking.
The completion is part of the AI on the Lot conference, a one-day summit to be held next week in downtown Los Angeles where Hollywood creatives can collaborate with those at the forefront of artificial intelligence. The nine Cinema Synthetica participants were carefully selected for the challenge and then divided into teams of three. After two full days of work, the films will be presented at AI on the Lot on May 16 to a panel of judges that will include such industry insiders as Einhorn, Jeff Clanagan, Kathleen McCaffrey, Momo Wang, Rachel Joy Victor and Jackee Chang.
The completion is part of the AI on the Lot conference, a one-day summit to be held next week in downtown Los Angeles where Hollywood creatives can collaborate with those at the forefront of artificial intelligence. The nine Cinema Synthetica participants were carefully selected for the challenge and then divided into teams of three. After two full days of work, the films will be presented at AI on the Lot on May 16 to a panel of judges that will include such industry insiders as Einhorn, Jeff Clanagan, Kathleen McCaffrey, Momo Wang, Rachel Joy Victor and Jackee Chang.
- 5/11/2024
- by Jack Dunn
- Variety - Film News
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