Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Defected stormtrooper Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.Written by
70 mm 6-Track
(70 mm prints)|Dolby
(as Dolby System) (35 mm prints) (1977 print)|DTS-Stereo
(as DTS Stereo® in selected theatres) (1997 print)|Dolby Digital
(as Dolby® Digital in selected theatres) (1997 print)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres) (1997 print)|Mono
(some 35 mm prints) (other 16 mm prints)
16mm anamorphic prints were made of this movie, which featured an especially wide aspect ratio of 2.74:1 (which is twice 1.37:1, the standard ratio of 16mm). In these prints, the lower portion of the frame was cropped away, in order to preserve the actors' headroom. See more »
C3PO has been with Princess Leia's family since her childhood according to his back story established in later movies. During the skirmish at the beginning of the movie, C3PO says to R2D2 "there will be no escape for the Princess this time." (The script reads "There'll be no escape for the Captain this time," foreshadowing the next scene where Vader strangles the Captain.) Later, C3PO sees a picture of the Princess and claims not to know who she is. It's likely that it was programmed not to divulge any important information that may endanger the mission of the Princess, and the radio adaptation strongly implies this. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
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When first released theatrically, prior to the film, a generic screen reading in green letters "A Lucasfilm Limited Production" appeared. In all versions from the Special Edition onward, this is replaced with a more elaborate Lucasfilm logo that shines and glows. See more »
The 1981 re-issue contains three dialogue differences from the original. First is the appearance of the "close the blast doors" line that was silenced in the 1981 version. The 1977 version has Aunt Beru's line "All his friends have gone" places emphasis on "friends" rather than "gone" in the 1981 version. Finally, Luke shouts "Blast it, Wedge, where are you?" rather than "Blast it, Biggs, where are you?" Because Luke's head is turned to the side, it's impossible to tell which is the on-set name used. The redubbing makes Wedge's rescue of Luke more unexpected. See more »
Star Wars is a movie that has had great social impact, a fact that has often gone unnoticed. A harbinger of a changing mood within the United States, Star Wars was one of the few movies rated General that was released in 1977. Where movies had for a decade been depicting ever more dark topics (Taxi Driver, The Exorcist) Star Wars was a lighthearted adventure. While some may decry the move back to swashbuckling from social comment, I for one celebrate the fact that Star Wars made it possible for families to go to movies together once again.
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