From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones.Written by
Fox Searchlight Pictures
The protagonist wears more and more red as the film progresses. See more »
When Richard Strickland shoots at back of the van he fires eight times from a six-shot revolver. See more »
If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to ...
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The opening credits roll over footage of a flooded apartment. See more »
The Wide Missouri (Shenandoah)
Performed by The Corps of Cadets of the Virginia Military Institute and Tommy Sands
From the motion picture Mardi Gras (1958)
Courtesy of Twentieth Century Fox Film Corporation See more »
I've thoroughly enjoyed del Toros work over the years, and I am an avid Sci-fi fan so this would have been a match in heaven if the movie hadn't been so utterly predictable, boring and... correct.
Growing up in Sweden, this movie really reminded me of the 70s and 80s when movies where there to educate the masses and not to entertain. Political messages - I don't really care if they are "right" or not - belong in propaganda, unless the movie is about said political, obviously. Simply cramming it into a movie - for absolutely no real reason - gives me the shivers. Stop the subterfuge already!
And then, predictability. Oh for goodness sake, who did not see that ending come after, what, 15 minutes? Maybe I've seen too many Sci-fi flicks but it was quite clear immediately. Not the usual del Toro way.
I guess I feel perplex after watching this. Del Toro is good, very good, but this? And this is what brings the Oscars? Let's all hope this movie does not start a trend.
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