At an archaeological dig in the ancient city of Hamunaptra, an American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreck havoc as he searches for the reincarnation of his long-lost love.
An English librarian called Evelyn Carnahan becomes interested in starting an archaeological dig at the ancient city of Hamunaptra. She gains the help of Rick O'Connell, after saving him from his death. What Evelyn, her brother Jonathan and Rick are unaware of is that another group of explorers are interested in the same dig. Unfortunately for everyone, this group ends up unleashing a curse which been laid on the dead High Priest Imhotep. Now 'The Mummy' is awake and it's going to take a lot more than guns to send him back to where he came from.Written by
With the exception of a loin cloth and a few pieces of jewelry, Patricia Velasquez's costume consists entirely of body paint, which took four hours to apply. See more »
Notice the gunshot-wound that one the Americans of O'Connell's entourage has in the car-chase sequence when he is unsuccessfully fighting off Imhotep's followers in the village. He got shot in a scene which was filmed but not shown. (Source: director's commentary on DVD-release) See more »
Thebes, City of the Living, crown jewel of Pharaoh Seti the First. Home of Imhotep, Pharaoh's high priest, keeper of the dead. Birthplace of Anck Su Namun, Pharaoh's mistress. No other man was allowed to touch her. But for their love, they were willing to risk life itself.
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At the end credits of the film, the main cast and crews' names are first presented in hieroglyphics, then change into Roman(English) fonts that have a hieroglyphic-like look to them (the rest of the credits are also in this font). After the main cast and crew is named, the rest of the credits, instead of scrolling down in traditional straight lines, are staggered in snake-like patterns, while hieroglyphics are placed in various areas of the credits and on the screen. See more »
For the airline version, some sort of bikini was digitally added to Anck-Su-Namun to cover 'revealing' images. See more »
Citizen Kane it ain't, but if you're looking for good, silly, H. Rider Haggardesque fun, this is the film for you. While it hasn't replaced the Universal classic in my affections, let's face it, the venerable original creaks a little. I mean, Karloff's Imhotep only moves two feet per hour -- geez, how will I ever escape him? Arnold Vosloo's Mummy is considerably more fleet, and frankly (from the dirty old lady's perspective) is pretty darned buff for a dead guy. A modern affectation, sure, but I like the idea of a mummy with a great butt.
Brendan Fraser looks good, has a fabulous voice, and a whole boatload of goofy charm. Hey! Call me shallow, but that's pretty much all I'm looking for in a screen idol. John Hannah was acceptable, if not inspired, as the wastrel brother. Rachel Weisz is gorgeous, and acquits herself well in the role of "Heroine in an Adventure Film;" i.e., she screams and gets rescued a lot.
OK, I lie. The modern "Heroine in an Adventure Film" is SPUNKY, screams, and gets rescued a lot.
And as to Oded Fehr, who plays the mysterious desert guardian of the mummy's tomb (a role traditionally assayed by Welsh character actors) -- I and the rest of the ladies in my party indicated, through a series of incoherent grunts and some unattractive drooling, a strong desire to see much, much more of him. And we mean that both literally and figuratively. Powers that be, please take note.
A couple of small caveats: the bug quotient in this film is much higher than I usually tolerate. It puts you right off your Milk Duds. And where in the hell did those camels come from?
So if you're in a mood for brainless entertainment, I recommend that you set your intellect on stun, rush to the nearest cineplex, buy the large popcorn (WITH butter), and settle in for a couple of hours of colorful, loud, over-the-top fun.
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