Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Some argue that the story draws heavily from and even follows the basic storyline of The Day of the Triffids; for example the main protagonist escaping the disaster by being incapacitated in hospital, a deserted Britain, a group of people leaving London for a better place and even the 'escape from the soldiers gone bad' scenario towards the end. See more »
The beginning of the movie explains that the Rage Virus makes people lose a lot of blood. When Jim is walking around the destroyed hospital and streets, there is no blood anywhere. See more »
[the three animal activists arrive to the laboratory]
[when seeing all of the caged apes]
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Other than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle. See more »
Fox Searchlight attached an alternative downbeat ending to all 1400 US prints of the film, while it was still in U.S. release. The revised ending was the one that appeared in the original script, but the script's ending was ditched in favor of a happy ending after it did not test well. Director Danny Boyle decided "We can't do this to people, because it was such a tough journey anyway." See more »
Whatever Will Be, Will Be (Que Sera Sera)
Written by Jay Livingston and Ray Evans
Published by Jay Livingston Music, Inc. and St. Angelo Music
Admin. by Universal-MCA Publishing, a division of Universal Studios, Inc. See more »
I'm amazed there are so many negative reviews of this film; I thought it succeeded on every level. It's artistic and atmospheric, with a great pace, sympathetic characters, and a fantastic climax. The music is very nicely done, and, to me, the eerie opening scenes of the empty London streets are worth the price of admission all on their own. I'm a stubborn viewer, and, normally, when a film benefits from early critical buzz in the manner that this one did, I find some excuse not to like it. But not this time; I'm completely impressed. (Incidentally, I think it's interesting that while most horror films these days seem to have been inspired by knockoffs of knockoffs, "28 Days Later" apparently owes more to John Wyndham's classic disaster novel "The Day of the Triffids" than to anything else. And that's a good thing.) HIGHLY recommended.
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