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28 Days Later... (2002)

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Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.

Director:

Danny Boyle

Writer:

Alex Garland
Popularity
810 ( 132)
10 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alex Palmer ... Activist
Bindu De Stoppani ... Activist
Jukka Hiltunen Jukka Hiltunen ... Activist
David Schneider ... Scientist
Cillian Murphy ... Jim
Toby Sedgwick ... Infected Priest
Naomie Harris ... Selena
Noah Huntley ... Mark
Christopher Dunne ... Jim's Father
Emma Hitching Emma Hitching ... Jim's Mother
Alexander Delamere Alexander Delamere ... Mr. Bridges
Kim McGarrity Kim McGarrity ... Mr. Bridges' Daughter
Brendan Gleeson ... Frank
Megan Burns Megan Burns ... Hannah
Justin Hackney Justin Hackney ... Infected Kid
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Storyline

Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Day 1: Exposure - Day 3: Infection - Day 8: Epidemic - Day 15: Evacuation - Day 20: Devastation See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and gore, language and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | Spanish

Release Date:

27 June 2003 (USA) See more »

Also Known As:

Exterminio See more »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

£1,500,079 (United Kingdom), 3 November 2002, Limited Release

Opening Weekend USA:

$10,061,858, 29 June 2003, Wide Release

Gross USA:

$45,064,915

Cumulative Worldwide Gross:

$37,654,970
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The Bible verse on Jim's postcard is from the Book of Nahum. Nahum was a prophet who predicted the destruction of the great city of Nineveh, the capital of the Assyrian empire. It was to be utterly destroyed as a punishment for its inhabitants' sins. See more »

Goofs

The Access credit card used had been defunct since the mid-1990s. See more »

Quotes

[first lines]
Activist: [the three animal activists arrive to the laboratory] Bingo.
Activist: [when seeing all of the caged apes] Fucking hell.
See more »

Crazy Credits

Other than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle. See more »

Connections

Referenced in Contagion (2011) See more »

Soundtracks

In Paradisium for Requiem
Composed by Gabriel Fauré / Jean-Michel Nectoux
Used by kind permission of Editions Alphonse Leduc, Paris and United Music Publishers, Ltd. London
Performed by Dr. Richard Marlow and The Choir of The Trinity College
with the London Musici
Licensed courtesy of BMG U.K. & Ireland Ltd.
See more »

Frequently Asked Questions

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User Reviews

 
A modern classic.
19 October 2003 | by desh79See all my reviews

Perhaps I'm a little biased. After all, this is set in the city I live and work in, and seeing Oxford Street and Piccadilly Circus, which I pass by every morning and which are usually teeming with crowds of people, completely empty was enough to send shivers down my spine. Usually when you watch a movie like this it's located in some nondescript Midwestern village, which makes it easy to detach yourself from the events unfolding on screen. But seeing them occur in the place you call home is something that gives it an entirely new sense of reality, and one I was previously unaccustomed to.

Still, judging 28 Days Later entirely on its merit as a film, it's easy to arrive at the conclusion that it's a fantastic achievement, as well as a coming-of-age of sorts for director Danny Boyle; I can't say the MTV-inspired vanity of The Beach, or the self-consciously trendy posturing of Trainspotting appealed to me, and to my shame I initially expected 28 Days Later to be given a similar treatment. Thankfully, my fears proved unfounded, discarded straight after a opening sequence which is at once effortless and fearsome. The rest of the movie was a joy. A terrifying joy, but a joy nonetheless.

It's true that sometimes minimalism can be more effective than overblown bravado, and it's definitely true for this movie. It's the scenes of complete silence which get to you the most; an entire metropolis empty. The grainy picture serves to add a documentary-style quality to the film, which makes the whole situation seem almost too real to bear. Definitely a wise choice to film this on digital video.

You will occasionally meet people who thought 28 Days Later wasn't 'scary' or 'gory' enough. These are the same people who will tell you that 2001 was 'boring', or that Memento was 'confusing'. Ignore them. Others didn't understand the purpose of the second half, or were confused by its change of pace, feeling that it distracted from the movie as a whole. However, I personally regard the second half as very important because, as another reviewer pointed out, it makes a very succinct point: What is scarier, the end of the world, or having the world repopulated by maniacs? That, I think, is where the real Horror of 28 Days Later lies.

28 Days Later, like the Romero zombie flicks of yore, is ultimately an allegory of the days we are living in, an age in which we are constantly confronted with violence by the media (much like the ape right at the start of the film), where violence begets violence, and humanity faces an uncertain future. I applaud Danny Boyle's bravery in making 28 Days Later because he undoubtedly took a big commercial risk when the majority of the cinema-going public might prefer escapism to words of caution. Remember, Rage is a human-made disease. Quite the allegory there.

Like most great masterpieces of their time, 28 Days Later has been misunderstood by a considerable amount of people. I have no doubt it will go down in history as a classic, the one movie which perfectly sums up the confused era we are living in. And even if you didn't like it, it would be advisable to give 28 Days Later another chance; it's a haunting experience when looked at from the right angle. Danny Boyle has many years left in him, I hope he'll continue making more movies like this.


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