Two Jedi Knights escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to claim their old glory.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-wan Kenobi investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
After the rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader.
Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares for battle with the First Order.
In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Director:
Steven Spielberg
Stars:
Harrison Ford,
Kate Capshaw,
Jonathan Ke Quan
Enjoying a peaceable existence in 1885, Doctor Emmet Brown is about to be killed by Buford "Mad Dog" Tannen. Marty McFly travels back in time to save his friend.
Director:
Robert Zemeckis
Stars:
Michael J. Fox,
Christopher Lloyd,
Mary Steenburgen
The evil Trade Federation, led by Nute Gunray is planning to take over the peaceful world of Naboo. Jedi Knights Qui-Gon Jinn and Obi-Wan Kenobi are sent to confront the leaders. But not everything goes to plan. The two Jedi escape, and along with their new Gungan friend, Jar Jar Binks head to Naboo to warn Queen Amidala, but droids have already started to capture Naboo and the Queen is not safe there. Eventually, they land on Tatooine, where they become friends with a young boy known as Anakin Skywalker. Qui-Gon is curious about the boy, and sees a bright future for him. The group must now find a way of getting to Coruscant and to finally solve this trade dispute, but there is someone else hiding in the shadows. Are the Sith really extinct? Is the Queen really who she says she is? And what's so special about this young boy?Written by
simon
EASTER EGG: If you highlight the THX logo, in the Language Selection page on the DVD, and press "11" enter, "3" enter, "8" enter, with the remote, you will access a hidden blooper reel. See more »
Goofs
When Darth Maul takes his speeder bike after finding the missing Jedi, you can see a pair of tire tracks from a car or truck. See more »
Quotes
[first lines]
Qui-Gon Jinn:
Captain.
Radiant VII captain:
Yes, sir?
Qui-Gon Jinn:
Tell them we wish to board at once.
Radiant VII captain:
[to communication device]
With all due respect, the ambassadors for the Supreme Chancellor wish to board immediately.
Nute Gunray:
[on view screen]
Yes, of course. As you know, our blockade is perfectly legal and we'd be happy to receive the ambassadors.
See more »
Crazy Credits
The last sound heard in the credits is the familiar hiss of Darth Vader. See more »
Alternate Versions
The DVD reinstates footage into the feature and increases its running time by 3 minutes. Restored footage includes the Coruscant air taxi sequence, extended starting grid sequence and extended lap two sequence. See more »
I know it's fashionable to scorn the "prequel" trilogy, but if one stands back a bit, things tend to snap into perspective. Compare "Phantom Menace" to most any other fantasy/sci-fi film, and it has to rate very high indeed.
Plot: this is the more "adult" side of the Star Wars galaxy. The politics are remarkably credible, with the entire plot hinging on the result of a vote of no-confidence! How many adults even know what that is? (Hmm... maybe this explains the low ratings.) The relationships between the races on Naboo, the role of the Jedi... these things are established more clearly, and depicted more credibly than in any of the other five films.
Technical achievement: Lucas paints on a vast digital canvas, and creates a world of wonders that have simply never been imagined by lesser talents. This is a living, breathing, believable world, that makes the world of the original trilogy seem cartoonish and contrived by comparison. Naboo, from the city, to the underwater kingdom, to the rolling green hills, is one of the great fantasy worlds, up there with those of the Thief of Baghdad (both versions), Blade Runner, or 2001. And our first glimpse of Coruscant has got to be one of the most memorable "wow" moments in the history of the movies.
Characters: Liam Neeson's Qui Gon is one of the strongest characters in the Star Wars films, and Ewan McGregor's Obi Wan a worthy, more-dashing successor to the older version created by Alec Guinness. And Jar Jar Binks? Annoying? Not compared to the insipid C-3PO, or the insufferably perky R2-D2. Jar Jar is a fully formed character, with surprising depths. His manner is odd, perhaps abrasive, but he offers far more than the single note that Lucas used for his original comic-relief characters. And, of course, the fact that he is one of the first fully digital characters in film history has to be worth something. But Ian McDiarmid's Senator Palpatine is perhaps the most under-appreciated of all. This is an Oscar-worthy supporting performance, a character who is both frighteningly real and perfectly ambiguous. McDiarmid balances his performance on a knife's edge, managing to be both fatherly and deeply unsettling.
Yes, it may be that a certain human dimension is weaker here than in the original Star Wars. We don't have a clear "hero". There's no Luke, no Han. That's a valid point, but it is not inevitably a criticism. Qui Gon and Obi Wan aren't the comic-book heroes of A New Hope, but they are likable, heroic, and rich in characterization. If I had a choice between seeing 10 more episodes of the life of Han Solo or of Qui Gon Jinn, I'd choose the latter without hesitation.
Story: The storyline in this film seems more real, more substantial than in the other five. We have the perfect sense of scale, from human drama to global (or interstellar) conflict. The one quibble might be the pod race. It's certainly entertaining, but does it go on too long? I think perhaps so. This is a structural weakness, but not a huge one. (Does Luke spend WAY too long on Dagobah, listening to warmed over Zen platitudes from that rubbery little jerk Yoda? Yes! Yet this is in the film most viewers seem to, unaccountably, pick as the "best" of the six. Clearly, there's some latitude for narrative digressions...)
And then there's the climactic sword fight. I'd rate the three-way duel in Phantom Menace as the second-best sword fight in the Star Wars series, close after the finale of Return of the Jedi. The latter has a wonderful mythic quality, but this one is more visceral, more scary... partly because Darth Maul is such a cold, merciless villain, and partly because you know from the outset that the outcome is genuinely in doubt, that one of the Good Guys really could die. And the staging, using three master swordsmen, each with very different technique... This is just about as good as action film gets. Only two or three other movie duels come close: Rob Roy, again with Neeson, oddly enough; Scaramouche; Robin Hood... I can't think of a fourth. The closing duel ALONE should raise Phantom Menace into the front ranks of action and fantasy films.
Bottom line: there is so much to enjoy in this film, so much to see, so much to feel, that it is amazing how anyone can possibly rate it below a 7 or 8. This is a scale of film making that few have ever attempted, let alone pulled off so beautifully. Perhaps that's the film's biggest fault: Lucas makes it all seem too easy.
But, of course, we all know the REAL reason people can't give this film the 10 it richly deserves. That reason lies within themselves. Viewers in 1999 (let alone 2007) just couldn't feel as young, as innocent, as optimistic as they did when they saw the very first Star Wars. (Especially if they saw it way back in 1977, 30 years ago). Star Wars hasn't changed, George Lucas hasn't changed, nearly so much as the audience has changed. Alas. Moviegoers who are truly so jaded that they can't feel the passion and revel in the breadth of vision of The Phantom Menace have my sincerest sympathy. Yes, you can be ever so-o cool by putting down the prequel trilogy, but missing one of the best movies of all time is a very high price to pay.
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I know it's fashionable to scorn the "prequel" trilogy, but if one stands back a bit, things tend to snap into perspective. Compare "Phantom Menace" to most any other fantasy/sci-fi film, and it has to rate very high indeed.
Plot: this is the more "adult" side of the Star Wars galaxy. The politics are remarkably credible, with the entire plot hinging on the result of a vote of no-confidence! How many adults even know what that is? (Hmm... maybe this explains the low ratings.) The relationships between the races on Naboo, the role of the Jedi... these things are established more clearly, and depicted more credibly than in any of the other five films.
Technical achievement: Lucas paints on a vast digital canvas, and creates a world of wonders that have simply never been imagined by lesser talents. This is a living, breathing, believable world, that makes the world of the original trilogy seem cartoonish and contrived by comparison. Naboo, from the city, to the underwater kingdom, to the rolling green hills, is one of the great fantasy worlds, up there with those of the Thief of Baghdad (both versions), Blade Runner, or 2001. And our first glimpse of Coruscant has got to be one of the most memorable "wow" moments in the history of the movies.
Characters: Liam Neeson's Qui Gon is one of the strongest characters in the Star Wars films, and Ewan McGregor's Obi Wan a worthy, more-dashing successor to the older version created by Alec Guinness. And Jar Jar Binks? Annoying? Not compared to the insipid C-3PO, or the insufferably perky R2-D2. Jar Jar is a fully formed character, with surprising depths. His manner is odd, perhaps abrasive, but he offers far more than the single note that Lucas used for his original comic-relief characters. And, of course, the fact that he is one of the first fully digital characters in film history has to be worth something. But Ian McDiarmid's Senator Palpatine is perhaps the most under-appreciated of all. This is an Oscar-worthy supporting performance, a character who is both frighteningly real and perfectly ambiguous. McDiarmid balances his performance on a knife's edge, managing to be both fatherly and deeply unsettling.
Yes, it may be that a certain human dimension is weaker here than in the original Star Wars. We don't have a clear "hero". There's no Luke, no Han. That's a valid point, but it is not inevitably a criticism. Qui Gon and Obi Wan aren't the comic-book heroes of A New Hope, but they are likable, heroic, and rich in characterization. If I had a choice between seeing 10 more episodes of the life of Han Solo or of Qui Gon Jinn, I'd choose the latter without hesitation.
Story: The storyline in this film seems more real, more substantial than in the other five. We have the perfect sense of scale, from human drama to global (or interstellar) conflict. The one quibble might be the pod race. It's certainly entertaining, but does it go on too long? I think perhaps so. This is a structural weakness, but not a huge one. (Does Luke spend WAY too long on Dagobah, listening to warmed over Zen platitudes from that rubbery little jerk Yoda? Yes! Yet this is in the film most viewers seem to, unaccountably, pick as the "best" of the six. Clearly, there's some latitude for narrative digressions...)
And then there's the climactic sword fight. I'd rate the three-way duel in Phantom Menace as the second-best sword fight in the Star Wars series, close after the finale of Return of the Jedi. The latter has a wonderful mythic quality, but this one is more visceral, more scary... partly because Darth Maul is such a cold, merciless villain, and partly because you know from the outset that the outcome is genuinely in doubt, that one of the Good Guys really could die. And the staging, using three master swordsmen, each with very different technique... This is just about as good as action film gets. Only two or three other movie duels come close: Rob Roy, again with Neeson, oddly enough; Scaramouche; Robin Hood... I can't think of a fourth. The closing duel ALONE should raise Phantom Menace into the front ranks of action and fantasy films.
Bottom line: there is so much to enjoy in this film, so much to see, so much to feel, that it is amazing how anyone can possibly rate it below a 7 or 8. This is a scale of film making that few have ever attempted, let alone pulled off so beautifully. Perhaps that's the film's biggest fault: Lucas makes it all seem too easy.
But, of course, we all know the REAL reason people can't give this film the 10 it richly deserves. That reason lies within themselves. Viewers in 1999 (let alone 2007) just couldn't feel as young, as innocent, as optimistic as they did when they saw the very first Star Wars. (Especially if they saw it way back in 1977, 30 years ago). Star Wars hasn't changed, George Lucas hasn't changed, nearly so much as the audience has changed. Alas. Moviegoers who are truly so jaded that they can't feel the passion and revel in the breadth of vision of The Phantom Menace have my sincerest sympathy. Yes, you can be ever so-o cool by putting down the prequel trilogy, but missing one of the best movies of all time is a very high price to pay.