In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.Written by
Kenneth Chisholm (email@example.com)
King Ghidorah was the antagonist in an early draft of the script, having crashed in the Arctic during the last Ice Age and being kept frozen in the Yucca Mountain Nuclear Waste Depository (a cover by MONARCH), before escaping and fighting Godzilla in San Francisco. He was removed by Gareth Edwards, who felt that Ghidorah (being extraterrestrial) did not fit the film's "wrath of nature" theme, and to avoid similarities with the popular alien film Transformers (2007). Ghidorah will, however, appear in the sequel. See more »
Honolulu airport does not have a monorail/tram system. See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
See more »
The opening credits are a montage of Monarch documents and 1950s videos. All text on these documents are blacked out except for the names cast/crew members. The montage ends with a nuclear bomb going off, which causes a white-out in which the film title appears. See more »
I really like this Godzilla movie. Granted it's not as good as the original 1954 version, Mothra vs Godzilla, the Heisei era flicks, or GMK but it's still good. The effects were amazing with everything conveying a strong sense of scale as all the monsters move slowly like larger than life forces. Also they made Godzilla a nigh- indestructible force of nature with his signature durability and atomic breath. Surprisingly the kaiju have lots of personality expressing moments of joy, love, despair, weariness, and wrath. In fact, I'm willing to look past the dull look of the MUTOs because they act like real animals and show so much emotion.
Yet as much as I enjoy the movie, there is the main downside everyone brings up: Godzilla doesn't show up enough. Granted there are lots of creature features that focus more on the humans like Jurassic Park, Aliens, Predator, and Jaws. However, those movies at least had characters that while neither the deepest or most complex, were at least likable and recognizable.
Here the main human characters are generic and lifeless. Aaron Taylor Johnson's performance as Ford is boring and lacks the stoic intensity of Arnold Schwarzenegger or Clint Eastwood. They could've made Ford have an angry grudge against Godzilla and the MUTOs that would clash with Sherizawa's respect for Godzilla. Ditto Elizabeth Olsen's Elle,she never seemed to show emotionally heartache or depressed concern for her patients or her family. Their bland characters would've had been so annoying had they not overshadowed Bryan Cranston's Joe and Ken Watanabe's Sherizawa.
If the creators are going to make another Godzilla flick, then they should either increase Godzilla's screen time or at the very least bring in better actors and create more memorable characters. That said,it's still a fun movie on its own merits and I'm looking forward to the sequel
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