In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.Written by
Kenneth Chisholm (firstname.lastname@example.org)
sound designers Erik Aadahl and Ethan Van Der Ryn were tasked with paying homage to it while revamping it and creating something new. According to Edwards, they spent six months over the three-year production experimenting with different techniques such as a pine tar-coated leather glove on a double bass trying to match the initial metallic shriek, the following wail, and the finishing bellow of Godzilla's iconic roar. Using microphones that could record sound inaudible to human ears, the team recorded hundreds of sounds at a 192 kHz sample rate before slowing them down to an audible range until they stumbled upon the combination that gave them goosebumps. The final version that was created was the 50th the team produced. The pair tested the roar on a back lot at Warner Bros., using a 100,000 watt tour speaker array for The Rolling Stones. The roar was powerful enough to rattle pipes and rooftops, and was estimated that it could be heard up to three miles away. For this experiment, the crew actually sent out fliers to surrounding communities warning the neighbors about the potential sound disruption; despite these preemptive measures, however, Burbank P.D. started getting calls and people were tweeting 'Godzilla's at my apartment door!' See more »
During the scene when LT Brody and Sgt Morales are on the bridge checking out if it is intact, they encounter the MUTO and duck down on the bridge. You get a glimpse of their M4A1 and you see that they both have Insight AN/PEQ2A laser box on top their M4's.
That unit has been discounted and would not have been issued to US armed forces since 2010. The new SOCOM block 2 has the PEQ15 laser box as a replacement.
The biggest difference in the two units is that PEQ16 has a Visible Laser with IR laser and IR laser designator. While the PEQ 2 only had an IR laser and IR laser designator.
This US Army has replaced all PEQ2 models with the Insight AN/PEQ15 and in case of the navy and marines it would be PEQ 16. (Dependent on units and missions) See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
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Played in slow motion the opening credits on the DVD show the blacked-out portions are actually a series of jokes wrapped around the remaining information. See more »
I really like this Godzilla movie. Granted it's not as good as the original 1954 version, Mothra vs Godzilla, the Heisei era flicks, or GMK but it's still good. The effects were amazing with everything conveying a strong sense of scale as all the monsters move slowly like larger than life forces. Also they made Godzilla a nigh- indestructible force of nature with his signature durability and atomic breath. Surprisingly the kaiju have lots of personality expressing moments of joy, love, despair, weariness, and wrath. In fact, I'm willing to look past the dull look of the MUTOs because they act like real animals and show so much emotion.
Yet as much as I enjoy the movie, there is the main downside everyone brings up: Godzilla doesn't show up enough. Granted there are lots of creature features that focus more on the humans like Jurassic Park, Aliens, Predator, and Jaws. However, those movies at least had characters that while neither the deepest or most complex, were at least likable and recognizable.
Here the main human characters are generic and lifeless. Aaron Taylor Johnson's performance as Ford is boring and lacks the stoic intensity of Arnold Schwarzenegger or Clint Eastwood. They could've made Ford have an angry grudge against Godzilla and the MUTOs that would clash with Sherizawa's respect for Godzilla. Ditto Elizabeth Olsen's Elle,she never seemed to show emotionally heartache or depressed concern for her patients or her family. Their bland characters would've had been so annoying had they not overshadowed Bryan Cranston's Joe and Ken Watanabe's Sherizawa.
If the creators are going to make another Godzilla flick, then they should either increase Godzilla's screen time or at the very least bring in better actors and create more memorable characters. That said,it's still a fun movie on its own merits and I'm looking forward to the sequel
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