Documentary hits “Won’t You Be My Neighbor?” and “Three Identical Strangers” are two of the 31 shortlisted films for the International Documentary Association’s award for top feature of 2018.
Michael Moore’s “Fahrenheit 11/9,” Netflix’s “Shirkers,” and Hulu’s “Minding the Gap” were among the other high-profile titles unveiled on Tuesday.
Morgan Neville’s Fred Rogers story “Won’t You Be My Neighbor?” has grossed $22.6 million domestically since its release in June, making it the 12th-highest-grossing doc of all time. Tim Wardle’s “Three Identical Strangers” has also performed well with $12.3 million and is 26th on the list. “Fahrenheit 11/9” has reeled in $6 million since its Sept. 20 launch — far below the record $119 million grossed by Moore’s “Fahrenheit 9/11” in 2004.
It’s the first time the Ida has unveiled the shortlists in the shorts and features categories. The 34th annual awards will take place on Dec. 8 at Los Angeles’ Paramount Theatre. Nominees...
Michael Moore’s “Fahrenheit 11/9,” Netflix’s “Shirkers,” and Hulu’s “Minding the Gap” were among the other high-profile titles unveiled on Tuesday.
Morgan Neville’s Fred Rogers story “Won’t You Be My Neighbor?” has grossed $22.6 million domestically since its release in June, making it the 12th-highest-grossing doc of all time. Tim Wardle’s “Three Identical Strangers” has also performed well with $12.3 million and is 26th on the list. “Fahrenheit 11/9” has reeled in $6 million since its Sept. 20 launch — far below the record $119 million grossed by Moore’s “Fahrenheit 9/11” in 2004.
It’s the first time the Ida has unveiled the shortlists in the shorts and features categories. The 34th annual awards will take place on Dec. 8 at Los Angeles’ Paramount Theatre. Nominees...
- 10/9/2018
- by Dave McNary
- Variety Film + TV
Won’t You Be My Neighbor? is among features in the running for documantary association honours.
Major award contenders Won’t You Be My Neighbor?, Three Identical Strangers and Free Solo are among the thirty-one films on the shortlist for this year’s International Documentary Association (Ida) feature award.
The Ida has unveiled the shortlists for its feature and short categories for the first time this year. Up to ten nominees in each category will be selected from the shortlists and nominees will be announced – along with nominees for the Association’s Special Awards and Creative Recognition Awards - on...
Major award contenders Won’t You Be My Neighbor?, Three Identical Strangers and Free Solo are among the thirty-one films on the shortlist for this year’s International Documentary Association (Ida) feature award.
The Ida has unveiled the shortlists for its feature and short categories for the first time this year. Up to ten nominees in each category will be selected from the shortlists and nominees will be announced – along with nominees for the Association’s Special Awards and Creative Recognition Awards - on...
- 10/9/2018
- by John Hazelton
- ScreenDaily
Master monologist Spalding Gray, a proven stage and part time screen actor, as well as the man behind such cinematic creations as Swimming To Cambodia, Monster In A Box, and Gray’s Anatomy, unfortunately perished in New York’s East River after a long and troubled bout with depression in 2004. Paying tribute to his friend and colleague, director Steven Soderbergh pieced together And Everything Is Going Fine, an autobiography of sorts, concocted of snippets from Gray’s many monologues, interviews, and home videos he left behind. A stirring, often funny film like this would never be possible to construct about most artists, but Gray’s unique creative expression was almost always an outpouring of personal experience, that when edited down to a single narrative, is basically his life’s story.
Like his light touch direction on Gray’s Anatomy, Soderbergh never interjects here. He allows Gray to tell his own story,...
Like his light touch direction on Gray’s Anatomy, Soderbergh never interjects here. He allows Gray to tell his own story,...
- 7/3/2012
- by Jordan M. Smith
- IONCINEMA.com
"The Social Network" editors, Angus Wall and Kirk Baxter, won the Ace Eddie Award for Best Edited Dramatic Feature at the 61st Annual Ace Eddie Awards. The David Fincher film beat "Black Swan," "The Fighter," "Inception," and "The King's Speech." We'll see if "The Social Network" will beat those movies (except for "Inception" which was not nominated in favor of "127 Hours") at the upcoming 83rd Academy Awards.
In the feature category for Musical or Comedy, Chris Lebenzon of "Alice in Wonderland" took home the trophy, winning over "Easy A," "The Kids Are All Right," "Made in Dagenham," and "Scott Pilgrim vs. The World."
In the Best Edited Animated Featuer Film category, surprise, surprise, "Toy Story 3" won over "How to Train Your Dragon" and "Despicable Me."
Tom Fulford & Chris King of "Exit Through the Gift Shop" won for Best Edited Documentary beating "Inside Job" and "Waiting for Superman."
The 61st Annual...
In the feature category for Musical or Comedy, Chris Lebenzon of "Alice in Wonderland" took home the trophy, winning over "Easy A," "The Kids Are All Right," "Made in Dagenham," and "Scott Pilgrim vs. The World."
In the Best Edited Animated Featuer Film category, surprise, surprise, "Toy Story 3" won over "How to Train Your Dragon" and "Despicable Me."
Tom Fulford & Chris King of "Exit Through the Gift Shop" won for Best Edited Documentary beating "Inside Job" and "Waiting for Superman."
The 61st Annual...
- 2/21/2011
- by Manny
- Manny the Movie Guy
Another feather is now in the cap of David Fincher's The Social Network and this is a big one as the American Cinema Editors have awarded it and its editing team, consisting of Kirk Baxter and Angus Wall, top honors in the drama category. Network beat out fellow nominees Black Swan (Andrew Weisblum), The Fighter (Pamela Martin), Inception (Lee Smith) and The King's Speech (Tariq Anwar). As for the Oscar nominations, by comparison, the only difference in nominees is 127 Hours was nominated rather than Inception.
The Eddie nominees were announced on January 14, and back then I wrote, "If Network gets the win we can pretty much close the door on the Oscars." I also mentioned the notable statistic that six out of the last ten winners of the Eddie in the Best Feature Film (Dramatic) category have gone on to win Oscar's Best Picture. On top of that, the...
The Eddie nominees were announced on January 14, and back then I wrote, "If Network gets the win we can pretty much close the door on the Oscars." I also mentioned the notable statistic that six out of the last ten winners of the Eddie in the Best Feature Film (Dramatic) category have gone on to win Oscar's Best Picture. On top of that, the...
- 2/20/2011
- by Brad Brevet
- Rope of Silicon
Leonardo DiCaprio, Ken Watanabe in Christopher Nolan's Inception Film Editors' Drama Nominees Match Directors Guild Award Nominees: Same at Oscars? Best Edited Feature Film (Dramatic): Black Swan Andrew Weisblum, A.C.E. The Fighter Pamela Martin Inception Lee Smith, A.C.E. The King's Speech Tariq Anwar The Social Network Angus Wall, A.C.E. & Kirk Baxter Best Edited Feature Film (Comedy Or Musical): Alice in Wonderland Chris Lebenzon, A.C.E. Easy A Susan Littenberg The Kids Are All Right Jeffrey M. Werner Made in Dagenham Michael Parker Scott Pilgrim vs. the World Jonathan Amos & Paul Machliss Best Edited Animated Feature Film: Despicable Me Gregory Perler & Pam Ziegenhagen How to Train Your Dragon Maryann Brandon, A.C.E. & Darren T. Holmes, A.C.E. Toy Story 3 Ken Schretzmann & Lee Unkrich, A.C.E. Best Edited Half-hour Series For Television: The Big C: “Pilot” Brian A. Kates,...
- 1/14/2011
- by Andre Soares
- Alt Film Guide
The American Cinema Editors announced their nominees for the 61st Annual Ace Eddie Awards today. The awards ceremony will be held Feb. 19. Among the nominated films are Black Swan, The King’s Speech, Inception, The Social Network, The Kids Are All Right, How To Train Your Dragon, and Toy Story 3. The nominees are:
Best Edited Feature Film (Dramatic):
Black Swan — Andrew Weisblum, A.C.E.
The Fighter — Pamela Martin
Inception — Lee Smith, A.C.E.
The King’s Speech — Tariq Anwar
The Social Network — Angus Wall, A.C.E., & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical...
Best Edited Feature Film (Dramatic):
Black Swan — Andrew Weisblum, A.C.E.
The Fighter — Pamela Martin
Inception — Lee Smith, A.C.E.
The King’s Speech — Tariq Anwar
The Social Network — Angus Wall, A.C.E., & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical...
- 1/14/2011
- by Margaret Lyons
- EW - Inside Movies
The American Cinema Editors on Friday announced the nominees for the 2011 Ace Eddie Awards, with many of the primary Oscar favorites to again duke it out in the feature-film categories.
Awards will be handed out on Saturday, Feb. 19, at the Beverly Hilton Hotel.
A complete list of nominees follows.
Best Edited Feature Film (Dramatic):
“Black Swan,” Andrew Weisblum, A.C.E.
“The Fighter,” Pamela Martin
“Inception,” Lee Smith, A.C.E.
“The King’s Speech,” Tariq Anwar
“The Social Network,” Angus Wall, A.C.E. and Kirk Baxter
Best Edited Feature Film (Comedy Or Musical):
“Alice in Wonderland,” Chris Lebenzon, A.C.E.
“Easy A,” Susan Littenberg
“The Kids Are All Right,” Jeffrey M. Werner
“Made in Dagenham,” Michael Parker
“Scott Pilgrim Vs. The World,” Jonathan Amos and Paul Machliss
Best Edited Animated Feature Film:
“Despicable Me,” Gregory Perler and Pam Ziegenhagen
“How To Train Your Dragon,” Maryann Brandon,...
Awards will be handed out on Saturday, Feb. 19, at the Beverly Hilton Hotel.
A complete list of nominees follows.
Best Edited Feature Film (Dramatic):
“Black Swan,” Andrew Weisblum, A.C.E.
“The Fighter,” Pamela Martin
“Inception,” Lee Smith, A.C.E.
“The King’s Speech,” Tariq Anwar
“The Social Network,” Angus Wall, A.C.E. and Kirk Baxter
Best Edited Feature Film (Comedy Or Musical):
“Alice in Wonderland,” Chris Lebenzon, A.C.E.
“Easy A,” Susan Littenberg
“The Kids Are All Right,” Jeffrey M. Werner
“Made in Dagenham,” Michael Parker
“Scott Pilgrim Vs. The World,” Jonathan Amos and Paul Machliss
Best Edited Animated Feature Film:
“Despicable Me,” Gregory Perler and Pam Ziegenhagen
“How To Train Your Dragon,” Maryann Brandon,...
- 1/14/2011
- by admin
- Moving Pictures Network
hollywoodnews.com: The American Cinema Editors announced the nominees for the 61st annualL Ace Eddie awards. They recognize the best editing of the year.
Ace, the American Cinema Editors, is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
Best Edited Feature Film (Dramatic):
Black Swan
Andrew Weisblum, A.C.E.
The Fighter
Pamela Martin
Inception
Lee Smith, A.C.E.
The King’s Speech
Tariq Anwar
The Social Network
Angus Wall, A.C.E. & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical):
Alice in Wonderland
Chris Lebenzon, A.C.E.
Easy A
Susan Littenberg
The Kids Are All Right
Jeffrey M. Werner
Made In Dagenham
Michael Parker
Scott Pilgrim vs. the World
Jonathan Amos & Paul Machliss
Best Edited...
Ace, the American Cinema Editors, is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
Best Edited Feature Film (Dramatic):
Black Swan
Andrew Weisblum, A.C.E.
The Fighter
Pamela Martin
Inception
Lee Smith, A.C.E.
The King’s Speech
Tariq Anwar
The Social Network
Angus Wall, A.C.E. & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical):
Alice in Wonderland
Chris Lebenzon, A.C.E.
Easy A
Susan Littenberg
The Kids Are All Right
Jeffrey M. Werner
Made In Dagenham
Michael Parker
Scott Pilgrim vs. the World
Jonathan Amos & Paul Machliss
Best Edited...
- 1/14/2011
- by HollywoodNews.com
- Hollywoodnews.com
Front-runner for most overlooked/under-appreciated category of filmmaking is editing. A well-edited film goes unnoticed amongst the majority of filmgoers (Black Swan, How To Train Your Dragon), while sometimes the game-changing editing sticks out (Scott Pilgrim Vs. The World, The Social Network), and then poor editing can further ruin a stinker (Iron Man 2, The Last Airbender).
Along with the Oscar nominations, each year the American Cinema Editors (Ace) aim to reward the best editing with the Ace Eddie Awards. Deadline notes that Christopher Nolan will receive the Ace Golden Eddie Filmmaker of the Year Award and that “no film has won Best Picture at the Oscars without also having received at least a Best Editing nomination since Ordinary People in 1981.” This year, the nominees have been revealed and you can see them below.
Best Edited Feature Film (Dramatic):
Black Swan
Andrew Weisblum, A.C.E.
The Fighter
Pamela Martin
Inception
Lee Smith,...
Along with the Oscar nominations, each year the American Cinema Editors (Ace) aim to reward the best editing with the Ace Eddie Awards. Deadline notes that Christopher Nolan will receive the Ace Golden Eddie Filmmaker of the Year Award and that “no film has won Best Picture at the Oscars without also having received at least a Best Editing nomination since Ordinary People in 1981.” This year, the nominees have been revealed and you can see them below.
Best Edited Feature Film (Dramatic):
Black Swan
Andrew Weisblum, A.C.E.
The Fighter
Pamela Martin
Inception
Lee Smith,...
- 1/14/2011
- by Jordan Raup
- The Film Stage
Recent winners of the American Cinema Editors (Ace) Eddie Awards for best film editing have gone to The Hurt Locker, Slumdog Millionaire, The Departed, Crash, The Lord of the Rings: The Return of the King, Chicago and Gladiator. I think you get my drift, but if not six out of the last ten films to win the Eddie in the Best Feature Film (Dramatic) category have gone on to win Oscar's Best Picture and I think we can call it seven out of eleven at this point as it doesn't really matter what film you believe is going to win Best Picture, it's likely among this group.
I woke up this morning to a massive email chain from Oscar bloggers including those from Awards Daily, ComingSoon.net, The Film Experience, In Contention and Cinematical, all of which were discussing the absence of Joel and Ethan Coen's pseudonym Roderick Jaynes...
I woke up this morning to a massive email chain from Oscar bloggers including those from Awards Daily, ComingSoon.net, The Film Experience, In Contention and Cinematical, all of which were discussing the absence of Joel and Ethan Coen's pseudonym Roderick Jaynes...
- 1/14/2011
- by Brad Brevet
- Rope of Silicon
Best Edited Feature Film (Dramatic): Black Swan, Andrew Weisblum, A.C.E. The Fighter, Pamela Martin Inception, Lee Smith, A.C.E. The King’s Speech, Tariq Anwar The Social Network,...
- 1/14/2011
- by Ryan Adams
- AwardsDaily.com
Universal City, CA, Jan. 14 –American Cinema Editors (Ace) today announced nominations for the 61st Annual Ace Eddie Awards recognizing outstanding editing in nine categories of film, television and documentaries. Winners will be revealed during Ace’s 61st annual black-tie awards ceremony on Saturday, February 19, 2011 in the International Ballroom of the Beverly Hilton Hotel. Christopher Nolan will receive the Ace Golden Eddie Filmmaker of the Year Award. Two Career Achievement honorees will be announced next week. The Ace Eddie Awards is considered an integral precursor to the Oscars®. No film has won Best Picture at the Oscars without also having received at least a Best Editing nomination since Ordinary People in 1981. Since the Ace membership boasts a very high crossover within its membership of Academy members, it is considered a very accurate bellwether for the eventual Oscar outcome.: Nominees For 61st Annual Ace Eddie Awards Best Edited Feature Film (Dramatic): Black Swan Andrew Weisblum,...
- 1/14/2011
- by NIKKI FINKE
- Deadline Hollywood
The idea of documenting one's life via confessional and storytelling monologues is hardly unusual in 2010, but Spalding Gray did it before almost anyone else. And he did it better; in films like Swimming to Cambodia, Monster in a Box and Gray's Anatomy his personal histories were a gateway to perceptive observations about life and the world around us. Gray's Anatomy was directed by Steven Soderbergh. After Spalding Gray's tragic death by apparent suicide, his widow asked the director to make a documentary about her late husband. The result is And Everything is Going Fine, which is presented not as "a documentary by Steven Soderbergh," but as "a tribute by" the director. The trailer is after the break. The film takes the best possible approach to telling Spalding Gray's story: it uses his own words. His widow gave Steven Soderberg a trove of tapes -- 90 hours or so --...
- 12/3/2010
- by Russ Fischer
- Slash Film
Easy A
Anyone who has seen Demi Moore’s remake of “The Scarlett Letter” would cringe if told Emma Stone was doing another version. Terrible experiences have a way of lingering in the recesses of the mind, only to terrorize once you enter the theatre. You can relax. This modern version of Hawthorne’s classic constantly refers to the original and takes quite a few swipes at Demi Moore’s rendition of Hester Prim. Easy A is silly fare, rife with the left coast progressively liberal mantra.
The film begins with nifty graphics incorporated into the background scenery. The technique continues during the end credits. I really like the technique, though I must admit it’s not original. It started with the TV series “Fringe” and then migrated to other shows, including “Warehouse 13”. It’s still neat, though, and it looks even better on the big screen.
Halfway through the movie,...
Anyone who has seen Demi Moore’s remake of “The Scarlett Letter” would cringe if told Emma Stone was doing another version. Terrible experiences have a way of lingering in the recesses of the mind, only to terrorize once you enter the theatre. You can relax. This modern version of Hawthorne’s classic constantly refers to the original and takes quite a few swipes at Demi Moore’s rendition of Hester Prim. Easy A is silly fare, rife with the left coast progressively liberal mantra.
The film begins with nifty graphics incorporated into the background scenery. The technique continues during the end credits. I really like the technique, though I must admit it’s not original. It started with the TV series “Fringe” and then migrated to other shows, including “Warehouse 13”. It’s still neat, though, and it looks even better on the big screen.
Halfway through the movie,...
- 9/17/2010
- by filmcritic3
- Examiner Movies Channel
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