Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Chloë Grace Moretz,
Scott Pilgrim plays in a band which aspires to success. He dates Knives Chau, a high-school girl five years younger, and he hasn't recovered from being dumped by his former girlfriend, now a success with her own band. When Scott falls for Ramona Flowers, he has trouble breaking up with Knives and tries to romance Ramona. As if juggling two women wasn't enough, Ramona comes with baggage: seven ex-lovers, with each of whom Scott must do battle to the death in order to win Ramona. Written by
Jim Beaver <email@example.com>
Edgar Wright obtained permission to use the famous theme song from the SNES game, The Legend of Zelda: A Link to the Past (1991), by writing a letter to Nintendo, saying that it is considered to be "the nursery rhyme of this generation". He was also allowed to use the Seinfeld (1989) theme song for a sitcom-style sequence. See more »
On the bus ride after the Battle of the Bands, the bus is first seen driving down a street which could only turn left or right, it does not continue straight. However, in the next scenes it is seen driving forward only, it doesn't turn a corner. See more »
Ramona V. Flowers:
Listen, I know I can be hard to be around sometimes. I totally understand if you don't want to hang anymore.
No, no, I want to hang. It's... You know, the whole evil ex-boyfriend thing...
Ramona V. Flowers:
It's no biggie. Um. You know, I know it's early, but I don't think anything can get in the way of how I SHIT!
[Camera cuts to Scott's ex standing behind Ramona]
See more »
The animation backgrounds in the opening credits feature symbols related to each actor's character as their names are shown. For example Alison Pill's flashes the numbers 1 2 3 4 in reference to Kim's trademark drum intros, Chris Evans flashes the symbol for Lucas Lee's skateboard company and the number 2 in reference to his position as the second evil ex, Kieran Culkin features a phone signal bar, etc. See more »
The Ring (Hypnotic Seduction of Dale)
Written by Freddie Mercury
Performed by Queen
Courtesy of Queen Productions Ltd./Starling Productions Ltd.
Under license to Hollywood Records, Inc./EMI Records Ltd. See more »
The tagline for this film is "An Epic of Epic Epicness" and I couldn't agree more. After waiting in line for 3 hours after last night's Comic-Con and finally being sat in the gorgeous Balboa Theater, I didn't know what to expect. I loved the comics and the previews looked faithful. The moment the movie starts (literally; the Universal logo and theme are 8-bit) you are thrown into a comic book atmosphere with video game references aplenty.
The plot revolves around Scott Pilgrim needing to defeat the 7 Evil Exes of Ramona Flowers in order to date her and it is a harrowing sequence of battles. Each fight is crazier than the last and some are used purely for comedy, not excitement. Almost every other line is a punchline and they all work. References to TV shows, video games and comics (just like a 20-something's life would include) are everywhere and if you accept the concept of the plot, it all feels natural.
While the audience might've been biased (we held a 10-minute standing ovation for Edgar Wright when the movie finished) there's no denying that it's an excellent film. Edgar Wright has an uncanny sense of comic timing with edits and sound cues to make the picture tight and focused when it's looking for laughs.
I can't imagine a mainstream theater erupting in applause and laughter like ours did but make no mistake; this a crowd pleaser and the MOST enjoyable film I've seen in years. Don't hesitate to watch this masterpiece in a theater near you.
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