Tony Stark has declared himself Iron Man and installed world peace... or so he thinks. He soon realizes that not only is there a mad man out to kill him with his own technology, but there's something more: he is dying.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts, and James "Rhodey" Rhodes at his side, must forge new alliances - and confront powerful enemies. Written by
The final confrontation takes place in the Oracle dome. The decor resembles a Japanese tea garden, including a Japanese gate (that gets destroyed). Oracle's CEO, Larry Ellison, has a well-known affinity for all things Japanese, especially landscaping and decor. See more »
Ivan meets Hammer in the airplane hanger. When the guards take off Ivan's cuffs he doesn't have anything in his mouth, then the camera cuts away and cuts back to Ivan, he suddenly has a toothpick in his mouth. See more »
[In Moscow, an old man watches a broadcast on TV]
There's been speculation that I was involved in the events that occurred on the freeway and the rooftop...
I'm sorry, Mr. Stark, but do you honestly expect us to believe that that was a bodyguard in a suit that conveniently appeared, despite the fact that...
I know that it's confusing. It is one thing to question the official story, and another thing entirely to make wild accusations, or insinuate that I'm a ...
[...] See more »
After the credits have rolled, an allusion to the discovery of the Marvel superhero Thor is shown, with the camera panning onto an image of Thor's hammer, thus setting up the Thor movie in 2011. See more »
Great beginning and end, not so great in the middle
At its high points - the first act and the climax - Iron Man 2 is actually better than the first film. Everything up to and including the action scene in Monaco is just great fun to watch: the action, the character interactions, and of course Robert Downey Jr's wonderful portrayal of Tony Stark. And the action scene at the end is pretty epic.
The problem is, the film just stops being so much fun in-between. In a large proportion of this time, it's either going too slowly with little happening that's exciting or even particularly interesting, or it's providing some silly moments like Iron Man lounging on a giant display donut. To be fair, there's no problem with the many subplots this movie has: they all blend together quite smoothly.
The acting in this film deserves credit: almost everybody does a great job. Robert Downey Jr and Gwyneth Paltrow are just as entertaining as they were in the first film, Jon Favreau gets more to do as Stark's chauffeur, Don Cheadle is actually a little better than Terrence Howard as Rhodie (again, maybe because he has a bigger role), Mickey Rourke portrays a decent but overall ordinary villain, and once Scarlett Johansson is allowed to do something substantial with her own action sequence, she's well worth watching. The only weak link is Sam Rockwell as Justin Hammer, who gets quite annoying after a while.
Overall, Iron Man 2's slow middle section prevents it from being better than the first film as a whole, which is a shame considering how brilliant the beginning and end segments are.
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