Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Robert Downey Jr.,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts, and James "Rhodey" Rhodes at his side, must forge new alliances - and confront powerful enemies. Written by
The character of Ivan Vanko (Mickey Rourke) is a combination of Iron Man's enemy the Crimson Dynamo (Dr. Vanko, who wears weaponry/armor that can control electricity), and the super-villain Whiplash (who possesses a specially-designed razor/acid whip). In addition, the character is portrayed as the son of Anton Vanko, who was the original Crimson Dynamo in the comics, and assumes the identity of B. Turgenev (Boris Turgenev, in the comics the second Crimson Dynamo). See more »
As the attack at the Expo starts all the phones are dead, all the cells are blocked - said explicitly. Gywneth Paltrow comes in and calls the police on her cell phone - cut to Jon Favreau character and again explicitly stated that none of the phones are working. See more »
[In Moscow, an old man watches a broadcast on TV]
There's been speculation that I was involved in the events that occurred on the freeway and the rooftop...
I'm sorry, Mr. Stark, but do you honestly expect us to believe that that was a bodyguard in a suit that conveniently appeared, despite the fact that...
I know that it's confusing. It is one thing to question the official story, and another thing entirely to make wild accusations, or insinuate that I'm a ...
[...] See more »
In the opening credits, Ivan Vanko constructs an arc reactor. See more »
A sequel that doesn't bet on "twice the action" formula.
This is one of the very few blockbuster franchises that I have followed so far. I usually see them fast, or I don't see them at all. And following the Iron Man franchise has "payed off", so far. But this part is different and does feel different than the first, and for some reason it's not so easy to immediately answer why exactly.
The first thing that came to mind is that despite the bigger budget of the second part, the "level" and the time of action is the same if not shorter than in "Iron Man 1". I never thought that I will ever caught myself thinking that there should be more action and less talking in a so-called "summer film".
The real substitute for all the chasing, shooting and blowing up that is a bit missing in this film, is an array of new characters. The constant talking of everyone, especially Tony Stark of course, gives the film a dynamic pace and probably makes those 2 hours go by much quicker. But from my view, the most silent character of all, Vanko, was the most interesting one.
What is also specific for the Iron Man franchise and many of this kind of big films of the new millennium, is the skillful adding of "counter-culture" elements in a very mainstream product. This part left me down here quite a bit. The first trailer for the film had me thinking and hoping that we'll see some kind of a critique of war-profiteering and that it will all lead us to a path of at least some moral dilemmas. But sadly, all of Vanko's motives for vengeance are reduced to some old family rivalry. I guess it is (still?) too much to ask for more from a king-size summer opening film like this.
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