While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-Earth. Written by
The original design for the Witch-King featured a helmet that resembled a bucket with a crown of spikes on top. However, after watching test footage, the producers thought it looked confusingly similar to Sauron's helmet from The Lord of the Rings: The Fellowship of the Ring (2001). The redesign was made to pay homage to the Ringwraith designs. In addition, they also redesigned the Witch-King's mace. Peter Jackson said the original mace was OK but he wanted it bigger. Weta workshop enlarged it, but Jackson wanted it bigger, so they made it bigger. In the end, it was so large and heavy, it had lost practical use for the fight scenes, in which it was replaced by a digital version. See more »
When Gandalf and Pippin are in Minas Tirith, and Gandalf is outside he starts coughing on his pipe smoke. On this wide shot, Pippin is tucked into bed. Then, in the next shot, he is up standing by his bed looking at his new Gondorian armor. He then gets Gandalf some water from the pitcher. See more »
Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Pull it in. Go on. Go on. Go on. Pull it in.
See more »
In the theatrical version Sean Bean receives a major on- screen credit at the end of the film, even though he only appears on screen momentarily in a flashback from the first film. See more »
As a movie watcher, I tend to become bored with the constant, overdone, overdrawn, underplayed, overdramatized performance and production quality of most Hollywood films. It's a trait that in recent years has sadly driven me away from most big budget American films. A decent idea will become mangled by the money making machine that is Hollywood, hoping to pump the most raw cash they can out of it before it drops dead in the street.
We all saw the catastophre of a failure that arose from the Matrix Franchise. Such immense hype and professed genius only made the failure all the more poignant for those of us that really wanted and expected more from the franchise.
That all being said, I must say that The Lord of the Rings is an amazingly powerful visual experience. Not even just a visual experience. Peter Jackson has crafted one of the finest written pieces of our era into THE quintessential epic. He supplements the brilliant storytelling of JRR Tolkien with one of the most awe-inspiring collection of films ever created.
The 7 hours of film that leads up to the Return of the King is only precursor though, when you sit and watch this film. It's just plain brilliance. Everything about the film is wonderful. The manner in which Jackson has arranged the scenes, detracting slightly from the original flow of the novel really helps to keep the suspense strong in all three story branches. The Tolkien humor is intact perfectly and the gallantry and just plain coolness of these heroes is plain amazing. (Check out Legolas in the BIG battle) It's all just too much for words.
If one were to gripe, and I suppose there will never be a film made that one cannot find a point at which to grip, it is painfully long running time here. I personally believe that this is the only way such a film could be made, true to the source material and completely engrossing, but I found myself more worried about the pain in my posterior than the emotional final minutes after 4 hours (including ads and previews) that I had spent in a cramped seat. As such, this will be all the better (at least for me) when it's release on DVD (can't wait for the extended...get to see the Sauroman scenes that they cut out).
As a film though, this is amazing. A true lasting legacy in story telling and now cinema. Bravo Mr. Jackson.
487 of 617 people found this review helpful.
Was this review helpful to you?