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The Lord of the Rings: The Return of the King (2003)

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Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

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Title: The Lord of the Rings: The Return of the King (2003)

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Top 250 #9 | Won 11 Oscars. Another 154 wins & 91 nominations. See more awards »

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Cast

Cast overview, first billed only:
Noel Appleby ...
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Sam
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Sadwyn Brophy ...
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Richard Edge ...
Jason Fitch ...
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Storyline

While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-Earth. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The eye of the enemy is moving. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense epic battle sequences and frightening images | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

17 December 2003 (USA)  »

Also Known As:

The Return of the King  »

Box Office

Budget:

$94,000,000 (estimated)

Opening Weekend:

$6,128,577 (Japan) (13 February 2004)

Gross:

$377,019,252 (USA) (28 May 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended edition) | (Special Extended Blu-Ray Edition)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During one of the shots filming the charge of the Rohirrim, a horse rider fell off the back of his horse. All the horses that came behind him miraculously managed to either miss or avoid him. See more »

Goofs

When Gandalf rides out, using the light of his staff to ward off the fell beasts so Faramir's team can get back to Minas Tirith, you see that Pippin is on the horse with him, even though there would have been no reason to bring him along. The reason is that this scene was originally filmed to coincide with Gandalf and Pippin's arrival at Minas Tirith, but was pushed further back as the story evolved. See more »

Quotes

[first lines]
Deagol: Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Smeagol: Pull it in. Go on. Go on. Go on. Pull it in.
See more »

Crazy Credits

At the end of the credits, a very long list of names from the Lord of the Rings Fan Club whom the authors want to thank to is displayed. The name of Elijah Wood is in that list. See more »

Connections

Referenced in Borderlands (2009) See more »

Soundtracks

Aragorn's Coronation
Music by Viggo Mortensen
Lyrics by J.R.R. Tolkien
Performed by Viggo Mortensen
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A monumental film
17 December 2003 | by (United Kingdom) – See all my reviews

Feeling weary and battle-worn, I have just staggered out of the cinema after three and a half hours of special effects creatures fighting other special effects creatures. I had taken refreshments but barely touched them - probably because the film I had watched is one of the most mesmerising, evocative, inspiring, and awesome I have witnessed of any big adventure epic. Not to mention superb ensemble acting, moods that shift effortlessly between mediaeval battles of colossal proportions and convincing bloodshed, beauty and wonderment, fantastic natural and artificial landscapes and cityscapes, touches of humour, well-paced dramatic tension, and human bonding that is moving enough to just let you dry your eyes as the unassuming credits flash by.

Return of the King is the greatest of the Tolkien trilogy by New Zealand director Peter Jackson. Although I've seen the other two and read the book, I felt it would also stand alone well enough for people who hadn't done either.

The storytelling is much more professional that the first one - which maybe laboured to introduce so much information - or the second one - which has little let up from the tension of long battle scenes. In Return of the King, there is an emotional sting at the start, as we watch the transformation of Gollum from warm, fun-loving guy to murderous, mutated wretch. The movie then moves deftly between different segments of the story - the sadness of the lovely soft-focus Liv Tyler as fated Arwen whose travails and woman's love succeeds in having the Sword that was Broken mended, the comradeship of Sam and Frodo (Sean Astin & Elijah Wood) that is tested to the limits, the strong commanding presence of Gandalf (Ian McKellen) who keeps an eye on things whilst turning in an Oscar-worthy performance, the ingenious and very varied battle scenes, and the mythical cities of that rise out of the screen and provide key plot elements.

This is a fairy story of human endeavour, the defeating of power cliques and the triumph of the human spirit that could almost be compared to Wagner's Gotterdammerung. It is a fairy story without any sugary sweetness, a fairy story the likes of which hasn't been told so well before, and is even unlikely to be done so well in the future. The haunting scream of the Nasgul stays with you, the physical attractions are not airbrushed, and the battles are about as far from pantomime characters waving wooden swords as you can get. The ingenious monsters keep you on the edge of your seat. The whole narrative maintains the spirit (if not archival, detailed accuracy) of the original and makes you want to read the book (or read the book again!)

The worst I can say about it is that it is maybe a tad long - but not that you'd notice . . .


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Why didn't Aragorn simply use the army of the dead to run Mordor down? moolbray
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