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The Lord of the Rings: The Return of the King (2003)

8.9
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Ratings: 8.9/10 from 889,697 users   Metascore: 94/100
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Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

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Title: The Lord of the Rings: The Return of the King (2003)

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Top 250 #9 | Won 11 Oscars. Another 148 wins & 92 nominations. See more awards »

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Cast

Cast overview, first billed only:
Noel Appleby ...
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Sam
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Sadwyn Brophy ...
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Richard Edge ...
Jason Fitch ...
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Storyline

While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-Earth. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

There can be no triumph without loss. No victory without suffering. No freedom without sacrifice. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense epic battle sequences and frightening images | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

17 December 2003 (USA)  »

Also Known As:

The Return of the King  »

Box Office

Budget:

$94,000,000 (estimated)

Opening Weekend:

$6,128,577 (Japan) (13 February 2004)

Gross:

$377,019,252 (USA) (28 May 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended edition) | (Special Extended Blu-Ray Edition)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The opening scene - in which Smeagol discovers the Ring and starts on the slippery slope towards ultimately becoming Gollum - was actually directed by Fran Walsh. Originally it was set to appear in The Lord of the Rings: The Two Towers (2002), immediately after Frodo first revealed Gollum's real name. See more »

Goofs

When the soldiers are riding out to the gates to meet with the Mouth of Sauron, you see a close up of Eomer who is wearing a bright red bandana under his helmet. See more »

Quotes

[first lines]
Deagol: Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Smeagol: Pull it in. Go on. Go on. Go on. Pull it in.
See more »

Crazy Credits

There's a text written in maori: Me mahara tonu taatou nga Uri- aapakura noo tuaanuku nei, noo te waaotuu te tu kekehua ana o ngaa Eldarin kua hohouu mai i te Uru-moana. Which is in english: Let us dedicate our memories to the spirits of the Eldar who came to us from the Ocean that lies to the West. See more »

Connections

Referenced in The Nostalgia Critic: Star Trek: Generations (2012) See more »

Soundtracks

The Edge of Night
Music by Billy Boyd
Lyrics by J.R.R. Tolkien
Performed by Billy Boyd
Adapted by Philippa Boyens
Orchestration by Howard Shore
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Part 3: It's Not Really the Thought that Counts
30 November 2007 | by (Vulcan) – See all my reviews

Just as Peter Jackson felt that LOTR had to be made as one large, three-part, cinematic piece, I decided to write my IMDb review of all three movies as a single, multi-part essay. Click on my screen-name and hit "Chronological" to view my reviews of the Fellowship and Two Towers. I make no guarantees about the quality and consistence of my review, but I do guarantee that these three films offer very high and very consistent quality from beginning to end. The acting, cinematography, art, and direction simply can not be beat.

Which of the three movies is my favorite varies with my mood – and the same holds true for Tolkien's books. When I am immersed in the story, ROTK is my favorite. When I simply want to have fun with the whole experience, I love Fellowship. And when I want something intense, evocative and thoughtful, I go for the Two Towers.

Frodo, Sam and Golem are on their way to Mount Doom and their bodies, nerves, and relationships have borne the greatest burden on middle earth. The rest of the fellowship is rallying to the defense of Minas Tirith, and preparing for even more deadly battles to come.

The heroism and romance are incredibly moving - when was the last time you saw an entire audience leaving a theater after a fantasy movie rubbing their eyes? The sets are breathtaking - even moreso than in the previous two films.

The casting and acting are superb.

The film delivers at every level and is the jewel in the trilogy's well-earned crown.

Return of the King offers a resolution of all of the major story arcs in LOTR. As with the classic Tolkien trilogy, however, you may be able to predict some of what will occur, but never all of it and you'll never guess how you will get there. The same fatalistic and paradoxically unpredictable feeling of Tolkien's grand plots is present throughout ROTK especially. The major theme in ROTK, however, is the varied ways and means of heroism – both intentional and unintended, and Tolkien's examination of sacrifice and heroism is as inspiring as it is subtle. Amazingly, it all comes through in the films.

Even more than the previous two films, Jackson and his writers took liberties with the story-line. Like the others, however, this serves the film better than simple adaptation from one medium to another. By reordering some of the chronology and adding scenes and plot devices which are consistent with Tolkien's world and characterizations, the film-makers actually do a better job of preserving the concepts and themes of the story than they could have with a pure adaptation. The lengthy epilogue in Tolkien's book is greatly reduced, reordered, and somewhat changed in order to work in the film. Some parts actually appear very early in ROTK. And some aspects of Tolkien's epilogue are disclosed in the Two Towers, though not directly depicted. But all of the really important components of the epilogue are, at least strongly implied if not well illustrated in ROTK.


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