Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications. Written by
As part of his research, Jesse Eisenberg read a copy of Mark Zuckerberg's college application. Zuckerberg's essay focused on his love of fencing, so Eisenberg took a couple of lessons. He quickly realized it affected his posture and the way he moved, and applied that knowledge to his portrayal of the character. See more »
When Mark Zuckerberg types email addresses in to tell people about facemash, he writes to several people @harvard.edu. At the time the movie takes place, undergraduate email addresses were all of the form firstname.lastname@example.org. Furthermore, the network brought down by facemash would have been referred to as the FAS network. (FAS stands for Faculty of Arts and Sciences; the eponymous network covered all buildings within the College and Graduate School of Arts and Sciences.) See more »
Did you know there are more people with genius IQs living in China than there are people of any kind living in the United States?
That can't possibly be true.
What would account for that?
Well first, an awful lot of people live in China. But, here's my question: how do you distinguish yourself in a population of people who all got 1600 on their SATs?
I didn't know they take SATs in China.
They don't. I wasn't talking about China anymore, I was talking about me.
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Let's start with the script. It's great. Written by soon-to-be-best- adapted-screenplay-nominee/winner Aaron Sorkin, The Social Network's writing is intelligent and demanding on multiple levels: most obviously, the story is cleverly structured across dual lawsuits, but there's an equal amount of sophistication to Sorkin's character work--Zuckerberg is never quite capable of maintaining a dialog, Eduardo always stops just short of explicating his emotions.
Those two characters are wonderfully played by inevitable acting award nominees Jesse Eisenberg and Andrew Garfield--Eisenberg owns the brisk pace of the film while Garfield brings most of the humanity--who anchor a terrific ensemble--SAG best ensemble, perhaps? The film's score is a perfectly atmospheric concoction of electronica from edgy dark horse best original score nominees Trent Reznor and Atticus Ross, and it's all united under the name and vision of David Fincher, who did not win an Oscar for Fight Club or Zodiac or Benjamin Button.
All of this is to say two things: this is a really great movie from a phenomenal creative team, and also there are times when the film feels somewhat calculated for accolades--never in the repugnantly safe, crowd- pleasing, middle-brow Benjamin Button sense, but in the sweetly transparent sense of a kid who did all his chores and is suggesting that he might deserve a cookie.
You know what? Give David Fincher a cookie. The Social Network is thoroughly intelligent and engaging as a modern biopic and as an examination of evolving cultural currency, and it's also one of my favorite films this year. -TK 10/1/10
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