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Made in Dagenham (2010)

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A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

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Nominated for 3 BAFTA Film Awards. Another 3 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Matthew Aubrey ...
Brian (as Matt Aubrey)
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George (as Roger Lloyd-Pack)
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Karen Seacombe ...
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Sian Scott ...
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Storyline

In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

1968. It's a man's world. But not for long... See more »


Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

20 September 2010 (UK)  »

Also Known As:

We Want Sex  »

Filming Locations:

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Box Office

Budget:

$7,200,000 (estimated)

Opening Weekend:

£674,059 (UK) (1 October 2010)

Gross:

$1,094,798 (USA) (8 April 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the television premiere on 9th March 2013, the BBC experimented with the first ever Twitter-based director's commentary, whereby Nigel Cole and composer David Arnold live-tweeted along with the film. See more »

Goofs

At least three of the Rover 2000 P6 cars that appear in the film including a Police car, are of the MkII version made from 1970. The rear pillar black vinyl trim and stainless hub caps with the Rover logo would indicate this. See more »

Quotes

Rita O'Grady: All those in favour of not only maintaining but increasing our current industrial action by going to an immediate all-out stoppage until we get the same rates of pay as the men! Well, why not? Cause that's what this is really about, innit? We're on the lowest rate of the entire bleeding factory despite the fact we got considerable skill. And there's only one possible reason for that. It's cause we're women. And in the workplace, women get paid less than men, no matter what skill they got! Which...
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Crazy Credits

Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »

Connections

Featured in Great Movie Mistakes III: Not in 3D (2011) See more »

Soundtracks

All Or Nothing
Written by Steve Marriott (as Marriott) / Ronnie Lane (as Lane)
Performed by Small Faces
Published by Aviation Music Limited Courtesy of The Decca Music Group
Under license from Universal Music Operations Ltd
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User Reviews

 
Deeply Dagenham
16 August 2010 | by (United Kingdom) – See all my reviews

I am disappointed to read some of the negative vibes about this film. I saw a screening at Vintage Goodwood yesterday and the enjoyment of the audience was overwhelming complete with outbreaks of applause. Some really excellent cinematography especially the extreme close-up of Sally Hawkins in one of her most desperate moments provided a very authentic backdrop to a really believable time-piece movie. Bob Hoskins, Rosamund Pike and Sally Hawkins excel. I came out of the cinema having been educated, entertained and emotionally touched. I wonder just how many of the negative reviews have been written by men who of course may just be feeling rather embarrassed by the roles of their historical alter-egos.


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