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In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by
Kenneth Chisholm (firstname.lastname@example.org)
A Triumph Toledo with G reg number plates was shown in one shot. The Toledo was introduced in 1970; the correct model would have been the Triumph 1300. Also a G plate denotes a car registered between 1 August 1968 and 31 July 1969, whereas all the action in the film took place in during three weeks in June 1968. See more »
Bollocks. I'm sorry, but it is. Three hours we've been sat here. That's what matters to the girls? How you're qualified to talk about that, I do not know.
[she pulls out threads of leather]
Have a look at this. There. You put them together, go on!
Ford property, I believe?
Oh stop it! We have to pick all these different pieces and work out how they go together. Cause there ain't no template is there? We have to take them all and sow them one by one into the finished article. That is not ...
[...] See more »
Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »
Sunday Will Never Be The Same
Written by Cashman, Terry / Pistilli, Gene Thomas
Performed by Spanky And Our Gang
Published by Universal / MCA Music Ltd Courtesy of Island Def Jam Music Group
Under license from Universal Music Operations Ltd See more »
From the director NIGEL COLE (Calendar Girls, Saving Grace), MADE IN DAGENHAM tells the tale of the 187 women that worked at the Ford Motor companies Dagenham factory - and their struggle to earn equal rights and pay with the 55,000 male workers at the factory.
Set in 1968, the economy was used to frequent union uprisings and strikes but this was the first time that it was the women upholsterers who sewed car seat covers that took the initiative after being "down-graded" to a non-skilled status the women rose as one to walk out, in an action that brought them into direct conflict with the management, their own unions and their own husbands eventually brought the Ford motor company to it's knees
Many laughed at the women's actions until their strength of feeling and reality set in forcing the unions and the management to take increasingly desperate measures to get the women back to work as factory production ground to a halt.
Rita O'Grady (played admirably by SALLY HAWKINS), a shy, pleasant worker working in sweat shop conditions, found her voice when asked to stand up for the women's views, and gradually became more and more empowered as the rest of the women stood behind her in a crusade that became synonymous with equal rights
The story climax's nicely in an emotional showdown, as the situation finally comes to a head and the chief participants (Ford, the Government, the Women, the unions and the men workers) all realise that things have gone too far and none of them can back down.
As well as Sally Hawkins, there are some strong performances by other members of the cast specifically, Bob Hoskins as Albert, Miranda Richardson as an exuberant Barbra Castle, the lovely Rosamund Pike as Lisa, Geraldine James as Connie, Kenneth Cranham as Monty (Unions) and Richard Schiff as Robert Tooley (Ford).
The music, costumes and the locations set up the tone of the times nicely, and the direction is solid throughout. The camera work is able, and is interspersed with footage from the actual era giving it more gravitas.
In a phrase, it's "Girl Power union style"
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