Made in Dagenham (2010)

A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

Director:

Nigel Cole

Writer:

William Ivory

Stars:

Sally Hawkins, Andrea Riseborough, Jaime Winstone

Nominated for 4 BAFTA Film Awards. Another 3 wins & 10 nominations.

Cast

Cast overview, first billed only:
Sally Hawkins	...	Rita O'Grady
Andrea Riseborough	...	Brenda
Jaime Winstone	...	Sandra
Lorraine Stanley	...	Monica
Nicola Duffett	...	Eileen
Geraldine James	...	Connie
Bob Hoskins	...	Albert Passingham
Matthew Aubrey	...	Brian (as Matt Aubrey)
Daniel Mays	...	Eddie O'Grady
Roger Lloyd-Pack	...	George
Phil Cornwell	...	Dave
Karen Seacombe	...	Marge
Thomas Arnold	...	Martin
Sian Scott	...	Sharon O'Grady
Robbie Kay	...	Graham O'Grady

Storyline

In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world.

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Plot Keywords:

machinist | equal pay | protest | factory | sexual discrimination | 

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Taglines:

Dagenham, England, 1968. An ordinary woman fights for equal pay and achieves something extraordinary.

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Genres:

Biography | Comedy | Drama | History

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Motion Picture Rating (MPAA)

Rated R for language and brief sexuality

Details

Official Sites:

Official site

Country:

UK

Language:

English

Release Date:

1 October 2010 (UK)

Also Known As:

We Want Sex

Filming Locations:

Dagenham, Essex, England, UK

Box Office

Budget:

$7,200,000 (estimated)

Opening Weekend:

$37,563 (USA) (19 November 2010)

Gross:

$1,094,798 (USA) (8 April 2011)

Company Credits

Production Co:

Audley Films, BBC Films, BMS Finance

Technical Specs

Runtime:

113 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

During the television premiere on 9th March 2013, the BBC experimented with the first ever Twitter-based director's commentary, whereby Nigel Cole and composer David Arnold live-tweeted along with the film.

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Goofs

The Mark 1 Cortinas shown as being manufactured in new and archive footage ceased production two years earlier in 1966, when the squarer Mk 2 was introduced.

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Quotes

Barbara Castle: I am what is known as a fiery redhead. Now, I hate to make this a matter of appearance and go all womanly on you, but there you have it. And me standing up like this is in fact just that redheaded fieriness leaping to the fore. Credence? I will give credence to their cause. My god! Their cause already has credence. It is equal pay. Equal pay is common justice, and if you two weren't such a pair of egotistical, chauvinistic, bigoted dunderheads, you would realise that. Oh, my office is run by ...

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Crazy Credits

Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer."

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Connections

Featured in Maltin on Movies: Burlesque (2010)

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Soundtracks

"Israelites"
Written by Desmond Dekker (as Dekker)
Performed by Desmond Dekker and The Aces
Published by Universal / Island Music Ltd and Sparta Florida Music Group Ltd
Courtesy of Sanctuary Records Group Ltd
Under license from Universal Music Operations Ltd

User Reviews

Girl Power – union style

From the director NIGEL COLE (Calendar Girls, Saving Grace), MADE IN DAGENHAM tells the tale of the 187 women that worked at the Ford Motor companies Dagenham factory - and their struggle to earn equal rights and pay with the 55,000 male workers at the factory.

Set in 1968, the economy was used to frequent union uprisings and strikes – but this was the first time that it was the women upholsterers who sewed car seat covers that took the initiative … after being "down-graded" to a non-skilled status – the women rose as one to walk out, in an action that brought them into direct conflict with the management, their own unions and their own husbands … eventually brought the Ford motor company to it's knees

Many laughed at the women's actions … until their strength of feeling … and reality set in … forcing the unions and the management to take increasingly desperate measures to get the women back to work … as factory production ground to a halt.

Rita O'Grady (played admirably by SALLY HAWKINS), a shy, pleasant worker working in sweat shop conditions, found her voice when asked to stand up for the women's views, and gradually became more and more empowered as the rest of the women stood behind her in a crusade that became synonymous with equal rights

The story climax's nicely in an emotional showdown, as the situation finally comes to a head and the chief participants (Ford, the Government, the Women, the unions and the men workers) all realise that things have gone too far … and none of them can back down.

As well as Sally Hawkins, there are some strong performances by other members of the cast – specifically, Bob Hoskins as Albert, Miranda Richardson as an exuberant Barbra Castle, the lovely Rosamund Pike as Lisa, Geraldine James as Connie, Kenneth Cranham as Monty (Unions) and Richard Schiff as Robert Tooley (Ford).

The music, costumes and the locations set up the tone of the times nicely, and the direction is solid throughout. The camera work is able, and is interspersed with footage from the actual era giving it more gravitas.

In a phrase, it's … "Girl Power – union style"