HARDEEP, RASHMI and ATUL are brothers and sisters. Which means they can say anything they like to each other, no matter how honest. Mad, Sad and Bad is a 90-minute comedy about mixed race ... See full summary »
Kathryn Vale (Lena Olin) is a reclusive ex-movie star with a dark secret and a daughter hoping to follow in her mother's movie-star footsteps. When Kathryn attempts to make a career ... See full summary »
'Diamond' Dave Matthews works for a ruthless firm providing mortgages to families denied credit, regardless of whether they can afford the repayments. Divorced City banker Gus sells ... See full summary »
"Promised Land" tells the story of a group of young unwitting Estonian girls smuggled through Egypt to be auctioned off as prostitutes in Israel, and of their initiation into this trade of ... See full summary »
In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by
Kenneth Chisholm (email@example.com)
Three of the original Dagenham seamstresses invited Sally Hawkins for tea, prior to the filming, as they wished to inform her properly about mindset behind the strike, that she was set to portray in the film. Hawkins' grandmother also worked as a seamstress, although not at the Dagenham factory. See more »
When Connie and Rita O'Grady return to their co-workers from their first meeting, Rita hands her handbag to Connie to hold while she climbs on a table, gets everyone's attention, then announces loudly, "Everyone out!" She climbs down and shakes hands with co-workers without her handbag (Connie is holding it), then suddenly she has her handbag looped on her shoulder, then it's gone and Connie is holding it again, and we never see Connie hand the handbag back to Rita. See more »
Look, I know you're not mentioning it because you're being polite and everything, but when we met in the corridor, well I was really upset, and I never usually use that type of language.
Well I called Mr Clarke a complete cock.
See more »
Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »
You Can Get It If You Really Want
Written by Jimmy Cliff (as Cliff)
Performed by Desmond Dekker
Published by Universal / Island Music Ltd
Courtesy of Sanctuary Records Group Ltd
Under license from Universal Music Operations Ltd See more »
I am disappointed to read some of the negative vibes about this film. I saw a screening at Vintage Goodwood yesterday and the enjoyment of the audience was overwhelming complete with outbreaks of applause. Some really excellent cinematography especially the extreme close-up of Sally Hawkins in one of her most desperate moments provided a very authentic backdrop to a really believable time-piece movie. Bob Hoskins, Rosamund Pike and Sally Hawkins excel. I came out of the cinema having been educated, entertained and emotionally touched. I wonder just how many of the negative reviews have been written by men who of course may just be feeling rather embarrassed by the roles of their historical alter-egos.
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