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Made in Dagenham (2010)

7.2
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Ratings: 7.2/10 from 8,994 users   Metascore: 65/100
Reviews: 69 user | 157 critic | 31 from Metacritic.com

A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

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Title: Made in Dagenham (2010)

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Nominated for 3 BAFTA Film Awards. Another 3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Nicola Duffett ...
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Matthew Aubrey ...
Brian (as Matt Aubrey)
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George (as Roger Lloyd-Pack)
Phil Cornwell ...
Karen Seacombe ...
Thomas Arnold ...
Sian Scott ...
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Storyline

In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

Dagenham, England, 1968. An ordinary woman fights for equal pay and achieves something extraordinary. See more »


Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

1 October 2010 (UK)  »

Also Known As:

We Want Sex  »

Filming Locations:

 »

Box Office

Budget:

$7,200,000 (estimated)

Opening Weekend:

$37,563 (USA) (19 November 2010)

Gross:

$1,094,798 (USA) (8 April 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sandie Shaw who sang the film's title song used to work as a punched-card operator in the Ford plant at Dagenham several years before the events depicted in the film. See more »

Goofs

In the opening titles a caption states that "In 1968 there were 55,000 men employed at Ford's Dagenham Factory", yet in the exchange between Mr Tooley & Barbara Castle, Tooley states that Ford employs 40,000 workers in the whole of the UK. See more »

Quotes

Rita O'Grady: Bollocks. I'm sorry, but it is. Three hours we've been sat here. That's what matters to the girls? How you're qualified to talk about that, I do not know.
Rita O'Grady: [she pulls out threads of leather] Have a look at this. There. You put them together, go on!
Ford executive: Ford property, I believe?
Rita O'Grady: Oh stop it! We have to pick all these different pieces and work out how they go together. Cause there ain't no template is there? We have to take them all and sow them one by one into the finished article. That is not ...
[...]
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Crazy Credits

Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »

Connections

Featured in Breakfast: Episode dated 20 September 2010 (2010) See more »

Soundtracks

Tiger
Written by Brian Auger (as Auger, Brian Albert Gordon) / Sutton, Roger J
Performed by Brian Auger
Published by Universal / Dick James Music Ltd
Licensed courtesy of Fresh Fruit, a division of MiG Music
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User Reviews

 
Deeply Dagenham
16 August 2010 | by (United Kingdom) – See all my reviews

I am disappointed to read some of the negative vibes about this film. I saw a screening at Vintage Goodwood yesterday and the enjoyment of the audience was overwhelming complete with outbreaks of applause. Some really excellent cinematography especially the extreme close-up of Sally Hawkins in one of her most desperate moments provided a very authentic backdrop to a really believable time-piece movie. Bob Hoskins, Rosamund Pike and Sally Hawkins excel. I came out of the cinema having been educated, entertained and emotionally touched. I wonder just how many of the negative reviews have been written by men who of course may just be feeling rather embarrassed by the roles of their historical alter-egos.


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