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Made in Dagenham (2010)

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A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

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Nominated for 3 BAFTA Film Awards. Another 3 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Matthew Aubrey ...
Brian (as Matt Aubrey)
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George (as Roger Lloyd-Pack)
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Karen Seacombe ...
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Sian Scott ...
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Storyline

In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

1968. It's a man's world. But not for long... See more »


Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

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Details

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Release Date:

20 September 2010 (UK)  »

Also Known As:

We Want Sex  »

Filming Locations:

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Box Office

Budget:

$7,200,000 (estimated)

Opening Weekend:

£674,059 (UK) (1 October 2010)

Gross:

$1,094,798 (USA) (8 April 2011)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Three of the original Dagenham seamstresses invited Sally Hawkins for tea, prior to the filming, as they wished to inform her properly about mindset behind the strike, that she was set to portray in the film. Hawkins' grandmother also worked as a seamstress, although not at the Dagenham factory. See more »

Goofs

The Union chiefs announce their loyalty to the Communist Party yet communists were banned from holding office in the TGWU at that time. See more »

Quotes

News Reporter 1: What if Mrs. Castle says "no deal"?
News Reporter 2: How will you cope then?
Rita O'Grady: Cope? How will we cope? We're women. Now, don't ask such stupid questions.
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Crazy Credits

Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »

Connections

Featured in Breakfast: Episode dated 13 June 2011 (2011) See more »

Soundtracks

Green Tambourine
Written by Shelly Pinz / Paul Leka
Performed by Lemon Pipers (as The Lemon Pipers)
Published by Minder Music Limited (P)1968 Sony Music Entertainment Inc
Licensed courtesy of Sony Music Entertainment UK Limited
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User Reviews

 
thought-provoking and entertaining
8 December 2010 | by (Italy) – See all my reviews

The movie gets to convey the atmosphere of those months in 1968, where 187 women joined together and went on a strike to ask for equal salaries to men, and better conditions of work. We as viewers really feel the cohesion, the solidarity, as well as the tensions of this group. Never pedantic, or too dramatically committed, the movie gets to make the public, mainly the female one, reflect upon the hard struggle women had to face before getting some basic rights, when still actual and necessary is the reflection about today's condition of female workers, when some kind of discrimination is still to be faced. However, the movie proceeds with a soft and entertaining pace, maybe at some points too entertaining, the sparkling character of Rita O'Grady herself was invented in order to make the story more cinematographically involving. No doubt however the cast makes a difference, the actresses offer single heart-felt interpretations, in the same way as the choral shots show intensity and strong emotion.


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