Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
Alice, an unpretentious and individual 19-year-old, is betrothed to a dunce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit. Arriving in a strange and surreal place called "Underland," she finds herself in a world that resembles the nightmares she had as a child, filled with talking animals, villainous queens and knights, and frumious bandersnatches. Alice realizes that she is there for a reason--to conquer the horrific Jabberwocky and restore the rightful queen to her throne. Written by
Jim Beaver <email@example.com>
Before Tim Burton was involved with the project, Anne Hathaway was offered the titular role of Alice, but she turned it down because it was too similar to other roles she had previously played. However, she was keen to work with Burton, so was pleased to be cast as the White Queen. She shot all her scenes in two weeks. See more »
Alice unlocks the tiny door when she first finds the key. The door magically closes but we don't hear it lock and we don't see Alice re-lock it. It is locked after Alice drinks from the bottle. See more »
Charles, you have lost your senses? This picture is impossible.
Precisely. Gentlemen, the only way to achieve the impossible, is to believe it's possible.
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In the opening credits the Cheshire Cat can be seen smiling in the form of a cloud overlaying the moon. See more »
And yet again Tim Burton's ego gets in the way as it did with Willy Wonka seriously thinking that he can improve an age old classic by replacing what he refers to as a mere series of events a little girl stumbles through, with a trite paint by numbers good versus evil story a la: Lord of the Rings Trilogy, Chronicles of Narnia, Golden Compass. He leaves out the magic of the books, the cutting wit, the Topsy turvy absurdity which make the stories so special and a little girl called Alice who's precocious cleverness is way beyond her years. It is not about stifling a director's artistic vision (which every artist has a right to) or reworking of the story but the mere greed and egotistical ambitiousness with which he went after this project, clearly to fatten his pockets. Poor Lewis Carrol is rolling in his grave.
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