In his homeland of Alagaesia, a farm boy happens upon a dragon's egg -- a discovery that leads him on a predestined journey where he realizes he's the one person who can defend his home against an evil king.
In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters to find the mythical Golden Fleece while trying to stop an ancient evil from rising.
Brandon T. Jackson
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
The world is divided into four kingdoms, each represented by the element they harness, and peace has lasted throughout the realms of Water, Air, Earth, and Fire under the supervision of the Avatar, a link to the spirit world and the only being capable of mastering the use of all four elements. When young Avatar Aang disappears, the Fire Nation launches an attack to eradicate all members of the Air Nomads to prevent interference in their future plans for world domination. 100 years pass and current Fire Lord Ozai continues to conquer and imprison anyone with elemental "bending" abilities in the Earth and Water Kingdoms, while siblings Katara and Sokka from a Southern Water Tribe find a mysterious boy trapped beneath the ice outside their village. Upon rescuing him, he reveals himself to be Aang, Avatar and last of the Air Nomads. Swearing to protect the Avatar, Katara and Sokka journey with him to the Northern Water Kingdom in his quest to master "Waterbending" and eventually fulfill ... Written by
The Massie Twins
Noah Ringer submitted an audition tape of himself doing martial arts with a completely shaved head with Aang's signature arrow tattoo painted onto his forehead to Paramount Pictures. This video is what won him the role. See more »
During the scene where Aang is being tested by Zuko's uncle Iroh, Iroh pours a cup of water onto the table and it coalesces into a circle (at around 26 mins). In the next shot, Iroh places a rock on the table where the water had just been (at around 29 mins), but the water has inexplicably disappeared. See more »
A hundred years ago all was right with our world. Prosperity and peace filled our days. / The four Nations: Water, Earth, Fire, and Air Nomads lived amongst each other in harmony. / Great respect was afforded to all those who could bend their natural element. / The Avatar was the only person born amongst all the nations who could master all four elements. / He was the only one who could communicate with the Spirit World. With the Spirits' guidance the Avatar kept balance in the ...
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The closing credits feature Aang, Katara and Zuko bending their respective elements of water, fire and air (no earth bending is demonstrated). See more »
I walked into this movie with pretty low expectations. I didn't expect something as good as the cartoon, I didn't expect a perfect adaptation. I expected some glitzy action sequences, cheap emotional ploys, just some fun summer fair.
What did I get? A movie so indescribably horrible I can only shake my head in bewilderment. Believe the critics. The writing sucks, the acting is stiff, the pacing clumsy, the 3-D beyond bad, the overall tone way too dark and brooding. Not much here is salvageable.
Obviously Shyamalan got completely caught up in the mythology of the world and missed the fact that what made the original cartoon so great were the CHARACTERS. Of which there are none in this film.
But really, even just a competently produced film would have been nice. And it almost was. The music was great. The special effects looked amazing, I don't care what anyone says. The fighting was cool. The sets were adequately spectacular. Indeed, it appears the only one who didn't show up for work was Shyamalan. While the adult actors manage to find their way somewhat on their own, the poor kids are obviously lost without someone competently leading them, they spend most of the film in a bewildered daze. Even some of the background extras acted awkwardly. But of course, there are no real survivors of Shyamalan's CLUNKER of a script. I can't believe someone didn't stop this guy. There were maybe two scenes that didn't sound awkward, and they had no dialog. I don't think any film has ever been such a disaster due to one man's gross ineptitude.
Such a shame. It could have been so good.
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