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Swimming to Cambodia (1987)

R | | Comedy, Drama | April 1987 (USA)
Spalding Gray discusses his participation in the film The Killing Fields (1984) and the background story about the troubles of Cambodia.

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5 nominations. See more awards »
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Cast

Cast overview:
...
...
Additional cast from 'The Killing Fields' (archive footage)
Ira Wheeler ...
Additional cast from 'The Killing Fields' (archive footage)
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Storyline

Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set. Written by Peter Goldsack <peteg@hpsqf.sqf.hp.com>

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Genres:

Comedy | Drama

Certificate:

R | See all certifications »

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Details

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Release Date:

April 1987 (USA)  »

Also Known As:

Spalding Gray's Swimming to Cambodia  »

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Box Office

Opening Weekend USA:

$14,745, 15 March 1987, Limited Release

Gross USA:

$1,092,911
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Company Credits

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Technical Specs

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Did You Know?

Quotes

[On dealing with the annoying upstairs neighbor]
Spalding Gray: Renee? Renee's father was in the Jewish Mafia. She knows the language. She grew up in the streets of New York. She calls her up and goes, "BET YA WANNA DIE, RIGHT, BITCH? CUNT, I'LL BEAT YOUR FUCKING FACE IN WITH A BASEBALL BAT! BITCH! CUNT! DIE! DIE! DIE!"
[Spalding slams the "phone" down hard]
Spalding Gray: [sighing] Music goes louder. Renee figures the woman's a masochist and is getting off on the language.
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Connections

Followed by Gray's Anatomy (1996) See more »

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User Reviews

 
Masterful monologue
21 December 1999 | by See all my reviews

"Swimming to Cambodia" is an amazing piece of work. One of Spalding Gray's monologue pieces, it features him taking a story that seems like it should have been only mildly interesting and turning it into poetry. Directed by the incomparable Johnathan Demme and featuring music by the brilliant and eccentric Laurie Anderson, Gray recounts his experiences in the filming of "The Killing Fields." Gray's words tell of bizarre, disturbing, exciting and moving experiences in exotic locales. His words move from beautiful to disgusting, hopeful to horrifying, and always with a masterful lyricism that places him as one of the absolute masters of the English language! The book (published 1985) is supposed to be a great read, but the film of Gray himself telling the stories is an experience beyond compare. Spalding Gray's genius will be greatly missed.


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