Movie News
Sony’s Bad Boys: Ride or Die jolted the battered summer box office back to life with a better-than-expected domestic opening of $56 million and $104.6 million globally.
Moreover, it puts Will Smith on the road to a career comeback two years after the infamous Oscars slap.
Ride or Die, reuniting Smith with Martin Lawrence, is the fourth outing in Sony’s long-running franchise and earned an A- CinemaScore in North America alongside generally positive reviews. Just as promising, 44 percent of the audience was between ages 18 and 34, showing Smith has a following among younger consumers. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening in the $48 million to $50 million range. It’s also the second biggest domestic launch of the season behind Kingdom of the Planet of the Apes,...
Moreover, it puts Will Smith on the road to a career comeback two years after the infamous Oscars slap.
Ride or Die, reuniting Smith with Martin Lawrence, is the fourth outing in Sony’s long-running franchise and earned an A- CinemaScore in North America alongside generally positive reviews. Just as promising, 44 percent of the audience was between ages 18 and 34, showing Smith has a following among younger consumers. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening in the $48 million to $50 million range. It’s also the second biggest domestic launch of the season behind Kingdom of the Planet of the Apes,...
- 6/9/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Whitney Peak, one of the leads of the recent Gossip Girl reboot, has signed on to star opposite Phoebe Dynevor in Sony Pictures’ untitled shark thriller.
Tommy Wirkola, who last helmed the David Harbour-starring Christmas action movie Violent Night, is helming the feature that will begin shooting in Melbourne in July.
Plot details are being kept in the cage but it is said to revolve around a community that has to deal with shark attacks during a hurricane.
Adam McKay and Kevin Messick, who count Don’t Look Up and The Big Short, amongst their output, are producing the project via their HyperObject Industries.
On the Gossip Girl reboots, the Ugandan-born, Canadian-raised Peak played Zoya Lott, the newcomer to the machinations of the chi-chi Manhattan school at where a lot of the stories were set. She also starred opposite Bette Midler, Sarah Jessica Parker and Kathy Najimi in Hocus Pocus 2,...
Tommy Wirkola, who last helmed the David Harbour-starring Christmas action movie Violent Night, is helming the feature that will begin shooting in Melbourne in July.
Plot details are being kept in the cage but it is said to revolve around a community that has to deal with shark attacks during a hurricane.
Adam McKay and Kevin Messick, who count Don’t Look Up and The Big Short, amongst their output, are producing the project via their HyperObject Industries.
On the Gossip Girl reboots, the Ugandan-born, Canadian-raised Peak played Zoya Lott, the newcomer to the machinations of the chi-chi Manhattan school at where a lot of the stories were set. She also starred opposite Bette Midler, Sarah Jessica Parker and Kathy Najimi in Hocus Pocus 2,...
- 6/7/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
Mikaela Hoover and newcomer Christopher MacDonald are the latest actors to join the cast of James Gunn’s “Superman,” which is currently in production.
The duo will be playing Daily Planet staffers Cat Grant and Ron Troupe. Earlier this week, “SNL” Alum Beck Bennet also joined the Daily Planet masthead as Sports editor Steve Lombard.
Created by writer Marv Wolfman and artist Jerry Ordway, Cat Grant first appeared in 1987’s “The Adventures of Superman” #424 as a gossip columnist for the Daily Planet. On the small screen Cat Grant was previously played by Tracy Scoggins in “Lois & Clark: The New Adventures of Superman” and Calista Flockhart in the “Arrowverse” television series “Supergirl.”
Ron Troupe first debuted in 1991’s “The Adventures of Superman” #480 and was created by Jerry Ordway and Tom Grummett. In the DC Comics, Troupe is best known as a straight-laced, levelheaded reporter who took over Clark Kent’s...
The duo will be playing Daily Planet staffers Cat Grant and Ron Troupe. Earlier this week, “SNL” Alum Beck Bennet also joined the Daily Planet masthead as Sports editor Steve Lombard.
Created by writer Marv Wolfman and artist Jerry Ordway, Cat Grant first appeared in 1987’s “The Adventures of Superman” #424 as a gossip columnist for the Daily Planet. On the small screen Cat Grant was previously played by Tracy Scoggins in “Lois & Clark: The New Adventures of Superman” and Calista Flockhart in the “Arrowverse” television series “Supergirl.”
Ron Troupe first debuted in 1991’s “The Adventures of Superman” #480 and was created by Jerry Ordway and Tom Grummett. In the DC Comics, Troupe is best known as a straight-laced, levelheaded reporter who took over Clark Kent’s...
- 6/7/2024
- by Umberto Gonzalez
- The Wrap
Things are about to get freaky for Julia Butters.
The “Once Upon a Time in Hollywood” standout has joined the cast of Disney’s “Freaky Friday” sequel, sources tell Variety. The project was officially confirmed in March, with Nisha Ganatra tapped to direct.
Ganatra most recently directed episodes of Hulu’s “Welcome to Chippendales.” Her other credits include the 2020 film “The High Note” with Dakota Johnson and Tracee Ellis Ross, along with 2019’s “Late Night,” starring Mindy Kaling and Emma Thompson.
Original stars Jamie Lee Curtis and Lindsay Lohan are in talks to reprise their roles from the 2003 film.
For years, Curtis and Lohan have been vocal about their desire to reunite for a follow-up to their body-swapping comedy. In March, Curtis shared a photo with Lohan to Instagram, tagging Disney and captioning the snap, “Duh! Ffdeux!”
“Freaky Friday” followed Curtis as straight-laced mom Tess and Lohan as rebellious daughter Anna.
The “Once Upon a Time in Hollywood” standout has joined the cast of Disney’s “Freaky Friday” sequel, sources tell Variety. The project was officially confirmed in March, with Nisha Ganatra tapped to direct.
Ganatra most recently directed episodes of Hulu’s “Welcome to Chippendales.” Her other credits include the 2020 film “The High Note” with Dakota Johnson and Tracee Ellis Ross, along with 2019’s “Late Night,” starring Mindy Kaling and Emma Thompson.
Original stars Jamie Lee Curtis and Lindsay Lohan are in talks to reprise their roles from the 2003 film.
For years, Curtis and Lohan have been vocal about their desire to reunite for a follow-up to their body-swapping comedy. In March, Curtis shared a photo with Lohan to Instagram, tagging Disney and captioning the snap, “Duh! Ffdeux!”
“Freaky Friday” followed Curtis as straight-laced mom Tess and Lohan as rebellious daughter Anna.
- 6/8/2024
- by Katcy Stephan
- Variety - Film News
In the Shyamalan household, the arts rule the roost. Whether it’s legendary filmmaker father M. Night, daughter Ishana, who’s followed in his footsteps, or her sister Saleka who’s branched off into music, creativity and collaboration are the keys to a happy home for this multi-talented brood. This summer, the whole family has reason to celebrate as Ishana’s directorial debut film “The Watchers” hit theaters this weekend and Night’s latest mystery, the concert-set “Trap,” starring Josh Hartnett and featuring songs and performances from Saleka, releases August 9. Speaking to The New York Times for a recent interview, the Shyamalan sisters addressed the lucky timing of their shared breakouts and their natural family dynamic.
“I feel like in some ways we’ve always done that, since we were growing up, experience things together,” said Saleka. “So it feels right even though it was unplanned.”
It’s clear their...
“I feel like in some ways we’ve always done that, since we were growing up, experience things together,” said Saleka. “So it feels right even though it was unplanned.”
It’s clear their...
- 6/9/2024
- by Harrison Richlin
- Indiewire
In his first major theatrical return since the Oscars slap of 2022, Will Smith demonstrated his enduring star power as Columbia Pictures’ Bad Boys: Ride Or Die opened top of North American box office on an estimated $56m, injecting a much-needed boost to the early summer season.
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
- 6/9/2024
- ScreenDaily
In his first major theatrical return since the Oscars slap of 2022, Will Smith demonstrated his enduring star power as Columbia Pictures’ Bad Boys: Ride Or Die opened top of North American box office on an estimated $56m, injecting a much-needed boost to the early summer season.
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
- 6/9/2024
- ScreenDaily
Zack Snyder's 2006 film "300," based on the comic book by Frank Miller, tells a hyper-stylized and not-the-least-bit-historically-accurate version of the Battle of Thermopylae (480 BC) wherein 300 Spartan soldiers managed to fend off anywhere from 120,000 to 300,000 soldiers of the Persian Empire for three full days. Both Miller's book and Snyder's film present the Spartans as teeth-gashing, testosterone-spitting, Spam-scented beefcake slabs comprised of nothing but pectoral muscles, testicles, and homophobia. They speak in "Join the Marines" recruiting slogans and disparage anything that's not at least 4000% more masculine than a two-ton bag of Tom Jones' chest hair.
Speaking of chest hair, none of the Spartans have any, happy to parade around their cartoonishly cut physiques as if they all possess a severe shirt allergy. Leading the charge is King Leonidas (Gerard Butler), a man who cannot help but add multiple exclamation marks after every sentence he speaks.
"300" was a massive hit,...
Speaking of chest hair, none of the Spartans have any, happy to parade around their cartoonishly cut physiques as if they all possess a severe shirt allergy. Leading the charge is King Leonidas (Gerard Butler), a man who cannot help but add multiple exclamation marks after every sentence he speaks.
"300" was a massive hit,...
- 6/9/2024
- by Witney Seibold
- Slash Film
Theaters will live to fight another day. “Bad Boys: Ride or Die” (Sony) provided more than half of the gross this weekend, taking #1 with $56 million. That isn’t a record for the franchise (with previous films at lower ticket prices), but it is a critical victory for the industry at a time it desperately needs them.
Will Smith’s first wide release since his catastrophic Oscar behavior in 2022 represents a triumph for star power, franchise filmmaking, action titles, and titles that draw from minority audiences (over two thirds for the weekend were Black and Latino). Most of all, it was a vital sign that underperformance for highly touted summer films isn’t a given.
In the face of rising industry panic, an under-$40 million opening for “Ride or Die” (its 2020 predecessor opened to $62 million) could have ratched the doom and despair to toxic levels. Instead, it blew past tracking projections...
Will Smith’s first wide release since his catastrophic Oscar behavior in 2022 represents a triumph for star power, franchise filmmaking, action titles, and titles that draw from minority audiences (over two thirds for the weekend were Black and Latino). Most of all, it was a vital sign that underperformance for highly touted summer films isn’t a given.
In the face of rising industry panic, an under-$40 million opening for “Ride or Die” (its 2020 predecessor opened to $62 million) could have ratched the doom and despair to toxic levels. Instead, it blew past tracking projections...
- 6/9/2024
- by Tom Brueggemann
- Indiewire
With a career that’s ranged 33 years — over three quarters of his life — Jake Gyllenhaal has covered nearly every type of character, genre, and form, but in a recent interview in The Hollywood Reporter, he said he’s now focused on taking on roles that “freak me out a bit.” Whether that means getting cut and learning to give and take a beating for Doug Liman’s “Road House” remake or wading through the moral and ethical murk of murder and infidelity in the upcoming Apple TV+ mini-series “Presumed Innocent,” Gyllenhaal is game for a challenge.
“The feeling I want to have is, can I do it?” said Gyllenhaal. “That it’s going to ask of me things that I don’t know about myself yet.”
Gyllenhaal attributes this desire push himself further to his sister Maggie. He’ll be taking part in her latest directorial effort, “The Bride!,” a...
“The feeling I want to have is, can I do it?” said Gyllenhaal. “That it’s going to ask of me things that I don’t know about myself yet.”
Gyllenhaal attributes this desire push himself further to his sister Maggie. He’ll be taking part in her latest directorial effort, “The Bride!,” a...
- 6/9/2024
- by Harrison Richlin
- Indiewire
Acting is a pretty unusual profession. After all, most people don't push themselves through intense pretend emotions in order to earn a paycheck, which means there are sometimes some interesting impacts in an actor's life. There are all kinds of stories about how particular roles changed actors forever, but what about a film giving a performer their first heartbreak? Plenty of young actors have their first kiss onscreen, but a first heartbreak is rather unique. In Vanity Fair's "Actors on Actors" interview series, "Furiosa" star Anya Taylor-Joy revealed that she suffered her first heartbreak as a result of one of her earliest roles: Thomasin in Robert Eggers' 2015 folk horror film "The Witch."
"The Witch" is a seriously spooky slow burn of a horror movie that really puts Thomasin through the ringer as she contends with the forces of the devil after she and her family are ostracized from their Puritan...
"The Witch" is a seriously spooky slow burn of a horror movie that really puts Thomasin through the ringer as she contends with the forces of the devil after she and her family are ostracized from their Puritan...
- 6/9/2024
- by Danielle Ryan
- Slash Film
Portugal is this year’s Country of Honor at the Annecy Animation Festival, so we’ve decided to take a close look at the current generation of artists who are helping to inspire a new era for the country’s animation sector and, increasingly, making waves abroad.
Below is a list, in no particular order, of 11 exciting Portuguese animation talents to keep an eye on. Some have been around for several years and already started to put together impressive bodies of work, while others are just emerging on the scene.
Rodrigo Goulão De Sousa
The work of Gobelins-trained filmmaker Rodrigo Goulão De Sousa features a distinct 2D aesthetic and genre-heavy horror and thriller themes that regularly border on the unsettling. The combination makes his titles feel as contemporary thematically as they do aesthetically, expanding the ways that animation can be used to frighten audiences. De Sousa’s appearance on our list is well-timed,...
Below is a list, in no particular order, of 11 exciting Portuguese animation talents to keep an eye on. Some have been around for several years and already started to put together impressive bodies of work, while others are just emerging on the scene.
Rodrigo Goulão De Sousa
The work of Gobelins-trained filmmaker Rodrigo Goulão De Sousa features a distinct 2D aesthetic and genre-heavy horror and thriller themes that regularly border on the unsettling. The combination makes his titles feel as contemporary thematically as they do aesthetically, expanding the ways that animation can be used to frighten audiences. De Sousa’s appearance on our list is well-timed,...
- 6/9/2024
- by Jamie Lang
- Variety - Film News
In what seems like an odd choice for an English-language remake, helmer-writer Savi Gabizon transfers the action of his least successful Israeli drama, “Longing” (2017), to Canada. Alas, the story of a confirmed bachelor who learns that he fathered a son 19 years earlier fails to translate by striking far too many duff notes. Richard Gere struggles as the unlikable protagonist, whose attempts to learn more about the lad come off as creepy rather than poignant. After a limited theatrical release, the Lionsgate release will segue to digital and on-demand on June 28.
Gere plays busy New York businessman Daniel who is thrown for a loop when former girlfriend Rachel (Suzanne Clément) turns up with some big news. Not only did she return to Canada pregnant with his child, but the boy, Allen, recently died in a car accident. In spite of never wanting children, Daniel flies to Ontario for Allen’s memorial service,...
Gere plays busy New York businessman Daniel who is thrown for a loop when former girlfriend Rachel (Suzanne Clément) turns up with some big news. Not only did she return to Canada pregnant with his child, but the boy, Allen, recently died in a car accident. In spite of never wanting children, Daniel flies to Ontario for Allen’s memorial service,...
- 6/9/2024
- by Alissa Simon
- Variety - Film News
When Doug Liman's sci-fi actioner "Edge of Tomorrow" was released in 2014, it opened to a mere $28.7 million at the domestic box office. This was considered a minor scandal at the time, as the film was roundly praised by critics for its slick wartime combat sequences, clever time-loop premise, and charismatic leading performances from stars Emily Blunt and Tom Cruise. Many also saw "Edge of Tomorrow" as an antidote to the ascendant tide of Marvel movies that had, by then, completely infiltrated the cinema marketplace. Recall that 2014 was the year of "Guardians of the Galaxy" and "Captain America: The Winter Solider," two wildly popular films that, perhaps because of their popularity, invited early invitations of the phrase "Marvel fatigue."
"Edge of Tomorrow" was often touted as proof that great, original films — that is: not driven by marketable I.P. — were still being made. Its paltry opening was held up as...
"Edge of Tomorrow" was often touted as proof that great, original films — that is: not driven by marketable I.P. — were still being made. Its paltry opening was held up as...
- 6/9/2024
- by Witney Seibold
- Slash Film
“Hit Man” director Richard Linklater knew Glen Powell was a movie star the moment the young actor, with no profile, walked in to audition for “Everybody Wants Some” almost a decade ago. Linklater explained what makes the Brad Pitt and Leonardo DiCaprio movie stars go beyond their good looks and acting ability, but their charisma and how we are drawn to them.
“You look at Brad Pitt, ‘Oh, I want to hang out with him,’” said Linklater. “They attract you, you’ll follow them somewhere. You want to be wherever, whatever they’re doing. Some personalities have that quality, most don’t… Glen does.”
Linklater would need every ounce of Powell’s star power to pull off “Hit Man,” a sexy screwball comedy in which the audience is rooting for Madison (Adria Arjona) and Powell’s Ron to be together, but who do some questionable things to get their happy ending.
“You look at Brad Pitt, ‘Oh, I want to hang out with him,’” said Linklater. “They attract you, you’ll follow them somewhere. You want to be wherever, whatever they’re doing. Some personalities have that quality, most don’t… Glen does.”
Linklater would need every ounce of Powell’s star power to pull off “Hit Man,” a sexy screwball comedy in which the audience is rooting for Madison (Adria Arjona) and Powell’s Ron to be together, but who do some questionable things to get their happy ending.
- 6/9/2024
- by Chris O'Falt
- Indiewire
Making an independent film is hard. It takes time and patience and perseverance, but when you’ve been in the movie business most of your life like Michael Angarano has, you learn to live with the uncertain times in order to push through to the moment where you can get in front of the camera. His sophomore film, “Sacramento” — a road movie/buddy comedy that just premiered at the Tribeca — faced its own stumbling blocks on the path to production and distribution, but through it all, Angarano held firm, knowing he had to make the film no matter what.
“At one point we were ready to shoot the movie in Atlanta — we had the financing and everything,” said Angarano in a recent interview with Variety. “And this was for a movie called ‘Sacramento.’ But it’s like why try to cheat it? Maybe, should we just call it ‘Athens’ or ‘Savannah’?”
Thankfully,...
“At one point we were ready to shoot the movie in Atlanta — we had the financing and everything,” said Angarano in a recent interview with Variety. “And this was for a movie called ‘Sacramento.’ But it’s like why try to cheat it? Maybe, should we just call it ‘Athens’ or ‘Savannah’?”
Thankfully,...
- 6/9/2024
- by Harrison Richlin
- Indiewire
David Schmoeller's 1989 film "Puppet Master" was almost going to be a theatrical release in the summer of 1989, but pivoted to the VHS market at the last minute. Looking at the 1989 supper movie season, one can see why producer Charles Band made the decision. "Puppet Master" would have opened against "Batman," "Ghostbusters II," "Indiana Jones and the Last Crusade," "Back to the Future Part II," "Star Trek V: The Final Frontier," "License to Kill," and "Lethal Weapon 2." There were just too many blockbusters it would've had to compete with.
Its movement to the straight-to-video market might have reduced its prestige, but "Puppet Master" spawned many, many sequels (not to mention a few crossovers) that persist to this day (the most recent "Puppet Master" film was released in 2022). The killer puppets in the film have become minor horror icons and often serve as the face of Full Moon Features, a...
Its movement to the straight-to-video market might have reduced its prestige, but "Puppet Master" spawned many, many sequels (not to mention a few crossovers) that persist to this day (the most recent "Puppet Master" film was released in 2022). The killer puppets in the film have become minor horror icons and often serve as the face of Full Moon Features, a...
- 6/9/2024
- by Witney Seibold
- Slash Film
Teamsters Local 399 played a pivotal role in last year’s strikes, as truck drivers honored writers’ picket lines and helped shut down production. At the same time, the union’s new leader, Lindsay Dougherty, became a star, brandishing her tattoos and launching obscenities at the Alliance of Motion Picture and Television Producers.
On Monday, it will Dougherty’s turn to sit across the table from the AMPTP. The Teamsters and the other Basic Crafts unions — electricians, laborers, etc. — are looking for increased wages, a strengthened health and pension plan, and protections from artificial intelligence.
For the Teamsters, that means addressing autonomous vehicles — a source of labor tension across industries.
In an interview on Saturday, Dougherty skipped the profanity — “Only at rallies,” she said — and gave her take on the industry slowdown that has kept many of her members out of work.
The Basic Crafts talks come on the heels...
On Monday, it will Dougherty’s turn to sit across the table from the AMPTP. The Teamsters and the other Basic Crafts unions — electricians, laborers, etc. — are looking for increased wages, a strengthened health and pension plan, and protections from artificial intelligence.
For the Teamsters, that means addressing autonomous vehicles — a source of labor tension across industries.
In an interview on Saturday, Dougherty skipped the profanity — “Only at rallies,” she said — and gave her take on the industry slowdown that has kept many of her members out of work.
The Basic Crafts talks come on the heels...
- 6/9/2024
- by Gene Maddaus
- Variety - Film News
“Bad Boys: Ride or Die” surpassed the $100 million mark globally in its first weekend of release.
The fourth installment in Sony’s buddy cop comedy series, starring Will Smith and Martin Lawrence, has collected $104.6 million, including $48.6 million at the international box office. Moviegoers have embraced Smith’s first major film since he assaulted Chris Rock on stage at the 2022 Oscars, though it helped that he returned to theaters with a franchise that has endured over 30 years.
Sony spent $100 million to produce “Bad Boys 4” and many millions more to market the film to global audiences. At this rate, the fourquel is well positioned in its theatrical run. However, it remains to be seen if it’ll match 2020’s “Bad Boys for Life” as the franchise’s highest-grossing installment with $206 million domestically and $426 million globally. Adil El Arbi and Bilall Fallah returned to direct “Ride or Die,” which follows detectives Mike...
The fourth installment in Sony’s buddy cop comedy series, starring Will Smith and Martin Lawrence, has collected $104.6 million, including $48.6 million at the international box office. Moviegoers have embraced Smith’s first major film since he assaulted Chris Rock on stage at the 2022 Oscars, though it helped that he returned to theaters with a franchise that has endured over 30 years.
Sony spent $100 million to produce “Bad Boys 4” and many millions more to market the film to global audiences. At this rate, the fourquel is well positioned in its theatrical run. However, it remains to be seen if it’ll match 2020’s “Bad Boys for Life” as the franchise’s highest-grossing installment with $206 million domestically and $426 million globally. Adil El Arbi and Bilall Fallah returned to direct “Ride or Die,” which follows detectives Mike...
- 6/9/2024
- by Rebecca Rubin
- Variety - Film News
Paul Verhoeven's 1990 film "Total Recall" takes place in the distant future of 2084. Mars has not only been colonized, but it has also fallen under the rule of an evil governor named Vilos Cohaagen (Ronny Cox). The planet is rich with a rare, valuable ore called turbinium, but mining it has caused widespread pollution and radiation. Many of the Martian citizens have mutated as a result, their bodies sprouting extra body parts or sporting unusual growths. In many cases, mutants are also mildly psychic. To combat Cohaagen's corruption, a Mutant Resistance has formed, led by the mysterious and difficult-to-find Kuato (Marshall Bell).
The protagonist of "Total Recall" is Quaid (Arnold Schwarzenegger), a former agent for Cohaagen who had his memory erased and his identity changed. It takes a long while for Quaid to understand what happened to him, but he eventually discovers that he has to combat Cohaagen and help the Mutant Resistance.
The protagonist of "Total Recall" is Quaid (Arnold Schwarzenegger), a former agent for Cohaagen who had his memory erased and his identity changed. It takes a long while for Quaid to understand what happened to him, but he eventually discovers that he has to combat Cohaagen and help the Mutant Resistance.
- 6/9/2024
- by Witney Seibold
- Slash Film
"Star Trek" and "scary" aren't words that are often associated with each other. After all, it's a sci-fi franchise that's more about philosophy than action. "Trek" focuses on optimism and exploration, in a world where humanity has finally put internecine conflicts aside because we realized we are only one speck of a larger universe.
On the edge of the final frontier, though, all types of stories are possible. "Star Trek: The Original Series" began with "The Man Trap," essentially a monster B-movie in space about a salt-vampire with the mouth of a lamprey. In season 2, the series concocted a whole Halloween special with "Catspaw," about two psychic aliens who have constructed a Gothic castle as a trap for the Enterprise crew.
In the 60-ish years "Star Trek" has existed, it has returned to horror regularly enough to call this a trend. As the omnipotent trickster Q (John de Lancie) warned...
On the edge of the final frontier, though, all types of stories are possible. "Star Trek: The Original Series" began with "The Man Trap," essentially a monster B-movie in space about a salt-vampire with the mouth of a lamprey. In season 2, the series concocted a whole Halloween special with "Catspaw," about two psychic aliens who have constructed a Gothic castle as a trap for the Enterprise crew.
In the 60-ish years "Star Trek" has existed, it has returned to horror regularly enough to call this a trend. As the omnipotent trickster Q (John de Lancie) warned...
- 6/9/2024
- by Devin Meenan
- Slash Film
Everyone knows "The Simpsons" has basically predicted every major cultural moment in recent history. From Disney's 2021 acquisition of Fox to Donald Trump's presidency, the long-running show has managed to prove time and again that it has its finger on the pulse of pop culture — well, at least it used to. But the show is also responsible for directly contributing to other pop culture moments, such as when Merriam-Webster added the word "Cromulent" — first used in the 1996 episode "Lisa the Iconoclast" — to the dictionary.
Another '90s episode featured the origin of a minor "Simpsons" joke that would end up enduring for decades, although in a much less conspicuous way. "Grampa vs. Sexual Inadequacy" is the tenth episode of the show's sixth season, and while it didn't quite make /Film's list of the 25 best "Simpsons" episodes, frankly every golden age episode could have been on that list, and this one is no different.
Another '90s episode featured the origin of a minor "Simpsons" joke that would end up enduring for decades, although in a much less conspicuous way. "Grampa vs. Sexual Inadequacy" is the tenth episode of the show's sixth season, and while it didn't quite make /Film's list of the 25 best "Simpsons" episodes, frankly every golden age episode could have been on that list, and this one is no different.
- 6/9/2024
- by Joe Roberts
- Slash Film
Turns out, Bad Boys are good for ticket sales.
Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut. The film also opened at the international box office with $48.6 million, bringing its worldwide tally to $104.6 million.
The sequel to 1995’s “Bad Boys,” 2003’s “Bad Boys II” and 2020’s “Bad Boys for Life” is notable as Smith’s first major film to grace the big screen since he assaulted Chris Rock on stage at the 2022 Oscars. So what should Hollywood take away from “Bad Boys” in its fourth go-around? Well, audiences haven’t soured on Smith — though it helps that he returned to theaters in a time-tested and generally well-received franchise.
Although it’s not cementing any franchise records (“Bad Boys for Life” remains the biggest opening of the quartet...
Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut. The film also opened at the international box office with $48.6 million, bringing its worldwide tally to $104.6 million.
The sequel to 1995’s “Bad Boys,” 2003’s “Bad Boys II” and 2020’s “Bad Boys for Life” is notable as Smith’s first major film to grace the big screen since he assaulted Chris Rock on stage at the 2022 Oscars. So what should Hollywood take away from “Bad Boys” in its fourth go-around? Well, audiences haven’t soured on Smith — though it helps that he returned to theaters in a time-tested and generally well-received franchise.
Although it’s not cementing any franchise records (“Bad Boys for Life” remains the biggest opening of the quartet...
- 6/9/2024
- by Rebecca Rubin
- Variety - Film News
This post contains spoilers for "Godzilla Minus One."
When "Godzilla Minus One" hit theaters late last year, it was a fierce reminder that visual effects can actually be amazing. These days, conversations about CGI mostly gravitate towards its continual overuse, the shoddiness of some digital effects work in recent blockbusters, and the reportedly relentless workload impacting exhausted effects artists. Yet, Toho Studios' latest kaiju flick is a minor cinematic miracle, a low-budget movie that doesn't overuse CGI while still managing to show off its central beastie plenty of times. For its achievements, the movie was awarded the Oscar for Best Visual Effects, the first the "Godzilla" franchise has earned in its 70 year history.
Surprisingly, despite the accolades the film received for its visuals, "Godzilla Minus One" doesn't actually utilize that much digital art compared to most of its contemporaries. In a Variety spotlight piece earlier this year, the film's director,...
When "Godzilla Minus One" hit theaters late last year, it was a fierce reminder that visual effects can actually be amazing. These days, conversations about CGI mostly gravitate towards its continual overuse, the shoddiness of some digital effects work in recent blockbusters, and the reportedly relentless workload impacting exhausted effects artists. Yet, Toho Studios' latest kaiju flick is a minor cinematic miracle, a low-budget movie that doesn't overuse CGI while still managing to show off its central beastie plenty of times. For its achievements, the movie was awarded the Oscar for Best Visual Effects, the first the "Godzilla" franchise has earned in its 70 year history.
Surprisingly, despite the accolades the film received for its visuals, "Godzilla Minus One" doesn't actually utilize that much digital art compared to most of its contemporaries. In a Variety spotlight piece earlier this year, the film's director,...
- 6/9/2024
- by Valerie Ettenhofer
- Slash Film
Rio De Janeiro — Top Brazilian production company Gullane Entretenimento will make a feature-length doc and the third season of an animation series about Brazilian Formula One racing driver Ayrton Senna, company directors Fabiano and Caio Gullane told Variety.
Produced by Gullane for Netflix, the highly anticipated “Senna,” a bio drama TV series with Vicente Amorim serving as showrunner and Amorim and Julia Rezende as directors, is due to open late this year. Designed for global audiences, “Senna” is the highest-budgeted Brazilian series ever.
Doc “Senna Kart – A Pura Competição” (“Senna Kart – Pure Competition”) depicts the beginnings of Senna’s career, when he competed in the South American and World Kart Championships. Gullane and Canal Azul will produce the doc which is helmed by Pedro Rodrigues and due to be lensed in the second half of this year. It will have a theatrical release.
Gullane and Gloob, a Globo pay-tv channel,...
Produced by Gullane for Netflix, the highly anticipated “Senna,” a bio drama TV series with Vicente Amorim serving as showrunner and Amorim and Julia Rezende as directors, is due to open late this year. Designed for global audiences, “Senna” is the highest-budgeted Brazilian series ever.
Doc “Senna Kart – A Pura Competição” (“Senna Kart – Pure Competition”) depicts the beginnings of Senna’s career, when he competed in the South American and World Kart Championships. Gullane and Canal Azul will produce the doc which is helmed by Pedro Rodrigues and due to be lensed in the second half of this year. It will have a theatrical release.
Gullane and Gloob, a Globo pay-tv channel,...
- 6/9/2024
- by Marcelo Cajueiro
- Variety - Film News
Netflix and Richard Linklater certainly make for peculiar bedfellows. Where every other Netflix exclusive feels like it was concocted by an algorithm and designed to have maximum appeal, Linklater has been perfectly happy to direct films for a niche market these past 30-plus years. Even at his most commercial, with a film like "School of Rock," you get the sense the eccentric Texan auteur is making movies that speaks to his interests first and foremost.
Yet, somehow, Linklater has now found himself releasing back-to-back films for the streaming giant. The first of them, 2022's "Apollo 10 1⁄2: A Space Age Childhood" — a rotoscope-style animated feature where segments inspired by the filmmaker's real childhood in 1960s Houston are seamlessly integrated with a fictional story about a young boy being recruited by NASA for an off-the-books space mission — reads like the opposite of what studios feel constitutes an easy sell. It plays that way,...
Yet, somehow, Linklater has now found himself releasing back-to-back films for the streaming giant. The first of them, 2022's "Apollo 10 1⁄2: A Space Age Childhood" — a rotoscope-style animated feature where segments inspired by the filmmaker's real childhood in 1960s Houston are seamlessly integrated with a fictional story about a young boy being recruited by NASA for an off-the-books space mission — reads like the opposite of what studios feel constitutes an easy sell. It plays that way,...
- 6/9/2024
- by Sandy Schaefer
- Slash Film
In 1960, Kirk Douglas had helped to break the Hollywood Blacklist with "Spartacus" by publicly crediting then-blacklisted writer Dalton Trumbo as the screenwriter. But in 1969, he found himself working with a director who had been anything but helpful to his Hollywood colleagues during the height of McCarthyism. Sadly, this team-up between Douglas and director Elia Kazan also had the unfortunate distinction of being one of the Greek-American filmmaker's most derided films.
"The Arrangement" currently has a 15% rating on Rotten Tomatoes, which should tell you pretty much all you need to know about how this ill-fated drama was received upon release. The film is an adaptation of Kazan's own 1967 novel of the same name and follows LA advertising executive Evangelos Topouzoglou/Eddie Anderson (Douglas) as he endures a protracted nervous breakdown (which is what watching this incredible trailer feels like). Critics at the time were merciless with their condemnation of Kazan's film,...
"The Arrangement" currently has a 15% rating on Rotten Tomatoes, which should tell you pretty much all you need to know about how this ill-fated drama was received upon release. The film is an adaptation of Kazan's own 1967 novel of the same name and follows LA advertising executive Evangelos Topouzoglou/Eddie Anderson (Douglas) as he endures a protracted nervous breakdown (which is what watching this incredible trailer feels like). Critics at the time were merciless with their condemnation of Kazan's film,...
- 6/9/2024
- by Joe Roberts
- Slash Film
In May 2024, Netflix CEO Ted Sarandos made a strange claim to The New York Times. Discussing "Barbenheimer," Sarandos insisted that the success of "Barbie" and "Oppenheimer" wasn't related to the fact that both were released in theaters and made an event out of physically going to the movies. "Both of those movies would be great for Netflix. They definitely would have enjoyed just as big an audience on Netflix," he said. That suggestion seems ... unlikely. But Sarandos wasn't done. "There's no reason to believe that the movie itself is better in any size of screen for all people," he said. "My son's an editor. He is 28 years old, and he watched 'Lawrence of Arabia' on his phone."
Leaving aside what a travesty that example is, Sarandos is simply incorrect. Many movies are, indeed, better when they're bigger, because the theatrical experience is beneficial for two main reasons. First,...
Leaving aside what a travesty that example is, Sarandos is simply incorrect. Many movies are, indeed, better when they're bigger, because the theatrical experience is beneficial for two main reasons. First,...
- 6/9/2024
- by Eric Langberg
- Slash Film
After a couple of box office duds, including "Stop! Or My Mom Will Shoot," which was the subject of one of the greatest troll moves in Hollywood history, Sylvester Stallone was in need of a hit. He got one with 1993's "Cliffhanger," Renny Harlin's pulse-pounding action flick that many have referred to as "'Die Hard' on a mountain" (and a film that was only made because of the success of "Die Hard"). The movie marked Stallone's return to the type of muscular, high-octane action for which he was primarily known, and the despite the film's somewhat formulaic structure, "Cliffhanger" turned out to be a super effective thriller, a cable TV staple (shout-out to all of those countless lazy TNT and TBS Sunday afternoon viewings), one of Sylvester Stallone's best movies, and a strong case could be made that it's one of the best action films of the '90s.
- 6/9/2024
- by Ben Pearson
- Slash Film
Matthew Vaughn is a savvy filmmaker who should know his films, particularly when they go sailing over the top narratively and tonally — which describes pretty much all of them save for his 2004 debut directorial effort, "Layer Cake" and the open-hearted whimsy of "Stardust" — tend to divide critics. You either go with the rousingly ultraviolent superhero satire of "Kick-Ass," or you rage against its vile excesses, chief among them being the transformation of an 11-year-old into a gun-wielding, slicing-and-dicing whirlwind of death known as Hit Girl. He specializes in juvenile subversion, but if you can get past the giddy excess of his films, they occasionally contain a surprising degree of thematic depth.
Vaughn's 2024 flop "Argylle" was not, on any level, a thoughtful film. It's a star-studded stew of a spy-comedy romp that's meant as a one-and-done spinoff from the director's largely successful "Kingsman" franchise. On the surface, given its colorful assortment of celebrities,...
Vaughn's 2024 flop "Argylle" was not, on any level, a thoughtful film. It's a star-studded stew of a spy-comedy romp that's meant as a one-and-done spinoff from the director's largely successful "Kingsman" franchise. On the surface, given its colorful assortment of celebrities,...
- 6/9/2024
- by Jeremy Smith
- Slash Film
In “Made in Ethiopia,” directors Xinyan Yu and Max Duncan take the macro issue of China’s influence in Africa and present it provocatively through the micro lens of its effect on a few Chinese and Ethiopian individuals striving for a better life. The film is set at a Chinese industrial complex in Dukem, a small town southeast of Ethiopia’s capital, Addis Ababa. It follows an ambitious Chinese businesswoman trying to expand the complex with the help of Ethiopian bureaucrats and the consequences this expansion has on a factory worker and a farming family that lives nearby.
The businesswoman is Motto Ma, a delusionally ambitious outsider who says things like, “The industrial complex is a tourist hotspot. We are considering selling tickets.” She makes up the lie, believes and then hypes it. Motto (the film refers to all the subjects with just their first names) is both charming and wily,...
The businesswoman is Motto Ma, a delusionally ambitious outsider who says things like, “The industrial complex is a tourist hotspot. We are considering selling tickets.” She makes up the lie, believes and then hypes it. Motto (the film refers to all the subjects with just their first names) is both charming and wily,...
- 6/9/2024
- by Murtada Elfadl
- Variety - Film News
You don't hear it mentioned too often in discussions of successful Hollywood franchises, but the "Father of the Bride" saga has demonstrated remarkable staying power. Like the Banks family itself, we've watched as this franchise has grown up, moved out the house, and had children of its own in the form of two reboots and multiple sequels. But things all started back in 1949 when Edward Streeter's "Father of the Bride" novel was adapted into the classic 1950 comedy of the same name. Since then, the series has produced six films, one of which was a short film produced during the global pandemic and the most recent being 2022's "Father of the Bride" remake.
In all, you've got a franchise that has spanned almost eight decades and which continues to delight audiences 72 years after the first film debuted. Modern audiences might finally be ready for more than sequels and reboots, but...
In all, you've got a franchise that has spanned almost eight decades and which continues to delight audiences 72 years after the first film debuted. Modern audiences might finally be ready for more than sequels and reboots, but...
- 6/9/2024
- by Joe Roberts
- Slash Film
Gainax, the iconic but latterly tarnished, Japanese animation producer behind anime series “Neon Genesis Evangelion,” has filed for bankruptcy. It had been in operation for nearly 40 years.
The company made the announcement on Friday, via its own website, and said that it had filed its petition with the courts on May 29. The problem of the heavy debt burden that it had been carrying for several years had been made worse by the tangles of mismanagement.
The news emerged at a moment when the Japanese government, sensing growing international interest in Japanese pop culture, has pledged to help manga (comic) and anime (animated series and films) exporters. It also comes just a day before the beginning of the world’s biggest annual animation festival, the Annecy International Animated Film Festival (June 9-15).
The company, then called Daicon Film, was founded in 1984 by a team including Anno Hideaki, Sadamoto Yoshiyuki, Yamaga Hiroyuki,...
The company made the announcement on Friday, via its own website, and said that it had filed its petition with the courts on May 29. The problem of the heavy debt burden that it had been carrying for several years had been made worse by the tangles of mismanagement.
The news emerged at a moment when the Japanese government, sensing growing international interest in Japanese pop culture, has pledged to help manga (comic) and anime (animated series and films) exporters. It also comes just a day before the beginning of the world’s biggest annual animation festival, the Annecy International Animated Film Festival (June 9-15).
The company, then called Daicon Film, was founded in 1984 by a team including Anno Hideaki, Sadamoto Yoshiyuki, Yamaga Hiroyuki,...
- 6/9/2024
- by Patrick Frater
- Variety - Film News
The actor-director’s second film behind the camera is a quirky spin on the genre given true grit by its magnetic heroine
On the surface, The Dead Don’t Hurt, the second directorial venture from Viggo Mortensen, has the weathered, leathery look of a traditional Hollywood western. The story of a rocky romance between a spirited, rebellious woman and a strong, silent man, the film was shot, in imposing widescreen, largely on location in Durango, Mexico, a region that also provided the backdrop for numerous classics of the genre. John Sturges’s The Magnificent Seven, Sam Peckinpah’s The Wild Bunch and Pat Garrett and Billy the Kid and Sergio Leone’s The Good, the Bad and the Ugly all made use of the wide open sky, sweeping vistas and photogenically phallic geological formations. There’s a rough-hewn drama to the look of the land, with jutting rocky outcrops contrasted against the squat,...
On the surface, The Dead Don’t Hurt, the second directorial venture from Viggo Mortensen, has the weathered, leathery look of a traditional Hollywood western. The story of a rocky romance between a spirited, rebellious woman and a strong, silent man, the film was shot, in imposing widescreen, largely on location in Durango, Mexico, a region that also provided the backdrop for numerous classics of the genre. John Sturges’s The Magnificent Seven, Sam Peckinpah’s The Wild Bunch and Pat Garrett and Billy the Kid and Sergio Leone’s The Good, the Bad and the Ugly all made use of the wide open sky, sweeping vistas and photogenically phallic geological formations. There’s a rough-hewn drama to the look of the land, with jutting rocky outcrops contrasted against the squat,...
- 6/9/2024
- by Wendy Ide
- The Guardian - Film News
A vicious 19th-century morality play that gives way to psychological horror, Thordur Palsson’s “The Damned” draws on Icelandic folklore to create a tale of paranoia and superstition in an isolated outpost. A tiny fishing village plays host to the pressing question of whether to rescue a sinking ship nearby. The fishermen’s decisions in the wake of this terror from afar bring home their fears and regrets in a story told through dreams and shadows that, while often repetitive in its approach, is still effectively told.
Young widow Eva (Odessa Young) is left in charge of her husband’s fishing boat, which she lends to the town’s gruff fishermen while retaining decision-making ability. The village is surrounded by snow and icy waters, so every choice and every ration counts. The townspeople mostly get along, singing drinking and fishing songs by gas lamps in their cramped pub, but tensions...
Young widow Eva (Odessa Young) is left in charge of her husband’s fishing boat, which she lends to the town’s gruff fishermen while retaining decision-making ability. The village is surrounded by snow and icy waters, so every choice and every ration counts. The townspeople mostly get along, singing drinking and fishing songs by gas lamps in their cramped pub, but tensions...
- 6/9/2024
- by Siddhant Adlakha
- Variety - Film News
As ever more Portuguese directors plan their first animated feature, Annecy is staging a timely Tribute to Portuguese Animation, its 2024 Country of Honor, with a seven section spread of key titles.
Variety has made its own selection of that selection, profiling modern milestones such as Abi Feijo’s “The Outlaws” and José Miguel Ribeiro’s “The Suspect” and taking in Regina Pessoa’s “Uncle Thomas, Accounting for the Days,” the dazzling 2D of Bap, Zagreb Animafest winner “The Garbage Man” and Oscar-nominated ‘Ice Merchants.”
There’s a larger narrative to the titles: the step-by-step and very often collaborative growth of a craft industry of social point and high artistic ambition prized at home and ever more abroad.
As multiple leading lights of the Portugal’s animation industry contemplate feature film creation, Annecy’s Tribute is a reminder of what Portugal has already achieved.
Some highlights:
“Ice Merchants,” (João Gonzalez, 2022)
Portugal’s first ever Oscar nominee,...
Variety has made its own selection of that selection, profiling modern milestones such as Abi Feijo’s “The Outlaws” and José Miguel Ribeiro’s “The Suspect” and taking in Regina Pessoa’s “Uncle Thomas, Accounting for the Days,” the dazzling 2D of Bap, Zagreb Animafest winner “The Garbage Man” and Oscar-nominated ‘Ice Merchants.”
There’s a larger narrative to the titles: the step-by-step and very often collaborative growth of a craft industry of social point and high artistic ambition prized at home and ever more abroad.
As multiple leading lights of the Portugal’s animation industry contemplate feature film creation, Annecy’s Tribute is a reminder of what Portugal has already achieved.
Some highlights:
“Ice Merchants,” (João Gonzalez, 2022)
Portugal’s first ever Oscar nominee,...
- 6/9/2024
- by John Hopewell, Jamie Lang and Callum McLennan
- Variety - Film News
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From keeping footprints out of frame to the VFX team having to create a whole technique for the hologram scenes, everything about Denis Villeneuve's "Dune" and its sequel required meticulous attention to detail and a willingness to innovate in order to bring Frank Herbert's 1965 story to life. One of the best examples of this is the Harkonnen arena battle from "Dune: Part Two," in which three Atreides soldiers face off against Austin Butler's vicious warrior Feyd-Rautha Harkonnen.
Shot entirely in monochrome, this sequence stands out not only for its distinct visual style but for its intensity and the creeping sense of doom it evokes. As Feyd-Rautha, nephew of the Baron Vladimir Harkonnen (Stellan Skarsgård), takes on the captured Atreides soldiers, his unbridled glee at ending their lives and the roars of the Harkonnen crowd establish Butler's...
From keeping footprints out of frame to the VFX team having to create a whole technique for the hologram scenes, everything about Denis Villeneuve's "Dune" and its sequel required meticulous attention to detail and a willingness to innovate in order to bring Frank Herbert's 1965 story to life. One of the best examples of this is the Harkonnen arena battle from "Dune: Part Two," in which three Atreides soldiers face off against Austin Butler's vicious warrior Feyd-Rautha Harkonnen.
Shot entirely in monochrome, this sequence stands out not only for its distinct visual style but for its intensity and the creeping sense of doom it evokes. As Feyd-Rautha, nephew of the Baron Vladimir Harkonnen (Stellan Skarsgård), takes on the captured Atreides soldiers, his unbridled glee at ending their lives and the roars of the Harkonnen crowd establish Butler's...
- 6/9/2024
- by Joe Roberts
- Slash Film
As someone who’s old enough to have seen the likes of “Superbad” and “Youth in Revolt” when they first opened in theaters, it’s hard not to feel a little unstuck in time as I watch millennial teen icon Michael Cera make the gradual transition towards dad roles. I was completely unfazed by the fact that he became a father in real life, but there’s something kind of fourth-dimensional about watching an actor grow up on screen while their most famous characters stay the same age forever. It’s an uncannily vivid illustration of the vertigo we all experience as we get older — how can you be on the brink of 40 when you’re also still 18?
But some things never change, and coming of age in tandem with an actor like Cera reminds you of that too. Yes, “Superbad” is a high school movie about a pair of...
But some things never change, and coming of age in tandem with an actor like Cera reminds you of that too. Yes, “Superbad” is a high school movie about a pair of...
- 6/9/2024
- by David Ehrlich
- Indiewire
Life comes for us all, even slacker filmmakers. Michigan-based indie stalwart Joel Potrykus has always explored loneliness in his work, but his latest, “Vulcanizadora,” plumbs a particular middle-aged variant. This is the alienation of divorced dads becoming estranged from their kids; the existential hell of knowing that you’ve made mistakes and that there’s nothing you can do to change them. In some ways, this is Potrykus’ version of “No Exit.”
To underline the passage of time, “Vulcanizadora” revives the characters Potrykus and his muse Joshua Burge played in 2014’s “Buzzard.” Ten years later, Marty Jackitansky (Burge) and Derek Skiba (Potrykus) are the same overgrown adolescents they once were, even as their circumstances have changed. Sometime in the past decade, Derek got married, had a kid, and then got divorced. Meanwhile, Marty’s petty crimes have escalated, with consequences that are harder to escape than those of his check-fraud scheme in “Buzzard.
To underline the passage of time, “Vulcanizadora” revives the characters Potrykus and his muse Joshua Burge played in 2014’s “Buzzard.” Ten years later, Marty Jackitansky (Burge) and Derek Skiba (Potrykus) are the same overgrown adolescents they once were, even as their circumstances have changed. Sometime in the past decade, Derek got married, had a kid, and then got divorced. Meanwhile, Marty’s petty crimes have escalated, with consequences that are harder to escape than those of his check-fraud scheme in “Buzzard.
- 6/9/2024
- by Katie Rife
- Indiewire
Quick show of hands: how many of you reading this knew there were five "Sleepaway Camp" movies? Put your hand down, liar in the back, I see you. Casual movie fans are likely aware of "Sleepaway Camp" due to the film's infamous ending, or tracked it down after that one "Robot Chicken" sketch where they recreated the ending with claymation as a character exclaimed, "Oh, my god! Somebody remembered this movie and wrote a comedy sketch about it!" /Film gave the original film a spot on our ranked list of the "Best Slashers of All Time," so even if fans are unaware of the latter installments, there was, of course, always going to be sequels.
"Sleepaway Camp II" and "Sleepaway Camp III" mark the leading actor debut of Pamela Springsteen and take place years after the events of "Sleepaway Camp." The fifth film released but fourth in the timeline, "Sleepaway...
"Sleepaway Camp II" and "Sleepaway Camp III" mark the leading actor debut of Pamela Springsteen and take place years after the events of "Sleepaway Camp." The fifth film released but fourth in the timeline, "Sleepaway...
- 6/9/2024
- by BJ Colangelo
- Slash Film
Though they're undeniably successful, large parts of Denis Villeneuve's "Dune" movies can come off a little bleak. Still, there's no denying the sheer coolness factor of the ornithopters. The aircraft used by House Atreides to traverse the desert landscapes of the planet Arrakis are one of the most memorable elements of the "Dune" aesthetic, combining the form of a dragonfly with elements of helicopter design and producing something so visually striking that Lego has since produced one of the coolest building brick vehicles ever with its ornithopter set.
Production designer Patrice Vermette began working on the ornithopter back in 2018 and drew from a multitude of inspirations, including insects and birds on the natural side of things and helicopters on the more technological side. Once the design had been nailed down, the production team actually built large parts of the 'thopters to allow the "Dune" actors to interact with the hardware.
Production designer Patrice Vermette began working on the ornithopter back in 2018 and drew from a multitude of inspirations, including insects and birds on the natural side of things and helicopters on the more technological side. Once the design had been nailed down, the production team actually built large parts of the 'thopters to allow the "Dune" actors to interact with the hardware.
- 6/9/2024
- by Joe Roberts
- Slash Film
A Disneyland employee died from her injuries Friday after falling from a moving golf cart at the theme park two days prior.
Anaheim Police and Anaheim Fire and Rescue personnel arrived at the resort Wednesday at around 11:30 a.m. Pt to the area of West Ball Road and South West Street in response to a collision that occurred backstage, according to the Los Angeles Times.
The Disneyland employee, later identified by the Orange Country Coroner Division as 60-year-old Fullerton resident Bonnye Mavis Lear, struck her head after falling from the moving golf cart and was taken to a local hospital in grave condition. Lear died from her injuries Friday, two days after being hospitalized for severe head trauma.
“We are heartbroken by the loss of Bonnye, and offer our sincere condolences to everyone who cared for her,” Ken Potrock, president of Disneyland Resort, said in a statement shared with Variety.
Anaheim Police and Anaheim Fire and Rescue personnel arrived at the resort Wednesday at around 11:30 a.m. Pt to the area of West Ball Road and South West Street in response to a collision that occurred backstage, according to the Los Angeles Times.
The Disneyland employee, later identified by the Orange Country Coroner Division as 60-year-old Fullerton resident Bonnye Mavis Lear, struck her head after falling from the moving golf cart and was taken to a local hospital in grave condition. Lear died from her injuries Friday, two days after being hospitalized for severe head trauma.
“We are heartbroken by the loss of Bonnye, and offer our sincere condolences to everyone who cared for her,” Ken Potrock, president of Disneyland Resort, said in a statement shared with Variety.
- 6/8/2024
- by Selena Kuznikov
- Variety - Film News
Screen is running this regularly updated page with the latest film festival and market dates from across the world.
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Los Angeles Greek Film Festival, US - June 1-9
Lighthouse International Film Festival, US - June 5-9
Sydney Film Festival, Australia - June 5-16
Tribeca Film Festival, US - June 5-16
Sundance Film Festival: London, UK - June 6-9
Annecy International Animation Film Festival And Market,...
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Los Angeles Greek Film Festival, US - June 1-9
Lighthouse International Film Festival, US - June 5-9
Sydney Film Festival, Australia - June 5-16
Tribeca Film Festival, US - June 5-16
Sundance Film Festival: London, UK - June 6-9
Annecy International Animation Film Festival And Market,...
- 6/8/2024
- by Ben Dalton
- ScreenDaily
Prime Video’s “The Boys” isn’t a show that pulls its punches. The hit television series is in fact known to be gratuitous in every regard, from its depiction of sex and violence to its timely socio-economic and political commentary. But for all the fun showrunner Eric Kripke and his staff have putting “The Boys” together, there’s also a great importance put on using the superhero narrative to capture something bigger about who we are as people and where we are as a country. In a recent interview with The Hollywood Reporter, Kripke said oftentimes, their writing parallels real life in eerie ways.
“Sometimes we feel like we’re Satan’s writers room,” said Kripke, addressing how the current season, revolving around a tense presidential election, may hit too close to home for some.
“When Seth [Rogen] and Evan [Goldberg] and I took it out to pitch, it was 2016,” Kripke said later,...
“Sometimes we feel like we’re Satan’s writers room,” said Kripke, addressing how the current season, revolving around a tense presidential election, may hit too close to home for some.
“When Seth [Rogen] and Evan [Goldberg] and I took it out to pitch, it was 2016,” Kripke said later,...
- 6/8/2024
- by Harrison Richlin
- Indiewire
Most discussions of Stanley Kubrick's 1971 sci-fi satire "A Clockwork Orange" eventually allude to the film's copious violence. The film's protagonist, Alex DeLarge (Malcolm McDowell) is an amoral 15-year-old delinquent who sees the world as the kindling to ignite the furnace of his drug-laced, sex-crazed, bloodthirsty appetites. He spends his days skipping school, and his nights leading his street gang, the Droogs, into various brutal misadventures. The Droogs pummel other gangs, beat up homeless people for no reason, and even invade people's homes to commit sexual assault.
For Alex, there is nothing else in the world besides his capacity to destroy it. When he listens to his favorite piece of music — Beethoven's Ninth Symphony — his mind disappears into a pit of depravity. He imagines himself as a gleeful vampire. Later in the film, when he reads the New Testament, he can most closely relate to the Roman soldiers whipping Christ.
For Alex, there is nothing else in the world besides his capacity to destroy it. When he listens to his favorite piece of music — Beethoven's Ninth Symphony — his mind disappears into a pit of depravity. He imagines himself as a gleeful vampire. Later in the film, when he reads the New Testament, he can most closely relate to the Roman soldiers whipping Christ.
- 6/8/2024
- by Witney Seibold
- Slash Film
The time has come for producers to think about how to protect themselves against possible copyright and ownership challenges related to the use of generative AI tools in film and TV production.
That was one of the messages sent Saturday at the Producers Guild of America’s 14th annual Produced By conference in Los Angeles, featuring a daylong schedule of panels drilling down on digital disruption and other pressing issues for content producers.
“I don’t know if an artist I commission is using generative AI. I didn’treally care before, but I guess I have to care now,” said Lori McCreary, CEO of Revelations Entertainment and a past PGA president, during the hourlong “AI: What Every Producer Needs to Know” session moderated by Carolyn Giardina, senior entertainment technology and crafts editor for Variety and Variety VIP+.
Ghaith Mahmood, partner at Latham & Watkins specializing in AI-related legal issues, walked...
That was one of the messages sent Saturday at the Producers Guild of America’s 14th annual Produced By conference in Los Angeles, featuring a daylong schedule of panels drilling down on digital disruption and other pressing issues for content producers.
“I don’t know if an artist I commission is using generative AI. I didn’treally care before, but I guess I have to care now,” said Lori McCreary, CEO of Revelations Entertainment and a past PGA president, during the hourlong “AI: What Every Producer Needs to Know” session moderated by Carolyn Giardina, senior entertainment technology and crafts editor for Variety and Variety VIP+.
Ghaith Mahmood, partner at Latham & Watkins specializing in AI-related legal issues, walked...
- 6/8/2024
- by Cynthia Littleton and Matt Donnelly
- Variety - Film News
Despite what confused non-fans on the internet say, the series finale of "Lost" is actually pretty straightforward. "I'm real. You're real. Everything that's happened to you is real," an afterlife limbo version of Jack's dad, Christian, tells him as the mystery of season 6's "flash-sideways" begins to come together. "All those people in the church, they're all real too," Christian says, explaining that the bulk of the show actually happened years earlier, and now, these characters have found one another in a collective afterlife. It's simple: everything's real, even and perhaps especially death.
This is a heartfelt message that got driven home a bit too hard during filming on "The End," when something else — a prop knife — turned out to be real, too. In an interview with ComicBook.com in 2021, episode director Jack Bender and co-star Terry O'Quinn recalled a particularly intense moment on set, in which O'Quinn accidentally got his hands on an actual,...
This is a heartfelt message that got driven home a bit too hard during filming on "The End," when something else — a prop knife — turned out to be real, too. In an interview with ComicBook.com in 2021, episode director Jack Bender and co-star Terry O'Quinn recalled a particularly intense moment on set, in which O'Quinn accidentally got his hands on an actual,...
- 6/8/2024
- by Valerie Ettenhofer
- Slash Film
Earlier this year, a documentary by the name of “Sugarcane” premiered at the Sundance Film Festival and presented audiences with a harrowing look at the Canadian Indian residential school system and the emotional fallout stemming from years of horrendous abuse behind these doors. For those who may have bore witness to such a film, there’s an unusual sense of recurrence in the topics unveiled throughout “Missing From Fire Trail Road,“ one which starts as what could be initially presumed to be a simple look at a missing persons case from several years prior but eventually flows into strangely familiar territory.
Continue reading ‘Missing From Fire Trail Road’ Review: Missing Persons And Generational Trauma Set The Stage In This Simple, Powerful Doc [Tribeca] at The Playlist.
Continue reading ‘Missing From Fire Trail Road’ Review: Missing Persons And Generational Trauma Set The Stage In This Simple, Powerful Doc [Tribeca] at The Playlist.
- 6/8/2024
- by Brian Farvour
- The Playlist
In 1997, Platinum Studios co-founder and chairman Scott Mitchell Rosenberg came up with a unique genre-mash concept. What if classic Western tropes were infused with a gritty alien invasion storyline?
This idea birthed the graphic novel "Cowboys & Aliens," where gunslingers Zeke Jackson and Verity Jones witness the crash-landing of an alien spaceship during a caravan ambush. The aliens that disembark the ship are not the friendly, benevolent type -- this is a race bent on invading and conquering Earth by destroying everything they set their sights on. Now, it is up to the cowboys to work together with the local natives to defeat the aliens at all costs, even if it means adapting to their superior, futuristic weapons to nudge the odds in their favor.
Although the one-sheet for Rosenberg's graphic novel was always geared toward a big-budget film adaptation, it wasn't until 2011 that the Jon Favreau-helmed "Cowboys & Aliens" was released,...
This idea birthed the graphic novel "Cowboys & Aliens," where gunslingers Zeke Jackson and Verity Jones witness the crash-landing of an alien spaceship during a caravan ambush. The aliens that disembark the ship are not the friendly, benevolent type -- this is a race bent on invading and conquering Earth by destroying everything they set their sights on. Now, it is up to the cowboys to work together with the local natives to defeat the aliens at all costs, even if it means adapting to their superior, futuristic weapons to nudge the odds in their favor.
Although the one-sheet for Rosenberg's graphic novel was always geared toward a big-budget film adaptation, it wasn't until 2011 that the Jon Favreau-helmed "Cowboys & Aliens" was released,...
- 6/8/2024
- by Debopriyaa Dutta
- Slash Film
Known mostly for her Emmy and Golden Globe nominated performance as writer and comedian Ava Daniels on the television series “Hacks,” Hannah Einbinder is ready to share more about herself with her new Max comedy special, “Everything Must Go,” premiering on the streamer June 13.
“It feels like the most intimate extension of myself, being and soul that I am sharing,” Einbinder said recently in an interview with the LA Times.
The special is something Einbinder’s been preparing for her entire life and includes personal anecdotes on topics ranging from her sense of religion to her experiences as a competitive cheerleader.
“It was a huge chunk of my life and it was my first real passion for performance,” Einbinder said of her time as a “flyer” on the cheerleading squad at Beverly Hills High School. “I was very dedicated to perfection. I think my work ethic can be very, obviously to me at least,...
“It feels like the most intimate extension of myself, being and soul that I am sharing,” Einbinder said recently in an interview with the LA Times.
The special is something Einbinder’s been preparing for her entire life and includes personal anecdotes on topics ranging from her sense of religion to her experiences as a competitive cheerleader.
“It was a huge chunk of my life and it was my first real passion for performance,” Einbinder said of her time as a “flyer” on the cheerleading squad at Beverly Hills High School. “I was very dedicated to perfection. I think my work ethic can be very, obviously to me at least,...
- 6/8/2024
- by Harrison Richlin
- Indiewire
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