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Lawrence of Arabia (1962)

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The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

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(writings), (screenplay) | 1 more credit »
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1,398 ( 540)
Top Rated Movies #86 | Won 7 Oscars. Another 23 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
... T.E. Lawrence
... Prince Feisal
... Auda Abu Tayi
... General Allenby
... Sherif Ali
... Turkish Bey (as Jose Ferrer)
... Colonel Brighton
... Mr. Dryden
... Jackson Bentley
... General Murray
... Gasim
... Majid
... Farraj
John Dimech ... Daud
... Tafas
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Storyline

Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port. Written by Jwelch5742

Plot Summary | Plot Synopsis

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BEST PICTURE OF THE YEAR WINNER OF 7 ACADEMY AWARDS (post-Oscar) See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Language:

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Release Date:

11 December 1962 (UK)  »

Also Known As:

Lawrence de Arabia  »

Filming Locations:

 »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$20,846, 22 September 2002, Limited Release

Gross USA:

$44,824,144

Cumulative Worldwide Gross:

$77,324,144
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

(RCA Sound Recording) (70 mm prints)| (35 mm prints) (original version)| (magnetic prints) (35 mm) (original version)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Peter O'Toole feared he was having a nervous breakdown, due to the harsh terrain and the pressure enforced on him by David Lean. He begged his wife, Siân Phillips, to come and raise his spirits: "Here, you have to be a little mad to be sane". See more »

Goofs

During the opening titles, the motorbike is shown from overhead standing on concrete, but when we see it started in the next close-up shot, it is standing on gravel. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well nil nisi bonum. But did he really deserve a place here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Connections

Referenced in SeaQuest 2032: The Last Lap at Luxury (1994) See more »

Soundtracks

Arrival At Auda's Camo
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
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Frequently Asked Questions

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User Reviews

A Vision that Defines Itself
4 October 2001 | by See all my reviews

A man has an inner drive that makes him peculiar and intense. He goes to the desert and falls in love with it and its people. Gaining powerful sponsors, he has a grand vision that he accomplishes by inspiring and directing thousands. But in a very short time, that grand work is compromised and disassembled by fat cats in offices who are concerned with different values.

True of both Lawrence and Lean. The legacy of Lawrence is still in violent disarray (I write this a short time after the Sept 11 attacks on New York). But Lean's vision was saved, and what a vision! Of this picture, it can be said that it is perfect if only because it is so visionary that it defines its own rules.

Lean's vision is also lean, with vast zones of sonic and visual silence -- several meditations on the unperceived. Though there is a story (who are you?) this is really a film of TE's 'Seven Pillars,' which creates a romantic vision of sculpted natural forces. So powerful a depiction that Islam experienced a faddish attraction in the West, a place now enjoyed by Tibetan Buddhism. That was before.

See here the original Obiwan, every intonation, movement and dress. See here Peter O'Toole's personality become completely entwined with the character, who is as fictionalized by our eye as by Lowell's. See the most expressive, anthropomorphic train wreck in history.

Watch a particularly interesting brand of acting by the 'Arabs.' Macho men are acting anyway, so an actor can play an actor when he lands such a role.

The star of the film is the clever eye of God, not the clockmaker or judge of the west but the chess player of the mirage. Its face is clearest in my mind when the Turk holds TE down for torture and smiles. Its hand in the creaking of Feisal's tent -- who would ever imagine the wind acting? (Kurosawa's 'Ran' at the beginning is the only other example I know.)

I have a few films I admire for various. mostly intellectual qualities. But in the direct matter of visual storytelling, this one tops my list.


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