After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port.Written by
Sir David Lean and Omar Sharif's first movie together. See more »
On their way to Wadi Rhum and Aqabah Lawrence and his party of 50 have to travel north and cross the Devil's Anvil. Yet, when Gasim is seen walking at sunrise he has the sun to his left and a stretched shadow to his right, meaning he is travelling south. See more »
In accordance with a 1995 decision by the Writers Guild of America to give Michael Wilson a co-writing credit (based on documentary evidence that he had been a major contributor to the script), newer copies such as the DVD and the prints made for the 40th anniversary re-release feature the altered credit: "Screenplay by Robert Bolt and Michael Wilson" (previously, only Bolt's name was listed). See more »
a memento from the days when they made real movies
It is, in a way, depressing to watch this movie today. One winds up contrasting it with the sort of technologically slick and aesthetically shallow spectacles, like "Titanic", that garner the sort of adulation that a truly great movie like "Lawrence" received in its day, and one realizes how far we have fallen.
Ignore David Lean's painterly technique, the way he fills the screen like a canvas. Ignore Freddie Young's stunning cinematography in fulfillment of Lean's vision. Ignore the fabulous score by Maurice Jarre. Ignore the stupendous cast. Ignore the topnotch script.
What we have, beyond all this, is an absolutely gripping and psychologically perplexing character study of a uniquely enigmatic individual that keeps us on the edge of our seats for the full length of the movie. "Lawrence", at over 200 minutes, goes by faster than many a movie of half its length, due to Lean's brilliant pacing and direction, and superb acting all around. To make a comparison in the world of music, this movie, like Mahler's 8th symphony, is a universe contained within itself.
Of course, it is an exercise in self-denial and philistinism to watch this movie in anything other than the wide-screen - or "letterbox" - format, due to Lean's complete use of every inch of the wide screen. To watch it otherwise is to miss half of Lean's intention.
To use a hackneyed phrase, they simply don't make 'em like this anymore.
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