A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Director Antoine Fuqua brings his modern vision to a classic story in The Magnificent Seven. With the town of Rose Creek under the deadly control of industrialist Bartholomew Bogue, the desperate townspeople employ protection from seven outlaws, bounty hunters, gamblers and hired guns. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.
In the long shot of Goodnight Robicheaux training the village men how to shoot a rifle, he gets upset at all of them. Josh Faraday, who is leaning up against a fence along with Chisolm, brings his right arm over to the left, presumably to reach for something on his left side. The camera does a close up of Faraday, and Faraday's back is up against the fence again, bringing his right arm over to the left and reaching for a rifle, which he then hands over to Robicheaux. See more »
Hate to be cliché voting this 7/10 but thought it was appropriate for a film of this nature.
I was sceptical, like I imagine many were, when I first heard they were remaking The Magnificent Seven since the original is such a classic. Being a fan of westerns in particular, I will jump at the chance to see a western in the cinema.
I really don't think this was a bad movie by any stretch of the imagination. It upholds some originality rather than just blindly following the original script and attempts a more modern and socially aware approach. This approach I do not necessarily agree with as it comes across far too forced at times, like they were attempting to recognise as many different races or even 'minorities' as possible.
It was cheesy at times, there is no doubt about this, but classically westerns were styled this way, being melodramatic at times and maybe one too many standoffs with intense close ups of characters staring at each other. In a way I like this though. I thought it paid almost tribute to the classic westerns of the 1950s and 60s. The famous lighting another mans cigar' scene was a pretty neat addition, and instantly reminded me of 'The Good, The Bad & The Ugly'.
The build up was worth it too was an awesome showdown and shootout, lots of well delivered performances and cleverly directed fight scenes. Not a bad film at all but definitely not a masterpiece. Worth your time if you're a fan of the genre.
27 of 45 people found this review helpful.
Was this review helpful to you?
| Report this