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The Wild Bunch (1969)

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An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

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Writers:

(screenplay), (screenplay) | 2 more credits »
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4,481 ( 220)
Nominated for 2 Oscars. Another 5 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Pike Bishop
... Dutch Engstrom
... Deke Thornton
... Freddie Sykes
... Lyle Gorch
... Angel (as Jaime Sanchez)
... Tector Gorch
... Mapache (as Emilio Fernandez)
... Coffer
... T.C
... Harrigan
... Crazy Lee
... Wainscoat
Paul Harper ... Ross
Jorge Russek ... Zamorra
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Storyline

It's 1913, and the "traditional" American West is dying. Among the inhabitants of this dying era are an outlaw gang called "The Wild Bunch." After a failed railroad office robbery, the gang heads to Mexico to do one last job. Seeing their times and lives drifting away in the newly formed world of the 20th century, the gang takes the job and ends up in a brutally violent last stand against their enemies deemed to be corrupt, in a small Mexican town ruled by a ruthless general. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

Suddenly a new West has emerged. Suddenly it was sundown for nine men. Suddenly their day was over. Suddenly the sky was bathed in blood. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

7 August 1969 (Hong Kong)  »

Also Known As:

Divlja horda  »

Filming Locations:

 »

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Box Office

Budget:

$6,244,087 (estimated)

Gross USA:

$638,641, 31 December 1995
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

(director's cut)

Sound Mix:

(70 mm prints)| (1995 re-release)| (1995 re-release)| (35 mm prints)| (1995 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to L.Q. Jones, he and Strother Martin approached director Sam Peckinpah with an idea to add more depth to their characters (T.C. and Coffer). The idea was to add a hint of a homosexual relationship between their characters. Peckinpah liked the idea and the footage made it into the final release version. See more »

Goofs

The American soldiers in the movie wear a pattern of shirt which buttons all the way up the front. During this period of time, U.S. Army shirts were pullovers and buttoned part way down the front. The shirt depicted in the film is similar, but was not adopted until later. See more »

Quotes

[first lines]
[indistinct voices]
Rev. Wainscoat: Do not drink wine or strong drink, thou, nor thy sons with thee, least ye shall die. Look not though upon the wine when it is red, and when it bringeth his color in the cup, when it moveth itself aright at the last, it biteth like a serpent and stingeth like an adder. Now folks, that's from the Good Book, but in this here town it's five cents a glass. Five cents a glass, now does anyone think that that is a price of a drink?
See more »

Connections

Referenced in The Devil's Rejects (2005) See more »

Soundtracks

Shall We Gather at the River?
(uncredited)
Written by Robert Lowry
Played by the Temperance Union Band in the shootout at Starbuck
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Frequently Asked Questions

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User Reviews

Let's go.
10 December 1999 | by See all my reviews

I got this movie on DVD at the suggestion of my brother. I admit to knowing nothing about it's director and a complete lack of familiarity with most of it's actors or the mythology behind it's production (I was born years after it was made). I can, however, safely say this: this is one of the greatest movies ever made. Every aspect of the film is flawless, from the acting to the cinematography to the script.

This is also the most truly macho of all macho movies. It's not cartoonish machismo, rather it's the kind of machismo you see in drywall hangers: no-nonsense comments like "We're after men" and "Let's go" predominate, the men don't swagger around and violence is approached (fairly) honestly. The reserved dialogue and physicality reminds me of "Seven Samaurai" (to which this film owes a great deal). To me, that is the highest praise that I can give a movie.

The photography is amazing: the desert looks sweltering and parched, the close-ups of actor's faces outdoes Sergio Leone and the action is probably the best ever filmed. Scorcese and Tarantino obviously owe a lot to Peckinpaw. The scene during the opening credits of "Reservoir Dogs" is a direct lift from this movie, just to cite one of countless examples.

The acting is on par with the direction. Robert Ryan steals the show and, c'mon, who doesn't love Ernest?

Some would poo-poo the films treatment of women, and I am not going to get involved in that debate. Just go see it because, like the best movies, it immerses you in a time and place. Smell the sage!


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