Martin Riggs and Roger Murtaugh pursue a former LAPD officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
After a successful heist, Porter is shot by his wife and his best friend. They leave him there to die but when he recovers, he seeks revenge and wants his share of the money.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
After being exiled from the most advanced town in post apocalyptic Australia, a drifter travels with a group of abandoned children to rebel against the town's queen.
Riggs and Murtaugh are trying to take down some drug dealers but the they turn out to be not run of the mill drug dealers; they have automatic weapons and helicopters. Eventually they grab one of their vehicles and find a million dollars worth of gold coins or Krugerrands in the trunk. Later Murtaugh is threatened by the men they're pursuing. That's when the Captain reassigns them to protect a man named Leo Getz who is suppose to testify in a big case. When they get to where Leo is, someone tries to kill him and that's when they learn he laundered half a billion dollars worth of drug money. He then takes them to a place he once went to and that's when the people there start shooting at them. Later when they come back with back up they learn that the men work for the South African consulate and have diplomatic immunity. They deduce that they are the ones they were looking for, but because of they have diplomatic immunity they can't do anything.Written by
rcs0411@yahoo.com
Even before suffering any collision damage, Murtagh's wife's station wagon has no rear view mirror. See more »
Goofs
The Murtaugh's record the condom commercial during a showing of Tales from the Crypt. In 1989, this program was shown on HBO, which never airs commercials. See more »
Quotes
Trish Murtaugh:
[holds up a gold pen]
Is this your pen?
Martin Riggs:
Thanks,
[takes it]
Martin Riggs:
I keep losing it.
[he goes back to cuting up the vegetables]
Trish Murtaugh:
Something's wrong.
Martin Riggs:
Naw, not really, just another goddamn pen.
[He ignores her for awhile]
Trish Murtaugh:
You were saying about the pen.
Martin Riggs:
Oh, it just reminds me of something thats all.
[...] See more »
Crazy Credits
The Merrie Melodies theme is briefly heard during the opening sequence. See more »
"Lethal Weapon 2" is the type of sequel you don't screw with, for fear of getting seriously beat up if you do. Luckily the praise comes as easily as the film is good -- and boy, is it good.
If you haven't seen "Lethal Weapon" (1987), get off your computer, drop that Cheez-It out of your hand, rush to your closest video outlet and buy it. If you have seen it, then drop that Cheez-It out of your hand, rush to your closest video outlet and buy the sequel, "Lethal Weapon 2." It's a real ball-breaker, a bruiser, the type of film where the heroes get beat up mercilessly but when they get mad, boy are they mad, and they tear apart everything in their path that is standing in their way. There's a particular shoot-out scene aboard a docked ship where Riggs (Mel Gibson) goes on a rampage and really kicks butt with a vengeance.
But I think I'm getting ahead of myself.
The film opens with a high-speed car chase on a freeway in Downtown LA. Martin Riggs and Roger Murtaugh (Danny Glover) are in hot pursuit, tearing up Murtaugh's wife's brand-new car as they chase the speeder through an underground tunnel, up a bridge, and so on and so forth.
When they finally catch the speeder they find African gold hidden in the back of his truck. Soon they are being threatened to stay off of the case by African diplomats, one of whom Riggs really enjoys annoying. They can't arrest them because of diplomatic immunity, so Riggs goes in and shoots up the place where they're staying.
Riggs finds himself a new girl (Patsy Kensit), while Murtaugh protects a federal witness named Leo Getz (Joe Pesci), a lovable little blabbermouth who likes being one of the cops. He waddles around throughout the film like a little eager puppy, ready to do anything he's told. Of course Riggs and Murtaugh pick on him throughout the movie, but their friendship is a sort of love-to-hate, explained in "Lethal Weapon 4" (1997).
What a hard action movie/sequel this is. I had heard nothing very positive about this movie until right before I saw it. I sat down, watched it directly after I watched "Lethal Weapon," and realized just how great of a sequel it really is. It's not repetitive -- it continues the character progression and friendship seen at the end of "Lethal Weapon," while at the same time adding a bit more humor than the first film.
One of the things I praise about the first "Lethal Weapon" movie is that the characters didn't just suddenly agree to like each other at the end of the movie like so many films. They gradually learned to trust each other throughout the film, adding a sense of true friendship and realism to the film. In "Lethal Weapon 2," the friendship between Martin Riggs and Roger Murtaugh is definitely expanded more to the point where they're best buddies. Most of the time when there is a sequel to a cop-buddy film, the directors and writers are afraid to continue the friendship. They seem to forget the end of the original film, and in the second film the characters hate each other again and the progress of friendship starts all over again. (As seen in such films as "Another 48 Hrs.")
But "Lethal Weapon 2" is brave -- it isn't afraid to continue the story. I think that might be part of what makes it such a great, well-rounded series. It never really repeats itself, it always seems eager to move forward and ignore the past. The first film was a humorous, hard cop-buddy film about two opposites learning to trust each other. The second movie is a continuation of their friendship. The third film is almost a full-out comedy. And the fourth film is a tribute to the first three. Darn good film-making here.
"Lethal Weapon 2" is quite possibly one of the best sequels of all time. It avoids repetitions, it avoids cop-buddy clichés, and when it all comes down to it, Mel Gibson and Danny Glover and Joe Pesci are such an amazing trio, that even if this film did follow the routine procedures I'd still love it. And you can't say that about many movies.
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"Lethal Weapon 2" is the type of sequel you don't screw with, for fear of getting seriously beat up if you do. Luckily the praise comes as easily as the film is good -- and boy, is it good.
If you haven't seen "Lethal Weapon" (1987), get off your computer, drop that Cheez-It out of your hand, rush to your closest video outlet and buy it. If you have seen it, then drop that Cheez-It out of your hand, rush to your closest video outlet and buy the sequel, "Lethal Weapon 2." It's a real ball-breaker, a bruiser, the type of film where the heroes get beat up mercilessly but when they get mad, boy are they mad, and they tear apart everything in their path that is standing in their way. There's a particular shoot-out scene aboard a docked ship where Riggs (Mel Gibson) goes on a rampage and really kicks butt with a vengeance.
But I think I'm getting ahead of myself.
The film opens with a high-speed car chase on a freeway in Downtown LA. Martin Riggs and Roger Murtaugh (Danny Glover) are in hot pursuit, tearing up Murtaugh's wife's brand-new car as they chase the speeder through an underground tunnel, up a bridge, and so on and so forth.
When they finally catch the speeder they find African gold hidden in the back of his truck. Soon they are being threatened to stay off of the case by African diplomats, one of whom Riggs really enjoys annoying. They can't arrest them because of diplomatic immunity, so Riggs goes in and shoots up the place where they're staying.
Riggs finds himself a new girl (Patsy Kensit), while Murtaugh protects a federal witness named Leo Getz (Joe Pesci), a lovable little blabbermouth who likes being one of the cops. He waddles around throughout the film like a little eager puppy, ready to do anything he's told. Of course Riggs and Murtaugh pick on him throughout the movie, but their friendship is a sort of love-to-hate, explained in "Lethal Weapon 4" (1997).
What a hard action movie/sequel this is. I had heard nothing very positive about this movie until right before I saw it. I sat down, watched it directly after I watched "Lethal Weapon," and realized just how great of a sequel it really is. It's not repetitive -- it continues the character progression and friendship seen at the end of "Lethal Weapon," while at the same time adding a bit more humor than the first film.
One of the things I praise about the first "Lethal Weapon" movie is that the characters didn't just suddenly agree to like each other at the end of the movie like so many films. They gradually learned to trust each other throughout the film, adding a sense of true friendship and realism to the film. In "Lethal Weapon 2," the friendship between Martin Riggs and Roger Murtaugh is definitely expanded more to the point where they're best buddies. Most of the time when there is a sequel to a cop-buddy film, the directors and writers are afraid to continue the friendship. They seem to forget the end of the original film, and in the second film the characters hate each other again and the progress of friendship starts all over again. (As seen in such films as "Another 48 Hrs.")
But "Lethal Weapon 2" is brave -- it isn't afraid to continue the story. I think that might be part of what makes it such a great, well-rounded series. It never really repeats itself, it always seems eager to move forward and ignore the past. The first film was a humorous, hard cop-buddy film about two opposites learning to trust each other. The second movie is a continuation of their friendship. The third film is almost a full-out comedy. And the fourth film is a tribute to the first three. Darn good film-making here.
"Lethal Weapon 2" is quite possibly one of the best sequels of all time. It avoids repetitions, it avoids cop-buddy clichés, and when it all comes down to it, Mel Gibson and Danny Glover and Joe Pesci are such an amazing trio, that even if this film did follow the routine procedures I'd still love it. And you can't say that about many movies.