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The Good, the Bad and the Ugly (1966)

Il buono, il brutto, il cattivo (original title)
Trailer
3:24 | Trailer
A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Director:

Sergio Leone

Writers:

Luciano Vincenzoni (story), Sergio Leone (story) | 4 more credits »
Popularity
362 ( 114)
Top Rated Movies #9 | 1 win & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
Eli Wallach ... Tuco
Clint Eastwood ... Blondie
Lee Van Cleef ... Sentenza / Angel Eyes
Aldo Giuffrè ... Alcoholic Union Captain (as Aldo Giuffre')
Luigi Pistilli ... Father Pablo Ramirez
Rada Rassimov ... Maria
Enzo Petito Enzo Petito ... Storekeeper
Claudio Scarchilli Claudio Scarchilli ... Mexican Peon
John Bartha ... Sheriff (as John Bartho)
Livio Lorenzon Livio Lorenzon ... Baker
Antonio Casale ... Jackson / Bill Carson
Sandro Scarchilli Sandro Scarchilli ... Mexican Peon
Benito Stefanelli Benito Stefanelli ... Member of Angel Eyes' Gang
Angelo Novi Angelo Novi ... Monk
Antonio Casas ... Stevens
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Storyline

Blondie (The Good) (Clint Eastwood) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) (Lee Van Cleef) is a hitman who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) (Eli Wallach) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows ... Written by Jeremy Thomson

Plot Summary | Plot Synopsis

Taglines:

They formed an alliance of hate to steal a fortune in dead man's gold See more »

Genres:

Western

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

When Blondie (Clint Eastwood) and Angel Eyes (Lee Van Cleef) are travelling to the cemetery, Blondie shoots a skulker, then counts the number of people that will be travelling together. He says, "Six. A perfect number." In mathematics, a number is perfect if the sum of its factors (excluding itself) equals itself. Six is a perfect number because 1, 2, and 3 are factors and 1 + 2 + 3 = 6. (The next perfect number is 28.) See more »

Goofs

When Angel Eyes enters the house at the beginning you can see a radiant station antenna in the background. See more »

Quotes

[first lines]
Stevens: You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Stevens: Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Stevens: Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....
See more »

Alternate Versions

In 2003, MGM Studios (current owner of the producing studio, United Artists) in association with Martin Scorcese, Clint Eastwood, and original producer Alberto Grimaldi, painstakingly restored the original 3-hour Italian version using the 14 minutes that had been previously cut (and used only as a supplement on the DVD). Because these scenes had never before been dubbed into English, Clint Eastwood and Eli Wallach (as well as voice doubles filling in for actors who had since passed away) were brought in to re-dub their lines into English. The film was also remastered in six-track Dolby Digital. This version premiered on cable's American Movie Classics network. It has also been released in revival film houses in the U.S. and in Australia. See more »

Connections

Spoofed in Die Zombiejäger (2005) See more »

Soundtracks

The Story Of A Soldier
by Tommie Connor
See more »

User Reviews

 
The King of Cool
21 August 2006 | by dr_foremanSee all my reviews

On a partial first viewing, I didn't like "The Good, the Bad and the Ugly." I thought it was a slow, tedious story about a bunch of unpleasant jerk characters involved in a bog-standard conflict over money. It all seemed very macho and self-consciously cool, and it had obviously inspired all the overrated macho directors I don't like in my own generation - Tarantino, for example, and Robert Rodriguez. In short, I was unimpressed.

Years later, I gave the film a second shot, watching it all the way through this time. I loved it. What had changed?

For one thing, I took more notice of the technical side of the film. I paid attention to Leone's famous use of close-ups, his selection of memorable character actors, and his wonderful scene-setting. I admired the detailed sets and the sweeping landscapes, the props and the costumes and all those weird, wonderful faces that Leone clearly loved to photograph.

I also got hooked by some of the quieter moments that I had skipped over in my first viewing. One of the most effective scenes involves Eli Wallach's character, Tuco, quarreling with his brother when they meet after they've been apart for years. Their argument is great, emotionally charged stuff, made all the more effective by the suggestion that they really do love and care about each other. It's the kind of sensitive, human scene you never get to see in a Tarantino or Rodriguez movie.

Before I get too fuzzy-wuzzy, I should also like to point out that, on my second viewing, I LOVED all the action, too. Every gunfight is great, in its own way, and they're all a bit different. The greatest of them all is, of course, the final confrontation between the trio, which is accompanied by some of the most rousing music I've ever heard in a film. And hey, there's even a huge Civil War battle to provide a change of pace from all the small-scale action.

Ultimately, "The Good, the Bad and the Ugly" is probably just a potboiler of a film, without too much to say about, for example, the human condition. But what a potboiler! It doesn't have to try to be cool - it simply IS cool. In fact, it probably defined heroic coolness for an entire generation. Eli Wallach's performance, Leone's direction and Morricone's music alone are enough to elevate it to classic status - and the fact that everything else in the movie is great, too, helps elevate it to the level of perhaps the greatest action film ever made.

And to think, I missed all that the first time through...


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Details

Country:

Italy | Spain | West Germany

Language:

Italian | English | Spanish

Release Date:

29 December 1967 (USA) See more »

Also Known As:

The Good, the Ugly, the Bad See more »

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Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$25,100,000

Cumulative Worldwide Gross:

$25,252,481
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (dubbed) | (2003 extended English) | (1968) (cut)

Sound Mix:

Mono | Dolby Digital (2003 Extended English version)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »

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