The Good, the Bad and the Ugly (1966)

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Director:

Sergio Leone

Writers:

Luciano Vincenzoni (story), Sergio Leone (story)

Stars:

Clint Eastwood, Eli Wallach, Lee Van Cleef

Top Rated Movies #9 | 1 win & 3 nominations.

Cast

Cast overview, first billed only:
Eli Wallach	...	Tuco
Clint Eastwood	...	Blondie
Lee Van Cleef	...	Sentenza / Angel Eyes
Aldo Giuffrè	...	Alcoholic Union Captain (as Aldo Giuffre')
Luigi Pistilli	...	Father Pablo Ramirez
Rada Rassimov	...	Maria
Enzo Petito	...	Storekeeper
Claudio Scarchilli	...	Mexican Peon
John Bartha	...	Sheriff (as John Bartho)
Livio Lorenzon	...	Baker
Antonio Casale	...	Jackson / Bill Carson
Sandro Scarchilli	...	Mexican Peon
Benito Stefanelli	...	Member of Angel Eyes' Gang
Angelo Novi	...	Monk
Antonio Casas	...	Stevens

Storyline

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...

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Plot Keywords:

spaghetti western | new mexico territory | sonora mexico | mexico | arizona desert | 

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Taglines:

For Three Men The Civil War Wasn't Hell. It Was Practice!

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Genres:

Western

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Certificate:

R

Details

Country:

Italy Spain West Germany

Language:

Italian

Release Date:

29 December 1967 (USA)

Also Known As:

The Good, the Bad and the Ugly

Filming Locations:

Mini Hollywood, Tabernas, Almería, Andalucía, Spain

Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$6,100,000

Company Credits

Production Co:

Produzioni Europee Associate (PEA),Arturo González Producciones Cinematográficas,Constantin Film

Technical Specs

Runtime:

161 min 186 min (dubbed) 179 min (2003 extended English) 142 min (1968) (cut)

Sound Mix:

Mono Dolby Digital (2003 Extended English version)

Color:

Color (Technicolor) (Techniscope)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Filming had a short delay when Clint Eastwood refused to turn up for work until Sergio Leone agreed to his $250,000 fee in addition to a new Ferrari.

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Goofs

The date of death on Arch Stanton's grave is 3 February 1862 - a few months before the setting of the film. The body inside, however, has undergone several years of decomposition.

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Quotes

[first lines]
Stevens: You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Stevens: Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Stevens: Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....

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Connections

Referenced in Big Fat Liar (2002)

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Soundtracks

The Ecstasy of Gold
Written by Ennio Morricone

User Reviews

The King of Cool

On a partial first viewing, I didn't like "The Good, the Bad and the Ugly." I thought it was a slow, tedious story about a bunch of unpleasant jerk characters involved in a bog-standard conflict over money. It all seemed very macho and self-consciously cool, and it had obviously inspired all the overrated macho directors I don't like in my own generation - Tarantino, for example, and Robert Rodriguez. In short, I was unimpressed.

Years later, I gave the film a second shot, watching it all the way through this time. I loved it. What had changed?

For one thing, I took more notice of the technical side of the film. I paid attention to Leone's famous use of close-ups, his selection of memorable character actors, and his wonderful scene-setting. I admired the detailed sets and the sweeping landscapes, the props and the costumes and all those weird, wonderful faces that Leone clearly loved to photograph.

I also got hooked by some of the quieter moments that I had skipped over in my first viewing. One of the most effective scenes involves Eli Wallach's character, Tuco, quarreling with his brother when they meet after they've been apart for years. Their argument is great, emotionally charged stuff, made all the more effective by the suggestion that they really do love and care about each other. It's the kind of sensitive, human scene you never get to see in a Tarantino or Rodriguez movie.

Before I get too fuzzy-wuzzy, I should also like to point out that, on my second viewing, I LOVED all the action, too. Every gunfight is great, in its own way, and they're all a bit different. The greatest of them all is, of course, the final confrontation between the trio, which is accompanied by some of the most rousing music I've ever heard in a film. And hey, there's even a huge Civil War battle to provide a change of pace from all the small-scale action.

Ultimately, "The Good, the Bad and the Ugly" is probably just a potboiler of a film, without too much to say about, for example, the human condition. But what a potboiler! It doesn't have to try to be cool - it simply IS cool. In fact, it probably defined heroic coolness for an entire generation. Eli Wallach's performance, Leone's direction and Morricone's music alone are enough to elevate it to classic status - and the fact that everything else in the movie is great, too, helps elevate it to the level of perhaps the greatest action film ever made.

And to think, I missed all that the first time through...