The Good, the Bad and the Ugly (1966)

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Director:

Sergio Leone

Writers:

Luciano Vincenzoni (story), Sergio Leone (story)

Stars:

Clint Eastwood, Eli Wallach, Lee Van Cleef

Top Rated Movies #9 | 1 win & 3 nominations.

Cast

Cast overview, first billed only:
Eli Wallach	...	Tuco
Clint Eastwood	...	Blondie
Lee Van Cleef	...	Sentenza / Angel Eyes
Aldo Giuffrè	...	Alcoholic Union Captain (as Aldo Giuffre')
Luigi Pistilli	...	Father Pablo Ramirez
Rada Rassimov	...	Maria
Enzo Petito	...	Storekeeper
Claudio Scarchilli	...	Mexican Peon
John Bartha	...	Sheriff (as John Bartho)
Livio Lorenzon	...	Baker
Antonio Casale	...	Jackson / Bill Carson
Sandro Scarchilli	...	Mexican Peon
Benito Stefanelli	...	Member of Angel Eyes' Gang
Angelo Novi	...	Monk
Antonio Casas	...	Stevens

Storyline

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...

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Plot Keywords:

spaghetti western | new mexico territory | sonora mexico | arizona desert | arizona | 

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Taglines:

For Three Men The Civil War Wasn't Hell. It Was Practice!

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Genres:

Western

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Certificate:

R

Details

Country:

Italy Spain West Germany

Language:

Italian English Spanish

Release Date:

29 December 1967 (USA)

Also Known As:

The Good, the Ugly, the Bad

Filming Locations:

Mini Hollywood, Tabernas, Almería, Andalucía, Spain

Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$25,100,000

Cumulative Worldwide Gross:

$25,252,481

Company Credits

Production Co:

Produzioni Europee Associate (PEA), Arturo González Producciones Cinematográficas, Constantin Film

Technical Specs

Runtime:

161 min 186 min (dubbed) 179 min (2003 extended English) 142 min (1968) (cut)

Sound Mix:

Mono Dolby Digital (2003 Extended English version)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In the cemetery ring, the three men begin to position themselves for the shootout. Angel Eyes moves to the left, crossing in front of Tuco. This is an awkward and dangerous move considering how easy it would be just to head to his right away from his adversary. That is until you notice that Angel Eyes is maneuvering himself to have the sun at his back; a hard and fast rule of gunslingers.

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Goofs

When Blondie and Tuco are carrying the explosives on the stretcher, at first the stretcher is missing several wooden slats, but as they approach the bridge, it changes into a completely different stretcher with no missing slats.

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Quotes

[first lines]
Stevens: You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Stevens: Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Stevens: Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....

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Alternate Versions

The versions of this film can be summarized as follows:

• The full Italian version runs about 174m.
• The "International Export"/ Original U.S. theatrical version supervised by Leone runs 161m - this is the version available on VHS, laserdisc and DVD in the UK and USA. The other 14m were never dubbed into English - these additional sequences appear as extras on both the UK and USA DVD releases and the last laserdisc release.
• In the UK the theatrical release was cut by the BBFC and ran to a similar run time of 161m due to distributor cuts and censorship cuts - the main distributor cut was the removal of the entire scene with Eli Wallach in the gun shop; the censors hacked about 2m out of the scene when Wallach is tortured by Mario Brega in the prison. It is believed the 1986 UK VHS contains this BBFC cut since later videos from 1999 are slightly longer (c. 1 minute). UK videos and DVDs released from 1999 are uncut and run 161m (156m PAL running time). Various other scenes may have been filmed but excised by Leone before release. One of the laserdisc releases contains a still on the inside cover of Eastwood in bed with a woman that has never appeared in any version of the film.

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Connections

Referenced in The Jimmy Timmy Power Hour 2: When Nerds Collide (2006)

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Soundtracks

The Ecstasy of Gold
Written by Ennio Morricone

User Reviews

Brutal, brilliant, and one of the best Westerns ever made

A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western.

The three main characters make the film. Lee Van Cleef (`The Bad') is evil personified. Totally ruthless, he'll do whatever it takes to get what he wants. Clint Eastwood (`The Good') is the Man With No Name, not really `good' in a traditional sense . . . but he has a certain sense of honor and tries to do the right thing. (Watch the scene when he gives a dying Confederate soldier a puff of his cigar - powerful, and it sums up everything that the Man With No Name is all about, without saying a single word.) Eli Wallach (`The Ugly') is Tuco, and he's easily the most complex - if not the best - character in the film. All impulse and rage, Tuco spins wildly throughout the movie, stealing, lying, pretending to be Clint Eastwood's best friend in one scene, trying to kill him in another - Tuco truly represents `the ugly' side of people.

The movie is long, but there's not a wasted scene in the film. Each one slowly lets the film unfold with a certain style and grace, revealing more about each character and what's going on. The pacing is incredible, as is the direction - Sergio Leone manages to build a lot of uncomfortable tension in the film, keeping the film from ever getting predictable. Any typical Western cliché that you can possibly think of is either given a unique twist or utterly destroyed by Leone's masterful storytelling. Of special mention is Ennio Morricone's score, which is absolutely perfect. Two scenes - one in a Union prison camp, one in the climatic gunfight in the cemetery at the end of the film - are amazing on their own, but they become absolutely astonishing with combined with Morricone's powerful score.

This movie is absolutely brilliant. If you haven't seen it yet, I strongly urge to do so. Immediately. (And then, go watch `Unforgiven' . . . in a way, I think that `Unforgiven' is the sequel to `The Good, the Bad, and the Ugly - it's the story of what eventually happened to the Man With No Name.) `The Good, the Bad, and the Ugly' is easily one of the best Westerns ever made. A++