Douglas Quaid is haunted by a recurring dream about a journey to Mars. He hopes to find out more about this dream and buys a holiday at Rekall Inc. where they sell implanted memories. But something goes wrong with the memory implantation and he remembers being a secret agent fighting against the evil Mars administrator Cohaagen. Now the story really begins and it's a rollercoaster ride until the massive end of the movie.Written by
Harald Mayr <firstname.lastname@example.org>
Arnold Schwarzenegger noticed that Michael Ironside was constantly on the phone between takes. When he broached the subject with Ironside, he was told that he was phoning his sister and that she was currently suffering from cancer. Arnold immediately brought Michael to his trailer and they had an hour-long 3-way conversation with Ironside's sister about what exercises she should do and what kinds of foods she should be eating. Ironside has never forgotten Schwarzenegger's kindness and neither has his sister. See more »
The piece of the chocolate bar that Quaid hides the tracking bug in changes size after it is picked up by the rats. See more »
[Doug awakens from a nightmare]
Doug? Honey, are you all right?
You were dreaming. Doug? Was it about Mars?
Is that better?
My poor baby. This is getting to be an obsession.
See more »
Loosely inspired by one of Philip K. Dick's stories, this is a superb sci-fi action thriller set in a dystopic 2084 about a construction worker named Quaid who decides to go on a 'vacation' by having memories of a secret agent fantasy implanted into his brain, only for things to go horribly awry...or maybe not. Despite a few silly and cheesy moments, this is a wonderful, if violent action thriller that is both entertaining, and rather thought provoking. It really toys with that oft-used concept of blurring the line between what's real and what isn't, and this is one of the few films that actually does it quite well, with enough evidence to support multiple theories, with the true ending of the film dependent upon each viewer's own opinion. Like many of Verhoeven's American films, it's got a lot of violence, but provides a lot of thought provoking ideas and material, often satirical, as well. It's all presented with some groundbreaking special effects (almost all of them done practically or in camera as opposed to CGI), a terrific score by Jerry Goldsmith, and some decent, if sometimes silly, but still fun performances. And let's not forget about the most memorable thing this film has to offer: a three-breasted mutant prostitute! Definitely give this one a watch. It's not flawless, but it is remarkably strong, and easily one of both Verhoeven and Schwarzenegger's best films.
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