![Image](https://m.media-amazon.com/images/M/MV5BM2VlZDc5NjAtYzYyYi00OTFjLTk1NzktY2M0MmFlZmUzNDU4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
“Borat Subsequent Moviefilm,” “Minari,” “One Night in Miami,” “Soul” and “The Trial of the Chicago 7” were among the feature films honored by the Casting Society of America at the 2021 Artios Awards.
The 36th annual Artios Awards, held by the Casting Society of America in its first-ever worldwide virtual ceremony, honored excellence in casting across feature films, television and theater on Thursday night.
Television winners included “A Black Lady Sketch Show,” “Euphoria,” “Normal People,” “Queer Eye,” “Succession” and “What We Do in the Shadows.”
The Hoyt Bowers Award went to Robi Reed and Tara Rubin, the first time two casting directors were honored for this award.
The European Chapter Artios Awards also made a presentation to Suzanne Smith with the Capelier-Shaw Award for Excellence in Casting.
The Associate Spotlight Award was presented to associate casting directors Michael Rios and Gianna Butler.
“Tonight’s Artios Award ceremony once again celebrated the...
The 36th annual Artios Awards, held by the Casting Society of America in its first-ever worldwide virtual ceremony, honored excellence in casting across feature films, television and theater on Thursday night.
Television winners included “A Black Lady Sketch Show,” “Euphoria,” “Normal People,” “Queer Eye,” “Succession” and “What We Do in the Shadows.”
The Hoyt Bowers Award went to Robi Reed and Tara Rubin, the first time two casting directors were honored for this award.
The European Chapter Artios Awards also made a presentation to Suzanne Smith with the Capelier-Shaw Award for Excellence in Casting.
The Associate Spotlight Award was presented to associate casting directors Michael Rios and Gianna Butler.
“Tonight’s Artios Award ceremony once again celebrated the...
- 4/16/2021
- by Jazz Tangcay
- Variety Film + TV
!["The Golden Globe Awards - 66th Annual" (Telecast) Sacha Baron Cohen](https://m.media-amazon.com/images/M/MV5BMTUyOTM1NTA4NF5BMl5BanBnXkFtZTcwNDg3NjEwMw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
!["The Golden Globe Awards - 66th Annual" (Telecast) Sacha Baron Cohen](https://m.media-amazon.com/images/M/MV5BMTUyOTM1NTA4NF5BMl5BanBnXkFtZTcwNDg3NjEwMw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Two films starring Sacha Baron Cohen, “Borat Subsequent Moviefilm” and “The Trial of the Chicago 7,” were among the film winners at the Casting Society of America’s 36th annual Artios Awards, which were presented on Thursday evening in a virtual ceremony hosted by Yvette Nicole Brown.
“Borat” won in the big-budget comedy category, while “Chicago 7” won for big-budget drama.
In other film categories, the award for casting studio or independent films went to “The 40-Year-Old Version” for comedy and “One Night in Miami” for drama. “Minari” won the award for a low-budget film, while “The Surrogate” won for micro budget. “Soul” won the award for casting an animated film.
Television winners included “The Great,” “Euphoria,” “What We Do in the Shadows,” “Succession” and “Normal People.”
Awards for theater, which was closed for most of 2020, included the Broadway shows “Slave Play,” “Tina: The Tina Turner Musical” and “A Soldier’s Play.
“Borat” won in the big-budget comedy category, while “Chicago 7” won for big-budget drama.
In other film categories, the award for casting studio or independent films went to “The 40-Year-Old Version” for comedy and “One Night in Miami” for drama. “Minari” won the award for a low-budget film, while “The Surrogate” won for micro budget. “Soul” won the award for casting an animated film.
Television winners included “The Great,” “Euphoria,” “What We Do in the Shadows,” “Succession” and “Normal People.”
Awards for theater, which was closed for most of 2020, included the Broadway shows “Slave Play,” “Tina: The Tina Turner Musical” and “A Soldier’s Play.
- 4/16/2021
- by Steve Pond
- The Wrap
The Casting Society of America (Csa) is kicking off its 31st year right with an exciting list of TV, theater, Web series, and short film nominees for their Artios Awards, set to take place at the height of awards season on Jan. 21. Recognized in the comedy TV series category are last year’s winner Jennifer Euston (“Orange Is the New Black”), who was also nominated in the TV pilot comedy category for Netflix’s “Unbreakable Kimmy Schmidt”; Jeanne McCarthy, the CD behind “Silicon Valley” who also cast the five–time Oscar nominated “Foxcatcher” and landed Amy Adams her Golden Globe–winning role in “Big Eyes;” Eyde Belasco for the groundbreaking Amazon original “Transparent,” starring Jeffrey Tambor; and others. In the TV drama category: Debra Zane for “Bloodline”; Leah Daniels Butler for “Empire”; Nina Gold for “Game of Thrones”; Mark Saks for “The Good Wife”; and Laray Mayfield for “House of Cards” were all recognized.
- 8/24/2015
- backstage.com
The Casting Society of America has announced its nominees for the 30th annual Artios Awards’ feature film categories after moving its date from November to the height of awards season. The shift has made space for casting directors on films like “Blue Jasmine” and “American Hustle,” released in 2013, to be nominated—the eligibility periond being July, 1, 2013 through Dec. 31, 2014. Casting director Francine Maisler leads the feature film pack with four nominations for her work on “Into the Woods,” “Captain Phillips,” “Birdman,” and “12 Years a Slave,” and James Calleri and company lead the awards overall with eight nominations in the theater categories. Indie drama nominees—in addition to Maisler for “Birdman”—include Terri Taylor for her casting of Miles Teller and speculated Oscar contender J.K. Simmons in “Whiplash”; Nina Gold for her casting of Eddie Redmayne, Felicity Jones, and Charlie Cox in the Stephen Hawking biopic “The Theory of Everything”; Ellen Chenoweth...
- 1/6/2015
- backstage.com
![James Calleri](https://m.media-amazon.com/images/M/MV5BMDY5Zjk3NWYtOTJlMS00MzIyLWE3YzAtODlhYTMxNjczMTNhXkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![James Calleri](https://m.media-amazon.com/images/M/MV5BMDY5Zjk3NWYtOTJlMS00MzIyLWE3YzAtODlhYTMxNjczMTNhXkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,2,140,207_.jpg)
While the Oscars have yet to make room for casting directors — a pivotal part of the Best Picture equation — the oversight isn't stopping the Casting Society of America from readying its third decade of picking up the Academy's slack. Csa announced Monday morning that the 30th Annual Artios Awards will honor Academy Award-nominated and Emmy Award-winning director Rob Marshall and Emmy Award-winning casting director Ellen Lewis for their individual work in the world of casting. The news arrives with nominations in categories of television, theater, new media and short film, and on the heels of the ceremony's move from November to Jan. 22, the thick of the awards season. Feature film nominations will be announced closer to the show date. Marshall, whose adaptation of Stephen Sondheim's "Into the Woods" bows Dec. 25, will receive the New York Apple Award, "recognizing individuals who have made special contributions to the New York entertainment...
- 9/22/2014
- by Matt Patches
- Hitfix
Emoticon;) is a female charged project led by Livia De Paolis whose end credits on the film fall under 'writer', 'director', 'producer', 'performed by' all behind her as the lead actress in this impressive first outing that premiered in competition at last year's Dances With Films Film Festival in Los Angeles in June. Emoticon;) is about Elena (De Paolis), a student struggling with her thesis on 'Modern means of communication' until she meets her new boyfriend's (Michael Cristofer) teenage kids who are dealing with their own identity issues and together they form and unlikely bond and embark on a journey of self discovery to better understand love and intimacy in a digital age. The cast is complimented by stage and screen veterans that include a wonderful Carol Kane, Sonia Braga and Daphne Rubin-Vega in what is a modern day New York story of people connecting the dots. LatinoBuzz met with tour-de-force Livia De Paolis and newcomer Diane Guerrero to find out more about their journey to Emoticon;).
LatinoBuzz: You are an actress, at what moment did you decide to write, direct and star in your own feature?
Livia: It was a bit of a process. Sarah Nerboso, my co-writer approached me and asked me to write something together. I said yes but we really didn’t do much about it for about one year. After that I realized that I really wanted to see this movie come to life and called her back, to finish the script. Once I got so invested in the writing of the script I was certainly going to figure out a way to make it happen. I knew I was going to act in it. As I did write it for myself, however the decision to direct came very last minute. As I was asking for help to anybody I knew, I realized everybody I’d talk to was kind of expecting for me to be the director. I think it was because I was very passionate about it and very assertive about what I wanted the movie to be. So at some point I embraced everybody’s expectation and decided to direct it myself. So, as I said it was a bit of a process. However I think the decision to make my own movie came from the fact that I was simply dissatisfied with the opportunity to act that were presented to me. Which, in all honesty were not a lot and not very fulfilling in any way. I would go to castings thinking: “What am I doing with myself? I don’t really want to get this job”. I think it was the best decision I could possibly take. I’m proud of it.
LatinoBuzz: How did you manage to assemble such a remarkable cast with the limited resources available?
Livia: I think the script was the basis for everything. I gave it to Casting Director James Calleri, who I knew because we worked together on a show at Rattlestick Theater. He was kind enough to read it and he liked it. He passed it on to the agencies. They liked it and provided me with fantastic casting options. So, I owe it James Calleri and his team. And to the wonderful actors who wanted to be in my movie, because they liked the script. It’s funny how everybody always asks me: “How did you get Carol Kane?” All I know is that I sent her the script and she said yes.
LatinoBuzz: What were your biggest challenges in making the film as a first time filmmaker?
Livia: Writing the script was a challenge. We rewrote it 19 times. Also having to be in control of every aspect of the production was extremely challenging. I’m glad I survived.
LatinoBuzz: What films influenced you in making Emoticon;) aesthetically. And did anyone in particular inspire you to pursue acting?
Livia: I always wanted to be an actress. My family was in the film industry in Italy so I always thought I was going to be an actress. I did admire Vivien Leigh while growing up, probably more then anybody else. But also Katherine Hepburn, Ingrid Bergman, Audrey Hepburn, Julie Andrews and of course Marilyn. Believe it or not I think the show 'Fame' was kind of influential. It was big in Italy and I would be watching it, dreaming of moving to NY to work in the theater. It’s crazy that I actually did it.
I only started pursuing an acting career after graduating from university. My parents really wanted me to graduate, it was important to them, and I’m actually glad I did get my degree. As for the movie I wanted to make a movie that was honest and transparent. That would show real people with their flaws, lies and heartaches. I wanted to show a longing for human connection. I wanted it to be soft spoken. And I wanted it to be an ensemble piece. I wanted it to be inclusive of all the different people that make up the city of New York. I was mostly inspired by Noah Baumbach’s movies, Todd Solondz, Miranda July, Robert Altman and the more light hearted Ingmar Bergman (Fanny and Alexander, Wild Strawberries). I was also influenced by one of the first movies from Italian filmmaker Gabriele Muccino (But Forever In My Mind).
LatinoBuzz: What do you want the audience to take away from the film?
Livia: I think my movie is trying to show how, as human beings we’re all magnificently flawed and inherently co-dependent. We need each other. And that’s a good thing. And I think it does matter to be reminded of that. I’d be happy if the audience would walk away with a more accepting attitude toward themselves, and toward whomever it is that they might be having a hard time forgiving. I think it’s good to be reminded that sometimes you think you’re going somewhere and you might actually end up somewhere else. And that is also a good thing.
LatinoBuzz: What advice would you give women aspiring to make the leap from actress to filmmaker?
Livia: Just do it. As actors we’re always told to be generous, with our performance and with ourselves.
So, to any actress that is thinking even remotely that maybe she’d like to tell a story her own way, I’d tell her to be generous and do it. We need more stories told from a feminine point of view. It is not easy. It is not as fun as acting is, I don’t think. It is a lot a work and it is big commitment. But it is so important. It is necessary. It can be done and it must be done.
LatinoBuzz: What got you into acting? Does your family support you in it?
Diane: I love entertaining people! It's who I am. I love making people happy and I like sharing my emotions and my heart with them whether they ask for it or not (haha). I figured what better way to do that than through acting. I think one of my best qualities is my ability to empathize with people. Perhaps it's because my journey has been so bumpy. Whatever the reason is, I am happiest when connecting with the human experience. It lets me know that I'm not alone in this world.
My family totally supports me and this path. As a little girl they saw I was passionate about the arts, and although they weren't proactive with taking me to castings and acting classes, they did let me be the household entertainment and even sing at the dinner table. When I told them I wanted to be an actress at 24 they wondered why it took me so long to come to the decision. The one thing that they stressed however was the importance to stay in school and making my own decisions. I definitely had to pave my own path which wasn't always the easiest thing to do.
LatinoBuzz: What was the one thing that made you connect to your character In Emoticon;)? And what do you find to be the most important trait you look for in a character?
Diane: What made me connect with Amanda in Emoticon;) was her desire to fit in and find her place in the world. The fact that she is a Latina longing for an understanding of herself in a 'white world'. Growing up I often wondered what it would be like to be adopted and grow up in a white family and how that would affect me. I felt a connection. It was also interesting to play someone so young. At first I felt insecure about being too old for the part but I soon learned that what acting is all about baby!?
At the moment I don't think I'm in the position to be picky about characters (I mean, lets be real). However I do get excited about characters that are a little rough around the edges and have tons of baggage. For my next role I'd like to play a Bag Lady.
LatinoBuzz: Have you found any challenges being a Latina in the industry?
Diane: It is challenging to be a Latina in this industry. There are very few parts to play and characters to play with. I think the way to over come it is by always showing up.
LatinoBuzz: Your dream role, dream director and dream co-star?
Diane: My dream role would be to play something mythical or regal. I would love to play a fairy, or a princess from a far away land. My dream director would be Pedro Almodovar for his mind bending narratives and Spike Lee for always keeping it real. My dream co-stars would be Penelope Cruz and Kevin Spacey.
LatinoBuzz: “In 5 years Diane Guerrero will...”
Diane: In 5 years Diane Guerrero will be consistently working in film, TV and theater. Working with great directors and actors who will help her grow as an actress.
LatinoBuzz: What are you working on next?
Diane: I recently finished the first season of the new Netflix series Orange is the New Black where I played the character of 'Mariza Ramos'.
Like Emoticon;) on Facebook and check here for screening information: Dances With Films.
Emoticon;) Opens in Theaters May 30th, 2014
L.A. Theater: http://www.laemmle.com/films/37737
NYC Theater: http://www.cinemavillage.com/chc/cv/show_movie.asp?movieid=3109
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow [At]LatinoBuzz on Twitter and Facebook.
LatinoBuzz: You are an actress, at what moment did you decide to write, direct and star in your own feature?
Livia: It was a bit of a process. Sarah Nerboso, my co-writer approached me and asked me to write something together. I said yes but we really didn’t do much about it for about one year. After that I realized that I really wanted to see this movie come to life and called her back, to finish the script. Once I got so invested in the writing of the script I was certainly going to figure out a way to make it happen. I knew I was going to act in it. As I did write it for myself, however the decision to direct came very last minute. As I was asking for help to anybody I knew, I realized everybody I’d talk to was kind of expecting for me to be the director. I think it was because I was very passionate about it and very assertive about what I wanted the movie to be. So at some point I embraced everybody’s expectation and decided to direct it myself. So, as I said it was a bit of a process. However I think the decision to make my own movie came from the fact that I was simply dissatisfied with the opportunity to act that were presented to me. Which, in all honesty were not a lot and not very fulfilling in any way. I would go to castings thinking: “What am I doing with myself? I don’t really want to get this job”. I think it was the best decision I could possibly take. I’m proud of it.
LatinoBuzz: How did you manage to assemble such a remarkable cast with the limited resources available?
Livia: I think the script was the basis for everything. I gave it to Casting Director James Calleri, who I knew because we worked together on a show at Rattlestick Theater. He was kind enough to read it and he liked it. He passed it on to the agencies. They liked it and provided me with fantastic casting options. So, I owe it James Calleri and his team. And to the wonderful actors who wanted to be in my movie, because they liked the script. It’s funny how everybody always asks me: “How did you get Carol Kane?” All I know is that I sent her the script and she said yes.
LatinoBuzz: What were your biggest challenges in making the film as a first time filmmaker?
Livia: Writing the script was a challenge. We rewrote it 19 times. Also having to be in control of every aspect of the production was extremely challenging. I’m glad I survived.
LatinoBuzz: What films influenced you in making Emoticon;) aesthetically. And did anyone in particular inspire you to pursue acting?
Livia: I always wanted to be an actress. My family was in the film industry in Italy so I always thought I was going to be an actress. I did admire Vivien Leigh while growing up, probably more then anybody else. But also Katherine Hepburn, Ingrid Bergman, Audrey Hepburn, Julie Andrews and of course Marilyn. Believe it or not I think the show 'Fame' was kind of influential. It was big in Italy and I would be watching it, dreaming of moving to NY to work in the theater. It’s crazy that I actually did it.
I only started pursuing an acting career after graduating from university. My parents really wanted me to graduate, it was important to them, and I’m actually glad I did get my degree. As for the movie I wanted to make a movie that was honest and transparent. That would show real people with their flaws, lies and heartaches. I wanted to show a longing for human connection. I wanted it to be soft spoken. And I wanted it to be an ensemble piece. I wanted it to be inclusive of all the different people that make up the city of New York. I was mostly inspired by Noah Baumbach’s movies, Todd Solondz, Miranda July, Robert Altman and the more light hearted Ingmar Bergman (Fanny and Alexander, Wild Strawberries). I was also influenced by one of the first movies from Italian filmmaker Gabriele Muccino (But Forever In My Mind).
LatinoBuzz: What do you want the audience to take away from the film?
Livia: I think my movie is trying to show how, as human beings we’re all magnificently flawed and inherently co-dependent. We need each other. And that’s a good thing. And I think it does matter to be reminded of that. I’d be happy if the audience would walk away with a more accepting attitude toward themselves, and toward whomever it is that they might be having a hard time forgiving. I think it’s good to be reminded that sometimes you think you’re going somewhere and you might actually end up somewhere else. And that is also a good thing.
LatinoBuzz: What advice would you give women aspiring to make the leap from actress to filmmaker?
Livia: Just do it. As actors we’re always told to be generous, with our performance and with ourselves.
So, to any actress that is thinking even remotely that maybe she’d like to tell a story her own way, I’d tell her to be generous and do it. We need more stories told from a feminine point of view. It is not easy. It is not as fun as acting is, I don’t think. It is a lot a work and it is big commitment. But it is so important. It is necessary. It can be done and it must be done.
LatinoBuzz: What got you into acting? Does your family support you in it?
Diane: I love entertaining people! It's who I am. I love making people happy and I like sharing my emotions and my heart with them whether they ask for it or not (haha). I figured what better way to do that than through acting. I think one of my best qualities is my ability to empathize with people. Perhaps it's because my journey has been so bumpy. Whatever the reason is, I am happiest when connecting with the human experience. It lets me know that I'm not alone in this world.
My family totally supports me and this path. As a little girl they saw I was passionate about the arts, and although they weren't proactive with taking me to castings and acting classes, they did let me be the household entertainment and even sing at the dinner table. When I told them I wanted to be an actress at 24 they wondered why it took me so long to come to the decision. The one thing that they stressed however was the importance to stay in school and making my own decisions. I definitely had to pave my own path which wasn't always the easiest thing to do.
LatinoBuzz: What was the one thing that made you connect to your character In Emoticon;)? And what do you find to be the most important trait you look for in a character?
Diane: What made me connect with Amanda in Emoticon;) was her desire to fit in and find her place in the world. The fact that she is a Latina longing for an understanding of herself in a 'white world'. Growing up I often wondered what it would be like to be adopted and grow up in a white family and how that would affect me. I felt a connection. It was also interesting to play someone so young. At first I felt insecure about being too old for the part but I soon learned that what acting is all about baby!?
At the moment I don't think I'm in the position to be picky about characters (I mean, lets be real). However I do get excited about characters that are a little rough around the edges and have tons of baggage. For my next role I'd like to play a Bag Lady.
LatinoBuzz: Have you found any challenges being a Latina in the industry?
Diane: It is challenging to be a Latina in this industry. There are very few parts to play and characters to play with. I think the way to over come it is by always showing up.
LatinoBuzz: Your dream role, dream director and dream co-star?
Diane: My dream role would be to play something mythical or regal. I would love to play a fairy, or a princess from a far away land. My dream director would be Pedro Almodovar for his mind bending narratives and Spike Lee for always keeping it real. My dream co-stars would be Penelope Cruz and Kevin Spacey.
LatinoBuzz: “In 5 years Diane Guerrero will...”
Diane: In 5 years Diane Guerrero will be consistently working in film, TV and theater. Working with great directors and actors who will help her grow as an actress.
LatinoBuzz: What are you working on next?
Diane: I recently finished the first season of the new Netflix series Orange is the New Black where I played the character of 'Mariza Ramos'.
Like Emoticon;) on Facebook and check here for screening information: Dances With Films.
Emoticon;) Opens in Theaters May 30th, 2014
L.A. Theater: http://www.laemmle.com/films/37737
NYC Theater: http://www.cinemavillage.com/chc/cv/show_movie.asp?movieid=3109
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow [At]LatinoBuzz on Twitter and Facebook.
- 5/28/2014
- by Juan Caceres
- Sydney's Buzz
Co-hosted by Michael Riedel and Susan Haskins, Cuny TV’s “Theater Talk” will host a conversation with leading casting directors James Calleri, Tara Rubin, and Bernie Telsey Saturday, Feb. 23, at 8:30 p.m. As Riedel puts it, casting directors are “gatekeepers” to getting roles for theater, film, and television. This group will discuss how they work with both directors and performers, in addition to swapping success stories from their careers. Most importantly, however, the hosts promise these master casting directors will reveal the number one secret to becoming a working actor. For this coveted piece of advice all aspiring actors will have to tune in. The show will also air on Cuny TV Sunday, Feb. 24, at 12:30 p.m. and Monday, Feb. 25 at 7:30 a.m., and again at 1:30 p.m. and 7:30 p.m.
- 2/20/2013
- backstage.com
Film and television production in New York City has grown significantly over the last decade and is currently the largest in the city's history. The industry generated $7.1 billion in revenue for the city in 2011, employing 130,000 people.Casting director James Calleri, who casts for theater, film, and television in New York, told Back Stage that the increase in onscreen opportunities also has far-reaching benefits for the theater community."If more actors are working in television or film, they're going to be more apt and able to afford working in the theater," he said, acknowledging that a life in the theater is not nearly as lucrative as film work. "The fact that there's enough jobs coming in that they can pay their bills by working on a TV show or doing a guest spot and then go do a play—that's really helpful for all of us."Calleri, who is also the New.
- 5/16/2012
- by help@backstage.com (Daniel Lehman)
- backstage.com
Playwright Tony Kushner, producer Marcy Carsey, and casting director Ellen Chenoweth will be honored by the Casting Society of America at this year's Artios Awards. The nominees for this year's awards—to be presented Nov. 1 in dual ceremonies at the Hyatt Regency Century Plaza Hotel in Los Angeles and the American Airlines Theatre in New York—were announced today. Kushner, Carsey, and Chenoweth will be presented with special awards. The complete list of nominees follows.Big budget feature, drama"Avatar," Margery Simkin and Mali Finn (initial casting)"Inglourious Basterds," Johanna Ray and Jenny Jue"Nine," Francine Maisler"Sherlock Holmes," Reg Poerscout-Edgerton"Shutter Island," Ellen Lewis and Carolyn Pickman (location casting)Big budget feature, comedy"Couples Retreat," Sarah Halley Finn and Randi Hiller"Date Night," Donna Isaacson"Julie and Julia," Francine Maisler"The Proposal," Amanda Mackey Johnson, Cathy Sandrich Gelfond, and Angela Peri (location casting)"Valentine's Day," Deborah Aquila and Tricia WoodFeature,...
- 9/15/2010
- backstage.com
Epic Theatre Ensemble announced today that it will honor James Calleri of Calleri Casting at its 2010 winter gala, titled "Spark," for championing bold Off-Broadway works and kick-starting the careers of many fine actors. The event will be held 6 p.m., March 1, at 24 Fifth Ave. (between Ninth and 10th streets). Appearances will be made by Kristen Johnston ("3rd Rock From the Sun") and Nina Arianda ("Venus in Fur"), who were discovered by Calleri. Also appearing will be two longtime members of the Obie Award–winning Epic Theatre: Kathleen Chalfant and Colman Domingo.
- 2/25/2010
- backstage.com
Casting directors came out from behind the curtain to be honored by their peers last night at the 25th Annual Artios Awards. The bi-coastal awards, which were held simultaneously at the new Times Center in New York City and the Hyatt Regency Century Plaza Hotel in Los Angeles, are presented yearly for outstanding achievement in casting in theater, film, and television categories on the criteria of originality, creativity, and contribution of casting to the overall quality of a project.Celebrity awards presenters in New York were Patrick Wilson ("Little Children," "Angels in America"), Carrie Preston ("True Blood"), Michael Shannon ("Revolutionary Road"), Jennifer Morrison ("House"), Bill Pullman ("Oleanna"), Christine Ebersole ("Grey Gardens"), Vincent Kartheiser ("Mad Men"), and Elizabeth Reaser ("Twilight"). Stanley Tucci and producer Daryl Roth presented the New York Big Apple Award to Nora Ephron and Delia Ephron, whose "Love, Loss and What I Wore" recently opened Off-Broadway to rave reviews.
- 11/3/2009
- backstage.com
"Star Trek," "Tropic Thunder," "Milk" and "Up" were among the films honored Monday night as the Casting Society of America held its 25th Artios Awards.
At simultaneous ceremonies at the Hyatt Regency Century Plaza Hotel in Century City and the New York Times Building in New York, "Mad Men" and "Flight of the Conchords" were singled out in the TV series categories.
The awards, which recognize originality, creativity and quality in casting, were hosted by actor John Michael Higgins.
A career achievement award was presented to producer Laura Ziskin. Nora and Delia Ephron received the New York Apple Award, and John Frank Levey was the recipient of the Hoyt Bowers Award.
On the film side, the winners were April Webster and Alyssa Weisberg for "Star Trek" in the category of studio feature, drama; Francine Maisler for "Tropic Thunder" (studio feature, comedy); Maisler and Nina Henninger (location casting) for "Milk" (indie...
At simultaneous ceremonies at the Hyatt Regency Century Plaza Hotel in Century City and the New York Times Building in New York, "Mad Men" and "Flight of the Conchords" were singled out in the TV series categories.
The awards, which recognize originality, creativity and quality in casting, were hosted by actor John Michael Higgins.
A career achievement award was presented to producer Laura Ziskin. Nora and Delia Ephron received the New York Apple Award, and John Frank Levey was the recipient of the Hoyt Bowers Award.
On the film side, the winners were April Webster and Alyssa Weisberg for "Star Trek" in the category of studio feature, drama; Francine Maisler for "Tropic Thunder" (studio feature, comedy); Maisler and Nina Henninger (location casting) for "Milk" (indie...
- 11/3/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Long Wharf Theatre, under the leadership of Artistic Director Gordon Edelstein and Managing Director Ray Cullom, will present the beloved musical The Fantasticks, directed by Amanda Dehnert, from October 7 through November 1, 2009, on the Mainstage.
Press night is Wednesday, October 14 at 7:30 p.m. Curtain times are Tuesdays at 7 p.m., Wednesdays at 2 and 7 p.m., Thursdays and Fridays at 8pm, Saturdays at 3p.m. and 8p.m., and Sundays at 2p.m. and 7p.m. Tickets are $30-$70.
"I have loved The Fantasticks since I was a little kid," said Artistic Director Gordon Edelstein. "This will be so much fun for the entire family."
This hit musical with book and lyrics by Tom Jones and music by Harvey Schmidt, the longest running Off-Broadway musical in history, tells the story of Luisa and Matt, a pair entering the bloom of their youth. Their fathers, scheming to encourage their budding love, hire...
Press night is Wednesday, October 14 at 7:30 p.m. Curtain times are Tuesdays at 7 p.m., Wednesdays at 2 and 7 p.m., Thursdays and Fridays at 8pm, Saturdays at 3p.m. and 8p.m., and Sundays at 2p.m. and 7p.m. Tickets are $30-$70.
"I have loved The Fantasticks since I was a little kid," said Artistic Director Gordon Edelstein. "This will be so much fun for the entire family."
This hit musical with book and lyrics by Tom Jones and music by Harvey Schmidt, the longest running Off-Broadway musical in history, tells the story of Luisa and Matt, a pair entering the bloom of their youth. Their fathers, scheming to encourage their budding love, hire...
- 11/1/2009
- BroadwayWorld.com
![Laura Ziskin in Spider-Man 2 (2004)](https://m.media-amazon.com/images/M/MV5BMTgxNjQ0MjAxNV5BMl5BanBnXkFtZTYwOTY3NzY3._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Laura Ziskin in Spider-Man 2 (2004)](https://m.media-amazon.com/images/M/MV5BMTgxNjQ0MjAxNV5BMl5BanBnXkFtZTYwOTY3NzY3._V1_QL75_UX140_CR0,1,140,207_.jpg)
Producer Laura Ziskin, writer-director Nora Ephron, writer Delia Ephron and casting director John Frank Levey will be honored at the Casting Society of America's 24th annual Artios Awards.
Simultaneous awards ceremonies will be held in at the Hyatt Regency Century Plaza in Los Angeles and the New York Times Building in New York on Nov. 2.
Ziskin is set to receive the group's Career Achievement Award. The New York Apple Award will be presented to Nora and Delia Ephron. Levy is this year's recipient of the Hoyt Bowers Award.
Representing 425 members in the United States, Canada, England and Australia, Cas also announced its nominees in film TV and theater on Thursday.
In the category of big budget feature drama, Ellen Chenoweth scored two noms for "Changeling" and "Duplicity." The category nominees are John Papsidera for "The Dark Knight"; April Webster and Alyssa Weisberg for "Star Trek" and Avy Kaufman for "State of Play.
Simultaneous awards ceremonies will be held in at the Hyatt Regency Century Plaza in Los Angeles and the New York Times Building in New York on Nov. 2.
Ziskin is set to receive the group's Career Achievement Award. The New York Apple Award will be presented to Nora and Delia Ephron. Levy is this year's recipient of the Hoyt Bowers Award.
Representing 425 members in the United States, Canada, England and Australia, Cas also announced its nominees in film TV and theater on Thursday.
In the category of big budget feature drama, Ellen Chenoweth scored two noms for "Changeling" and "Duplicity." The category nominees are John Papsidera for "The Dark Knight"; April Webster and Alyssa Weisberg for "Star Trek" and Avy Kaufman for "State of Play.
- 9/17/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
2009 Gen Art Awards 2009 Gen Art Film Festival: April 1-7, 2009 In David Lee Miller’s comedy My Suicide, Gabriel Sunday (above) stars as teenager whose final school video project will be his own suicide. Also in the My Suicide cast: David Carradine, Mariel Hemingway, Brooke Nevin (above), Nora Dunn, and Joe Mantegna. Acura Grand Jury Award for Best Feature: My Suicide, by David Lee Miller Acura Grand Jury Award for Best Short: Adelaide, by Liliana Greenfield-Sanders Audience Award for Best Feature: My Suicide, by David Lee Miller Audience Award for Best Short: Adelaide, by Liliana Greenfield-Sanders “Stargazer Award” for breakout acting: Gabriel Sunday, My Suicide Special jury prize for best use of music: Punching the Clown, directed by Gregori Viens, music by Henry Phillips Feature Jury: Kevin Corrigan, Matt Dentler, Mike Landry, Moby, Ted Sarandos Short Jury: Cary Fukunaga, Dana Brunetti, Kurt Keunne, Matt Stein, Terry Kinney Stargazer Jury: Izabella Miko,...
- 4/9/2009
- by Deborah Arthur
- Alt Film Guide
![Michael Cera and Elliot Page in Juno (2007)](https://m.media-amazon.com/images/M/MV5BMTIwMDgwODc5Nl5BMl5BanBnXkFtZTYwMjQzMDM4._V1_QL75_UX140_CR0,5,140,207_.jpg)
![Michael Cera and Elliot Page in Juno (2007)](https://m.media-amazon.com/images/M/MV5BMTIwMDgwODc5Nl5BMl5BanBnXkFtZTYwMjQzMDM4._V1_QL75_UX140_CR0,5,140,207_.jpg)
"No Country for Old Men" and "Juno," two of the most honored films of 2007, made one more appearance on the awards circuit Monday night as they took home top prizes at the Casting Society of America's 24th Artios Awards.
Recognizing outstanding achievement in casting, the awards, hosted by Neil Patrick Harris at the Hyatt Regency Century Plaza Hotel in Century City, singled out Oscar winner "No Country" in the studio feature-drama category, with the trophy going to Ellen Chenoweth and Jo Edna Boldin (location casting). In the studio feature-comedy category, the winners were Mindy Marin, Coreen Mayres (location) and Heike Brandstatter (location) for "Juno."
The group gave its Career Achievement Award to producers Craig Zadan and Neil Meron. Thomas Schumacher received the New York Apple Award at a simultaneous event in New York hosted by Julie Halston, and the Hoyt Bowers Award was presented to the late Mali Finn.
Donna Morong...
Recognizing outstanding achievement in casting, the awards, hosted by Neil Patrick Harris at the Hyatt Regency Century Plaza Hotel in Century City, singled out Oscar winner "No Country" in the studio feature-drama category, with the trophy going to Ellen Chenoweth and Jo Edna Boldin (location casting). In the studio feature-comedy category, the winners were Mindy Marin, Coreen Mayres (location) and Heike Brandstatter (location) for "Juno."
The group gave its Career Achievement Award to producers Craig Zadan and Neil Meron. Thomas Schumacher received the New York Apple Award at a simultaneous event in New York hosted by Julie Halston, and the Hoyt Bowers Award was presented to the late Mali Finn.
Donna Morong...
- 11/11/2008
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Stage actors go to New York; film and TV actors head to California. That's the sort of truism few people bother to question. But these days, things could be shifting. With state and city tax incentives in place for production companies that shoot in New York and a mayor and governor who strongly support the film and TV industry, more New York actors may soon make on-camera work their primary focus.Christine Toy Johnson has reaped the benefits of this new climate. A longtime New York actor who pursues both stage and screen work, she recently appeared in the first episode of ABC's Ugly Betty to be filmed in New York after two seasons in California. "I'm thrilled that they're here," she says. "The cast and crew really had a great energy, and I had a ball working on it." Among the series now shooting in New York are Gossip Girl,...
- 8/7/2008
- by Mark Dundas Wood
- backstage.com
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