The Theory of Everything (2014)

A look at the relationship between the famous physicist Stephen Hawking and his wife.

Director:

James Marsh

Writers:

Anthony McCarten (screenplay), Jane Hawking (book)

Stars:

Eddie Redmayne, Felicity Jones, Tom Prior

Won 1 Oscar. Another 24 wins & 121 nominations.

Cast

Cast overview, first billed only:
Eddie Redmayne	...	Stephen Hawking
Felicity Jones	...	Jane Hawking
Tom Prior	...	Robert Hawking - Age 17
Sophie Perry	...	Lucy Hawking - Age 14
Finlay Wright-Stephens	...	Timothy Hawking - Age 8
Harry Lloyd	...	Brian
Alice Orr-Ewing	...	Diana King
David Thewlis	...	Dennis Sciama
Thomas Morrison	...	Carter
Michael Marcus	...	Ellis
Gruffudd Glyn	...	Rees
Paul Longley	...	Barman - Rowing Club
Emily Watson	...	Beryl Wilde
Guy Oliver-Watts	...	George Wilde
Simon McBurney	...	Frank Hawking

Storyline

The Theory of Everything is the story of the most brilliant and celebrated physicist of our time, Stephen Hawking, and Jane Wilde the arts student he fell in love with whilst studying at Cambridge in the 1960s. Little was expected from Stephen Hawking, a bright but shiftless student of cosmology, given just two years to live following the diagnosis of a fatal illness at 21 years of age. He became galvanized, however, by the love of fellow Cambridge student, Jane Wilde, and he went on to be called the successor to Einstein, as well as a husband and father to their three children. Over the course of their marriage as Stephen's body collapsed and his academic renown soared, fault lines were exposed that tested the lineaments of their relationship and dramatically altered the course of both of their lives.

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Plot Keywords:

cambridge university | husband wife relationship | lou gehrig's disease | physicist | based on memoir | 

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Taglines:

Consider Everything.

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Genres:

Biography | Drama | Romance

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Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements and suggestive material

Details

Official Sites:

Official site [United States]

Country:

UK Japan USA

Language:

English French

Release Date:

26 November 2014 (USA)

Also Known As:

The Theory of Everything

Filming Locations:

Cambridge, Cambridgeshire, England, UK

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$208,763, 7 November 2014, Limited Release

Gross USA:

$35,893,537

Cumulative Worldwide Gross:

$123,726,688

Company Credits

Production Co:

Working Title Films,Dentsu Motion Pictures,Fuji Television Network

Technical Specs

Runtime:

123 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.40 : 1

Did You Know?

Trivia

The cover of the chess book that Stephen Hawking reads, "Chess: Advanced Chess Strategy," (written by Pavel Brinsky) appears to be fictional. At the seminar room in Cambridge, Hawking sneaks the position after Black's 28th move during the game between Alekhine and Sultan Khan. Berne (1932) appeared in Alekhine's book, "My Best Games of Chess" 1924-1937 (1939).

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Goofs

When Hawking is explaining what is wrong with him he describes it as Lou Gehrig's disease. This term was almost unheard of in the UK at that time and certainly would not have been used. He would have described his diagnosis as ALS. The term Lou Gehrig's disease was probably included for US audiences.

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Quotes

Stephen Hawking: It is clear that we are just an advanced breed of primates on a minor planet orbiting around a very average star, in the outer suburb of one among a hundred billion galaxies. BUT, ever since the dawn of civilization people have craved for an understanding of the underlying order of the world. There ought to be something very special about the boundary conditions of the universe. And what can be more special than that there is no boundary? And there should be no boundary to human endeavor. We ...

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Connections

Referenced in Late Night with Seth Meyers: Chris 'Ludacris' Bridges/Charlie Cox/Dead Sara (2015)

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Soundtracks

Good Christian Men Rejoice
(uncredited)
Traditional carol
Lyrics by John M. Neale
[Sung by Jonathan's church choir]

User Reviews

Proof Positive

This film is highly recommended.

You can certainly tell it's Oscar time when all the more dignified and personal projects inundate the movie houses in hopes of capturing the gold. For most of the other nine months, we get lesser efforts and big blockbuster spectacles to fill-in until late October arrives. Then, it's time to get serious about our cinema choices. The Theory of Everything is one such film. It carries its pedigree with style and class, even if it is a rather conventional biopic in disguise, with its main character suffering through a debilitating disease while finding the stamina to go on.

With a very literate screenplay by Anthony McCarten and accomplished direction by James Marsh, the film tells the story of famed scientist Stephen Hawking and his battle with ALS. It also concentrates on his relationship with his supportive and loving wife, Jane.

Love will conquer all. Or so it should. But the horrors of this disease and the hardships they face seem unsurmountable. We see the couple meet, fall in love, marry, have children, and grow weary of each other. Stephen achieves adoration, fame, and fortune while Jane takes a back seat to her caregiver role and bringing up the family, amid the tears and frustration they face on a daily basis. One immediately empathizes with these characters due to their tragic situations.

The two leads are splendid and their acting is peerless. Felicity Jones plays Jane. Her role may be less showy and far more understated, but the actress is perfect at showing Jane's endurance and strength in the subtlest of ways. Eddie Redmayne is Stephen Hawking and his performance is literally trans-formative. (He must have learned his craft from tons of research about Hawking and creative influence from Daniel Day Lewis.) This is an impressive physical performance, from his black horn rimmed glasses to his walking cane and distorted posture. Both will receive well-earned accolades for their memorable work. Fine supporting work by Charlie Cox as Jonathan, their loyal friend, and Simon McBurney as Stephen's father add more clarity to the film.

As with most biographical films, one sees the rise and fall of the protagonist before it arrives. This film follows that tries-and-true formula. But Marsh's direction compensates for the linear structure and predictability of the story. The director relies heavily on his actors' subtle actions to tell more about their characters than the mere words they speak. He also wisely shows Hawking's point of view by angling the camera range from a lower stance or keeping it stationary to reinforce the characters' immobility. The final scene, recapping Hawking's life in reverse, beautifully sums up Stephen's life full circle in the most visual of terms.

But The Theory of Everything is foremost a love story. The film desperately wants to be a crowd-pleaser with an uplifting message of inspiration, even when the reality and truth of their actual lives is bleaker than it appears on screen. The film glosses over some factual content to play up the human drama of this pair of young lovers. It skillfully manipulates its audience to wallow in the heartbreak. Director Marsh successfully capture the pangs of young love and bittersweet romance in this emotionally involving film.

The Theory of Everything is an immensely satisfying film with stand-out acting and skilled direction. The proof is right there on the screen, even if the facts are slightly askew. GRADE: B+

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