Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...Written by
Alejandro G. Iñárritu said of the scene where Riggan and Mike are rehearsing the script for the first time, that Edward Norton was looking over the script and commenting about it. Alejandro then reminded him that he was doing the same thing his character is doing in the film. Norton's character is a satirical version of the actor's behavior on-set in real-life. See more »
When Riggan is walking back to the theater in his underwear, a girl is seen and heard telling him "You look so old in person" and he replies back with "Fuck you" right before he walks into the theater doors, then later when Sam shows him his trending video, neither the girl's comment nor his reply to her are heard. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
See more »
This movie really touch my soul in very different ways, I was laughing and crying at the same time when I was watching it. Alejandro's clean smooth directing really states a new canon in the way a movie is conducted, I was blown away with Michael Keaton's perfect performance and the rest of the cast did well around him. I had never seen this kind of genre called "Magical realism" as well as in this movie, it really submerge you inside the head of the main character and the brilliant drum-based score helps to explain the situation by the minute. I am very happy with the Oscars won by Alejandro (well deserved) especially because I am Mexican too. I know that this kind of movie is not for everyone, some people said that it is boring, pretentious, over-the- top, strange, difficult to understand, hideous. But let me tell you this movie is fascinating, touching, funny, sad, eloquent, fantastic and dramatic. I liked very much how it makes fun of big-budget summer-blockbusters hero-movies which easily Alejandro will have done if he had wanted but no, he preferred an artistic low budget movie that make you feel instead of make you eat popcorn.
100 of 171 people found this review helpful.
Was this review helpful to you?
| Report this