A fight with Joe leaves Louis badly scarred; Roy plays a final practical joke on Ethel; Prior wrestles the Angel and then addresses a review board in Heaven; Harper heads out West; Prior, outliving ...
Cohn is diagnosed with AIDS. He pushes Joe to take the job in Washington so he can help Cohn keep his job. Prior becomes more sick and goes to the hospital, Louis can't handle being there for him so ...
God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose.Written by
The opening credit sequence features an "angel's-eye view" of the continental United States; the camera moves though the clouds from the west coast to the east showing prominent landmarks in a number of major U.S. cities. These include: the Golden Gate Bridge in San Francisco, California; the Salt Lake (LDS) Temple in Salt Lake City, Utah; the Gateway Arch in St. Louis, Missouri; the Sears Tower (now known as the Willis Tower) in Chicago, Illinois; and finally the skyline of New York City, ending at the Angel of the Waters sculpture on top of the Bethesda Fountain in Central Park. See more »
When Belize pulls Roy away from Joe in the hospital hallway, Roy's hand jumps from Joe's shirt to down at his side between shots. See more »
AIDS. Homosexual. Gay. Lesbian. You think these are names that tell you who a person sleeps with, but they don't tell you that.
No. Like all labels they tell you one thing, and one thing only: Where does an individual so identified fit into the food chain, the pecking order? Not ideology or sexual taste, but something much simpler: clout. Not who I fuck or who fucks me, but who will come to the phone when I call, who owes me favors. This is what a label refers to. Now to someone who does ...
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I am by far the youngest to submit a comment about "Angels in America" and I must say that all the negative comments are ridiculous. I have never been so moved by a film since I watched "David and Lisa." The acting was superb and the script was beyond beautiful. I can not for the LIFE of me understand why people would be offended by the film. With all the homosexuality aside, the direction, cinematography, and writing has been the best that I have seen to EVER come out of HBO let alone a Miniseries. Why can't any of you who hated the movie so much step back and appreciate it for what it really is, a great piece of art.
"Angels in America" was inspiring, touching, and beautiful and I wish they made it longer!
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