A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart.Written by
Kenneth Chisholm (firstname.lastname@example.org)
This was the only film written, produced, edited and directed by Ethan Coen and Joel Coen to win Best Picture at the Academy Awards. See more »
When Bell is driving up to the Desert Sands Motel, a sign for Route 66 Paint and Body is visible to the right. El Paso is over 250 miles from Route 66. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Fargo, had its quirky character and its grotesque moments, but this film is all about a subdued natures intermixed with quick action. For what I expected, I got some of it, but also a bit more of a subdued air and timing than I expected. It would do things in spurts, action at the beginning then a lull and more thunder. It worked great for keeping one on edge, which Brolin did, excellently in the lead role lying awake thinking too hard. Jones too was good in a strong supporting role as a close to retirement sheriff who is on the outside shaking his head at the carnage and mayhem unleashed by the simple finding and taking of a satchel full of money.
The real gem and glue of the film though is Javier Bardem's menacing character who has his own brand of justice, which is extremely harsh and well insane. Even the one who claims to know him cannot even begin to stop or even slow him down. Bardem whom I have not had the pleasure of seeing in anything before is gold and like no other before looks to have the supporting actor award locked up in this performance. His presence is felt, even when he does not show up. That is something I have not seen in film well since probably The Third Man and Orson Welles' character Harry Lime.
I cannot really describe the film that well so I will suffice to say that is best modern western tale I have seen since The Three Burials of Melquiades, which also happened to have Tommy Lee Jones and was directed by him to boot. Another thing I noted was the lack of strong score. The filmmakers just seemed to let the sounds of the creaking boots and the desert landscape speak for the film. It felt natural and a bit menacing.
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