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Blade: Trinity (2004)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
8 December 2004 (USA)
See more »
Tagline:
Where it began so it shall end. See more »
Plot:
Blade, now a wanted man by the FBI, must join forces with the Nightstalkers to face his most challenging enemy yet: Dracula Full summary » | Full synopsis »
Awards:
1 nomination
See more »
NewsDesk:
(335 articles)
Who Is The Most Successful Superhero Actor?
(From MTV Splash Page. 9 May 2013, 5:00 AM, PDT)
Ms. Marvel and Blade in Development at Marvel
(From MovieWeb. 8 May 2013, 10:22 AM, PDT)
Film Face-off: ‘Iron Man 3′ vs. ‘The Dark Knight Rises’ and ‘Pain & Gain’ vs. ‘Bad Boys’
(From Scorecard Review. 7 May 2013, 8:17 AM, PDT)
(From MTV Splash Page. 9 May 2013, 5:00 AM, PDT)
Ms. Marvel and Blade in Development at Marvel
(From MovieWeb. 8 May 2013, 10:22 AM, PDT)
Film Face-off: ‘Iron Man 3′ vs. ‘The Dark Knight Rises’ and ‘Pain & Gain’ vs. ‘Bad Boys’
(From Scorecard Review. 7 May 2013, 8:17 AM, PDT)
User Reviews:
Decent third showing for Blade, but nothing brilliant
See more (496 total) »
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| David S. Goyer | |||
Writing credits(WGA) | ||
| David S. Goyer | (written by) | |
| Marv Wolfman | (character) & | |
| Gene Colan | (character) | |
Produced by | |||
| Avi Arad | .... | executive producer | |
| Cale Boyter | .... | executive producer | |
| Toby Emmerich | .... | executive producer | |
| Kevin Feige | .... | co-producer | |
| Peter Frankfurt | .... | producer | |
| David S. Goyer | .... | producer | |
| Lynn Harris | .... | producer | |
| Stan Lee | .... | executive producer | |
| Art Schaefer | .... | co-producer | |
| Wesley Snipes | .... | producer | |
Original Music by | |||
| Ramin Djawadi | |||
| RZA | (as The RZA) | ||
Cinematography by | |||
| Gabriel Beristain | (director of photography) | ||
Film Editing by | |||
| Conrad Smart | |||
| Howard E. Smith | |||
Casting by | |||
| Ronnie Yeskel | |||
Production Design by | |||
| Chris Gorak | |||
Art Direction by | |||
| Patrick Banister | |||
| Eric Fraser | |||
Set Decoration by | |||
| Jamie Jonasson | (co-set decorator) | ||
| Tedd Kuchera | |||
Costume Design by | |||
| Laura Jean Shannon | |||
Makeup Department | |||
| Jill Bailey | .... | makeup artist | |
| Ken Banks | .... | prosthetic eyes and teeth: Spectral Motion, Inc. | |
| Anji Bemben | .... | key hair stylist | |
| Clifford Booker | .... | hair stylist: Wesley Snipes | |
| Joel Echallier | .... | special makeup effects artist: reshoot unit | |
| Mike Elizalde | .... | makeup effects (as Michael Elizalde) | |
| Gerald Gibbons | .... | hair stylist | |
| Connie Grayson Criswell | .... | hair department: Spectral Motion, Inc. (as Constance Criswell) | |
| Rebecca Lee | .... | assistant makeup artist | |
| Kandace Loewen | .... | assistant hair stylist: car chase unit | |
| Lisa Love | .... | key makeup artist | |
| Harlow MacFarlane | .... | special makeup effects artist | |
| Shauna Magrath | .... | makeup and tattoo artist | |
| Hayley Miller | .... | assistant makeup artist: car chase unit | |
| Rob Miller | .... | contact lens technician | |
| Beverly Moncrief | .... | contact lens technician | |
| Sylvia Nava | .... | hair department: Spectral Motion, Inc. | |
| Ryan Nicholson | .... | special makeup effects artist | |
| Cyndi Reece-Thorne | .... | makeup and tattoo artist: Wesley Snipes | |
| Danna Rutherford | .... | key hair stylist: car chase unit | |
| Yoichi Art Sakamoto | .... | prosthetic eyes and teeth: Spectral Motion, Inc. (as Art Sakamoto) | |
| Sydney Silvert | .... | key makeup artist: car chase unit | |
| Christ Stanley | .... | dead body production | |
| Bill Terezakis | .... | special makeup effects artist | |
| Monique Venier | .... | prosthetic makeup effects: car chase unit | |
Production Management | |||
| George A. Grieve | .... | production manager | |
| Erik Holmberg | .... | executive in charge of production | |
| Jody Levin | .... | executive in charge of post-production | |
| Sara Romilly | .... | post-production supervisor | |
| Art Schaefer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Vic Armstrong | .... | action director | |
| Vic Armstrong | .... | second unit director | |
| Ryan Carpenter | .... | third assistant director: car chase unit | |
| Brian Giddens | .... | first assistant director: car chase unit | |
| Eddy Hardy | .... | second assistant director: second unit | |
| Mike Johanson | .... | third assistant director: second unit (as Michael Johannson) | |
| Brad Jubenville | .... | second assistant director: car chase unit (as Brad Jubenvill) | |
| Brynn Kinnee | .... | third assistant director: second unit | |
| Yannick Leray | .... | trainee assistant director | |
| David Markowitz | .... | first assistant director: second unit | |
| Eddie Perez | .... | second unit director (as Edward G. Perez) | |
| Lori K. Peterson | .... | third assistant director (as Lori Peterson) | |
| Cindy Smith | .... | second assistant director | |
| Pete Whyte | .... | first assistant director (as Peter Whyte) | |
| Annabelle Wilczur | .... | second assistant director: second unit | |
Special Effects by | |||
| Cara E. Anderson | .... | special effects buyer | |
| Cara E. Anderson | .... | special effects office assistant | |
| Brent Baker | .... | mold department supervisor: Spectral Motion, Inc. | |
| Roland Blancaflor | .... | foam department: Spectral Motion, Inc. | |
| Michael Bolan | .... | special effects rigger (as Mike Bolan) | |
| Darin Bouyssou | .... | mold department: Spectral Motion, Inc. | |
| Norman Cabrera | .... | art supervisor: Spectral Motion, Inc. | |
| Rhaban Canas | .... | illustrator: Spectral Motion, Inc. | |
| Rory Cutler | .... | special effects coordinator | |
| Jon Dawe | .... | animatronic department: Spectral Motion, Inc. | |
| Joel Dobzewitz | .... | shop assistant: Spectral Motion, Inc. | |
| André Dominguez | .... | special effects rigger (as Andre Dominguez) | |
| Mary Elizalde | .... | CFO: Spectral Motion, Inc. | |
| Thomas Floutz | .... | art supervisor: Spectral Motion, Inc. | |
| Steve Fox | .... | special effects assistant | |
| Frederick Fraleigh | .... | fabrication department: Spectral Motion, Inc. | |
| Derek Heselton | .... | special effects fabricator | |
| Graham S. Hollins | .... | special effects shop foreman (as Graham Hollins) | |
| Carlos Huante | .... | illustrator: Spectral Motion, Inc. | |
| Timothy Huizing | .... | mold department: Spectral Motion, Inc. | |
| Bill Jacob | .... | mold department: Spectral Motion, Inc. (as William Jacob) | |
| Carol Jones | .... | fabrication department: Spectral Motion, Inc. | |
| Hiroshi Katagiri | .... | sculpting department: Spectral Motion, Inc. | |
| Charles Kuzela | .... | seaming department: Spectral Motion, Inc. | |
| Don Lanning | .... | sculpting department: Spectral Motion, Inc. | |
| Russell Lukich | .... | paint department: Spectral Motion, Inc. (as Russ Lukich) | |
| Kyle Martin | .... | animatronic department: Spectral Motion, Inc. | |
| Cass McClure | .... | foam latex technician: Spectral Motion, Inc. | |
| W. David McGuire | .... | special effects rigger (as Dave McGuire) | |
| Kevin McTurk | .... | seaming department: Spectral Motion, Inc. | |
| Scott Millenbaugh | .... | shop foreman: Spectral Motion, Inc. | |
| Jeff Miller | .... | production assistant: Spectral Motion, Inc. | |
| Jaimie Nakae | .... | shop assistant: Spectral Motion, Inc. | |
| Mark Obedinski | .... | special effects rigger (as Mark Obedzinski) | |
| David Perteet | .... | mold department: Spectral Motion, Inc. (as Dave Perteet) | |
| Rob Phillips | .... | mold department: Spectral Motion, Inc. (as Robert Phillips) | |
| Scotty Pringle | .... | special effects assistant (as Scott Pringle) | |
| John Reynolds | .... | special effects best boy | |
| Christopher Schreiber | .... | special effects fabricator | |
| Mark Setrakian | .... | animatronic supervisor: Spectral Motion, Inc. | |
| Kevin Stadnyk | .... | special effects assistant | |
| Siegfried Stock | .... | special effects fabricator | |
| Wayne Szybunka | .... | special effects best boy | |
| Adam Tayler | .... | special effects technician | |
| Kazuhiro Tsuji | .... | art supervisor: Spectral Motion, Inc. | |
| Dale Vrba | .... | special effects rigger | |
| Brian Walsh | .... | production supervisor: Spectral Motion, Inc. | |
| Steve Wang | .... | art supervisor: Spectral Motion, Inc. | |
| Lisa Welton | .... | seaming department: Spectral Motion, Inc. (as Lisa Fornadley) | |
| Lawrence Wray | .... | special effects assistant (as Laurence Wray) | |
Visual Effects by | |||
| Laide Agunbiade | .... | matchmover: Giant Killer Robots (as Sholaide Agunbiade) | |
| Ahmet Ahmet | .... | art director: Imaginary Forces | |
| Ahmet Ahmet | .... | designer: Imaginary Forces | |
| Simon Alexander | .... | motion control video assistant | |
| Alexandra Altrocchi | .... | visual effects producer: Giant Killer Robots (as Alex Wolbach) | |
| Carlos Anguiano | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Jeremy Appelbaum | .... | compositor: Digital Dimension | |
| Dori Arazi | .... | animator: Giant Killer Robots | |
| Gregory Arbit | .... | 3D artist: Eyetronics USA | |
| Gregory Arbit | .... | 3D scanning technician: Eyetronics USA | |
| Deb Asch | .... | technical supervisor: Giant Killer Robots | |
| Dan Ashton | .... | scanning and recording supervisor: Cinesite Hollywood | |
| Cheryl Bainum | .... | executive producer: Hatch FX | |
| Ty Bardi | .... | compositor: Giant Killer Robots | |
| Jeff Barnes | .... | executive producer: CaféFX Inc. | |
| Rod Basham | .... | Inferno artist: Imaginary Forces | |
| Joe Bauer | .... | visual effects supervisor | |
| Greg Baxter | .... | visual effects production manager | |
| Kevin Bell | .... | compositor: Giant Killer Robots | |
| Les Bernstien | .... | motion control operator: Cinema Production Services, Inc. (as Leslie Bernstein) | |
| Michael Bomagat | .... | matchmover: Giant Killer Robots | |
| Kristen Borges | .... | texture painter: Giant Killer Robots | |
| Joe Boswell | .... | systems administrator: Digital Dimension (as Joseph Boswell) | |
| Danny Braet | .... | lead animator: CaféFX Inc. | |
| Edwin Braun | .... | programmer: Cebas GmbH | |
| Leslie Brennan | .... | matchmover: Giant Killer Robots | |
| Keith Bryant | .... | producer: Imaginary Forces | |
| Everett Burrell | .... | digital effects supervisor: CaféFX Inc. | |
| Alex M. Cacciarelli | .... | compositor: Amalgamated Pixels, Inc. | |
| Dirk Callaerts | .... | 3D services supervisor: Eyetronics | |
| Dan Carrington | .... | compositor: Milne FX | |
| Troy W. Carrington | .... | production assistant: Cinema Production Services, Inc. (as Troy Carrington) | |
| Simon Chan | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Jeremy Cho | .... | matchmover: CaféFX Inc. | |
| Kate Choi | .... | lighting technical director | |
| Sunwoo Chung | .... | roto/paint: Digital Dimension | |
| Mickael Coedel | .... | effects animator: Giant Killer Robots | |
| Franklin Cofod | .... | line-up/editorial: Pixel Magic | |
| Joseph B. Conmy IV | .... | visual effects producer | |
| James Coulter | .... | senior technical director: Digital Dimension | |
| Robyn Crane-Campbell | .... | compositor: Amalgamated Pixels, Inc. (as Robyn Cambell) | |
| Jason Crosby | .... | CG supervisor: Digital Dimension | |
| Peter 'Beak' Cvijanovic | .... | compositor: Milne FX | |
| Rif Dagher | .... | technical director: Digital Dimension (as Rifaat Dagher) | |
| Dominic Daigle | .... | compositor: Hatch FX | |
| Clay Dale | .... | 3D artist: Pixel Magic | |
| Mark DeGeorge | .... | grip: Cinema Production Services, Inc. (as Mark De George) | |
| Chris Del Conte | .... | visual effects producer: Digital Dimension | |
| Andrew Dickinson | .... | technical supervisor: Giant Killer Robots | |
| Domenic DiGiorgio | .... | character rigger: CaféFX Inc. | |
| Andy Dill | .... | Inferno artist: Imaginary Forces | |
| Victor DiMichina | .... | digital imaging supervisor: Pixel Magic | |
| David Ebner | .... | facility effects supervisor: CaféFX Inc. | |
| Mark Edwards | .... | visual effects coordinator: Hatch FX | |
| Roy Erickson | .... | systems administrator: Pixel Magic | |
| Deak Ferrand | .... | matte painter: Hatch FX | |
| Mike Fischer | .... | compositor: CaféFX Inc. | |
| Brian Fisher | .... | compositor: Digital Dimension | |
| Kevin Fisher | .... | scanning & recording: Pixel Magic | |
| Patrick Flanagan | .... | composite artist: Pixel Magic | |
| Jim Frohna | .... | gaffer: Cinema Production Services, Inc. (as James Frohna) | |
| Derry Frost | .... | head of production: Amalgamated Pixels, Inc. | |
| Jason Galeon | .... | technical supervisor: Giant Killer Robots | |
| Kathi Galloway | .... | production assistant: CaféFX Inc. | |
| Vicki Galloway-Weimer | .... | visual effects producer: CaféFX Inc. (as Vicki Galloway Weimer) | |
| Michael Garza | .... | systems support: Giant Killer Robots | |
| Mitch Gates | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| David Gazzana | .... | best boy electric: Cinema Production Services, Inc. | |
| Tau Gerber | .... | compositor: Giant Killer Robots | |
| Justine Gerenstein | .... | editor: Imaginary Forces | |
| David Ghegan | .... | electrician: Cinema Production Services, Inc. | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension (as Benoit 'Ben' Girard) | |
| Greg Gladstone | .... | technical lead: Giant Killer Robots | |
| Jim Gorman | .... | composite artist: Pixel Magic (as James Gorman) | |
| Dylan Gottlieb | .... | lead modeler: Giant Killer Robots | |
| Victor Grant | .... | 3D tracking: CaféFX Inc. | |
| Aivaras Grauzinis | .... | 3D pipeline integration: Eyetronics | |
| David Michael Green | .... | systems technician: Pixel Magic (as David Green) | |
| Paul Guglielmo | .... | camera assistant: Cinema Production Services, Inc. | |
| Manuel H. Guizar | .... | matchmover: CaféFX Inc. | |
| Nate Haggard | .... | composite artist: Pixel Magic | |
| Mike Hardison | .... | 3D supervisor: Pixel Magic | |
| Fred Haro | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Leann Harvey | .... | visual effects assistant | |
| James David Hattin | .... | composite artist: Pixel Magic | |
| Niles Heckman | .... | compositing supervisor: Giant Killer Robots (as Jon Heckman) | |
| Paul Herndon | .... | storyboard artist | |
| Martin Hilke | .... | compositor: Digital Dimension | |
| Glenn Hiramatsu | .... | art director: CaféFX Inc. | |
| Elvin Ho | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Hai Ho | .... | end title animator | |
| Joseph Hoback | .... | rotoscoping: CaféFX Inc. | |
| Carl Horner | .... | modelmaker: Cinema Production Services, Inc. (as Carl Horner Jr.) | |
| Jamee Houk | .... | animator: Giant Killer Robots | |
| Chris Howard | .... | compositor: Milne FX | |
| Michael Huber | .... | animator: Giant Killer Robots (as Michael Zachary Huber) | |
| Anthony Huljev | .... | electrician: Cinema Production Services, Inc. | |
| Bob Hurrie | .... | miniatures producer: Cinema Production Services, Inc. | |
| Tom L. Hutchinson | .... | technical supervisor: Giant Killer Robots (as Thomas L. Hutchinson) | |
| Travis Wade Ivy | .... | roto/paint: Digital Dimension | |
| Markus Jakubietz | .... | programmer: Cebas GmbH | |
| Ryan Jensen | .... | previs artist | |
| Tobin Jones | .... | technical lead: Giant Killer Robots | |
| Grzegorz Jonkajtys | .... | lead animator: CaféFX Inc. (as Greg Jonkajtys) | |
| Ginger Joyce | .... | accountant: Cinema Production Services, Inc. | |
| John Joyce | .... | video assist: Cinema Production Services, Inc. | |
| Michael Joyce | .... | miniatures supervisor: Cinema Production Services, Inc. | |
| Patrick Kalyn | .... | previs supervisor: Image Engine | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Carl Kaphan | .... | technical lead: Giant Killer Robots | |
| Louis Katz | .... | lighting technical director: Giant Killer Robots | |
| Rachel Katz | .... | compositor: Amalgamated Pixels, Inc. | |
| Taryn P. Kelly | .... | visual effects coordinator: Digital Dimension | |
| Harimander Singh Khalsa | .... | compositor: Digital Dimension (as Michael Cashore) | |
| Charles Khoury | .... | 3D digital animation: Imaginary Forces | |
| Hong Kim | .... | digital artist: Cinesite | |
| Jennifer Kinavey | .... | visual effects coordinator: Giant Killer Robots | |
| Kevin Kipper | .... | 3D artist: Pixel Magic | |
| Richard Kratt | .... | composite artist: Pixel Magic | |
| Steve Kullback | .... | visual effects producer: Milne FX | |
| Brian A. Lamb | .... | scanning & recording: Pixel Magic (as Brian Lamb) | |
| Alan Latteri | .... | compositor: Milne FX (as Alan Lateri) | |
| Mike Leben | .... | motion control operator | |
| Votch Levi | .... | compositor: CaféFX Inc. | |
| Benjamin Liu | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Bob Lloyd | .... | visual effects artist | |
| Dave Lockwood | .... | compositor: Digital Dimension (as David Lockwood) | |
| David Lombardi | .... | digital effects artist | |
| Randy Luczak | .... | compositor: Amalgamated Pixels, Inc. (as Randall E. Luczak) | |
| Greg-Paul Malone | .... | compositor: Milne FX | |
| Joe Mangione | .... | animator: Amalgamated Pixels, Inc. | |
| Paul Maples | .... | motion control operator | |
| Ned Martin | .... | camera assistant: Cinema Production Services, Inc. | |
| Quinn Martin | .... | motion control video assistant | |
| Eric McAvoy | .... | compositor: Digital Dimension | |
| Richard McBride | .... | technical supervisor: Giant Killer Robots (as Rich McBride) | |
| John R. McConnell | .... | composite artist: Pixel Magic (as John McConnell) | |
| Dennis McHugh | .... | miniatures director of photography: Cinema Production Services, Inc. | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| Allan McKay | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Mimi Medel | .... | visual effects executive | |
| Claudina Mercado | .... | producer: Imaginary Forces | |
| August Meredith | .... | technical supervisor: Giant Killer Robots | |
| Meredith Meyer-Nichols | .... | visual effects producer: Giant Killer Robots | |
| Rob Meyers | .... | digital compositor | |
| Troy James Miller | .... | production coordinator: Imaginary Forces (as Troy J. Miller) | |
| Scott Milne | .... | creative supervisor: Milne FX | |
| Justin Mitchell | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Roger Mocenigo | .... | senior compositor: Amalgamated Pixels, Inc. | |
| Jerome Morin | .... | visual effects executive producer: Digital Dimension | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels, Inc. (as Michael J. Morreale) | |
| Phillip Moses | .... | visual effects coordinator: CaféFX Inc. | |
| Brad Moylan | .... | composite artist: Pixel Magic | |
| Bradley Mullennix | .... | previs supervisor: Image Engine | |
| Serena Rainbow Naramore | .... | compositor: Giant Killer Robots (as Serena Naramore) | |
| Toby Newell | .... | rotoscoping: CaféFX Inc. | |
| Jeremy Oddo | .... | senior animator: Amalgamated Pixels, Inc. | |
| Fredrick Ollman | .... | modelmaker: Cinema Production Services, Inc. (as Frederick Ollman III) | |
| Akira Orikasa | .... | animation supervisor: CaféFX Inc. | |
| Desi Ortiz | .... | visual effects editor: CaféFX Inc. (as Desi R. Ortiz) | |
| Toshiyasu Otsuka | .... | technical supervisor: Giant Killer Robots | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels, Inc. | |
| Sunit Parekh | .... | technical supervisor: Giant Killer Robots | |
| Reid Paul | .... | digital effects supervisor: Pixel Magic | |
| Chris Paxson | .... | motion control technician | |
| Marc Proesmans | .... | 3D modeling/remesh: Eyetronics | |
| Allan Randall | .... | motion control technician (as Alan Randall) | |
| Cory Redmond | .... | matchmover: CaféFX Inc. | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Andrew Roberts | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Gustavo Robles | .... | 3D artist: Eyetronics USA | |
| Andrew Romine | .... | 3D artist: Pixel Magic (as Andy Romaine) | |
| Travis Ross | .... | 3D artist: Eyetronics USA | |
| Duane Rotkowski | .... | 3D artist: Eyetronics USA | |
| Daniel Rubin | .... | compositor: Digital Dimension (as Dan Rubin) | |
| Matt Russell | .... | visual effects production assistant (as Matthew Russell) | |
| Andrew G. Ryder | .... | painter: Cinema Production Services, Inc. (as Andrew Ryder) | |
| Ian Sachs | .... | programmer: Giant Killer Robots | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| Mike Schaeffer | .... | modelmaker: Cinema Production Services, Inc. (as Michael Schaeffer) | |
| Eric Schweickert | .... | compositor: Giant Killer Robots | |
| Sharron Sever | .... | accounting: CaféFX Inc. | |
| Brian Shows | .... | digital intermediate supervisor | |
| Dennis Skog | .... | best boy grip: Cinema Production Services, Inc. | |
| Ryan T. Smolarek | .... | compositor: Digital Dimension (as Ryan Smolarek) | |
| Marion Spates | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Nic Spier | .... | rotoscoping: CaféFX Inc. | |
| Ken Stranahan | .... | compositor: Digital Dimension | |
| Kevin Struckman | .... | composite artist: Pixel Magic | |
| Tammy Sutton | .... | roto/paint lead: Digital Dimension | |
| Steve Sweetie | .... | motion control operator | |
| Andy Tamandl | .... | matchmover: Giant Killer Robots | |
| Nick Tesi | .... | 3D scanning supervisor: Eyetronics USA | |
| Larry Thomas | .... | data I/O: CaféFX Inc. | |
| Rhonda Thompson | .... | production assistant: CaféFX Inc. | |
| Clint Thorne | .... | matchmove/animation artist: Giant Killer Robots | |
| Clint Thorne | .... | roto/paint artist: Giant Killer Robots | |
| Daniel Toscano | .... | gaffer: Cinema Production Services, Inc. | |
| Phi Tran | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Mike Uguccioni | .... | compositor: Amalgamated Pixels, Inc. (as Miccael Uguccioni) | |
| Adrien Van Viersen | .... | storyboard artist (as Adrian Van Veerson) | |
| Jeff Varga | .... | visual effects | |
| Gabriel Vargas | .... | lead animator: CaféFX Inc. | |
| John Vegher | .... | visual effects supervisor: Giant Killer Robots | |
| Juliet Verni | .... | production coordinator: Cinema Production Services, Inc. | |
| Leandro Visconti | .... | compositing supervisor: Digital Dimension | |
| Paul M. Wagner | .... | visual effects editor | |
| Dan Wanket | .... | animator: Amalgamated Pixels, Inc. (as Daniel E. Wankert) | |
| Jack Wells | .... | data I/O: CaféFX Inc. | |
| Bryan Whitaker | .... | 3D animation: Milne FX | |
| Andrew C. Whitelaw | .... | 3D tracking: Hatch FX (as Andrew Whitelaw) | |
| Amber Wong | .... | executive producer: Giant Killer Robots | |
| Diane Wright | .... | digital asset manager: Cinesite/Laser Pacific | |
| Diane Wright | .... | digital visual effects coordinator: Cinesite/Laser Pacific | |
| Steve Wright | .... | digital compositor: Laser Pacific/Cinesite | |
| Travis Yohnke | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| David Zbriger | .... | digital asset manager: Giant Killer Robots | |
| Christian Zurcher | .... | digital artist: Discreet 3DS MAX, Digital Dimension | |
| Brian Openshaw | .... | render manager (uncredited) | |
| Scott Paquin | .... | previs animator (uncredited) | |
| Monty Phillips | .... | digital artist (uncredited) | |
| Danny Torres | .... | systems engineer (uncredited) | |
Animation Department | |||
| Bill Haller | .... | animator | |
| Peter Ruttan | .... | playback animator | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| Errin Clutton | .... | casting assistant | |
| L.A. Hilts | .... | extras casting (as Lesley Anne Hilts) | |
| Caroline Liem | .... | casting associate: USA | |
| Coreen Mayrs | .... | casting: Canada | |
| James Moore | .... | casting assistant | |
| Josephine Ochej | .... | casting assistant (as Josie Ochej) | |
Costume and Wardrobe Department | |||
| Craig Anthony | .... | costumer: Wesley Snipes | |
| Suzanne Armstrong | .... | costume office coordinator | |
| Andre Brouwer | .... | truck costumer | |
| Dawn Climie | .... | costume set supervisor: second unit | |
| Luisa Dalmagro | .... | set costumer (as Luisa Dal Magro) | |
| Nancy Duggan | .... | assistant costume designer (as Nancy C. Duggan) | |
| Alison Fraser | .... | wardrobe supervisor (as Alison Penhall) | |
| Patrick Gray | .... | truck costumer: car chase unit | |
| Lise Hache | .... | costume set supervisor: car chase unit | |
| Susie Hill | .... | costumer: prep (as Susi A. Hill) | |
| Michelle Hunter | .... | costumer: prep | |
| Susan O'Hara | .... | costume set supervisor | |
| Susan O'Hara | .... | key set costumer | |
| Faye Sevilla | .... | costume supervisor: Los Angeles | |
| Lee Sollenberger | .... | set costumer | |
Editorial Department | |||
| Rhonda Blewett | .... | telecine assistant | |
| Jill Bogdanowicz | .... | digital intermediate colorist: Laser Pacific | |
| Betty Burkhart | .... | post-production coordinator | |
| Gary Burritt | .... | negative cutter: Kona Cutting | |
| Seth Clark | .... | assistant editor | |
| Mindy Elliott | .... | first assistant editor | |
| Bart Fisher | .... | post-production assistant | |
| Melody Gehrman | .... | assistant editor: Vancouver (as Melody Gehrman-Cook) | |
| Karin Graziani | .... | digital intermediate supervisor: Laser Pacific (as Karen Graziani) | |
| Shannon Martellaro | .... | assistant editor | |
| Kirk Moses | .... | assistant editor: Vancouver | |
| Jim Passon | .... | color timer | |
| Brad Reinke | .... | digital intermediate supervisor: Laser Pacific | |
| Frank Roman | .... | HD preview colorist: Laser Pacific | |
| Brian Shows | .... | digital intermediate consultant | |
| Mike Sowa | .... | HD preview colorist: Laser Pacific | |
| Linda Williams | .... | digital intermediate editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
Music Department | |||
| Jeffrey Biggers | .... | score assistant engineer (as Jeff Biggers) | |
| Bob Bowen | .... | music executive | |
| Paul Broucek | .... | executive in charge of music: New Line | |
| Stephen Coleman | .... | orchestrations: score | |
| Stephen Coleman | .... | score conductor | |
| Ramin Djawadi | .... | orchestrations: score | |
| George Drakoulias | .... | music supervisor | |
| Howard Drossin | .... | additional composer: score | |
| Clay Duncan | .... | score programmer | |
| Tobias Enhus | .... | music designer | |
| Mark Estes | .... | music preparation | |
| Alex Gibson | .... | music editor | |
| Simon James | .... | music contractor | |
| Franklin Jones III | .... | music assistant engineer | |
| Robin Joseph | .... | music clearances | |
| Machine Head | .... | music designer | |
| Alan Meyerson | .... | score mixer | |
| Alan Meyerson | .... | score recordist | |
| Marvin R. Morris | .... | additional music editor (as Marvin Morris) | |
| Trevor Morris | .... | arranger: additional arrangements | |
| Trevor Morris | .... | composer: additional cues | |
| Sandrine Pecher | .... | technical score consultant | |
| Gina Polcaster | .... | music production services | |
| Jeremy Raub | .... | assistant music editor | |
| Lise Richardson | .... | additional music editor (as Lisa Richardson) | |
| David Sabee | .... | music contractor | |
| Jon Schluckebier | .... | scoring stage manager | |
| Lori Silfen | .... | music business affairs executive | |
| Walt St. Johns | .... | orchestrations: score | |
| Brian Valentino | .... | protools engineer | |
| Greg Vines | .... | second assistant score engineer | |
| John F.X. Walsh | .... | music business affairs executive | |
| Tony Blondal | .... | additional orchestrator (uncredited) | |
| Kory Kruckenberg | .... | assistant score engineer (uncredited) | |
Other crew | |||
| Lisa Ahlers | .... | craft service: car chase unit | |
| Lisa Ahlers | .... | first aid: car chase unit | |
| Amanda Alexander | .... | script supervisor: car chase unit (as Amanda Alexander-McLean) | |
| Craig Alexander | .... | production attorney | |
| Anthony Alvaro | .... | production secretary | |
| Erik Andreasen | .... | assistant: Ms. Harris | |
| Jill Antal | .... | payroll | |
| Rey Astronomo | .... | computer/video playback operator | |
| Cassandra Barbour | .... | rights and clearances | |
| Jeff Behlendorf | .... | post-production accountant | |
| Howard Blank | .... | technical advisor: casino | |
| Marc Borja | .... | accounting clerk (as Mark Borja) | |
| Leon Thomas Braun | .... | key location production assistant (as Leon Braun) | |
| Lennox Brown | .... | stand-in: Wesley Snipes | |
| Nancy Carrow | .... | production coordinator (as Nancy B. Carrow) | |
| Laurie Cartwright | .... | risk management | |
| Laura Caulfield | .... | contract administrator | |
| Eunice Choi | .... | office production assistant | |
| Devin Clarke | .... | production assistant | |
| Gabriel Correa | .... | production assistant | |
| Jason Crosby | .... | marine coordinator | |
| Sean Cummings | .... | production office assistant | |
| Jon Davidson | .... | production controller | |
| Adrian Diepold | .... | key set production assistant | |
| Warren Dinwoodie | .... | utility stand-in | |
| Sarah Done | .... | assistant location manager | |
| Sarah Done | .... | assistant location manager: car chase unit | |
| John Dreyer | .... | assistant location manager: car chase unit | |
| Tashanna Ducharme | .... | production assistant | |
| Leon Dudevoir | .... | production executive | |
| Mark Dumas | .... | animal coordinator | |
| Jeff Egan | .... | production safety | |
| Karen Eisenstadt | .... | production accountant | |
| Justin Elsworth | .... | production assistant | |
| Jim Filippone | .... | helicopter pilot (as Jim Filipone) | |
| Jason Fischer | .... | first assistant production coordinator: re-shoot | |
| Barb Foster | .... | chef (as Barbara Foster) | |
| Julia Frittaion | .... | unit publicist | |
| Robert Gibbs | .... | assistant chef: car chase unit (as Rob Gibbs) | |
| Darren Giblin | .... | production assistant | |
| Emily Glatter | .... | supervising production coordinator | |
| Alexander Glua | .... | production assistant | |
| Catherine Gordon | .... | accounting clerk | |
| Brandon Gowing | .... | trainee assistant location manager | |
| Sean Grant | .... | assistant location manager | |
| Tara Howie | .... | production assistant | |
| Todd Ireland | .... | locations production assistant: car chase unit | |
| Sylvia Jang | .... | first assistant accountant | |
| Keely Johnson | .... | accounting clerk | |
| John Jordan | .... | production assistant | |
| Zahra Karmali | .... | production assistant | |
| Randy Kennedy | .... | production assistant | |
| Rick Kramer | .... | production assistant | |
| Daniel Kubat | .... | technical consultant | |
| Charles Land | .... | archery consultant | |
| Jeremy Levitan | .... | technical consultant | |
| Denise Love | .... | assistant production coordinator | |
| Glynis Lynn | .... | assistant: Mr. Goyer, Los Angeles | |
| Asha MacLeod | .... | production assistant: car chase unit | |
| Barbara MacLeod | .... | chef | |
| Helen MaComb | .... | assistant production coordinator: car chase unit | |
| Andrew Matthews | .... | financial advisor | |
| Rod McDonough | .... | glassworks | |
| David McGee | .... | chef: car chase unit (as David Richard McGee) | |
| Suzanne McGovern | .... | craft service: second unit | |
| Suzanne McGovern | .... | first aid: second unit | |
| Robert Milicevic | .... | security | |
| Janet D. Munro | .... | script supervisor (as Janet Munro) | |
| Ania Musiatowicz | .... | production assistant: second unit | |
| Lenore Nemani | .... | location scout | |
| Tony Nikl | .... | animal trainer | |
| Bonny Northcott | .... | production assistant | |
| Cy Peck | .... | production assistant: second unit | |
| Louisa Phung | .... | production assistant | |
| Paul Prokop | .... | executive in charge of finance | |
| Joshua Ravetch | .... | production resources | |
| Weatie Rosenlehner | .... | assistant: Mr. Goyer, Vancouver | |
| Trevor Sadler | .... | chef: second unit | |
| Julianna Selfridge | .... | risk management (as Juliana Selfridge) | |
| Claudio Sepulveda | .... | digital transfers | |
| Laura Sevier | .... | rights and clearances | |
| Tracey Shelley-Lavery | .... | studio teacher (as Tracey Shelley) | |
| Troy Sitter | .... | office production assistant: car chase unit (as Troy Setter) | |
| Julie Slater | .... | assistant location manager: re-shoots | |
| Shirley Smale | .... | craft service: second unit | |
| Shirley Smale | .... | first aid: second unit | |
| Ryan Steacy | .... | armorer | |
| Joe Steele | .... | production resources | |
| Tony Swatton | .... | armorer | |
| Adam Tayler | .... | assistant animal trainer | |
| Mike Thompson | .... | craft service | |
| Candice Todesco | .... | production assistant | |
| Trevor Undi | .... | assistant: Mr. Snipes | |
| Shayne A. Wilson | .... | assistant to producers (as Shayne Wilson) | |
| Bebes Winterburne | .... | craft service assistant | |
| Steve Woodley | .... | animal trainer | |
| Jason Yee | .... | production assistant | |
| Michael C. Young | .... | location manager | |
| Natasha Young | .... | script supervisor: second unit | |
| Mike Atwater | .... | production assistant (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
Thanks | |||
| Megan Baxter | .... | the film-makers wish to extend their personal thanks: for their contribution to the making of this movie | |
| Stuart Cornfeld | .... | the film-makers wish to extend their personal thanks: for their contribution to the making of this movie | |
| Guillermo del Toro | .... | the film-makers wish to extend their personal thanks: for their contribution to the making of this movie (as Guillermo Del Toro) | |
| Norm Harris | .... | the film-makers wish to extend their personal thanks: for their contribution to the making of this movie, The Eye of Agamotto | |
| Anthony M. Taylor | .... | acknowledgment: "Incubus" courtesy of (as Anthony Taylor) | |
| Bently Tittle | .... | the film-makers wish to extend their personal thanks: for their contribution to the making of this movie | |
Production Companies
- New Line Cinema (presents)
- Shawn Danielle Productions Ltd.
- Amen Ra Films
- Marvel Enterprises
- Peter Frankfurt Productions (in association with) (as Peter Frankpurt)
- Imaginary Forces (in association with)
- New Line Cinema (2004) (USA) (theatrical)
- Distribution Company (2004) (Argentina) (theatrical)
- Eagle Pictures (2004) (Italy) (theatrical)
- Entertainment Film Distributors (2004) (UK) (theatrical)
- FS Film Oy (2005) (Finland) (theatrical) (DVD) (VHS)
- Fox-Warner (2004) (Switzerland) (theatrical)
- Herald Film Company (2005) (Japan) (theatrical)
- Karo Premiere (Russia) (theatrical)
- Metropolitan Filmexport (2004) (France) (theatrical)
- RCV Film Distribution (2005) (Netherlands) (theatrical)
- Village Films (2005) (Greece) (theatrical)
- Warner Bros. (2005) (Czech Republic) (theatrical)
- Warner Bros. (2005) (Germany) (theatrical)
- Warner Bros. (2004) (Singapore) (theatrical)
- Audio Visual Enterprises (2005) (Greece) (DVD)
- E1 Entertainment Benelux (2009) (Netherlands) (DVD) (Blu-ray)
- Film1 (2006) (Netherlands) (TV) (limited)
- Gativideo (2005) (Argentina) (DVD)
- Gativideo (2005) (Argentina) (VHS)
- Nelonen (2008) (Finland) (TV)
- New Line Home Video (2005) (USA) (DVD)
- RCV Home Entertainment (2005) (Netherlands) (DVD)
- TriPictures (2004) (Spain) (all media)
- Veronica (2007) (Netherlands) (TV)
- Warner Home Video (2005) (Germany) (DVD)
- Spectral Motion (creature and prosthetic makeup effects)
- Digital Dimension (visual effects)
- Giant Killer Robots (visual effects)
- CafeFX (visual effects)
- Amalgamated Pixels (visual effects)
- MFX (visual effects) (as Milne FX)
- Pixel Magic (visual effects)
- Hatch Production (visual effects) (as Hatch FX)
- Smoke and Mirrors (additional visual effects) (as Smoke And Mirrors Productions)
- Black Pool Studios (additional visual effects)
- Imaginary Forces (additional sequences designed and produced by)
- Eyetronics (3D scanning services: US Team)
- Eyetronics (3D scanning services: Belgium Team)
- Cinema Production Services (miniatures)
- General Lift (motion control equipment)
- Image Engine Design (previsualization) (as Image Engine)
- Pixel Liberation Front (previsualization)
- AON/Albert G. Ruben Insurance Services insurance
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) acknowledgment (as ACTRA)
- Alpha Cine Service high-definition dailies (as Alpha Cine)
- American Humane Association, The animal action monitoring (AHA 00636) (as Film & Television Unit, A Program of American Humane)
- Bastyr University score recorded at (as Bastyr University, Seattle)
- Bureau of Land Management the film makers wish to extend their personal thanks to the following for their contribution to the making of this movie (as Bureau of Land Management, Ridgecrest Field Office)
- Candyman craft service
- Cast & Crew Entertainment Services payroll by (as Cast And Crew Entertainment Service, Inc.)
- Castle Oaks Productions soundtrack
- Cebas Computer programming: for Digital Dimension (as Cebas GmbH)
- Contempo III Productions courtesy of ("Incubus") (as Contempo III)
- Creative Animal Talent animals supplied by
- Critic's Choice catering: second unit (as Critics Choice Caterers)
- DeLuxe Laboratories prints by (as deluxe laboratories)
- Entertainment Clearances rights and clearances
- Eye of Agamotto, The the film makers wish to extend their personal thanks to the following for their contribution to the making of this movie
- Eyetronics 3-D scanning
- Eyetronics 3D scanning services
- Fisher Technical Services Inc. aerial flying and automation
- Fujifilm released on (as Fujifilm Professional Motion Picture Products)
- Hollywood Camera additional camera
- Imaginary Forces main title sequences designed and produced by
- International Alliance of Theatrical Stage Employees (IATSE) this picture made under the jurisdiction of (as I.A.T.S.E.®)
- Kona Cutting negative cutting
- L.A. Mad Dogs voice casting (as LA MadDogs)
- LaserPacific digital intermediate laboratory services provided by (as Laser Pacific)
- LaserPacific digital previews provided by (as Laser Pacific)
- LaserPacific digital scanning and LaserFilm[TM] recording services (as Laser Pacific)
- LaserPacific opticals by (as Laser Pacific Media Corporation)
- MFX visual effects (as Milne FX)
- MGM Clip + Still courtesy of (Blacula © 1972 Orion Pictures Corporation)
- Molokai Productions video playback
- New Line Records soundtrack album available on
- Northwest Sinfonia score performed by
- Opus Hotel Vancouver the film makers wish to extend their personal thanks to the following for their contribution to the making of this movie
- Pacific Title additional opticals & end titles
- Panavision Remote Systems remote cranes and heads
- Panavision remote cranes and heads
- Post Modern Sound additional adr recorded at (as Post Modern, Vancouver, BC)
- Reel Creations tattoos
- Ridgecrest Film Commission the film makers wish to extend their personal thanks to the following for their contribution to the making of this movie (as Ridgecrest Regional Film Commission)
- Robert Puff Music music preparation
- Ronnie Yeskel Casting casting
- Simply Divine Catering Ltd. catering
- Sony Pictures Studios sound editorial and re-recording services (as Sony Pictures Studios, Culver City, CA)
- Spacecam Systems gyro-stabilized camera system
- Star Lit Catering catering: car chase unit
- Time Magazine used with permission of (as Time) (magazine, logos and trademarks)
- Todd-AO Studios additional re-recording at (as Todd-AO Studios, Hollywood)
- Toybox (West) high-definition dailies (as Toybox Vancouver)
- Warner Bros. Studio Facilities adr and foley recorded at (as Warner Bros. Studio, Hollywood, CA)
- Wescam USA Wescam camera provided by (as Wescam)
- Widget Post Production sound re-recording
Additional Details
Also Known As:
See more »
MPAA:
Rated R for strong pervasive violence and language, and some sexual content
Parents Guide:
Runtime:
113 min | Germany:105 min (cut version) | USA:122 min (unrated DVD version)
Country:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Australia:MA | Brazil:14 | Canada:13+ (Quebec) | Canada:14A (British Columbia) | Chile:14 | Finland:K-18 | France:-12 | Germany:16 (cut) | Germany:18 | Hong Kong:IIB | Japan:PG-12 | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:R-13 | Portugal:M/16 | Singapore:NC-16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Zurich) | UK:15 | USA:Unrated (unrated DVD version) | Iceland:16 | USA:R (No. 40999) | Taiwan:R-12 | Ireland:18 | Malaysia:18SG | Canada:14A (Ontario) (unrated DVD version) | Canada:18A (Alberta/Manitoba) | Canada:18A (Ontario) (original rating) | Canada:R (Nova Scotia) (Canadian Home Video rating) (unrated DVD version) | South Korea:15 (cable rating) | Finland:K-15 (self applied) (TV rating) (2008) | Chile:TE (original rating) | Italy:T | Singapore:PG13 (edited TV version) | Canada:18+ (TV rating)
Filming Locations:
Company:
Did You Know?
Trivia:
Dominic Purcell (Drake) did all of his stunts in the sword fight sequence against Blade.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): In Blade II (2002), there's a scene where it's pointed out that vampires can see quite well in the dark. In the opening of Blade: Trinity (2004), when the vampires find Drake's resting place, they use numerous lighting devices to see in the dark caverns.See more »
Quotes:
[first lines]
Hannibal King:In the movies, Dracula wears a cape, and some old English guy always manages to save the day at the last minute with crosses and holy water. But everybody knows the movies are full of shit. The truth is, it started with Blade, and it ended with him. The rest of us were just along for the ride.
See more »
Hannibal King:In the movies, Dracula wears a cape, and some old English guy always manages to save the day at the last minute with crosses and holy water. But everybody knows the movies are full of shit. The truth is, it started with Blade, and it ended with him. The rest of us were just along for the ride.
See more »
Soundtrack:
FatalSee more »
FAQ
Why does the footage in the flashback look familiar?How many versions of "Blade: Trinity" are there?
How could Abigail be Whistler Daughter, didn't he say his whole family were killed by a vampire drifter?
See more »
See more (496 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Blade: Trinity (2004)| Recent Posts (updated daily) | User |
|---|---|
| Pretty good except for..... | canuck2 |
| Parker Posey | i_am_uncool |
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I was never a big fan of the original 'Blade', but I liked the sequel a lot. Doing away with the story building of the first one, Blade II captured a nice balance between plot and action and it was an entertaining ride throughout. For this third instalment, however that perfect balance has been interrupted, and calling this film 'action heavy' would be an understatement. While the action in the movie is well done and entertaining to watch, when you've seen 45th bad guy being smashed through a window, it loses it's impact somewhat. The talking scenes in between the action are either small plot details that the film needs to string itself together, or just another action sequence set-up. The plot is messy to say the least, and there's far too much going on for it to be streamlined into an engaging and satisfying story, but nevertheless it follows the vampires as they resurrect legendary bloodsucker Dracula and get Blade into trouble with the cops. However, Blade manages to team up with a ragtag bunch of vampire hunters and together they attempt to thwart Dracula and the rest of the vampires! Oh, and the cops.
David S. Goyer, the man who wrote the first two Blade films has taken the director's chair this time round. He's obviously being watching too much Mtv too, as he seems far too keen to not allow the audience to know what is going on. The quick style Mtv editing is abundant, and it quickly becomes apparent that you will end up very dizzy by the end of the film. The director/writer has dragged together an eclectic cast to compliment Wesley Snipes, which includes the sizzling Jessica Biel, along with two more experienced actresses who should know better; Parker Posey and Natasha Lyonne, and Kris Kristofferson returns also; and WWF wrestler Triple H joins in the fun too. Wesley Snipes has made his name playing the human/vampire hybrid in this comic strip movie series, and with this performance he seems like an actor bored with his work. Whether or not that's because of the extremely thin caricature that Snipes has been given to work with this time round, or maybe it's because he's fed up of 'more of the same'. Anyway, Blade Trinity is quality entertainment. What it lacks in depth, it makes up for in coolness and action and if you liked the first two, you might as well see this one as well.