The 2024 Atx TV Festival will close out its 13th season with a celebration of TV icon Norman Lear, Variety can exclusively announce.
“Norman Lear’s TV for the People: Script Reading and Conversation” will honor the legendary television producer and activist, who died in December 2023, with a night of comedy and conversation. There will be two live script readings — one of the groundbreaking abortion episode from “Maude” and the second of a classic episode from “Good Times.” Guest actors will read for each role, including Katey Sagal (in the role of “Maude”), Phil Rosenthal (in the role of “Walter Findlay”), Danny Pino (in the role of “Dr. Arthur Harmon”), Dulé Hill (in the role of “James Evans Sr.”).
The script readings will be followed by a conversation with Lear’s former collaborators and friends discussing his approach to TV and his ability to use the sitcom format to have important conversations.
“Norman Lear’s TV for the People: Script Reading and Conversation” will honor the legendary television producer and activist, who died in December 2023, with a night of comedy and conversation. There will be two live script readings — one of the groundbreaking abortion episode from “Maude” and the second of a classic episode from “Good Times.” Guest actors will read for each role, including Katey Sagal (in the role of “Maude”), Phil Rosenthal (in the role of “Walter Findlay”), Danny Pino (in the role of “Dr. Arthur Harmon”), Dulé Hill (in the role of “James Evans Sr.”).
The script readings will be followed by a conversation with Lear’s former collaborators and friends discussing his approach to TV and his ability to use the sitcom format to have important conversations.
- 4/25/2024
- by Emily Longeretta
- Variety Film + TV
Netflix’s Good Times reboot has drawn ire from audiences and national organizations such as the NAACP for its perceived stereotypical depictions of African Americans since its trailer was first released on March 27. That same day, a Change.org petition, which has gathered some 5,000 signatures, was launched calling on viewers to boycott the new show which “promotes violence, culture destruction of the Black community and alcohol abuse,” the creator of the petition wrote.
Showrunner Ranada Shepard understands the knee-jerk reaction.
“You haven’t seen J.B. [Smoove] and Yvette [Nicole Brown] and Marsai [Martin] and Jay Pharoah and Slink Johnson on couches all across America, which typically happens when you’re rolling out a show. There was no framing that the audience had, it was just: Watch this and form an opinion. And, they watched and they formed an opinion,” Shepard tells THR in the conversation below.
Shepard took over from...
Showrunner Ranada Shepard understands the knee-jerk reaction.
“You haven’t seen J.B. [Smoove] and Yvette [Nicole Brown] and Marsai [Martin] and Jay Pharoah and Slink Johnson on couches all across America, which typically happens when you’re rolling out a show. There was no framing that the audience had, it was just: Watch this and form an opinion. And, they watched and they formed an opinion,” Shepard tells THR in the conversation below.
Shepard took over from...
- 4/25/2024
- by Brande Victorian
- The Hollywood Reporter - Movie News
Before I knew her as Archie Bunker's little girl Gloria on "All in the Family," I knew Sally Struthers as Rebecca Cunningham on "TaleSpin." A loving single mom and ambitious businesswoman whose outspoken personality belied her petite build, Rebecca -- aka "Becky," "Beckers," and the many other nicknames her responsibility-skirting, party-loving employee Baloo would use to refer to her -- was but one of many reasons to love the "Jungle Book"-inspired animated pulp period adventure series and Disney Afternoon staple. After years of trying (and failing) to keep the peace between her stubbornly conservative dad and her liberal, holier-than-thou husband Michael as Gloria in "All in the Family," Struthers was an expert in the art of sounding flustered, a talent that served her well on "TalepSpin."
Struthers' distinct, gently raspy vocals would allow her to carve out a career for herself as a voice actor, resulting in roles on...
Struthers' distinct, gently raspy vocals would allow her to carve out a career for herself as a voice actor, resulting in roles on...
- 4/18/2024
- by Sandy Schaefer
- Slash Film
Fifty years ago, “Good Times” became the first sitcom to depict a two-parent Black American family. Now, Netflix is debuting a present-day animated reboot chronicling the Evanses two generations after the original. Set in Chicago’s Cabrini Green projects in the same apartment from the 1970s dramedy, the series follows Reggie (J.B. Smoove), his wife Beverly (Yvette Nicole Brown) and their children, Junior (Jay Pharoah), Grey (Marsai Martin) and Dalvin (Slink Johnson). Black people aren’t a monolith, and respectability politics certainly aren’t the answer to racism, sexism, bigotry and homophobia. Yet it’s puzzling that this mind-numbing series is how creator Ranada Shepard is paying homage to such a classic show while trying to speak to 21st-century Black people. It’s also very clear why Netflix decided against sending out screeners for review.
In the season opener, “Meet the Evans of New,” we learn about the new occupants of apartment 17C.
In the season opener, “Meet the Evans of New,” we learn about the new occupants of apartment 17C.
- 4/12/2024
- by Aramide Tinubu
- Variety Film + TV
Clockwise left to right: Get Out (Universal Pictures), This Is Spinal Tap (MGM Home Entertainment), That Thing You Do! (20th Century Studios), Lady Bird (A24)Graphic: The A.V. Club
It’s always neat when someone you’ve admired shows off a hidden talent that makes you see them in a different light.
It’s always neat when someone you’ve admired shows off a hidden talent that makes you see them in a different light.
- 4/12/2024
- by Mary Kate Carr, Saloni Gajjar, Drew Gillis, William Hughes, Matthew Jackson, Jarrod Jones, Emma Keates, Jacob Oller, Matt Schimkowitz, and Cindy White
- avclub.com
The title of Eric Monte and Mike Evans’ Norman Lear-produced sitcom Good Times was designed to be welcoming and inclusive. The theme song was a litany of poverty-driven adversity — temporary layoffs, easy credit rip-offs, etc. — interjected with the chorus of “Good Times!,” setting up the story of the Evans family weathering the travails of the Chicago projects with a mix of pride, determination and a whole lot of dysfunctional domestic affection.
The title of Netflix’s new 10-episode animated Good Times has taken on an almost antagonistic quality, since the first trailer was released and devotees of the original blasted those two minutes for being a violation of said original’s style and spirit.
Cavalcade of caricatures! Good Times!
Drug-dealing baby! Good Times!
Executive Producer Seth MacFarlane! Good Times!
Only for adults! Good times!
It’s impossible to review Netflix’s Good Times without starting by saying what it is not — namely,...
The title of Netflix’s new 10-episode animated Good Times has taken on an almost antagonistic quality, since the first trailer was released and devotees of the original blasted those two minutes for being a violation of said original’s style and spirit.
Cavalcade of caricatures! Good Times!
Drug-dealing baby! Good Times!
Executive Producer Seth MacFarlane! Good Times!
Only for adults! Good times!
It’s impossible to review Netflix’s Good Times without starting by saying what it is not — namely,...
- 4/12/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Shortly after Netflix released the trailer for its new adult animated series Good Times two weeks ago, our office started receiving calls and emails.
Inspired by the iconic live-action sitcom of the 1970s, the new show’s use of the beloved title conjures notions of familial fabric and community cohesion, amid challenges of generational poverty and stifling social policies that perpetuate inequitable caste conditions. Fans of the original series likely expected to see descendants of the Evans family engaging with their circumstances in adherence to the ancestral creed: Love through the pain.
But to the considerable consternation of many viewers, the new Good Times trailer seems to establish a world of Black characters navigating chaos and dysfunction, largely driven by drugs, violence and discord. While sibling tension is a common dynamic within TV family portrayals, the trailer resolves such banter by offering a father’s regret for failing to employ prophylactic measures to avoid parenthood.
Inspired by the iconic live-action sitcom of the 1970s, the new show’s use of the beloved title conjures notions of familial fabric and community cohesion, amid challenges of generational poverty and stifling social policies that perpetuate inequitable caste conditions. Fans of the original series likely expected to see descendants of the Evans family engaging with their circumstances in adherence to the ancestral creed: Love through the pain.
But to the considerable consternation of many viewers, the new Good Times trailer seems to establish a world of Black characters navigating chaos and dysfunction, largely driven by drugs, violence and discord. While sibling tension is a common dynamic within TV family portrayals, the trailer resolves such banter by offering a father’s regret for failing to employ prophylactic measures to avoid parenthood.
- 4/11/2024
- by Kyle Bowser
- The Hollywood Reporter - Movie News
The legacy of Good Times continues 50 years on, as Netflix rolls out an animated reboot of the series on April 12.
The original CBS sitcom, created by Eric Monte and Mike Evans and developed by Norman Lear, offered a heartfelt focus on a working-class Black family and starred Esther Rolle as Florida Evans and John Amos as husband James, who were raising three kids in a Chicago public housing project. Rolle and Amos originated their characters on Maude, a spinoff of Lear’s seminal comedy All in the Family.
BernNadette Stanis, who was a teen when she landed her first-ever role as middle child Thelma, tells The Hollywood Reporter that Lear let her improvise audition lines with Jimmie Walker, who was already cast as older bro J.J. “I started in on Jimmie just like I would treat my real brothers,” says Stanis, who recalls stunning Walker when she playfully smacked his shoulder.
The original CBS sitcom, created by Eric Monte and Mike Evans and developed by Norman Lear, offered a heartfelt focus on a working-class Black family and starred Esther Rolle as Florida Evans and John Amos as husband James, who were raising three kids in a Chicago public housing project. Rolle and Amos originated their characters on Maude, a spinoff of Lear’s seminal comedy All in the Family.
BernNadette Stanis, who was a teen when she landed her first-ever role as middle child Thelma, tells The Hollywood Reporter that Lear let her improvise audition lines with Jimmie Walker, who was already cast as older bro J.J. “I started in on Jimmie just like I would treat my real brothers,” says Stanis, who recalls stunning Walker when she playfully smacked his shoulder.
- 4/11/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
There's a fine art to ending a great TV series. Agonizing as it was when "The Good Place" and "Succession" recently packed it in after four seasons, it allowed them to go out with an emotional wallop rather than coasting on fumes past their expiration date. Admittedly, with less story-driven shows, it gets trickier. At what point should a comparatively episodic sitcom call it a day? It often comes down to the people involved in making it.
With "All in the Family," the writing was clearly on the wall at the end of season 8. With yet another impressive batch of episodes in the bag (including all-timers like the emotionally explosive "Edith's 50th Birthday"), creator Norman Lear and his team were ready to wind things down. The last two episodes of the season, "The Dinner Guest" and "The Stivics Go West," saw lifelong East Coasters Archie (Carroll O'Connor) and his wife...
With "All in the Family," the writing was clearly on the wall at the end of season 8. With yet another impressive batch of episodes in the bag (including all-timers like the emotionally explosive "Edith's 50th Birthday"), creator Norman Lear and his team were ready to wind things down. The last two episodes of the season, "The Dinner Guest" and "The Stivics Go West," saw lifelong East Coasters Archie (Carroll O'Connor) and his wife...
- 4/8/2024
- by Sandy Schaefer
- Slash Film
The first trailer for Netflix’s animated reboot of the iconic ’70s sitcom Good Times was released last week, and the reaction has been… let’s say, mixed.
The original Norman Lear sitcom ran for six seasons from 1974 to 1979 and earned praise for its portrayal of a working-class Black family. The animated reboot follows a new generation of the Evans family as they keep their heads above water in a Chicago housing project, but the tone of the trailer, complete with a drug-dealing baby, didn’t exactly rub fans the right way.
While speaking with THR, original Good Times stars John Amos (James Evans) and BernNadette Stanis (Thelma) shared their thoughts on the trailer. Both actors made it clear that they aren’t ready to pass judgment until they’re able to see full episodes. “I really can’t form an opinion, as I’ve not seen any of the episodes yet,...
The original Norman Lear sitcom ran for six seasons from 1974 to 1979 and earned praise for its portrayal of a working-class Black family. The animated reboot follows a new generation of the Evans family as they keep their heads above water in a Chicago housing project, but the tone of the trailer, complete with a drug-dealing baby, didn’t exactly rub fans the right way.
While speaking with THR, original Good Times stars John Amos (James Evans) and BernNadette Stanis (Thelma) shared their thoughts on the trailer. Both actors made it clear that they aren’t ready to pass judgment until they’re able to see full episodes. “I really can’t form an opinion, as I’ve not seen any of the episodes yet,...
- 4/3/2024
- by Kevin Fraser
- JoBlo.com
Stars of the original Good Times are weighing in after the trailer for Netflix’s forthcoming animated reboot led some fans to question whether the new project will indeed be “dynomite.”
Celebrating its 50th anniversary this year after premiering in February 1974, Good Times focused on the Chicago-based Evans family, with the Norman Lear-produced series running for six seasons and earning praise for its realistic portrayal of a working-class Black family. After the first promo debuted last week for Netflix’s animated exploration of the Evans family’s current generation, plenty of social media users expressed surprise that the new series — which appears to double down on stereotypes with such elements as a drug-dealing infant — didn’t highlight the positive themes from the initial show.
The Hollywood Reporter spoke to original Good Times castmembers John Amos, who portrayed patriarch James Evans on the first three seasons, and BernNadette Stanis — known for playing Thelma,...
Celebrating its 50th anniversary this year after premiering in February 1974, Good Times focused on the Chicago-based Evans family, with the Norman Lear-produced series running for six seasons and earning praise for its realistic portrayal of a working-class Black family. After the first promo debuted last week for Netflix’s animated exploration of the Evans family’s current generation, plenty of social media users expressed surprise that the new series — which appears to double down on stereotypes with such elements as a drug-dealing infant — didn’t highlight the positive themes from the initial show.
The Hollywood Reporter spoke to original Good Times castmembers John Amos, who portrayed patriarch James Evans on the first three seasons, and BernNadette Stanis — known for playing Thelma,...
- 4/3/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
The Writers Guild of America West will present Designing Women and Evening Shade creator Linda Bloodworth Thomason with its highest honor — the Paddy Chayefsky Laurel Award for Television Writing Achievement. The award is presented to a Guild member who has “advanced the literature of television and made outstanding contributions to the profession of the television writer.” Designing Women star Jean Smart will present the statuette to Bloodworth Thomason at the Wgaw’s annual WGA Awards on April 14.
The multiple Emmy-nominated television creator-writer, director, and producer launched her career with an Emmy-nominated script on M*A*S*H* in 1973. She concurrently worked on M*A*S*H* and Mary Tyler Moore Show spinoff Rhoda before creating and producing her first series Filthy Rich in 1982. Filthy Rich would lay the groundwork for the creation of landmark comedy series Designing Women by bringing her together with actresses and collaborators Delta Burke, Dixie Carter, Annie Potts, and Smart.
In addition to her work in television,...
The multiple Emmy-nominated television creator-writer, director, and producer launched her career with an Emmy-nominated script on M*A*S*H* in 1973. She concurrently worked on M*A*S*H* and Mary Tyler Moore Show spinoff Rhoda before creating and producing her first series Filthy Rich in 1982. Filthy Rich would lay the groundwork for the creation of landmark comedy series Designing Women by bringing her together with actresses and collaborators Delta Burke, Dixie Carter, Annie Potts, and Smart.
In addition to her work in television,...
- 4/2/2024
- by Denise Petski
- Deadline Film + TV
Ah, April. Spring isn’t just in the air, it’s on our television sets. Baseballs are zipping through the air. Flowers are blooming in the park. Desperate TV networks are capitalizing off national holidays with religious programming. It’s all happening, and Netflix is playing along. Not only did the streaming giant get an early jump on the Emmy race by launching the confusing awful ambitious “3 Body Problem” in March (giving voters enough time to wade through its arduous episodes), but April has its own awards contender in “Ripley.”
I would be surprised if any other April original series draw the TV Academy’s attention, but we should never write off a series executive produced by Norman Lear (“Good Times” gets the animated reboot treatment this month), nor can a nature documentary series from Netflix be considered out of the running. Greg Berlanti isn’t known for producing...
I would be surprised if any other April original series draw the TV Academy’s attention, but we should never write off a series executive produced by Norman Lear (“Good Times” gets the animated reboot treatment this month), nor can a nature documentary series from Netflix be considered out of the running. Greg Berlanti isn’t known for producing...
- 4/1/2024
- by Ben Travers
- Indiewire
Movie, TV and music fans are already remembering notable figures who have died since the start of 2024. “An Officer and a Gentleman” Oscar winner Louis Gossett Jr., “Curb Your Enthusiasm” actor Richard Lewis, “Starsky and Hutch” star David Soul and “Honeymooners” star Joyce Randolph, who played Trixie, are among celebrities from the world of television who have died. In film, cinephiles are remembering “Moonstruck” director Norman Jewison and “Mary Poppins” actress Glynis Johns.
Last year, the entertainment community said goodbye to celebrities including musicians Jimmy Buffett, Shane McGowan, Robbie Robertson and David Crosby, actors Andre Braugher and Matthew Perry, writer-producer Norman Lear and director William Friedkin.
Last year, the entertainment community said goodbye to celebrities including musicians Jimmy Buffett, Shane McGowan, Robbie Robertson and David Crosby, actors Andre Braugher and Matthew Perry, writer-producer Norman Lear and director William Friedkin.
- 4/1/2024
- by Pat Saperstein
- Variety Film + TV
Michael/Mike "Meathead" Stivic (Rob Reiner) called for a very particular type of performance. Archie and Edith Bunker's son-in-law on "All in the Family" was the progressive foil to the Bunkers' bigoted paterfamilias, a member of the Baby Boomer counterculture (back when that was a thing) who rallied against the conservative Greatest Generation beliefs championed by Archie. But at the same time, Mike was one of those well-educated liberal white guys who still struggled to recognize his own ingrained prejudices -- particularly when it came to the women in his life -- and was often guilty of being more concerned with feeling morally superior than figuring out how to actually bring about the social change he professed to want.
Reiner would eventually prove himself capable of handling this knot of contradictions, but it took him a couple of tries, much like "All in the Family" itself. As he once recalled...
Reiner would eventually prove himself capable of handling this knot of contradictions, but it took him a couple of tries, much like "All in the Family" itself. As he once recalled...
- 3/31/2024
- by Sandy Schaefer
- Slash Film
Note: this article contains detailed discussions of sexual assault.
Norman Lear's seminal sitcom "All in the Family" was known for bringing laughs and thought-provoking discussions, but a 1977 episode entitled "Edith's 50th Birthday" was an outlier. Instead of a comedy, the two-parter felt like a horror show, one with a gravely serious topic: rape. In it, family matriarch Edith Bunker (Jean Stapleton) survives a harrowing, extended assault attempt by a stranger and is forced to muddle through the aftermath of intense trauma. It's a dark point for the series, but it's one that show creator Lear said elicited the strongest live-action response of any moment in the show's nine-season run.
In an interview with The Hollywood Reporter in 2017, Lear (who died at the age of 101 in 2023) was asked to recall the biggest audience uproar in the show's history. "I never heard a bigger sound on television than when Edith got...
Norman Lear's seminal sitcom "All in the Family" was known for bringing laughs and thought-provoking discussions, but a 1977 episode entitled "Edith's 50th Birthday" was an outlier. Instead of a comedy, the two-parter felt like a horror show, one with a gravely serious topic: rape. In it, family matriarch Edith Bunker (Jean Stapleton) survives a harrowing, extended assault attempt by a stranger and is forced to muddle through the aftermath of intense trauma. It's a dark point for the series, but it's one that show creator Lear said elicited the strongest live-action response of any moment in the show's nine-season run.
In an interview with The Hollywood Reporter in 2017, Lear (who died at the age of 101 in 2023) was asked to recall the biggest audience uproar in the show's history. "I never heard a bigger sound on television than when Edith got...
- 3/31/2024
- by Valerie Ettenhofer
- Slash Film
After Lucille Ball's spunky housewife Lucy signed off on the last episode of "I Love Lucy" but before Mary Tyler Moore did away with the nuclear family sitcom model with her own self-titled show, another actress was one of the faces of womanhood in comedy. Oscar-winning actress Donna Reed headlined "The Donna Reed Show" from 1958 to 1966, playing middle-class mother and housewife Donna Stone in the popular black-and-white series. Reed starred opposite Carl Betz, who played Donna's husband, pediatrician Dr. Alex Stone. In season 5, family friends Midge and Dave joined the fun, but for the most part, the show was all about the lighthearted hijinks of the Stone family.
Though "The Donna Reed Show" was popular upon release, it's now perhaps most often referenced as a pop cultural window into a time before second-wave feminism, when women were expected to spend their time cooking, cleaning, and child-rearing while men went to work.
Though "The Donna Reed Show" was popular upon release, it's now perhaps most often referenced as a pop cultural window into a time before second-wave feminism, when women were expected to spend their time cooking, cleaning, and child-rearing while men went to work.
- 3/29/2024
- by Valerie Ettenhofer
- Slash Film
Throughout 2024, we will continue to update this In Memoriam photo gallery with notable celebrity deaths from film, television, theater and music. Major entertainment figures to be honored in the 2024 gallery are Oscar winner Louis Gossett, Jr., director/producer Norman Jewison, broadway legend Chita Rivera, country music superstar Toby Keith and actor Carl Weathers.
Featured in the 2023 gallery were Rock and Roll Hall of Fame members Tina Turner, Harry Belafonte, Jeff Beck, Robbie Robertson and David Crosby, Oscar and Tony winner Alan Arkin, Oscar/Emmy/Tony winner Glenda Jackson, Oscar and Grammy winner Burt Bacharach, Oscar winner William Friedkin, Grammy legend Tony Bennett, Emmy nominee Matthew Perry, Emmy winner Norman Lear, Emmy winner Andre Braugher, Emmy winner Ron Cephas Jones, along with rock legend Elvis Presley‘s daughter, Lisa Marie Presley, and actresses Melinda Dillon, Annie Wersching and Cindy Williams.
Featured in the 2023 gallery were Rock and Roll Hall of Fame members Tina Turner, Harry Belafonte, Jeff Beck, Robbie Robertson and David Crosby, Oscar and Tony winner Alan Arkin, Oscar/Emmy/Tony winner Glenda Jackson, Oscar and Grammy winner Burt Bacharach, Oscar winner William Friedkin, Grammy legend Tony Bennett, Emmy nominee Matthew Perry, Emmy winner Norman Lear, Emmy winner Andre Braugher, Emmy winner Ron Cephas Jones, along with rock legend Elvis Presley‘s daughter, Lisa Marie Presley, and actresses Melinda Dillon, Annie Wersching and Cindy Williams.
- 3/29/2024
- by Chris Beachum
- Gold Derby
The animated reboot of the Good Times series has a premiere date. The new family comedy will arrive on Netflix in April, and the streaming service has released a trailer and poster. Ten episodes were ordered in September 2020.
Featuring the voices of Yvette Nicole Brown, J.B. Smoove, Wanda Sykes, Jay Pharoah, Marsai Martin, Slink Johnson, and Rashida “Sheedz” Olayiwola, the Good Times series follows a new generation of the Chicago-based Evans family featured in the 1970s live-action series. The original was created by Eric Monte and Mike Evans (and developed by executive producer Norman Lear,
Read More…...
Featuring the voices of Yvette Nicole Brown, J.B. Smoove, Wanda Sykes, Jay Pharoah, Marsai Martin, Slink Johnson, and Rashida “Sheedz” Olayiwola, the Good Times series follows a new generation of the Chicago-based Evans family featured in the 1970s live-action series. The original was created by Eric Monte and Mike Evans (and developed by executive producer Norman Lear,
Read More…...
- 3/28/2024
- by TVSeriesFinale.com
- TVSeriesFinale.com
“Good Times”, the new 10-episode animated sequel to Norman Lear’s 1970’s sitcom, stars J. B. Smoove as ‘Reggie Evans’, Yvette Nicole Brown as ‘Beverly Evans’ and Jay Pharoah as ‘Junior Evans’. with Rashida “Sheedz” Olayiwola and Wanda Sykes, streaming April 12, 2024 on Netflix:
“…the animated reboot sequel of the Norman Lear series finds the latest generation of the ‘Evans’ family, cab driver ‘Reggie’ and his wife, the ever-aspirational ‘Beverly’…
“… sees them scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, ‘Junior’ and activist daughter ‘Grey’ .
“It turns out the more things change the more they stay the same and keeping your head above water in a system with its knee on your neck is as challenging as ever. The only thing tougher than life is love, but in this family, there’s more than enough to go around…”
Click the images to enlarge…...
“…the animated reboot sequel of the Norman Lear series finds the latest generation of the ‘Evans’ family, cab driver ‘Reggie’ and his wife, the ever-aspirational ‘Beverly’…
“… sees them scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, ‘Junior’ and activist daughter ‘Grey’ .
“It turns out the more things change the more they stay the same and keeping your head above water in a system with its knee on your neck is as challenging as ever. The only thing tougher than life is love, but in this family, there’s more than enough to go around…”
Click the images to enlarge…...
- 3/28/2024
- by Unknown
- SneakPeek
This isn’t the Good Times of your childhood.
Yvette Nicole Brown, who voices the character of Beverly Evans in the new animated version of Good Times for Netflix, promises it will be an “edgier, more irreverent” reboot of Norman Lear‘s groundbreaking TV sitcom.
After one of Brown’s followers wrote on X Wednesday that “I’m surprised you attached yourself to this project. Looks nothing like the show we grew up on,” Brown responded with a promise that the reboot will offer as much, if not more, than the original.
“This show is edgier and more irreverent than the Good Times of our childhood but it’s still a show about family, fighting the system and working to make things better despite where you start out in the world,” Brown wrote. “That 100% lines up with my values.”
This show is edgier and more irreverent than the Good Times...
Yvette Nicole Brown, who voices the character of Beverly Evans in the new animated version of Good Times for Netflix, promises it will be an “edgier, more irreverent” reboot of Norman Lear‘s groundbreaking TV sitcom.
After one of Brown’s followers wrote on X Wednesday that “I’m surprised you attached yourself to this project. Looks nothing like the show we grew up on,” Brown responded with a promise that the reboot will offer as much, if not more, than the original.
“This show is edgier and more irreverent than the Good Times of our childhood but it’s still a show about family, fighting the system and working to make things better despite where you start out in the world,” Brown wrote. “That 100% lines up with my values.”
This show is edgier and more irreverent than the Good Times...
- 3/27/2024
- by Lynette Rice
- Deadline Film + TV
Dynomite!
Netflix has unspooled the trailer for its upcoming animated reboot of Norman Lear’s beloved sitcom Good Times.
The raunchy R-rated trailer reveals a new look at the Evans family through the eyes of exec producer Seth MacFarlane and showrunner Ranada Shepard.
The series features a voice cast that includes J.B. Smoove (Reggie), Yvette Nicole Brown (Beverly), Jay Pharoah (Junior), Marsai Martin (Grey), Gerald “Slink” Johnson (Dalvin) and Rashida “Sheedz” Olayiwola (Lashes by Lisa).
Here’s the official logline, per Netflix: “An animated reboot of the Norman Lear series finds the latest generation of the Evans family, cab driver Reggie and his wife, the ever-aspirational Beverly, scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, Junior, activist daughter Grey, and drug dealing infant son, Dalvin. It turns out the more things change the more they stay the same and...
Netflix has unspooled the trailer for its upcoming animated reboot of Norman Lear’s beloved sitcom Good Times.
The raunchy R-rated trailer reveals a new look at the Evans family through the eyes of exec producer Seth MacFarlane and showrunner Ranada Shepard.
The series features a voice cast that includes J.B. Smoove (Reggie), Yvette Nicole Brown (Beverly), Jay Pharoah (Junior), Marsai Martin (Grey), Gerald “Slink” Johnson (Dalvin) and Rashida “Sheedz” Olayiwola (Lashes by Lisa).
Here’s the official logline, per Netflix: “An animated reboot of the Norman Lear series finds the latest generation of the Evans family, cab driver Reggie and his wife, the ever-aspirational Beverly, scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, Junior, activist daughter Grey, and drug dealing infant son, Dalvin. It turns out the more things change the more they stay the same and...
- 3/27/2024
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
When Ranada Shepard first got the call to serve as showrunner and executive producer of an animated reboot of Good Times, it didn’t take her long to decide she was interested. The original Good Times, created by Mike Evans and Eric Montes and executive-produced by the late television legend Norman Lear, made history in the ’70s as television’s first Black two-parent family sitcom.
Shepard told Netflix, “Once Sony said ‘Good Times,’ ‘Norman Lear,’ I said, ‘Say less. I’m there.’”
Good Times, coming to Netflix on April 12, is also executive-produced by Stephen Curry, Lear, and Seth MacFarlane. It’s a spiritual sequel of sorts to the live-action original, centering on the fourth generation of the Evans family living in apartment 17C of a Chicago housing project. Lear, who produced groundbreaking sitcoms The Jeffersons, Maude, Sanford and Son, and All in the Family, made pivotal...
Shepard told Netflix, “Once Sony said ‘Good Times,’ ‘Norman Lear,’ I said, ‘Say less. I’m there.’”
Good Times, coming to Netflix on April 12, is also executive-produced by Stephen Curry, Lear, and Seth MacFarlane. It’s a spiritual sequel of sorts to the live-action original, centering on the fourth generation of the Evans family living in apartment 17C of a Chicago housing project. Lear, who produced groundbreaking sitcoms The Jeffersons, Maude, Sanford and Son, and All in the Family, made pivotal...
- 3/27/2024
- by Stephan Lee
- Tudum - Netflix
This isn’t your grandma’s Good Times.
Netflix on Wednesday dropped the trailer for its forthcoming animated reboot of Norman Lear’s classic ’70s sitcom Good Times, and it has exec producer Seth MacFarlane’s raunchy fingerprints all over it.
More from TVLine3 Body Problem Creators Alexander Woo, David Benioff and D.B. Weiss Explain How They Brought That Brutal Ship Scene to Life (Er, Death) - WatchUncoupled Co-Star Reacts to Surprise Cancellation: 'Guess I'm Not Going to NYC in May!'3 Body Problem's Aliens Definitely Won This Round - Read Recap and Grade the Finale!
The ‘toon iteration — from writer Ranada Shepard,...
Netflix on Wednesday dropped the trailer for its forthcoming animated reboot of Norman Lear’s classic ’70s sitcom Good Times, and it has exec producer Seth MacFarlane’s raunchy fingerprints all over it.
More from TVLine3 Body Problem Creators Alexander Woo, David Benioff and D.B. Weiss Explain How They Brought That Brutal Ship Scene to Life (Er, Death) - WatchUncoupled Co-Star Reacts to Surprise Cancellation: 'Guess I'm Not Going to NYC in May!'3 Body Problem's Aliens Definitely Won This Round - Read Recap and Grade the Finale!
The ‘toon iteration — from writer Ranada Shepard,...
- 3/27/2024
- by Michael Ausiello
- TVLine.com
Netflix has slotted Friday, April 12 for the premiere of Good Times, the animated series reboot of the late Norman Lear’s groundbreaking TV sitcom. We’re also getting a first look in the trailer above.
J.B. Smoove (Reggie Evans) and Yvette Nicole Brown (Beverly Evans) star along with Jay Pharoah (Junior Evans), Marsai Martin (Grey Evans), Gerald “Slink” Johnson (Dalvin Evans) and Rashida “Sheedz” Olayiwola (Lashes by Lisa)
Per the logline, the animated Good Times series finds the latest generation of the Evans family, cab driver Reggie (Smoove) and his wife, the ever-aspirational Beverly (Brown), scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, Junior (Pharoah), activist daughter Grey (Martin), and drug dealing infant son, Dalvin (Johnson). It turns out the more things change the more they stay the same and keeping your head above water in a system with...
J.B. Smoove (Reggie Evans) and Yvette Nicole Brown (Beverly Evans) star along with Jay Pharoah (Junior Evans), Marsai Martin (Grey Evans), Gerald “Slink” Johnson (Dalvin Evans) and Rashida “Sheedz” Olayiwola (Lashes by Lisa)
Per the logline, the animated Good Times series finds the latest generation of the Evans family, cab driver Reggie (Smoove) and his wife, the ever-aspirational Beverly (Brown), scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, Junior (Pharoah), activist daughter Grey (Martin), and drug dealing infant son, Dalvin (Johnson). It turns out the more things change the more they stay the same and keeping your head above water in a system with...
- 3/27/2024
- by Denise Petski
- Deadline Film + TV
As the fallout from revelations in the recent Quiet on Set docuseries continues to impact Nickelodeon’s stars and fans, the original host of the Nickelodeon series Blue’s Clues is warming their hearts, over 20 years after he exited the hit show.
Steve Burns, 50, starred alongside an animated dog named Blue as the original host of the popular afternoon Nick show from 1998-2002. The interactive show had the audience follow Blue and her trail of clues that revealed her day. Each episode saw Burns pause for young viewers at home to reply to his questions; eventually nominated for nine Emmy Awards, Blue’s Clues was renowned for emphasizing social and emotional skills and for not talking down to kids.
During the years in which Blue’s Clues ran on Nickelodeon, a different set of shows ran on the network under showrunner and producer Dan Schneider. All That, iCarly, The Amanda Show and many...
Steve Burns, 50, starred alongside an animated dog named Blue as the original host of the popular afternoon Nick show from 1998-2002. The interactive show had the audience follow Blue and her trail of clues that revealed her day. Each episode saw Burns pause for young viewers at home to reply to his questions; eventually nominated for nine Emmy Awards, Blue’s Clues was renowned for emphasizing social and emotional skills and for not talking down to kids.
During the years in which Blue’s Clues ran on Nickelodeon, a different set of shows ran on the network under showrunner and producer Dan Schneider. All That, iCarly, The Amanda Show and many...
- 3/25/2024
- by Kevin Dolak
- The Hollywood Reporter - Movie News
Eight years before "Saturday Night Live" started stirring up trouble for NBC, "The Smothers Brothers Comedy Hour" was the counterculture bane of CBS' programming existence. And unlike the surprisingly game gang at 30 Rockefeller Center, the suits at the Eye (that's the nickname for CBS' logo) could not be mollified by high ratings.
The enmity between CBS and Smothers was forged by a perfect confluence of time and content. When the variety show premiered on February 5, 1967, the United States was waging two very different wars on two geographically inconvenient fronts. The country had just entered its second year of full-on, boots-on-the-ground combat in Vietnam, and though a slim majority still supported the conflict, the nation's youth weren't keen on getting drafted to fight an enemy that didn't pose an immediate physical threat to America. This unease dovetailed with the unrest at home: anti-war protests, the ongoing Civil Rights Movement, and a...
The enmity between CBS and Smothers was forged by a perfect confluence of time and content. When the variety show premiered on February 5, 1967, the United States was waging two very different wars on two geographically inconvenient fronts. The country had just entered its second year of full-on, boots-on-the-ground combat in Vietnam, and though a slim majority still supported the conflict, the nation's youth weren't keen on getting drafted to fight an enemy that didn't pose an immediate physical threat to America. This unease dovetailed with the unrest at home: anti-war protests, the ongoing Civil Rights Movement, and a...
- 3/22/2024
- by Jeremy Smith
- Slash Film
An ex-Nickelodeon writer and former assistant to Dan Schneider is adding to the toxic workplace claims that are being leveled against the man once dubbed “the Willy Wonka of television” by sharing that he was her “psychological tormentor” and allegedly caused her to have significant health issues.
Amy Berg, who wrote for Nick hits Kenan & Kel and All That, tweeted a brief account on Monday of her experience working for Schneider. Her post comes after the first half of the docuseries Quiet on Set: The Dark Side of Kids TV debuted on Investigation Discovery and Max Sunday night, presenting tales of abuse, sexism, racism and accusations of inappropriate behavior towards underage actors who worked on Schneider’s Nickelodeon series.
In her post, Berg placed the blame for her heart arrhythmia on the star producer behind hits like The Amanda Show, Drake & Josh, Zoey 101 and iCarly, and...
Amy Berg, who wrote for Nick hits Kenan & Kel and All That, tweeted a brief account on Monday of her experience working for Schneider. Her post comes after the first half of the docuseries Quiet on Set: The Dark Side of Kids TV debuted on Investigation Discovery and Max Sunday night, presenting tales of abuse, sexism, racism and accusations of inappropriate behavior towards underage actors who worked on Schneider’s Nickelodeon series.
In her post, Berg placed the blame for her heart arrhythmia on the star producer behind hits like The Amanda Show, Drake & Josh, Zoey 101 and iCarly, and...
- 3/18/2024
- by Kevin Dolak
- The Hollywood Reporter - Movie News
"All in the Family" might've been Norman Lear's finest half-hour as a sitcom producer, but I'm not sure he ever put a funnier show on the airwaves than "The Jeffersons." For 11 seasons, Sherman Hemsley's dry-cleaning magnate George Jefferson and Isabel Sanford's good-hearted Louise "Weezy" Jefferson led a stellar cast that delivered edgy-for-network-television laughs revolving around race, class, gender, and whatever happened to be grinding the hot-headed George's gears that particular week. It was the African-American answer to "All in the Family" (on which the characters of George and Weezy originated), and might actually be more shocking today for its fearless deployment of the n-word (particularly early in the series' run).
And if you're making a list of the most memorable theme songs in television history, "The Jeffersons" better be in the top five. Anyone who grew up watching the show in prime time or via syndication should...
And if you're making a list of the most memorable theme songs in television history, "The Jeffersons" better be in the top five. Anyone who grew up watching the show in prime time or via syndication should...
- 3/18/2024
- by Jeremy Smith
- Slash Film
As the social and political turmoil of 1960s America spilled into the 1970s, network television executives and producers knew they could no longer ignore the thorny issues being argued over kitchen tables and at work/school. The Vietnam War, the Civil Rights Movement, the Equal Rights Amendment, etc. were driving a wedge between families and neighbors. So when Norman Lear trotted out the unrepentant bigot Archie Bunker on "All in the Family" in 1971, many people in the country felt seen. And while they might not agree on the hot-button topics explored on this show, they could at least laugh through their many disagreements.
There came a point, however (somewhere between President Richard M. Nixon's resignation and the end of the Vietnam War), where television viewers grew weary of all these socially conscious sitcoms. Yes, they were still watching them in huge numbers, but they needed a break from the nonstop tumult of their lives.
There came a point, however (somewhere between President Richard M. Nixon's resignation and the end of the Vietnam War), where television viewers grew weary of all these socially conscious sitcoms. Yes, they were still watching them in huge numbers, but they needed a break from the nonstop tumult of their lives.
- 3/17/2024
- by Jeremy Smith
- Slash Film
Before "All in the Family" became one of the most groundbreaking sitcoms of all time, it was a non-starter with two failed pilot episodes and counting. The first, titled "Justice For All," was taped 3 years before the original show's run and featured a cast including Carol O'Conner and Jean Stapleton, who would go on to play married couple Archie and Edith Bunker in the final version of the show. The actors playing the Bunker family's daughter Edith and son-in-law Michael were different, though, played by Kelly Jean Peters ("Cagney & Lacey") and Tim McIntire ("Soap"), whose character was initially named Richard.
O'Conner explained in his memoir "I Think I'm Outta Here" that he largely rewrote the original pilot script himself, and the pilot was recorded in New York in October 1968. According to a Time Magazine 50th anniversary retrospective by Daniel S. Levy, network execs weren't pleased with the casting choices for...
O'Conner explained in his memoir "I Think I'm Outta Here" that he largely rewrote the original pilot script himself, and the pilot was recorded in New York in October 1968. According to a Time Magazine 50th anniversary retrospective by Daniel S. Levy, network execs weren't pleased with the casting choices for...
- 3/17/2024
- by Valerie Ettenhofer
- Slash Film
In the "All in the Family" episode "Archie the Hero", the bigoted Archie Bunker (Carroll O'Connor) saves the life of an unconscious woman in the back of his taxicab by giving her mouth-to-mouth resuscitation. Later, the woman, Beverly Lasalle (Lori Shannon) comes to Archie's place to thank him for his good deed, and Archie is surprised to learn that she was, in fact, a man in women's clothing. Archie -- as was the central shtick of "All in the Family" -- must struggle through his bigotry and come to terms with the fact that he, gasp, put his mouth on another man's mouth. Lori Shannon, incidentally, was the drag queen persona of standup comedian Don Seymour McLean, a celebrity in the comedy scene until his death in 1984.
In "Archie the Hero," Edith (Jean Stapleton) immediately loves Beverly, and the two become fast friends. Archie is still an a-hole about...
In "Archie the Hero," Edith (Jean Stapleton) immediately loves Beverly, and the two become fast friends. Archie is still an a-hole about...
- 3/16/2024
- by Witney Seibold
- Slash Film
That’s a wrap on Oscar season 2024 — but first, the Variety Awards Circuit Podcast’s Roundtable dives in one last time to take a final look at the highs, lows and head scratchers from Sunday night’s ceremony. “Oppenheimer” did huge, but it didn’t quite sweep. “Poor Things” over-poor-formed. We’re still not quite sure what Al Pacino was doing before handing out the best picture Academy
Award. But overall, this year’s Oscars gets high marks for good speeches, fun segments, solid quips by host Jimmy Kimmel and perhaps — most importantly — ending early.
Listen to this week’s episode, and join Clayton Davis, Jenelle Riley, Jazz Tangcay and Michael Schneider as we give our parting thoughts in another Roundtable Mega Edition below:
And here are some required readings from Oscar night 2024:
How to Improve the Oscars: Add New Categories, Bump the Show Up to February and More...
Award. But overall, this year’s Oscars gets high marks for good speeches, fun segments, solid quips by host Jimmy Kimmel and perhaps — most importantly — ending early.
Listen to this week’s episode, and join Clayton Davis, Jenelle Riley, Jazz Tangcay and Michael Schneider as we give our parting thoughts in another Roundtable Mega Edition below:
And here are some required readings from Oscar night 2024:
How to Improve the Oscars: Add New Categories, Bump the Show Up to February and More...
- 3/15/2024
- by Michael Schneider
- Variety Film + TV
It wasn’t quite a La La Land-level Oscar snafu, but Al Pacino likely wishes he had a do-over after semi-botching the announcement of Oppenheimer’s Best Picture win and failing to name the nominees on Sunday. Watch the clip below.
Addressing the situation in a statement today, the Scent of a Woman Academy Award winner and nine-time nominee said it was the producers’ call.
“There seems to be some controversy about my not mentioning every film by name last night before announcing the best picture award,” Pacino said in a statement through his reps. “I just want to be clear it was not my intention to omit them, rather a choice by the producers not to have them said again since they were highlighted individually throughout the ceremony. I was honored to be a part of the evening and chose to follow the way they wished for this award to be presented.
Addressing the situation in a statement today, the Scent of a Woman Academy Award winner and nine-time nominee said it was the producers’ call.
“There seems to be some controversy about my not mentioning every film by name last night before announcing the best picture award,” Pacino said in a statement through his reps. “I just want to be clear it was not my intention to omit them, rather a choice by the producers not to have them said again since they were highlighted individually throughout the ceremony. I was honored to be a part of the evening and chose to follow the way they wished for this award to be presented.
- 3/11/2024
- by Erik Pedersen
- Deadline Film + TV
Non-English-language movies stormed the Oscars this year, with five films taking home statuettes — the most ever in one ceremony.
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
- 3/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
Since 1994, paying tribute to the artists and filmmakers who died in the past year has become an annual segment at the Oscars. Arguably the most emotional segment of the Night, the In Memoriam section of 2024 kicked off with the remembrance of Alexei Navalny. Other notable names that were honored in the Award ceremony included Matthew Perry, Richard Lewis, Glenda Jackson, Tina Turner, Robbie Robertson, and Ryuichi Sakamoto.
However, like each year, several deceased figures were left out of the montage, which involved many prominent figures, including John Wick Star Lance Reddick, which has caused fans to outburst.
In Memoriam | Oscars
Fans Furious Over Lance Reddick and Other Notable Figures’ Snub From In Memoriam
The Academy is no stranger to leaving out beloved figures from the segment, with Anne Heche and Charlbi Dean being left out in 2023, and 2024 was no different. 2023 saw many notable figures leaving the world behind, which was hard to grasp for fans,...
However, like each year, several deceased figures were left out of the montage, which involved many prominent figures, including John Wick Star Lance Reddick, which has caused fans to outburst.
In Memoriam | Oscars
Fans Furious Over Lance Reddick and Other Notable Figures’ Snub From In Memoriam
The Academy is no stranger to leaving out beloved figures from the segment, with Anne Heche and Charlbi Dean being left out in 2023, and 2024 was no different. 2023 saw many notable figures leaving the world behind, which was hard to grasp for fans,...
- 3/11/2024
- by Santanu Roy
- FandomWire
The In Memoriam segment of the 96th Academy Awards on Sunday night paid a moving tribute to several stars and movie industry folk who have died over the last year — but, as ever, social media was quick to point out the more glaring omissions.
During the telecast, the In Memoriam segment featured Italian tenor Andrea Bocelli and his son Matteo performing a moving rendition of “Con te partirò” as pictures of talent who have died flashed on the stage behind them. The segment opened with a tribute to the late Russian political activist Alexei Navalny, who died last month in prison in controversial circumstances.
“You’re not allowed to give up,” Navalny says in a clip from the film Navalny, which won best documentary feature at the 2023 Academy Awards. “If they decide to kill me, it means we are incredibly strong.”
The segment also featured brief photo tributes to the likes of Matthew Perry,...
During the telecast, the In Memoriam segment featured Italian tenor Andrea Bocelli and his son Matteo performing a moving rendition of “Con te partirò” as pictures of talent who have died flashed on the stage behind them. The segment opened with a tribute to the late Russian political activist Alexei Navalny, who died last month in prison in controversial circumstances.
“You’re not allowed to give up,” Navalny says in a clip from the film Navalny, which won best documentary feature at the 2023 Academy Awards. “If they decide to kill me, it means we are incredibly strong.”
The segment also featured brief photo tributes to the likes of Matthew Perry,...
- 3/11/2024
- by Abid Rahman
- The Hollywood Reporter - Movie News
Oppenheimer blew up the 96th Academy Awards, taking a dominating seven trophies including Best Picture on Sunday at the Dolby Theater in Hollywood. Poor Things was next with four, and The Zone of Interest was the only other film to score multiple statuettes.
Oppenheimer’s Universal Pictures snagged the most Oscars by distributor (also seven), followed by Poor Things-driven Searchlight with five (including the Documentary Short winner The Last Repair Shop) and A24 and Toho with two apiece.
See the full lists of winners by movie and studio below.
Related: 2024 Oscars: The Biggest Moments, Snubs And Surprises
After a delayed start due to protests outside the venue, the Jimmy Kimmel-hosted 2024 Oscars didn’t exactly spread the wealth, with only the three films and four distributors taking multiple awards spread over 23 categories. Three Best Picture nominees — Maestro, Past Lives and, surprisingly, Killers of the Flower Moon — went home empty-handed,...
Oppenheimer’s Universal Pictures snagged the most Oscars by distributor (also seven), followed by Poor Things-driven Searchlight with five (including the Documentary Short winner The Last Repair Shop) and A24 and Toho with two apiece.
See the full lists of winners by movie and studio below.
Related: 2024 Oscars: The Biggest Moments, Snubs And Surprises
After a delayed start due to protests outside the venue, the Jimmy Kimmel-hosted 2024 Oscars didn’t exactly spread the wealth, with only the three films and four distributors taking multiple awards spread over 23 categories. Three Best Picture nominees — Maestro, Past Lives and, surprisingly, Killers of the Flower Moon — went home empty-handed,...
- 3/11/2024
- by Erik Pedersen and Patrick Hipes
- Deadline Film + TV
Andrea Bocelli and his son Matteo Bocelli took to the stage during the 2024 Academy Awards on Sunday night (March 10) held at Dolby Theatre in Hollywood.
The 65-year-old singer and his 26-year-old son performed a beautiful rendition of his song “Time to Say Goodbye” for the awards ceremony’s In Memoriam segment in the second half of the show.
Starting out with a remembrance of Alexei Navalny, the In Memoriam tribute featured photos and videos of many performers and crew that we’ve lost over the past year, there were some who did not make the cut.
Keep reading to find out more and to watch the video…
The end of the performance featured many names listed on the screen, including Lance Reddick, Norman Lear, Ron Cephas Jones, Sinead O’Connor and Treat Williams, but one name was notably missing from the tribute this year, and that was Angus Cloud.
Earlier in the night,...
The 65-year-old singer and his 26-year-old son performed a beautiful rendition of his song “Time to Say Goodbye” for the awards ceremony’s In Memoriam segment in the second half of the show.
Starting out with a remembrance of Alexei Navalny, the In Memoriam tribute featured photos and videos of many performers and crew that we’ve lost over the past year, there were some who did not make the cut.
Keep reading to find out more and to watch the video…
The end of the performance featured many names listed on the screen, including Lance Reddick, Norman Lear, Ron Cephas Jones, Sinead O’Connor and Treat Williams, but one name was notably missing from the tribute this year, and that was Angus Cloud.
Earlier in the night,...
- 3/11/2024
- by Just Jared
- Just Jared
Andrea Bocelli performed a rendition of the song “Time to Say Goodbye” with his son Matteo Bocelli to accompany the Academy’s annual obituary section. Perhaps mindful of previous years, in which eagle-eyed viewers have jumped on omissions, this year’s “In Memoriam” — which began with footage of the recently deceased Russian opposition leader and subject of last year’s winning documentary Navalny — seemed comprehensive but at the same time not enough.
Related: ‘Oppenheimer’ Wins Best Picture Oscar & Six Others; Emma Stone & Cillian Murphy Take Lead Acting Prizes – Full List
Beloved actors Lance Reddick, Treat Williams, Apocalypse Now’s Frederic Forrest, Rocky’s Burt Young all relegated to a fine print reference at the end, along with such writers as Norman Lear and No Country for Old Men’s Cormac McCarthy. Also given afterthought treatment were Kenneth Anger, Terence Davies, Carl Davis, David McCallum, Sinead O’Connor and Paolo Taviani in...
Related: ‘Oppenheimer’ Wins Best Picture Oscar & Six Others; Emma Stone & Cillian Murphy Take Lead Acting Prizes – Full List
Beloved actors Lance Reddick, Treat Williams, Apocalypse Now’s Frederic Forrest, Rocky’s Burt Young all relegated to a fine print reference at the end, along with such writers as Norman Lear and No Country for Old Men’s Cormac McCarthy. Also given afterthought treatment were Kenneth Anger, Terence Davies, Carl Davis, David McCallum, Sinead O’Connor and Paolo Taviani in...
- 3/11/2024
- by Damon Wise
- Deadline Film + TV
Cillian Murphy won the Best Actor Oscar this evening for his riveting turn in Christopher Nolan’s Oppenheimer. After five collaborations with Nolan, this was Murphy’s first time in a lead role in one of the director’s films — nabbing him his first-ever Oscar nomination, and the first win in the Best Actor category for an Irish-born actor. In a shout-out to his homeland from the Dolby stage, Murphy said, “I’m a very proud Irishman standing here tonight.”
He also thanked Nolan and producer Emma Thomas: “It’s been the wildest, most exhilarating, most creatively satisfying journey you’ve taken me on for the last 20 years. I owe you more than I can say.”
To all the cast and crew, he added, “You guys carried me through.”
In closing, Murphy said, “We made a film about the man who created the atomic bomb, and for better or for worse,...
He also thanked Nolan and producer Emma Thomas: “It’s been the wildest, most exhilarating, most creatively satisfying journey you’ve taken me on for the last 20 years. I owe you more than I can say.”
To all the cast and crew, he added, “You guys carried me through.”
In closing, Murphy said, “We made a film about the man who created the atomic bomb, and for better or for worse,...
- 3/11/2024
- by Nancy Tartaglione
- Deadline Film + TV
The In Memoriam section of the Academy Awards is always one of the most emotional moments of the show. This year was no exception, as the 96th Oscars celebrate the performers, filmmakers and artisan talents who died in the past year. The In Memoriam segment kicked off with a remembrance of Alexei Navalny, the political prisoner who died Feb. 16 and was profiled in last year’s documentary feature winner “Navalny.”
The names unfurled onscreen was Andrea Boccelli and his son, Matteo, sang “Time to Say Goodbye.”
Every year, the Academy leaves a few beloved names out of the montage, causing anger among some viewers. Though a much longer list is presented on the Oscars.org website, outrage over who makes it onscreen is part of the Oscar-watching tradition.
Read more: All the 2024 Oscar winners
This year several beloved late performers and filmmakers didn’t make the main segment, including Treat Williams,...
The names unfurled onscreen was Andrea Boccelli and his son, Matteo, sang “Time to Say Goodbye.”
Every year, the Academy leaves a few beloved names out of the montage, causing anger among some viewers. Though a much longer list is presented on the Oscars.org website, outrage over who makes it onscreen is part of the Oscar-watching tradition.
Read more: All the 2024 Oscar winners
This year several beloved late performers and filmmakers didn’t make the main segment, including Treat Williams,...
- 3/11/2024
- by Pat Saperstein
- Variety Film + TV
Oscars 2024 Live Updates ( Photo Credit – Instagram )
The big day is finally here. It’s time for Oscars 2024, the biggest award ceremony of all we have been waiting for so long. The year 2023 saw some fantastic movies releasing worldwide, packed with incredible performances. It will be a galore of big celebrities – Cillian Murphy, Emma Stone, Christopher Nolan, Emily Stone and many others. Keep reading this space as we keep you updated about every big thing happening at the award ceremony.
Jimmy Kimmel is the host of the 96th Academy Awards. It is the fourth time he’s hosting the Oscars. The award ceremony is being held at Los Angeles’ Dolby Theatre in Hollywood, California.
Oscars 2024 Live Updates Best Picture- Oppenheimer
To close out the night, the Academy Award for Best Picture goes to… 'Oppenheimer'! #Oscars pic.twitter.com/nLWam9DWvP
— The Academy (@TheAcademy) March 11, 2024
Oscars 2024 for Best Actress...
The big day is finally here. It’s time for Oscars 2024, the biggest award ceremony of all we have been waiting for so long. The year 2023 saw some fantastic movies releasing worldwide, packed with incredible performances. It will be a galore of big celebrities – Cillian Murphy, Emma Stone, Christopher Nolan, Emily Stone and many others. Keep reading this space as we keep you updated about every big thing happening at the award ceremony.
Jimmy Kimmel is the host of the 96th Academy Awards. It is the fourth time he’s hosting the Oscars. The award ceremony is being held at Los Angeles’ Dolby Theatre in Hollywood, California.
Oscars 2024 Live Updates Best Picture- Oppenheimer
To close out the night, the Academy Award for Best Picture goes to… 'Oppenheimer'! #Oscars pic.twitter.com/nLWam9DWvP
— The Academy (@TheAcademy) March 11, 2024
Oscars 2024 for Best Actress...
- 3/10/2024
- by Pooja Darade
- KoiMoi
There wasn't a more popular or influential (or controversial) sitcom in the 1970s than "All in the Family." Created by Norman Lear, the series was a stingingly hilarious satire of American attitudes as the country adjusted to the post-Civil Rights Movement era and coped with the increasingly unpopular Vietnam War.
The genius of "All in the Family" was Lear's ability to make every single one of his main characters behave ridiculously without becoming full-on caricatures. Archie Bunker (Carroll O'Connor) was an unrepentant bigot, his wife Edith (Jean Stapleton) was a well-meaning ditz, his daughter Gloria (Sally Struthers) was a work-in-progress idealist who went from dopey to fairly sharp as the series progressed, and his son-in-law Michael "Meathead" Stivic represented everything Archie hated about liberals in one preachy package. We all saw a bit of ourselves and the people we have no choice but to call family in the Bunkers, and...
The genius of "All in the Family" was Lear's ability to make every single one of his main characters behave ridiculously without becoming full-on caricatures. Archie Bunker (Carroll O'Connor) was an unrepentant bigot, his wife Edith (Jean Stapleton) was a well-meaning ditz, his daughter Gloria (Sally Struthers) was a work-in-progress idealist who went from dopey to fairly sharp as the series progressed, and his son-in-law Michael "Meathead" Stivic represented everything Archie hated about liberals in one preachy package. We all saw a bit of ourselves and the people we have no choice but to call family in the Bunkers, and...
- 3/9/2024
- by Jeremy Smith
- Slash Film
At the start of an interview with Phil Rosenthal about his food and travel series Somebody Feed Phil, I’m introduced as “Richard” (the company email I used to set up our chat displays my full name). I tell Rosenthal that I go by Rick.
“Ok, good,” he replies. “Because you know, I’m not partial to the name Richard” — which is the name of Rosenthal’s brother, Somebody Feed Phil executive producer and occasional on-camera tormentor Rich Rosenthal.
The tone is thus set for a diverting interview about season seven of Somebody Feed Phil, which premiered March 1 on Netflix. The series has become one of the streamer’s longer-running nonfiction shows, with the eight episodes of the current season bringing its total to 41. The new batch of episodes follows Rosenthal to Mumbai, Washington, D.C., Kyoto, Iceland, Dubai, the “real” Orlando, Taipei and Scotland.
Rosenthal talked with The Hollywood Reporter...
“Ok, good,” he replies. “Because you know, I’m not partial to the name Richard” — which is the name of Rosenthal’s brother, Somebody Feed Phil executive producer and occasional on-camera tormentor Rich Rosenthal.
The tone is thus set for a diverting interview about season seven of Somebody Feed Phil, which premiered March 1 on Netflix. The series has become one of the streamer’s longer-running nonfiction shows, with the eight episodes of the current season bringing its total to 41. The new batch of episodes follows Rosenthal to Mumbai, Washington, D.C., Kyoto, Iceland, Dubai, the “real” Orlando, Taipei and Scotland.
Rosenthal talked with The Hollywood Reporter...
- 3/1/2024
- by Rick Porter
- The Hollywood Reporter - Movie News
Hollywood and the entertainment industry lost a number of giants during 2023, from Norman Lear, Raquel Welch, Harry Belafonte, Matthew Perry and André Braugher to Tony Bennett, Tina Turner and Robbie Robertson. Here is Deadline’s annual tribute to those who left us during the past year, with each photo in the gallery also including a feature-length obituary covering their life, career and accolades.
- 3/1/2024
- by Erik Pedersen
- Deadline Film + TV
Dan Wilcox, an Emmy-winning writer, producer and longtime union man who penned dozens of M*A*S*H episodes including co-writing its record-setting series finale and had many other TV credits including Sesame Street and Fernwood/America 2-Nite, has died. He was 82.
His niece, Julie Merson Rothenberg, told the WGA that he died February 14 at Cedars-Sinai Medical Center in Los Angeles. No cause was given.
A six-decade WGA member and longtime former board member who was active in the 2007-08 strike, Wilcox was a fierce champion of unions and equal rights. In 2017, he received the Morgan Cox Award in recognition of his exemplary service to the Guild. Wgaw President Howard A. Rodman said at the time: “Dan Wilcox has been, in a sustained and deeply moving way, a voice for the voiceless. His work, at once passionate and effective, has been on behalf of those who might otherwise lack the...
His niece, Julie Merson Rothenberg, told the WGA that he died February 14 at Cedars-Sinai Medical Center in Los Angeles. No cause was given.
A six-decade WGA member and longtime former board member who was active in the 2007-08 strike, Wilcox was a fierce champion of unions and equal rights. In 2017, he received the Morgan Cox Award in recognition of his exemplary service to the Guild. Wgaw President Howard A. Rodman said at the time: “Dan Wilcox has been, in a sustained and deeply moving way, a voice for the voiceless. His work, at once passionate and effective, has been on behalf of those who might otherwise lack the...
- 2/26/2024
- by Erik Pedersen
- Deadline Film + TV
Dan Wilcox, the Emmy-winning TV writer and producer whose work on the last four seasons of M*A*S*H included the acclaimed 1983 series finale that attracted a record 106 million viewers, has died. He was 82.
Wilcox died Feb. 14 at Cedars-Sinai Medical Center in Los Angeles, his niece Julie Merson announced.
A WGA member for more than 60 years and a guild board member since 2005, Wilcox won his Emmy in 1970 for Sesame Street, where he met Thad Mumford, who became his longtime writing partner. They worked together on M*A*S*H and received the 1980 WGA award for best episodic comedy.
They also wrote for What’s Happening!!, Alice, The Duck Factory, Good Times and the 1979 ABC miniseries Roots: The Next Generations.
Wilcox was a writer and/or executive story editor on 36 episodes of M*A*S*H from 1979-83 as well as a producer, starting in 1981, on the CBS show’s last two seasons.
The native New Yorker...
Wilcox died Feb. 14 at Cedars-Sinai Medical Center in Los Angeles, his niece Julie Merson announced.
A WGA member for more than 60 years and a guild board member since 2005, Wilcox won his Emmy in 1970 for Sesame Street, where he met Thad Mumford, who became his longtime writing partner. They worked together on M*A*S*H and received the 1980 WGA award for best episodic comedy.
They also wrote for What’s Happening!!, Alice, The Duck Factory, Good Times and the 1979 ABC miniseries Roots: The Next Generations.
Wilcox was a writer and/or executive story editor on 36 episodes of M*A*S*H from 1979-83 as well as a producer, starting in 1981, on the CBS show’s last two seasons.
The native New Yorker...
- 2/26/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
In 1965, Martin Scorsese was 22 and surrounded by legends when he won the Jesse L. Laskey Intercollegiate Award at the Milestone Awards dinner hosted by the then-called Screen Producers Guild on March 8, 1965. Now, almost 60 years later, the filmmaker received the David O. Selznick Achievement Award at the 2024 PGA Awards in what he called a “full-circle” moment.
Guillermo del Toro introduced the Killers of the Flower Moon director and producer at Sunday’s award show, calling him an “indispensable titan.” When Scorsese, now 81, took the stage, he started to tell the story of the 1965 awards show and how he kissed German actress Elke Sommer on stage.
“On the stage, Alfred Hitchcock, James Stewart, Jack Benny, Samuel Goldwyn, Jack Warner and Norman Lear, Lew Wasserman, Julie Stein, Cary Grant, Eva Marie Saint, Janel Leigh, Dick Van Dyke, Elke Sommer and David O. Selznick,” said Scorsese. “They were the people on the dais at...
Guillermo del Toro introduced the Killers of the Flower Moon director and producer at Sunday’s award show, calling him an “indispensable titan.” When Scorsese, now 81, took the stage, he started to tell the story of the 1965 awards show and how he kissed German actress Elke Sommer on stage.
“On the stage, Alfred Hitchcock, James Stewart, Jack Benny, Samuel Goldwyn, Jack Warner and Norman Lear, Lew Wasserman, Julie Stein, Cary Grant, Eva Marie Saint, Janel Leigh, Dick Van Dyke, Elke Sommer and David O. Selznick,” said Scorsese. “They were the people on the dais at...
- 2/26/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Martin Scorsese accepted the Producers Guild’s David O. Selznick Achievement Award at the PGA Awards tonight and took the Hollywood & Highland Ovation Ballroom down memory lane — to about 60 years ago, when he accepted a PGA nod for his student film, It’s Not Just You, Murray! at the ripe age of 22.
Painting the scene, the Killers of the Flower Moon filmmaker said: “On the stage, Alfred Hitchcock, James Stewart, Jack Benny, Samuel Goldwyn, Jack Warner and Norman Lear, Lew Wasserman, Julie SteinCary Grant, Eva Marie Saint, Janel Leigh, Dick Van Dyke, Elke Sommer and David O. Selznick. They were the people on the dais at the 13th edition of this event on March 8, 1965. That dinner was called the Milestone Awards Dinner and presented at the Beverly Hilton Hotel.
“At the very end of the dais was me,” Scorsese continued. “I was all the way on the end. I was receiving the Jesse L.
Painting the scene, the Killers of the Flower Moon filmmaker said: “On the stage, Alfred Hitchcock, James Stewart, Jack Benny, Samuel Goldwyn, Jack Warner and Norman Lear, Lew Wasserman, Julie SteinCary Grant, Eva Marie Saint, Janel Leigh, Dick Van Dyke, Elke Sommer and David O. Selznick. They were the people on the dais at the 13th edition of this event on March 8, 1965. That dinner was called the Milestone Awards Dinner and presented at the Beverly Hilton Hotel.
“At the very end of the dais was me,” Scorsese continued. “I was all the way on the end. I was receiving the Jesse L.
- 2/26/2024
- by Anthony D'Alessandro and Fred Topel
- Deadline Film + TV
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