Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a... See full summary »
Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid... See full summary »
Zack Mayo is a young man who has signed up for Navy Aviation Officer Candidate School. He is a Navy brat who has a bad attitude problem. GySgt Foley is there to train and evaluate him and will clearly find Zack wanting. Zack meets Paula, a girl who has little beyond family and must decide what it is he wants to do with his life. Written by
John Vogel <firstname.lastname@example.org>
During the scene at TJ's where Zack says goodbye to Paula, Seegar says "I can still taste that bug!" This refers to a deleted survival training scene (included in the novelization) where Zack goads Seegar into eating a bug that is crawling on the roof of their shelter, then is forced to eat one himself to avoid disgrace. See more »
When Gunny Seargent Foley has Zack Mayo doing push ups in the sand pit, it's noticeable that his forearm sleeves are already wet from getting into a prone position to chew the recruit out, before he actually does it. See more »
[whispered to sleeping father]
[flashback to Manila]
Hey, kid! Are you Zack?
I'm Byron; nice to meet you. Come on, let's get your bags, OK?
See more »
Special thanks to the people of Fort Townsend, Washington. See more »
Though ribbed by some critics for being a crude update of the formula film romances of the 1940's, audiences still showed up in droves to see this film and turned it into one of the biggest grossers of 1982. While the film may certainly follow the general formulaic outlines of the genre, director Taylor Hackford and screenwriter Douglas Day Stewart dodge sentimentalization with a healthy dosage of grim reality. This is no longer the ultra-glamorized world of old Hollywood; AN OFFICER AND A GENTLEMAN is a movie about love in the real world. By not sheltering it's lovers from the harsh nature of humanity, the film manages to have a significantly greater impact as it works toward a deservedly optimistic ending.
In a role turned down by both John Travolta and John Denver, Richard Gere lends a brooding intensity that electrifies what could have been a bland protagonist. Debra Winger, with her down-home sexiness at it's peak, turns in a fascinating portrayal of small town frustration, and Louis Gossett Jr nearly steals the picture in a harrowing, Oscar-winning performance. In fact, Gere's relationship with Gossett's Drill Sargent is just as involving as his love affair with Winger. The supporting cast is also well-cast, with David Keith, Robert Loggia, and Lisa Blount delivering standout performances.
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