Terry Nash confesses to assassinating a mob boss turned informant just before he was about to testify, in retaliation for his wife's murder. Starsky and Hutch discover that everything Terry remembers...
Tough Starsky and educated Hutch are plainclothes cops taking on dope dealers, muggers and other thugs, aided by their red 1974 Torino and informant Huggy Bear. Both bachelors' private lives play as interweaving threads in the drama. Written by
Ed Stephan <email@example.com>
The producer actually wanted to use a green and white Camaro instead of the red and white Ford Torino but the Chevy company were unable to help them. See more »
Frequently throughout the series, a criminal will be seen using a revolver with a silencer attached. A silencer is useless on a revolver (except for the Russian Nagant M1895) as the sound of the gunshot will escape through the cylinder gap, the space between the front of the cylinder and the muzzle. See more »
With a makeup artist called Shotgun Britton, how could it fail?
The best cop show of the 70's and, with the exception of Kojak and the Rockford Files, a jewel in a sea of studio-cloned crap. First with the much-copied clichés of gruff captain and streetwise, all-knowing snitch, it had pace, pathos and, of course, the Striped Tomato.
Until the Hill Street Blues ushered in a new style of cop show for the eighties, Starsky and Hutch was the defining show of my teens and a rollicking, unashamed express-ride through the polyestered, bell-bottomed decade with two likable cops who are also best friends and plenty of short-skirted, tight-jeaned girls. It also had the great sense not to outlive its popularity.
We all had favourites (mine was Starsky) and we all tried to be as cool as Huggy Bear (brilliantly played by Antonio Fargas)...and failed miserably.
It has definitely dated down the years, but I have a copy on DVD and still take it out now and again for a chuckle at what we used to look like.
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