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M (1931)

8.5
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Reviews: 260 user | 180 critic

When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.

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Title: M (1931)

M (1931) on IMDb 8.5/10

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Cast

Cast overview, first billed only:
...
Ellen Widmann ...
Inge Landgut ...
Otto Wernicke ...
Theodor Loos ...
Gustaf Gründgens ...
Friedrich Gnaß ...
Franz
Fritz Odemar ...
Paul Kemp ...
Theo Lingen ...
Rudolf Blümner ...
Georg John ...
Franz Stein ...
Ernst Stahl-Nachbaur ...
Gerhard Bienert ...
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Storyline

In Germany, Hans Beckert is an unknown killer of girls. He whistles Edvard Grieg's 'In The Hall of the Mountain King', from the 'Peer Gynt' Suite I Op. 46 while attracting the little girls for death. The police force pressed by the Minister give its best effort trying unsuccessfully to arrest the serial killer. The organized crime has great losses due to the intense search and siege of the police and decides to chase the murderer, with the support of the beggars association. They catch Hans and briefly judge him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Plot Keywords:

police | criminal | killer | beggar | murder | See more »

Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 August 1931 (Sweden)  »

Also Known As:

M  »

Box Office

Opening Weekend:

$6,123 (USA) (15 March 2013)

Gross:

$28,877 (USA) (31 May 2013)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (2004 Criterion DVD edition) | (2000 restored) | (re-release)

Sound Mix:

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Peter Lorre's character is introduced by the musical cue "In the Hall of the Mountain King" from Edvard Grieg's "Peer Gynt Suite No. 1". This was one of the very first times that a musical theme was used to signify a character, a technique borrowed from the world of opera that is now a staple of filmmaking. See more »

Quotes

Inspector Karl Lohmann: Good God! The window sill!
See more »

Crazy Credits

All of the original credits appear only in the beginning with no music. See more »

Connections

Referenced in A Clockwork Orange (1971) See more »

Soundtracks

Le Halle du Roi de la Montagne
in "Peer Gynt Suite No.1, Op.46" (1876)
Written by Edvard Grieg
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Far Ahead Of Its Time And May Always Will Be
30 June 2009 | by (Queens, New York) – See all my reviews

M is a monumental film and seriously should be watched by all. For a film like this to be made in 1931 is just shocking. Even if the film was released today it would still be nothing like we have seen before. In our modern age of film making there has been a considerable rise in the production of films about serial killers, their complexities and particularly about pathological ones. Yet, M is the first movie that comes to my mind when I think of the themes that have been in Psycho, Silence of the Lambs, Seven and not to mention countless more.

The film is lead by Peter Lorre in a transcending performance who plays the serial killer and rapist in which the film is centered around. In this performance Lorre is successful in something that at the very least is rare to see in any kind of film, compassion for a child killer and rapist. Lorre makes the viewer see, that he is not a criminal by choice but by a sickness of compulsion. Too often then not is our perception of a psychotic killer having that look that puts fear into his or hers victims' eyes. Lorre doesn't do that but rather displays a frightened man, a scared man. One in which his desperation leads to his hazardous behavior. His portrayal of a killer is not of a fearless one but of one consumed by fear. Something that even today we as a people cannot understand, let alone in 1931.

The direction and writing of Fritz Lang is beyond comprehensible as he taps into the mind of a serial killer and his complexities. He does so in such that we get an empathetic and compassionate illustration of all sides of the story. This in which by then end of the film all points of view are more then well delivered to the audience. Fritz Lang here, has simply created here a timeless masterpiece. One that excels in its technical aspects and enlightens the audience on a topic that other films still have not yet to match M in.

I highly recommend this film for many obvious reasons and conclusions. This film was created by one of the all time great directors in Fritz Lang, Lang's command for the screen is mesmerizing and a joy to witness and so on and so forth. Yet much of this is mostly superficial and a waste of time to continuously state. M, as I mentioned before takes a strong and original stance on an issue that we as a society yet have not fully resolved. This film may not give you THE answer on this issue but it may sway that moral compass of yours that lies inside of all of us.


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