In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
In Germany, Hans Beckert is an unknown killer of girls. He whistles Edvard Grieg's 'In The Hall of the Mountain King', from the 'Peer Gynt' Suite I Op. 46 while attracting the little girls for death. The police force pressed by the Minister give its best effort trying unsuccessfully to arrest the serial killer. The organized crime has great losses due to the intense search and siege of the police and decides to chase the murderer, with the support of the beggars association. They catch Hans and briefly judge him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
MGM studio executive Irving Thalberg assembled his writers and directors for a private screening of this film, telling them that they needed to be making films of this power and caliber. He also admitted that if anyone had brought a story of a child killer to him, he would have rejected it. See more »
[All goofs for this title are spoilers.]
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Man in Pub:
Hey, it's fatty Lohmann!
Everyone in Pub:
Lohmann, Lohmann, Lohmann!
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All of the original credits appear only in the beginning with no music. See more »
M is a monumental film and seriously should be watched by all. For a film like this to be made in 1931 is just shocking. Even if the film was released today it would still be nothing like we have seen before. In our modern age of film making there has been a considerable rise in the production of films about serial killers, their complexities and particularly about pathological ones. Yet, M is the first movie that comes to my mind when I think of the themes that have been in Psycho, Silence of the Lambs, Seven and not to mention countless more.
The film is lead by Peter Lorre in a transcending performance who plays the serial killer and rapist in which the film is centered around. In this performance Lorre is successful in something that at the very least is rare to see in any kind of film, compassion for a child killer and rapist. Lorre makes the viewer see, that he is not a criminal by choice but by a sickness of compulsion. Too often then not is our perception of a psychotic killer having that look that puts fear into his or hers victims' eyes. Lorre doesn't do that but rather displays a frightened man, a scared man. One in which his desperation leads to his hazardous behavior. His portrayal of a killer is not of a fearless one but of one consumed by fear. Something that even today we as a people cannot understand, let alone in 1931.
The direction and writing of Fritz Lang is beyond comprehensible as he taps into the mind of a serial killer and his complexities. He does so in such that we get an empathetic and compassionate illustration of all sides of the story. This in which by then end of the film all points of view are more then well delivered to the audience. Fritz Lang here, has simply created here a timeless masterpiece. One that excels in its technical aspects and enlightens the audience on a topic that other films still have not yet to match M in.
I highly recommend this film for many obvious reasons and conclusions. This film was created by one of the all time great directors in Fritz Lang, Lang's command for the screen is mesmerizing and a joy to witness and so on and so forth. Yet much of this is mostly superficial and a waste of time to continuously state. M, as I mentioned before takes a strong and original stance on an issue that we as a society yet have not fully resolved. This film may not give you THE answer on this issue but it may sway that moral compass of yours that lies inside of all of us.
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