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A couple who were ardently leftwing political activists in the sixties face the problems of raising a family with children who have strongly conservative views.
Stars:
Meredith Baxter,
Michael Gross,
Michael J. Fox
Lucy is back again in this one hour sequel to I Love Lucy. Lucy and her husband, Ricky Ricardo, are living in the country with their best friends and old landlords, Fred and Ethel Mertz. ... See full summary »
The daily trials and tribulations of Tim Taylor, a TV show host raising three mischeivous boys with help from his loyal co-host, domineering wife, and genius neighbor.
Stars:
Tim Allen,
Patricia Richardson,
Earl Hindman
Widower Sheriff Andy and his son Opie live with Andy's Aunt Bee in Mayberry NC. With virtually no crimes to solve, most of Andy's time is spent philosophizing and calming down his cousin Deputy Barney.
Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz. The first major show to be put on film rather than kinescope. Written by
Ed Stephan <stephan@cc.wwu.edu>
It is beyond my comprehension how anyone can watch this show and think it isn't funny. Easily the most beloved series in the history of televison, I LOVE LUCY is a timeless milestone classic which will never be equalled. The casting is perfection personified: Ball's attractiveness, grace, vigour & timing are impeccable. Desi was an underrated straight man who was alternately funny himself - and with that inimitable Cuban accent yet. Bill Frawley and Vivian Vance seemed to BE Fred and Ethel Mertz: who else could play these loveable characters so memorably effective as they? Talk about inspired casting! The chemistry between the four is more than amazing: it's phenomenal. Bob Carroll, Jr. & Madelyn Pugh were truly gifted writers and Jess Oppenheimer gave the series its certain elusive magical quality which vanished after he left over issues with Desi. The show was still terrific during the latter part of its run, but after Oppenheimer left and Bob Schiller and Bob Weiskoff were added to write the scripts, the show's predictibility was definitely more pronounced. I think Vivian Vance was a truly underrated performer: her timing, delivery, facial expressions and gestures are joys to watch! Lucy herself - to her credit - acknowledged Vance's brilliant talent. P.S. one of my very favourite Lucy moments is during a scene in the lesser-known THE SAXOPHONE. Ball's timing - when she opens up the coat closet to find a strange man hidden therein - is split second perfection: hilariously funny.
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It is beyond my comprehension how anyone can watch this show and think it isn't funny. Easily the most beloved series in the history of televison, I LOVE LUCY is a timeless milestone classic which will never be equalled. The casting is perfection personified: Ball's attractiveness, grace, vigour & timing are impeccable. Desi was an underrated straight man who was alternately funny himself - and with that inimitable Cuban accent yet. Bill Frawley and Vivian Vance seemed to BE Fred and Ethel Mertz: who else could play these loveable characters so memorably effective as they? Talk about inspired casting! The chemistry between the four is more than amazing: it's phenomenal. Bob Carroll, Jr. & Madelyn Pugh were truly gifted writers and Jess Oppenheimer gave the series its certain elusive magical quality which vanished after he left over issues with Desi. The show was still terrific during the latter part of its run, but after Oppenheimer left and Bob Schiller and Bob Weiskoff were added to write the scripts, the show's predictibility was definitely more pronounced. I think Vivian Vance was a truly underrated performer: her timing, delivery, facial expressions and gestures are joys to watch! Lucy herself - to her credit - acknowledged Vance's brilliant talent. P.S. one of my very favourite Lucy moments is during a scene in the lesser-known THE SAXOPHONE. Ball's timing - when she opens up the coat closet to find a strange man hidden therein - is split second perfection: hilariously funny.