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After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
Mary Richards moves to Minneapolis after a relationship goes bad. She finds work as an associate producer in a small television newsroom where the characters include Lou Grant, her gruff boss, Murray Slaughter the humorous writer, and Ted Baxter the Anchor Man who spends his time mispronouncing country names. Mary continues to hope for romance, but finds that her friends are more dependable. Written by
In the episode where Mary got her tonsils removed originally she was going to have a tattoo removed. But the actress refused saying she was a "good catholic girl" and she "couldn't play that", so they changed it to a tonsillectomy. See more »
In the first season installment "Divorce Isn't Everything", Mary mentions that she can't speak French but can speak Spanish. Later in the series, while at a Mexican restaurant, she indicates that she can't read the menu because she took French in college. See more »
It's a magnifying mirror! Mary, why didn't you warn me? I thought it was a relief map of the moon. When they sell those magnifying mirrors they should include a printed suicide note.
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In episode 71 the MTM Kitten was replaced by Miss Moore herself, saying "Th-th-th-that's all folks!", a line spoken by Mary Richards during that episode. See more »
Right up there with the Dick Van Dyke show, in fact directed by some of the same people, this is another great sitcom. It seems they come along once a decade or so, and this is definitely a great one. Mary Tyler Moore is the newly liberated woman at work, dealing with all the same sexist stuff she dealt with in 1961 on the Dick Van Dyke show, but in a totally different way. The supporting cast is marvelous, from Ed Asner to Valerie Harper (as 'Rhoda') to the irrepressible Ted Knight as the vain news anchor. Hysterical stuff.
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