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Hero (2002)
"Ying xiong" (original title)

7.9
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Ratings: 7.9/10 from 114,013 users   Metascore: 84/100
Reviews: 823 user | 284 critic | 39 from Metacritic.com

One man defeated three assassins who sought to murder the most powerful warlord in pre-unified China.

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, , 1 more credit »
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Title: Hero (2002)

Hero (2002) on IMDb 7.9/10

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Nominated for 1 Oscar. Another 27 wins & 19 nominations. See more awards »

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Cast

Credited cast:
...
...
Broken Sword (as Tony Leung Chiu-Wai)
...
Flying Snow (as Maggie Cheung Man-Yuk)
...
Moon (as Zhang Ziyi)
...
...
Sky
Zhongyuan Liu ...
Old scholar
Tianyong Zheng ...
Yan Qin ...
Rest of cast listed alphabetically:
Xia Bin ...
Qin Guard #4
Hua Cao ...
Qin Guard #2
Heizi ...
Qin Guard #1
...
Qin Emperor (voice)
Ma Wen Hua ...
Xu Kuang Hua ...
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Storyline

In ancient China, before the reign of the first emperor, warring factions throughout the Six Kingdoms plot to assassinate the most powerful ruler, Qin. When a minor official defeats Qin's three principal enemies, he is summoned to the palace to tell Qin the story of his surprising victory. Written by Yocke

Plot Summary | Plot Synopsis

Plot Keywords:

king | china | flying | sword | assassin | See more »

Taglines:

Kono kuni wa mada, hontô no hero wo shiranai [Japan] (This land doesn't know a real hero. Yet.) See more »

Genres:

Action | History

Motion Picture Rating (MPAA)

Rated PG-13 for stylized martial arts violence and a scene of sensuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

Release Date:

27 August 2004 (USA)  »

Also Known As:

Jet Li's Hero  »

Filming Locations:

 »

Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

$302,114 (Brazil) (25 March 2005)

Gross:

$826,902 (Brazil) (15 April 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended) | (TV)

Sound Mix:

|

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The old blind man in the chess court plays an instrument know as a "Guqin" or just "Qin." See more »

Goofs

At the beginning when Nameless first walks into the courtyard and the camera pans back and forth you can clearly see the line of soldiers is only a couple of people deep. It is possible to see daylight between their legs, however when shot is shown from above the fact the entire scene is filled with soldiers would have made this impossible. See more »

Quotes

[first lines]
Nameless: [voiceover] I was orphaned at a young age and was never given a name. People simply called me Nameless. With no family name to live up to, I devoted myself to the sword. I spent ten years perfecting unique skills as a swordsman. The King of Qin has summoned me to court, for what I have accomplished has astonished the kingdom.
See more »

Connections

Referenced in Zizek! (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Haunting beauty and provocative message
2 January 2005 | by (universe at large) – See all my reviews

Hero is noteworthy on at least two counts.

First, there are scenes of haunting beauty("Duel in the yellow forest" and "Turquoise autumn" to site a couple) that, like the best of impressionist paintings, are so affecting that you will forever see the world in a slightly different way having once beheld them.

Secondly, the overall message of the film is a provocative one. The claim is that a degree of human casualties and suffering may be the optimal path to a better world, especially when the alternative is equally brutal chaos. This is not a popular theme. It has become much more fashionable to be anti-war in all cases. And understandably so, since variations of this logic have often been used in the past to justify atrocities. But the film provides a crisp litmus test for avoiding delusion: action must be taken with a heart void of malice and an unwavering commitment to the broadest possible ultimate outcome of good for all. Can anyone live up to this standard? Several characters in the movie do, each in their own way. If the standard could be met, would the world be a better place? These are questions worth reflecting on that have not been dealt with, to this depth, in any film I'm aware of.


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