Set three years after Dragon Inn, innkeeper Jade has disappeared and a new inn has risen from the ashes - one that's staffed by marauders masquerading as law-abiding citizens, who hope to unearth the fabled lost city buried in the desert.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together ... See full summary »
Nicolas Winding Refn
An artist, Ku, lives with his mother near an abandoned fort, reputed to be haunted. One night, investigating strange noises, he meets the beautiful Yang who is living there. She is being ... See full summary »
In ancient China, before the reign of the first emperor, warring factions throughout the Six Kingdoms plot to assassinate the most powerful ruler, Qin. When a minor official defeats Qin's three principal enemies, he is summoned to the palace to tell Qin the story of his surprising victory. Written by
The old blind man in the chess court plays an instrument know as a "Guqin" or just "Qin." See more »
At the beginning when Nameless first walks into the courtyard and the camera pans back and forth you can clearly see the line of soldiers is only a couple of people deep. It is possible to see daylight between their legs, however when shot is shown from above the fact the entire scene is filled with soldiers would have made this impossible. See more »
I was orphaned at a young age and was never given a name. People simply called me Nameless. With no family name to live up to, I devoted myself to the sword. I spent ten years perfecting unique skills as a swordsman. The King of Qin has summoned me to court, for what I have accomplished has astonished the kingdom.
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First, there are scenes of haunting beauty("Duel in the yellow forest" and "Turquoise autumn" to site a couple) that, like the best of impressionist paintings, are so affecting that you will forever see the world in a slightly different way having once beheld them.
Secondly, the overall message of the film is a provocative one. The claim is that a degree of human casualties and suffering may be the optimal path to a better world, especially when the alternative is equally brutal chaos. This is not a popular theme. It has become much more fashionable to be anti-war in all cases. And understandably so, since variations of this logic have often been used in the past to justify atrocities. But the film provides a crisp litmus test for avoiding delusion: action must be taken with a heart void of malice and an unwavering commitment to the broadest possible ultimate outcome of good for all. Can anyone live up to this standard? Several characters in the movie do, each in their own way. If the standard could be met, would the world be a better place? These are questions worth reflecting on that have not been dealt with, to this depth, in any film I'm aware of.
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