Archie and several neighbors learn that a black family is moving into the neighborhood, unaware that it is the Jeffersons. Lionel finds out about the effort to purchase the Jeffersons' new house and ...
In the series' premiere, Mike and Gloria plan a surprise party to celebrate Archie and Edith's 22nd anniversary. But it quickly turns into a shouting match between conservative Archie and the liberal...
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
Archie Bunker, was a working-class family man who held bigoted, conservative views of the world. His viewpoints clash with nearly everyone he comes into contact with especially his liberal son-in-law Mike Stivic (or, as Archie delights in calling him, "Meathead"). Written by
Brian Rathjen <email@example.com>
Mike Evans had never acted before when he auditioned for the role of Lionel Jefferson. According to director John Rich, Evans' acting in the audition was poor but he still felt that Evans would be great in the role. See more »
The house in the opening credits (that is presumably supposed to be Archie and Edith Bunker's house) does not come anywhere near matching the studio sets that represent the house in the show. For example, window placement and size is completely wrong, and the sets depict the house as having a large front porch whereas, the house in the credits has only a small stoop. See more »
I tell ya, Edith, when a plumber's business goes into the toilet you're sitting pretty.
See more »
Arguably the Most Important Television Series of All Time.
The series was a powder keg immediately from the start as Civil Rights unrest and equal rights not only for minorities, but also women dominated headlines. And then there was Vietnam and Watergate. There was total chaos still in places in the south and in larger metropolitan areas in the north. Could television bring these public affairs to light in a comical and thought-provoking way? The answer was a resounding yes as "All in the Family" tore down perpetual American television programming walls with brash views, crazed situations, envelope-pushing elements and dominant film-making techniques (even though this was a sitcom) which all merged to paint a canvass of programming superiority that lasted for 212 mind-blowing episodes over nine years from 1971 through 1979. "The Andy Griffith Show" in the 1960s displayed how Americans wanted life to be, while "All in the Family" in the 1970s showed how American life really was. The result was a ratings monster pretty much from the word go as people watched to be entertained, to be disgusted, to praise and to criticize. The show itself was about a blue-collared New York dock worker (Carroll O'Connor) who has bigoted expressions because life continues to slap him in the face. O'Connor was definitely anti-woman, anti-minority, anti-youth and anti-liberal. He also had crazed views that would show him as being pro-Nixon and pro-Vietnam (real hot button topics back then). The show struck cords the nation over, but comedy was always mixed in and the series thrived due to both its supporters and its detractors. "All in the Family" fought problems in the U.S. by poking fun at very serious issues instead of sweeping them under the carpet like other programs of the period did. Jean Stapleton was priceless as O'Connor's kind, naive and somewhat dumb housewife. Sally Struthers was their only child, a liberal who showed the viewpoints of the Baby Boom generation. She was also married to a young man (Rob Reiner) who was O'Connor's emotional and verbal sparring partner. Reiner was of a Polish descent and that only fueled more fire between the volatile pair. O'Connor's Archie Bunker is arguably the deepest and most unique television character of all time as his crazed and sometimes silly views overshadow the fact that he is a highly sensitive middle-class man who is doing the best for himself and those around him. He is someone who does not always think before he speaks and therein lied his greatest weakness. Eventually most who saw the program embraced him as a flawed and tortured hero (not because of who he was, but because of who he really wanted to be). The lasting effect of "All in the Family" is something to think about, even today. The program continues to be vitally important to 1970s art, society and history. The success of the program even led to spin-offs galore. "Maude", "The Jeffersons", "Archie Bunker's Place" and "Gloria" were all the birth-children of this innovative, smart and completely original taste of Americana that still lives on strong today through many cable channels. 5 stars out of 5.
46 of 50 people found this review helpful.
Was this review helpful to you?